•Chord symbols reflect basic harmony. 0. F. G7. ^. С. Am. F ...... The one book that
has all of the jazz guitar classics transcribed .... Yngwie Malmsteen - Anthology.
TOMMY EMMANUEL
Photography by Sara Corwin Music transcriptions by Pete Billmann ISBN-13: 978-1-4234-3175-6 ISBN-10: 1-4234-3175-8
HAL # LEONARD^
C O R P O R A T I O N
7 7 7 7 W . BLUEMOUND RD. P . O . B o x 1 3 8 1 9 MILWAUKEE, W l 5 3 2 1 3
For all works contained herein:
COP
TOMMY EMMANUEL 6 Blue Moon 12 Can't Get Enough 30 Classical Gas 45 Countrywide 55 Determination 68 Guitar Boogie Shuffle 82 Hearts Grow Fonder 83 The Hunt 101 Initiation 108 The Journey 118 Stevie's Blues 128 Up From Down Under 140 GUITAB NOTATION LEGEND
from Dare to Be Different
Blue Moon W o r d s by Lorenz Hart Music by Richard R o d g e r s
0
(3 i
Moderately J = 135 ( Л = J J 1 ) *C
Am
F
G
С
Am
Gtr. 1 (acous.)
(
н?—
r
p
™f
-ш—-—
1 — 1
г
F
sim.
w/ fingers
jн —
-T
A
•e-
3
1
= r2-fl
2
г
f
2
-3 Ц —
3
LJ
г
2
t — I
1
г 1
в
—з
J1 -
Т - Г
1 в—
-2
3
T
p1
—> 3—
0 2
- 3 —
2
2 2
6
—3
•Chord symbols reflect basic harmony.
F
Л *
G7
j
f
j ^ j1
?
i
1 о
a 2
Am
i
LJ
r 0
з 1
С
I
;
_ Г
G
J г
1н
?
e
3
J a Г
F
0
-2 -2 -в
2
T
—И
«г
г
2 з
Ч
>
1
и 1 в
8 2
0
3
2
В
D\>1
D7sus4
i n г
г
г H
3
4 ± "г zj
5
3
3-
G6
Am
E7/G#
J> J
f
Г
f
F
f -e
г 1
e
j ?
e-
Am
^
Am/G
D7/F#
•i J—i m n
——Щ
«i
Г e—i—e
e
1
e
4= Г
»
2
2
С
=
г
з — -
2 0
J
г
3
'—*
г
f
С
Am
r f i
'
О
г
«
fr-Д
3
F7
J*J
J
_
_
J
\2r W
з
2 8
2
2
Fm6
D/F#
Gm6
1
1 2 1
1 2 1
f
H -8 -2 -3
8 2 8
L
1
н
2
5
7
3
1
5
Am
4
Am/G
Н — « Н
4
4
г
fг
г
>
|-в
3
— 1
1 о
4
\
j
2
2
1 2
г
0
э
-3
3-
1
э
С fi—r?
-
r
f
*
8 3
*
о
0
f
f
*
4
Г
T 8
»
if
:
i 1
1
1
G6
г
*
Y
3
8
г
Г
i f-
J
e
j t ^ - r J
8 8
4
r
J
Db7
r
3
4
T
3
3
*
J
8
•
Am
\ > i _ i = k
f Г " t M U г 1
2
i—
Г 1 2
8
J
1
J
г
E7/G#
Г 8
3
•
1
i2
r '
D7sus4
F
3
J1
M
?
С
L _ T f
ж—i
-
М
3
— j —i
_
T
= 2
8
.
2
2 2 8
-r2 —3 L
J) | 7
G6
г
i 2
2
r
1?
f
i
D7/F#
ч
г
8 3
2
8
F
ч
H
2
f
- M l В
1
J
8
r
F
л
-3
8
1
2 1
3
3
e
M *
'Г
Г
1
^ ^
г
Г
9
1
J 1
1
2 1
8
3 2
1
Am
tJ
1
Am
i — ^ — I
=
'
С 3
'
J1 J — J J
1
2 0
G7
riH—j—*
1
L _ f F
1
3
F
\
«Г
8
2
2
'
з ^ д ? _ _ tg
_
Г
F7
г-3—i
Н
f
f Г г г
2
5
:
tml
up-.,]
^
t*-
I*"
г
ж
Г
ж W 3
ж
Г
Г
J
J —
Г
3
2
2
G
I.J
Е_Г
В
1 в 3
—1
1
0 в
j
D7sus4
Г ^ F
" f
1
J
ч
3
5
«
3
J
?
г
3
в
4
3
11) i
. 2„
'
'
F
J> J .
г
7
Г
-з
2
.
22 22
•
3
h *
23
f 2
1 li>
• j
1
»
г
г
=Й
!L J
T
1г
1
2
J nJ
Г
j
0
1
J> IT 3 '
Г 2
3
Ц
E7/G#
г
*г
0
э
3
4
ж
. a. 5
f
Г "
м
\
2
F
У
з
Am
-3
1
1
2
-ч -в
г
в
J —
f
С
J Г
Am
2
Г
G6
1Ц
J
в
j-2 И
—3
1
3
4
,J 9
, >-
£ —
е
1
-3
г
f
1
4
2
Т
• J
г
1
11
2
i
2
и Г Г Г г В
1 ?
Bbmaj7
g
J
F6
?
С
F В 3 3
г
, : 2»
G7
1
:h
V Г £^2—г 3
J> . т
6
Am
,t
в
4
Am
F7
f
J
3
3
з
в
5
^
4
3
5
1
С
Am/G
.
1
=
r
в
Am
8
J
^
3 —6
J - Ь , лЬ т ^ * > i
в
6
Dl>7
— 3
1
F
—
в
^
1
1 1^3
3
1 "
2
F
5
г г г т
let ring 3
3
1 В
ь
С
I^T-J
Щг
г
1
«на-*J
г
V
1
Eb
G7
в(ф ЫЧ* — %г ъ±—'-Л ^ — F
J
L-H
3
D/F#
J
т
F
—
1 в
Bb7
\
:
G7
J i
1 23
?
f
J 'i*
^
^ П
?
9
2
*
Ъ3
г^Ъ
3
П
Am
„Г^
7
F
>
' Г
г- 1
Г
f
f
2
F6
v
г
e
0 2
F
Am
T
i' г
8
э
3
e
Abl3
Г
Г
г —
2
3
J - ^ —
1
Ч
Г
4
1 F
i
4
3
^
Г
Am/G
j
s
1 8 3
т
>
1
У
г
f
F
2
8
j j j T T 1 1 1 2
2
3
4
i
3
r*
J
1
3
—7—hi \>iU
г
4 г 1
В 1
М
л
F; f = i
г
26
4
С
F
'
;
г
П г
;
3
т i
J
i.
D7sus4
I
—
3-
Am
D\>1
=
.*
G6
E7/G#
Г
Т
A г
г
г — T f 4 = t
г
г
т
1
Г
3
j
1
Am
12
3
1 1
1
Л U - .
F
3
I
3
_
N
} - |
F7
G7b9
I.LI
>
t
I?
г
J г 1 2 8
-9
4
С .1-
л
-
Am
-3
E7/G#
1
1
С
1
3
G6
f
=&
f
^—3—5
з
Dl>7
1
r
(3)
M
D7sus4
г
шС
1
Fm6
m
t u
f
Г
г
в
Fm6
D/F#
F
i r 2
3 1 1
2
г
a 2 1
j
г 1
' 3 2
2
г
г 1 » 0 3
4 8 3
Г
4
E\>
Г
г
3
-3
3
2
2
-з
з
2
G
2 0
В
г
J
^ ^ ^
1 1
1 1
з 1
3 1
3
^ 1 ^ 3 —
6—1
з
D/F#
j
7
i
9 о з
в\>7
Г Г З
1
1
96
в
2
1 0 3
1
1
f 1 0
T J - J J w w ^ 5_ Г Г Г Г [ _ Г
Г
В з
3
Г
g-
i=
1
i = :
3 3
7
Fm7
I S
| * l
2
J
С
С
г
$ i
3 1
J f
. —1 L-H
Gm6 G6
»f
G6
,J
JWJ J
Gm6
0-
1 8
2 3
2
.j
»
ев
D/Ftt
l
FSUS2 *
Л
Щ & ^
- J
J
J —
J
Г
т
Г
Ч
i
U
г
и
J
3
*
3
5
3
6
5
—
0
в
ф- •
ф
" '
л
'
ф^
ф
ф
•
*т
/е/ ring -
з 2
з
2
3
т
1
1
в
3 3
51
J
«г
'
Ф 6
g
-
з — -Н -в
3 1 В
1 в 8
i
2
т
1
в 8
2
3 1 о
S
1
*T = Thumb on 6th string
9 Em7
N
^i
Ebl3/Bb
9
в •> 1 10
в
1 r t l ~ n
i 3 1
3 в—в—в 1 jj \ » в—в—в
I
i F
в
3 1 в \ — в —1
Dbl3/Ab
л. г Н Р ^Т 1
т
Фw w
1
W
з
—
Ь
6 В 8 =
6
8
1 8
8
1
л. "I
|
8
фт t т
И i i i \ I Н i i i i 1
=
3
x
€
=
8 4 3 4
i 4 3 4
8 4 3 4
i 4 3 4
8 4 3 4
CI
F6
G6
Tr /Э\ \3/ 1
F
Ami
fl U
E7/G#
D7sus4
Am
Am/G
j 8 г • f
r>—
Г 4 1
- 8
?
n
n
—3
2
f
>
1 2П
з — I I — 4
1
-8
Dl?7
*
Am
D7(no3rd)
j1 j i i
1 2П
А
С
1 2
F
J
:
н
'-
2
F
J
J
1
3
j
J1 »
0
1
A
,
J
JS
= I L_T
2
=!
1
2 0
1 1
9 с:
Gil
Dni7
D#'°7
C/E
C5
•Ф J
J
1 2 3 3
}
;
1 2
У =5= r
3
-
e 1
j
1 ft 2
чР
I 5
> —6
с
г — Г ~- f
g
8 tt)^ = j
*
7
3
from Can't Get Enough
Can't Get Enough By Tommy Emmanuel and Randy Goodrum
0 Moderately J = 126 N.C.
Ebmaj7
*G9
Dll >-
Gtr. 2 (acous.) a
(Kbyd. & percussion)
f
=
V
/
T 1 A n В
я 0 Y Л Э
к
Э
Gtr. 1 (elec.)
p
*
-
= i -Л>
-
N .
>
К >
^—J-—j-—J—I
-Л
>
Is -
I
2 — J 1 >-
mp w/ clean tone & chorus 1
P.M.
•T 5
л
5
5
5
5
ъ •Chord symbols reflect overall harmony.
G9
Ebmaj7
Copyright © 1997 UNIVERSAL MUSIC PUBLISHING PTY. LTD., TOMMY EMMANUEL MUSIC, CHRIS GILBEY PTY. LTD. and MIGHTY GOOD MUSIC All Rights for MIGHTY GOOD MUSIC in Central America and South America ex. Brazil Controlled and Administered by UNIVERSAL MUSICA, INC. All Rights for TOMMY EMMANUEL MUSIC and CHRIS GILBEY PTY. LTD. in the world ex. U.S. and Canada Controlled and Administered by UNIVERSAL MUSIC PTY. LTD. All Rights in the United States and Canada Controlled and Administered by UNIVERSAL - POLYGRAM INTERNATIONAL PUBLISHING, INC. All n : _ U i . n
I
i I
I I
Г-»
:
:
*
в
Dll
G9
А П Я Т 1
С
Г ~
7
let ring
Cj^1 —
M
я—-d
1
1/2
3
Ь
з
5—3
^—^ 5 4 3^1
5
' t
It
i
f
^
1 § - Л
7
m^a
J
(5)—3
f
1/2
Л—
5
Ь
*
'
ж
I
J
5—
Ebmaj7
Dll
5
^ 3 4
5
^ — 5
^ 7—5
7
5—
Ebmaj7
G9
P.M.-
Gtr. 3 tacet
Gtr. 1 tacet Gtr. 2
w/ pick & fingers -
Щ
8
6
6-
8
8X10
^ «-^W
(W
8
8—t®^
*
8
7
8
7-
-9
9
7
9
7
-5 5
34-
О п 9
Г 7 г
э е 9
О
Riff A Gtr. 4 (acous.)
Gtr.3
M
I
f
w/ pick & fingers 0 л э
к О
D7
i i
Em7
Am7
G/B
С
0 А э
Г 7 /
Am7
D7
f Г Г *f I f
w/ pick & fingers-
з 5 -^5
34
-Н
-5 5
$ 3 5
14
3 4
5 5
s^T-9
-8
7
9
7
5—6—5
5-
m
/е/ ring - -
3-
-4
т^9-
End Riff A
i BX7 7-
8 ^ 7 -9
j 4
Ч+Ьж ф
Л 8
8
7
-9
9
7
8У10
8^7
5 5
6
5
$ 34-
Gmaj7
C/F
Gtr.2
Ebmaj7
Dll
i
let ring -
t
rake -8
-49)-
7
8
1 1 rr^—
-ЛЬ•Played behind the beat.
С Gtr. 5 tacet
Dll
G9
•1С
Gtr. 3 tacet
Gtr. 1 tacet
Ebmaj7
Dll
Gtr. 4: w/Riff A
Am7
G/B
D7
Gtr. 2
Em7 Am7 — -
G/B
С
D7
Am7
w/pick & fingers
8
8
7
let ring -
8
7
5
3
-9—9—7—9
7
5
4
a^S
Gmaj7
C/F
Ъ/1
-8—8-
8X10
a^7
-9—9-
9/11
Ebmaj7
8X7
5
6-5-
-9^7—5
Dll
D Gtr. 3 tacet Gtr. 2
i *
Cm7 ,
F7 V
^
,
" H ^ f e l ^
Bm7
f ili J J J г
t j f ' V
W
/ef ring -
3 5
j
7
t^I
^
=
ji 8
§ 7
3 5
£
4
2
4
.
3
Harm. -
7
Е7
Amaj7
Gmaj7
Fmaj7
Gtr. 2 tacet
G9
Ebmaj7
Dll
Gtr.3
1/2
-n-
1/2
-i3
(13) 11
Gtr. 2
1 = 5
Gtr. 1
i)
-
= ]1 -
>
»
ьП =*=]
P.M.
-5
1/2
r^
| - -
J " " l - -
1/2
5-
-
>
1
.
P.M. - -
G9
Ebmaj7
Dll
Gtr. 3
t P.M.
5
1
7
P.M.-
5
P.M.
5
8
5
5
Gtr. 1
Hi
KJJ—>
Щ—2—J J F - 2—JЛ *J F I P.M.
1
P.M. - ч
5—5
1P.M.
1/2
5—5
1
5
5
1/2
5—
0
Gtrs. 1 & 3 tacet Gtr. 4: w/ Riff A
Am7
D7
G/B
Em7
Am7
G/B
Gtr. 5
1
гт
f ' f f f L L P |fLCi ^ f
у It U
^
w/ pick & fingers
8 0 Я
6 0 9
7 7 /
8 0 9
7 7 (
5 Ч Э
3 А 4
[-3—5 л /Ч As Э
8
3 А
4
5 с Э
5^7
8 0 9
.
SX /
8 О 9
7 7 t
атЧв л / ЛЛ %f 11
Gtr. 5 tacet
D7
С Gtr. 2
Am7
ffl^fEirir г r r-r r r w/ pick & fingers -
8
Gtr.3 #
HQ
Gmaj7
- H
8^7
5
-9^7
5
6
5
-3-
let ring
Ebmaj7
C/F
г
Г г Г Г
Gtr. 3 tacet
Dll
Cm7
Amaj7
F7
Gmaj7
Bm7
Fmaj7
E7
Ebmaj7
4П
G Gtr. 2 tacet
Fbmaj7
A\>9
Ebll
Gtr. 1 tacet
Gtr. 3 tacet
Ebll Gtr 5
-
k ^ V
ж
-ft
A.
-m-
Bbm7 www*
> - f P f f г г ^ Г f |Г 1Z
Db
у
t
a Э
II
A э
Eb7
It 19
у 0
Fm7
t /
у/
э 0
11
1С 19
.
„л,
г
г
in 1U
А 0
.
www* g 1П 1U
11
Bbm7
Abmaj7
г
f
11
л
•а 111 1П
О 0
Cm7
Db/Gb
111 1П
^ ^
7
I
г f/•N' • /1П Ь/ 1U
Db
^
-
WWWWV ^ A ii/14 » 11/1J
Eb7
f
•
лл
Bbm7
Ebll
Fbmaj7
its - Г
Ab/c ww*ww
^ Г - Г * *
7
I
I l
4
on
4
4
8
*
9 — m ^
[—9
9
9
И
9
9
И—9—8—9—8—j
8va
н A9 Gtr. 5
8va
1
loco
Gtr. 5 tacet
Fmaj7
Ell
А9
Gtr. 5 tacet
Gtr. 3 tacet
Fmaj7
Ell
Gtr. 1 tacet
Bm7
D
A/Ctt
Gtrs. 2 & 4
g
m
g
•
^
•
g 9
f ш
-1-
»
—
E7
£
tt- M O - —9— 11 11
n 9
11 11
—9—— 7 n a f
—5 с D
r~5 7 ./7 BX f
A/C#
# 4s
w/ pick & fingers -
11 11
Bm7
F#m7
—5 с D
7 7 f
w11 11
^
T v^O 7/^ SI
10 11 11
— 9 — —m/42 n a 11/ 1J
5
if
Gtr. 5
1
-
2
^
ff-f
L J
f
1- f f — ^ —
delay off
5 5
5 5
-5
7
S Gtr. 5 tacet
Fmaj7
Ell
A9
8va
1
ft'T
If
loco
f
ГТ mp
pf7 ?
17
17~ 5
= z
i
z
i
z
z
i
z
z
i
z
^
=
=
=
^
—
= —
—
—==
vvwvvvvwwwwvvvvvwvvvvvvvvvvvvv
Gtr. 1
p w/ fingers
vvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvv
/ef ring - -
r\
oo
Fmaj7
Gtr. 1
—
7
7
t
5
Gtr. 2
T
7
l
5
7
l
5
t
5
7
l
5
7
7
l
7
l
5
l
5
=
III 1П
5
I—в
A9
III 1П
8
1111 0
8
111 1П
8
111 1П
8
111 1П
8
f л l t tУ / ЛЬ
1111 n
8
8
Fmaj7
Gtr. 1 tacet
Ell
24
—
Ell
Gtr. 2 tacet
Ell
A9
Fmaj7
26
Ell
Fmaj7
Begin fade
Ell
А9
и
(ТО—
ПО,*
p f , v
•
у
I ^ J .
7
t
н j
>
5
i—i
- —
I
i
X
X
—
ь
^
-
&
h
1
-
-
1
I
H
*—
1
1
7-
1
—A
& Ь
—1—ЦЕ
7
J
P.M. ч
7
28
X
X
6
7
5
7
X
X
7
x — x —
5
7
X
X
&
T
5
7
А9
loco
»
Svfl--i ,. w w w w v w v w w v w v
J»/ J -
ft'
.
-
*
J
f >
1 %и
f
и
ли
P
iи
A и
(14)
Fade out
X
W
в
«И
5—-— 8
>ъ
"Ч л а 7 /
г
7 #
7 /
С 7
J
1
С
7
У
7
1
1
77
Я6
7
J {Н^— 9 6—Э~
X
г а
—1 5
—
I'll* I
у 7 /
X
5—7
6
7
7
—
5
7
V Л
V Д
V V А Л
7
у Л
у Л
у л Л ' '
А
'
•
8—7—s—7
from Classical Gas
Classical Gas Music by Mason Williams
s
Free time
**Am(add9)
Fadd#4
*Gtr. 1
•Orchestra arr. for gtr. ••Chord symbols reflect overall harmony.
Em
m
Fmajl3
Dm7 ^
ГоГ«
X
T
v
8 H 4 -e
Gm7
^
^
^
^
T
J
Cmaj7/E
^
|тХ
i 3 1 i— i i -3 1—
1
:l i o°
4 11
i и
Asus2
н
+ft
Am
© 1967,1968 Weems Music Co. © Renewed 1995,1996 Weems Music Co.
-9
G/B
Fadd#4/A
Esus4
Am(add9)
ггГггГ
¥
Harm.H let ring -
let ring -
tt
1i
A
e
e
1i
A
л 4
2L
n II
— e 1
1
— «
1
л 4
1
* 4
— e
,
n 0
Gtr. 1 tacet
Am
И *
G
G/F#
,
=f
1 .
f
Am
3
3
I J J J J r
Em
i
i J j t
d
i
r
b
.
> . - • . у
1
3
ir
J
p
.
U
s
> j
! 4
j
mp let ring throughout
^
В
. 0 1 ^ 1 — 6 —2 2 2
/
1
— 3
0
e — 2
0
-в— L-fl
h—ft i-ft—— 2 — 0 — 2 Г2 Г2 t-e
li 2 e
=: 2— r^ п-в
e—
a— 1—о
2 .
2
e— 1—e
2
1—о
1— •— 2 1 1— 1— i
Am
G/B
С
F
D/F#
G
E7
F#m7l>5
E7b9
В Moderately J = 162 Gtr. 2 tacet
Am7
D7
Am7
Gtr. 3 (elec.)
D7
£
/
w/ dist.
V»V»V*VVVVV*V*VVV*V*WVVV*VVVVVV*V*VV*%VVVVVVVV^
«-
47-
j
7
vvv*vvv*%vvvvv*vvvv*vvvvvv**v*wv»%*v»v»vv%% 47
Gtr. 4 (elec.)
J
J
J
J
7
llj 1 l
7
\\Г7 i
1 j
J
J
J
r
'
J
w^
tnf w/ dist. PM -
7
-
7
-
7
5
5
-
--
-1 1
4
4
Am7 8va
pM
5 4
5 5
5 5
5 4
-7
_
__
7
D7 1
vvvvvvwvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvwvvvv
7
7
5
4
Gtrs. 3 & 4 tacet
Bbmaj7
G
Bm7b5
Gtr. 2
~m
/
let ring
let ring
1
_ r
1
let ring
1
let ring -
-8
-H
let ring •
1-
E7
N.C.
з
I let ring -
letring-
-e
- 3 —
e-
a-
-3
1
o-
§
G/F#
Am
Em
Gtr. 2
P let
H
ring
Г
i==3
m
is
let ring -
1
0
0
1
1—0-
-2 -9
0
2-
fr-
Gtr.4
j
i U i i i ^ ^
J i
¥TT§ ж ж ж
юр
ж
P.M.
-5
5
5
5
5
5
L
-3
-в
£
а
Ш
f
г
ij
let ring -
—1
e
в
1
1—в—
J
DM _
-5
e
-в
—(в)
j _
5
^
—
j
j j
j
J
j
5
3
4
"-5
5
5
5
5
5
^З
о
2
^
_
т
0
L-3
3
^
3
е-
Em
I?
let ring -
2
j.
0
G/F#
Ат
1
6
0
2
в
i U — r i ^
2-
-0
0-
Gtr. 4 tacet Am
М
m
—
^
Н
и
С
«
1-
ф
—
G/B
>
F
j
>
D/F#
;
>
G
1 3
*s=j
'
>
E
f
f
^ ^
"b Ф '
7
T
e 1-е 0
0 2
0
»
ь
4
~9^
~9
1
2 —
2
2
3 3 4
1
2
3
1 —
2
2
0
0
2
4
5
7
2
4
6
3
f
ж 1
P.M. - -
о
a
e
H a l f - t i m e feel Am7
D
Am7
N.C.
Am7
D т.
p I
1
*
f
y
u
>
Г U
-
L
T
Т J
-
П /
j
f J
i
1
-
I
1
^ 3 —
г
'
—
в 2
— 0
^ ^ з—4
п
р
— let ring
1
г
7
0
5
5 0
1
Bm7l>5
-
let ring
1
let ring
1
-0
oл
г 1
* Я
*
s Ы
1
гаг
^
tit*
1
Bbmaj7
fm
Г
J
г В 1
.
1
let ring С
D
let ring -
1-
-4
let ring •
2
г
«
=
0
=
0
2
1—
Fm6
m
ы
let ring -
let ring -
-e
e-
-e
3-
н
End half-time feel Fm6
rfh
Ab
Eb
С
Ф
f i
0
U'
3
#
P
1
fl
fl
1
r
r
ft
7
Г ьН
+
Alb
*
)
>
1
/е/ ring
1
Л.
15l>
leir ring -
3
€
3
—4
4
3
4
D
вЬ
t let ring -
- 4 let ring
1 let ring -
-4
let ring
1 let ring -
- H let ring -
- H let ring
- 4 let ring -
-M-
—
-w-
- t t "
-12-
-W-
-и-
-12-
1
-W-
-H-
D
ОС
Е7
E5
vvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvv
£
m
loco
Ш
P.S.
vvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvv
wvw%%wvwvwwvvwvwvwwwwv»wv»% -4W
tt-
E Half-time feel Gtr. 3 tacet
G/F#
Am
Em
Gtr. 2
P
r
' p I_=
JL
¥
e
/ef ring -
/е/ ring -
-t^V-
H
ft-
H
-i—ft-
1—ft-
Am
f—3
G/B
1—ft 2— — 2 — - e
С
L.H J
>
8
I
-=
0—
D
D/F#
' i7 §' j e
1
F
G
-
>-
36
e
2-
G
Am
Am7
-2
t г
1
\ 1
T г— = i = ———2—-J
Am7
G/F#
E >-
>•
л.
—
J
-9
=>
>
3
Em
A г
Ф- . и
И
p
\ 54
3
D
N.C.
Am7
G
С
F
С
1
О
— з
2
ring
э
С ш
ш
-5
5
•ф
К
'
Г
L Г-LJ
1
1
0
в
Bm7b5
t
г г ^
let
— е — о
Bbmaj7
Fm6
iij i — 1
D
в
2
1
гН]
f
е
]
1
5 1
3
5
5
в
3
End half-time feel Fm6
С
Eb
Ab
Eb
Ab
G
в1>
D
A
T r " /е/ ring
1 let ring -
- H let ring -
- H let ring
1 let ring -
- H let ring -
- 4 let ring 46-
4646-
42-
1 let ring -
46-
42-
41-
424*-
44-
40-
(3
Gtr. 2 tacet
Am6/E
E Gtr. 3
E°7 wwwvwvwvvwwwwww
wvwvwvwwwvvvwwvwwvvv
Г
i 46-
47-
wvwwwvvwwwvvvvwwwvw 4646
*7
19
1047
17-
40-
17
|Г
vwwwwwwwvwvwwvw (17) 4=h
40-
-47
17-
Am6/E
ш
Ш 49
Y~7f
f 1/2
tt-
47-
46-
49
46-
KttF
-rt
46)-
47-
Am6/E
a 1/2 47-
J"
-to
46)-
47
47-
46
16
14-
43-
40-
E°7 8vo
47—*7—17-
44
16
Я-
Am6/E
E
8va-
i
Half-time feel E
C
D9
E
8va
!
С
D69
E
ОЛ
End half-time feel Gtr. 3 tacet
Cmaj7
Dadd9/F#
wvvwvwwvvyvwwvwwv
Г\ -pp w/ bar
1 rit. /
7
H A tempo Am
G
G/F#
Em
Gtr. 2
11 ?
r
j
j
ё
Й
/ef ring -
e
1
e —
2
I j
n II
0
L-a
ё
ft II
J
I j f 1
J
-
j
;
J
J
2
8
2
G/F#
Em
-0
0
0 2
9i
2
Q
0
Am
G
Gtr. 2
dr=
^
P
ij J jj j i i
let ring
r^N (2)
0
0
2 2
0
0
0
2 2
0
2 2
-i—0
0
2
J
^
1
1-е— 0
2 L-3
#? 0
9
0
—
i о
2
2
Gtr. 4
I
hrwww^H* — ^ ^ PM
5
40
5
5
5
5
5
5
L-3
2
0
~'
Gtr. 4 tacet
p— & 2
0
11
Am
G/B
J
С
F
D/F#
E
\ 1 7
г
>
-
j
3
i
>
8
2
3 6
2
1
2
1 2
8 4
3 2 2
4
5
7
2
4
=
6
3
^
i~w £ ==
w
f—f
3 1
J
T
T
6 —
1 P.M.
G
1
0
8
e
6
5 —
Half-time feel
Am7
D
Am7
8va
N
D
1
Gtr. 2 ^
Г
let
ring
}
T
»:
f - 4 fer ring
/ef ring -
1 5
5
5
3
2
2
3
2 a —
A 0
6
6
5
„ 8
5
2 6
D
, f f Г f~ff Г
I
2
n и
Am7
N.C.
?
Г§ 5 -5
2
1
-26
M
17-
loco
w%%wwwvww»vwvvwvv»v»wvwv -17-26-
-19
-20= Gtr. 2
| n i
«J J
£p
'.= /ef ring -6
-2—1—6-3—1
Gtr. 4 divisi
1 7
let ring •P.M. -
5-
-Э
2—6
6-
0-2—6-3—4—6-6
2-
* Applies to Gtr. 4 only. Л1
Gtr. 3 tacet
G
С
F
Bbmaj7
Bm7b5
E l|m let iring ~
Kit
-
A 0
«1
n U
let ring
л
о L
4
i
r r • H let ring - •
a
К Э
7f f
Gtr. 4 tacet
Gtr. 2
— 1
H let ring —
s
Am(add9)
r
A7
iГ
"f | I— J _
_
1
I
i1
и n 9
Dm/A
В/А
Dm/A
iff
^
(
f
f
|r
1/2
^
« — ~ — 1&
1П 1U
( fi
7
n8
Gtr. 4 tacet
A
a У
J 7/ J 7 5 * II {f n
«
В/А
f ff
X Г ПГЙгь*^ г г Г1 Г1 Г г г , г г 1н р ' 1 [ TJrtf г Г 1 u j иг г г 7
8
9
7 1W
7
^ — 8 8 9
7
8
9
^ — 8 8 9
5
7— 1 Г 7
7
7
5
8
5
7
^ — 8 8 9
9
7 lP?
вЬ/А
г7t
f - £= f t
Tpbf-L 1
1
T LfrfT tL r гГ 1 и 1 1Г \f Jm ^ г 1f 1Г T ^ - r 5
6
7 8
^— 87
5
6
6 io~6
5
6
7
Gtr. 3
7 8 7^ — 87
6
9
-pW
1
J
i
*
=
•
—
v
'
Г
)
к
1
Г)S 1 I Id >
—Pi $1 -Д-;—
*—
2
§
Э-
1
•—
д!'"
д.
-^г •
—к—i
[i i >
S
j -
7 5
к
h i
>
>
2
2
1
;
>
0
j 1
к
Ц
8
„1 1 1 i i ^ U r =*=*
J I >-
5
I
5
5
g I7 87 7
I 3
:- 2
к—1
1
1 - Л J i- -' 111
>
7 5
>
7 5
-8
>
5 3
^
N.C. \
i 1
i i
L
=j=
Am
1
I I
1
fl
5—5—1 i
G
к
7—|
F
!
7—7—
Am
J U J
-
G
s
-
G
7
^ — 8 8 9
6-
J
44
8
/
mp
.
I
(?)
7
j> .j. fo 1 j. 1 — и — У
f-
1
J
л
5
Am
Gtr. 2 U j £ T >
A
г
L
IB-
^t
7
2 8
и
>
—
^
>
2 8
7 >
2 8
i *
11II
from Dare to Be Different
Countrywide
s
By Tommy Emmanuel
Moderately J = 103
N.C.
*Am
Gtr. 3 (acous.)
m
f
m
i
T7-
w/ fingers let ring throughout
f-
•Л
f-
-Л
-o
x-
Riff A **Gtrs. 1 & 2 (acous.)
Gtr. 1 (acous.)
Й
End Riff A
m
r r ^
m
m
M
T7-
mf
w/fingers let ring throughout
w/f,n*ers
-Л
1-
4
fr-
-2r -fl
-0
3-
Hh
•Chord symbols reflect implied harmony. **Gtr. 2: w/ fingers, played mf. Composite arrangement
Gtrs. 1 & 2: w/Riff A
Am
G
Gtr. 3
Sj
'
J ~ 1
j
1
>•
2
1
- л
•
1
'
.
* 1
2
2
Г2
= 3
' =:
j
t
2
2 0
1
У
+
о
1
2
—1
*
"
2
L
-1-
2
S
0
'
В
Am
G
Am
Gtr. 3
m
M=t
f
0— 0 2
fl
1— о — - — С 1 — 2
11
0
0
0
2
2
=±=i
— a
- 2
- 2
Riff В Gtr. 1
m
m=
F -9
f
1
0 Gtr. 2
у
•
1
— 2
2
2 — - 0
0
=
=
4
S = j
=
1
=
?
1
2 2i
2
0
- 2
0
RiffBl
=±=
*
R =
1-
;
J
1
0
2 0
11
2 — =
2 - f l
1
2
2 0
2 —
0 L-3
0
0 з
—
&
* 2
3
-J
w
— 0
2
fr
J
-9 1
— 2
2
= 4 =
*
-9
2
- o
щ 1
2
2 0
Copyright© 1998 UNIVERSAL M U S I C PUBLISHING PTY. LTD. All Rights in the United States and Canada Controlledjmd Administered by UNIVERSAL - P O L Y G R A M INTERNATIONAL PUBLISHING, INC.
2 — =
G
С
G/B
G
Am
Am
Em
Gtr. 3
I Ф2
г
J.
'
r
-0
P
—
1
v*'
~9
8 1
3
—
3
:
1
e
°
r-B 3
-2
3
1
8 2
8
-e •-8
3
Riff С
*Gtrs. 1 & 2
I , j
P n —
d
•
1
f3
HH t
,
J
HH
"9
— e 1 8 3
1 *>
0
0 —
-fl
0
3
•Composite arrangement
2 0
t
— 1
0
1
2
8
2
8
2
11 L-e
6
3
Am
G
F
Em
Am
Gtrs. 1 & 2: w/ Riffs В & В1
Am
Gtr. 3
$ J J J •' с n U
n U
1 1 2
£О
n U
Л U
1 1
It II
1 1
Л и
' 9 с
2
9с
Л U
о £
G
l i f T ^
U - L J '' Г
о—e—i—e 2
— о
e—
2
г 1
Am
r r r=j 0
3
J
1
1—e
J
J
J
2
0
-
2
-2
Gtrs. 1 & 2: w/ Riff С (1st 4 meas.)
G/B
С -Jr—Jr.
§ j.
:
"
P v Г
m
p 1' J
(I 1 3
3
II
G ш
r
1
3 -2
Arn
_
j 0 3
a о
Em
J
J
2
2
_
0
1
3
F
J
6
Г
.........
0
2
1
8
l
.
1
i
^ a^ i
1-0 Af
Am
G
F
Em
Am
С Baddll/A
A6
E3: a I.
PlfiJ -5
2
-5
5-
2-
4
9 С
0П
wi
л С
9 С
4с
9 С
л и
п
О С 9 С
л
4 9 С
А
4
л II
чл
А
п V
4
П
4 л
А
0
Dadd9/F#
1
4Л
по
4 5 > о 1 ' 9А ! V 1 Л л
4
8
—2
СПЧ /
А 4
J1 1 J• ! =— т ^ J У о
5о • 4Л > иП ;V Л
4-
End Riff D
7 £ Ч
m
T
4-
4
RiffD
r
2
л II
4
0 и L-2
2
п и
1
Gtrs. 1 &2:w/ Riff D A6
Baddll/A
Gtr. 3
f#¥=
h p h -
I
J
— 2
*
г 5
5
2
г
5
=
2
0 0
L
2
5
F6
1
I n
j ;
f
м
J
^
я
p
J
4
Г
Г 1' г
J
r
j
в
4 4
Bm7b5
Г
р
* ff^f
1
в 4 4 4 0
2
2
*
й
4
4
E7
.
J b ,
H
C J
-*
X-
= H =
Rhy. Fig. 1
End Rhy. Fig.
Gtrs. 1 & 2
- j d ^
I'M j Г 4 $ №
H
n У
^
^ - d - — - h — ? * * jС *
j
i
^
j
J
J : л
1-
Gtr.l
Рфи* M
3
i
\
\
j.
J
i
I
9
11
3
?
0
g 0
3
4
L - |
,
"
- s
Ш
? 2
i
. = J
1
Am
Gtr. 3
-ею
г
m
f
Щ 1
|
f-
-e
e
н
2-
f-
G
1
^
=f
Г
1
Am
if
1
u
л
= 3 = i h H 1 ~9
&
2
e 1 e 2
e—
1
1 e
L-3
2
2
В
1 8 0
2
Gtrs. 1 & 2 : w/Riff С
Gr
G/B
с
, i . l
F
M
.
о
3
Am .
r
j
1
&
j
d
3
0
-fl
-2 t-3
V >
^
J
2
P
ш
F
W
0
1
*
л
*
p i
3
0
0 -2
L
3
-e
To Coda -0Em
Am
Gtr. 4 (acous.)
Г 7 р
г
f
mf
к Э
С
D
Э
0
a
/НП 8/1U
T
e
7
Gtr. 3
vwwvvwww
r A Z 8
fl 0
л ^ к/ 7 8/ /
A 4
4
f O
4 Э
7 /
< /А 7/Я
fl 0
1П 1U
E Gtrs. 1 & 2: w/RiffD Gtr. 4 tacet
F
Em
f T f 1
is «
ft
f
f
8
7
1 0 ^ 12 ^ 1 0
— f T f 8
—
1
j
8
Am
г
'
.
ffT
[¥
r ~ iГ Г " "
'
=
(8)-^
8
tt 8
A6
1
tfl
i
1
-
д^
ii f y *
=
r
—
2
(18)^^
2
5
2
8
Baddll/A
Gtrs. 1 & 2 : w/RiffE
G6
Dadd9/F# -
[":
f
¥
8
3
u и is
1
3
4
r
-
u 8
4
f
г
4
'1
H
3
M M.
•
J
•
f
я
У
I
«=
8 -2
=
=
-
j
2 8
J
8
1
k
1
э 4
Lg
Gtrs. 1 & 2 : w/RiffD
A6
Baddll/A
f # ¥ = —•—J 2 8
5
*
^ 2 2
Ш
К
-
г
^
L
«
5
2
2
1
P
j
fl
-2 5
л
— -8
4
4
ttf
Y
J
4 4
V-
L r —в
—4
fr Г
fr
^ ttf— м 4
4
Gtrs. 1 & 2: w/ Rhy. Fig. 1
F6
Bm7b5
Ц^: g
:
Г
J
'
'
— — p — r — i — f f — r
^
' в
3
:;S
T —
/
•
=
«
6
'
=
.
E7
'
4k
H
' " >• 3
j
i
—з
x
x
—2
i X
X X
>j^
"зг
a
x x X X
J
— -9
2
—
^
- 4 - ! в
Gtr. 3
—1—B-
-x—x-
M
-3
1
3
1—e-3
2
B-
-3
2
B-
Gtrs. 1 & 2
I -3 —2
/3IV
л ji
a— .
3 2
3 1
\
2 n
Ш
JZX
Ж
1/4
.
1
J
Am
rit. 19
liT
19 ^ift
111 1С
AC
III
Л
7
0
A
Г
0
10/ A Ц
8
7—В—7
in 111
й 0
7
1ft 111
с Э
flft'i ' 4IIJ
#7
Л
7
»
7t
4
С Э
о 0
К
7
Э
с
Э
7
о
t
0
in
III
*
/
9
0ft
111 1ft
j
Ij
i
_[ I f
Gtrs. 1 & 2
|
i i •
i
lj
Я
j
j
l_[ j
ж
2 з 1
j
ж
8 i в
2
I
I
2
0
i ж
I
2
rit.
I 2
=
-B
1 2 2
В
3
Free time
Gtr. 4 tacet
Fmaj7
Em7
E A tempo Gtrs. 1 & 2: w/ Riff A (till fade)
Begin fade G
Am
G
* *
m m m т-5 -5 m
7
5
—3 —3 —4
T-
5 5 5
7 7 7
if
}
, 'f
j
j
;
-5
4
.
}
|8
j
7
5
X 3
J
G
Am
§
f=F= Q >
3
3
J |
r
3
3
Lp*
•
J
щ
J
1
Ji' P.M. -
a^T^o
* 8
^ ^ -8— 5— 0
5-
5 —7—4—В
7
7
5
^ ^ 5—7—5—В —7
6
fr
V8
P.M.
С
7—
5
G
Am
J
-3
J
L
fr-f .Г..Г..1* If J—1—1— •
'
1
1
4
5
5-
0
7
0
:
-9—to
i
.
'
—
>
^
*
/—I
•f
1
л
г
м
,
^
=dF
5 5
7
5
' t
Б
. 1
4
5
Fade out
from Determination
Determination By Tommy Emmanuel
s
r-il
ril
Moderately J = 94 ( J J J J = J 3 J 3 ) *D7sus4 (Elec. percussion)
Gtr. 1 (clean)
g
^
7
J
irf
•Chord symbols reflect overall harmony.
^ X
7 y-^ ?
10
Ml
в
Copyright ©2000 UNIVERSAL MUSIC PUBLISHING PTY. LTD. All Rinht« in the United States and Canada Controlled and Administered by UNIVERSAL - POLYGRAM INTERNATIONAL PUBLISHING, INC.
D7sus4
A7sus4
A7
It*"'
'
D7sus4
v c ^ r J i Ц ' LLl
C j j ^ ^IHTJI P.M. - -
slight P.M. H
7—5—7
5 7
(7) 5
6" *V5
-t^r
3
7
5—7
-7—5—7—5—7—(7)
5 ^
3
5-
kh, (jfo " f
H-Г 7
У
>
£
— I I" I ' "
« 13 *2
=
у
G7
BL>7sus4
.—^ .—^ . hm f ж f
»
^
f
"r
^
-» 7
^
с Э
^
li—«
" L c, hJ 9 1 Ф
e 7 5 7
j a
«
• y7 О R 3Л f d э
q О
0 • VXD к
if
f
f
.
>
^
'
5 Э
«1
-Ч
12
" г а
12
*2—12
IMP
h. \ ""
7t
С
U
7 t
-
_
e 0
7 f
^
в 7 Df
.
R 9
^ г в W • VNO К ГЧ'!
A л ^y v ЧJ • S "/7/
J
10 10 10 10 12 12
1
D7sus4
j
13 13 13 13
i
D7SUS4
^
-» 7
, -43
J
"
ц12
G7
Г
m,J)
? f
T P
у
A7SUS4
G7sus4 л » Д Tig
^
У Г 7
я42
10 10 10 10 13 13 13 13 12 12 12 12
G7sus4
Ь
Г 1
5-
-12
Ц
Ц П
A7
A7sus4
D7sus4
G7sus4
G7 loco
-3-
ш rake ^
P.H.
1/4
X
(Tl
В
co^ e IOJ 0
^
^
ч
7 f
и—
ч
4 7 O r
4 7 Of
ч 0
^ ' л В NO
' 7sus4
У "
A7sus4
^ T J 5—3
5—5
D7sus4
I " iij 3
G7
j j 5
3
' 5
I'
^ J L J 6 5 4
6 5 4
6 5 4
6 5
H 6 5 4
6 5 4
f 6 5 4
6 5 4
G7
D7
Е7
D
G7sus4
G7
D7sus4
A7sus4
A7
D7sus4
G7sus4
G7
Bb7sus4
A7sus4
К D7sus4
ft
^ J
D7sus4
J j j
Г
J
G7
ГЩ^
1
1/4
^
5—3
J?-6
P "
. . _.
7 * ' ч 43
г* л
.
. .
j
y
_
' ' ц
9-7^7
•
(DV
-5
,
1 f
12 12
if
12
^
у
12
A7sus4
D7sus4
P.M. "^^frSk, . .
) f F f f i
j
10 10 10 1
G7sus4
I j ' » Г.1" i- - r
9
13 13 11 12 13 12 12
D7sus4
D7
j
. 9
j' •
i
1 3
5-
Г 7
1
X
—si у г
1
7
4.—JSU—^ у Г 7
ii
у г
7
4 f =
G7sus4
G7
D7sus4
D7
G7sus4
G7
л
D7sus4
D7sus4
D7
D7
G7sus4
G7sus4
G7
G7
D7sus4
D7
G7sus4
G7
D7sus4
G7
G7sus4
13 10
13 12 10
^2
-J2 12
12-
10 13X15 10-
i
D7sus4
D7
15-
m -13—Ц—Ц—Ц -13—13—13—13 12 12—12—12
-ю-
Begin fade G7sus4
D7
G7
D7sus4
D7
r
J ' T
13
w
те
те
Jv w-
ц 11 Id 19 \L
ц—tfl—to—to 11 11 11 Id 10 10 19 19 19 1С U 1С
G7sus4
to
11 10 19 1С
11 10 19 1С
11 10 19 1С
G7
я
to—to— 11 10 19 1С
я —
13 4 lcA
D7sus4
13 4A 1С"
-
-
D7
Fade out G7
G7sus4 >
>
p . f , f -
1
r
>
t
1
-
r
>
1
t
>
r
t
t
>
r
D7sus4
ft
r
r
И
1
—
D7
£
g ~ g F
-
II
'
I'
w/ pick & fingers P.M.
1/2 l
-42
П
«
-лг «
to
to to«
«
to
to
-42
to
П
4
S i/12
n^X
- t o -
to-
to-
i to 19
40-
^2-
i
t
i
i
™ 17 11 1С
C7
from Dare to Be Different
Guitar Boogie Shuffle By Arthur Smith
E
Fast Shuffle J = 210 ( П = J
)
**E Riff A *Gtrs. 1 & 2 (clean)
-
j -J-
TJ
^
~9 f
-J
J1
^
w/ slapback delay p
_
D Г.1*1.
_|
1
J
F "A -A ъ
L-e
•Composite arrangement
В—^4
2 -
4
2
4
-2
2
2
4
2
4
2
3
4
2
4
2
**Chord symbols reflect implied harmony.
A7
E7 5
j
0
j
2
j
^4
j
4
j
2
J
2
4
j
2
-В
2
0
4
4
2
4
— 3 4
B7
2— -В
0 УА
4
2
2
E7
Gtr. 1
$
JJJ J J Ji
" J
r^^ttr
1
V
>
raiке
2
2
4
4
0
8
4
4
-2
4
2
0
0
Gtr. 2
^4
2
-х 4
1/2
1
* ^
3
( 3)
X
2 •y ' V и ^
-9
S ^
^^л
о—e 2
2
4
4
4
4
—2 4
2
В
В
2 ^4
4
2
L-e
Copyright © 1946,1959 Shapiro, Bernstein & Co., Inc., New York Copyrights Renewed International Copyright Secured All Rights Reserved
ш
^
в
л
Е
i M J"T~I (Ф ^
w
Ц+ ,
\
^—
Г
I
q
^ P.M.
^ 3
rnk
2
0
e — I
2
2
1—0
3 — L -0
м
^4
I
2
4
2
4
2
3
-2
2
- Г З J J J g=""
P.M. () 11 >
J
i
1
= f
0 2
"
l
4
l
4
l J
2
l -
1
—
2
3
2—
4
*
,
« п з ^ ^
i
1
г
s
-0
2
4
2
4
-2
2
.....
2
— 4
4
2
2
2— a
El
j
А7
Gtrs. 1 & 2 | ~9
r b
0
2 2
~9
J j j J
"J
J — J
-5
5
д
^
^
У
j
j
j
2
2
p. M . - - - \
^4
4
2
2
4
4
4
4
2
2 3
4
2 —- 0
0
3
4
4
2
E
B7 Gtr. 1
J J J J >JjJ nJ J i I j J ^ 4 ^
L j ' ~ 'в
J ^ g lj rake-H
3 -2 Gtr.2
2
4
4-
-e—i—o-
-4
4-
-2
2
8
0
3
У
2
3
2-
174
'
1/4
0-
-
^
г—(2)
о
в Е
1
— t
steady gliss.
2
0
^ 2- С2>
"v -^16
—
3
= Г~1 J j i # J =: Г Ц J j J j f i Ж Ж
*
^ ^
D \>f
"5w
3
4
В
2
3
4—
в—В
з
f — 1
2
-в—в
3
з
4
4
2
2 .. ..
^ ^ о.
-Л...
2
.
-л -л -
2
3
4
.......
2
л .. а
3
2—3—4—
з
=ж ~ 1ж 2
в—в
з
DX/I
2
Ж
t ^ n
2 -e
ЩИ
H
з
5
4—
п
п
^
f i
--
2
3
4
п
п
2—3—4—
А7 Gtrs. 1 & 2 5
Рм -
а
2—3—4
а. —о—
2 — 3 — 4 — —0
=
т
J j
J
3
= =
2—3—4 0
-Я
А-
2—3—4—-B ..
В
=
itJ
p J^I
- •
^^ а
3
3
jjj,J
г
=
-
»J
_ _
f
r
2—3—4
^S
2—3—4— В—В
с Gtr. 2 tacet
E7
A7
E
B7
E
4
Г
I
-9 t
^
w
j
i
0
0
4
^ V
0-— o -
4-
^ ^ о — о —
2 — -Ml
0
4
4
2 L-0
A7
0
4
0
4
0 —
^
2
E
Gtr. 1
( & ¥ »
j
j
j
j
9
Ч
—
У ^9
^ P.M.
8
и
и
— 0 4
ч
0
^r-
0 —
8
f
U
J
^
0
0
4
4
и
^ 1^
U
2 t
Gtr. 2 A
=
» 9
>-
'_[
_[
i
i
l|J
>
1
4 j 4
^
~9
i
^
J
;
D X/f
0
0
— 0 4
4
0
t^V
2 —0
0
4
0
4
0
^ 1^2
2
: A
В5
№у
A
J
il
0 —
^
2
А5
( • ) -F- ( • )
£ 1 ^
jpl
i
1
5
i
1
3
grad. release
I -9 -0
0
0
4
4-
-0
0
1
Г5-
г
i
"i
f
r
Л и
и
1/2
Г
*
9
9
45Э
9-
0-
1-
J -J J J J-
^
^
P.M.-
A
70
A
A
A
n II
n II
1 1
1 1
L
L
и
L
L
L
С
£
А и
Л и Л
иА
иЛ
Л и
П и
D G5
F5
E
A7 %wvwwwvw
I
-Ф
ф
ш
Ф-
± 1/2
-8
0
SA
4-
-2
2
4
2-
-4
4
(4)
2
24-
4
P.M.-
-B
vwvwwvww
О
У A
4-
-2
2
4
2-
-4
4
(4)
2-
-4
2-
-0
2
4
2-
4 J * * * * *
P.M.-
1/2
-2
0
s'A
4-
-2
2
4
4-
g
'
4
2
^
2
8
4
-2
2
4
4
J.
J.
J.
8 — 8
4
4
J.
J.
-2
2
8
8
2
^A
3
2
End Riff B1
ft"
1
1
1
J J i J1 J J i
j
d xif
2
2
4
4
2
^
2
8
J.
J
_
-2
2
4
4
5
5
4
4
_
_
-2
_
_
2
_
8
8
2
^4
i i
3
2
Е Е7
E7sus4
Е7 tr*
# ' » ' »
J,
f
}•• Щ
hp
I»-
•#• P-p-
I0*
г
0
1
w
I0*0 1
release tr*
-er>-
-8
to-
у
tfl
r
-
T
tfl
- -
tfl
T
-
te
T
-
ttJ
T
-
T
HI
-
r
№
А7
Е
Gtr. 2 tacet
B7
В ^"tp
1£
"ftp
fr
4 P £ i 'ftp
w/ pick & fingers -
8
i
r
-7 l ^ b
hk
6
7-
I
8 8
9-
f
-в
2-
F E7 Gtr. 2
1 -6
7
8
с
л 4
Ч. Э
П
P
Ш -9
8
7-
е 9
л 4
4 0
8-
9-
Gtr. 1
о с
Ч С
£
Г f Л -10-
-9
г 9-
г if * t r y ? -40-
лг
19—9
f |
с Э ft
D
Ш
ft 0
Л 16-
-47-
R О
л 17
7 1
Jl 4
ч 0
л лл
M 11 12
12
14 -40-
-5
5-
8
6
5
-44-
-12
-44
12-
14-
12
13
12
14Х -43-
В7
Е
ш
Gtrs. 1 & 2 : w / R i f f s B & B l
Е
р
A7
E
№
-
=
=
r
B7
G5
F5
Gtr. 1
1 r
j
j « [
ji,J
J
i = i = r l i i 1
—
^ t К J
d h t — H g f
В—8
f 3
^ 2—2—4—4
b
г^З
тН
4 — 4 —- 2 — 2 — 0 — 0
W
^ Зт-Ч ^
-4
з
3
В 4
з
3
0 4
з
в 2
^ — 0 — 3 — 2 — -в 1
Gtr. 2
Ш
j-R-1
J I J^J
§ — J p
J
J
i
1
_
2—2—4—4—5—5—4—4— -2—2—0—0
1 —1
2
^4
3 —
-3—3—3—3—3—3—3—3-J
1
Ц—1—1—1—1—1—1—1—1
Gtrs. 1 & 2: w/Riff А El
E Gtr. 3 (clean)
о 9 11 11
A7
9У 11 11
—
9
л)—
ГГТ7
E
—
^ —
—•—.
те те 19 1С 19
1С
19 1С 19 1С
Gtrs. 2 & 3 tacet
N.C.
A7
B7
*
:
*
1
jS 1
-
,A s r r —
:
r*2 1С 19 lc
M 414л 414Л
n ~~ 9 11 TT —
Gtr. 1
r —
^
n
J
j
—
1
K l H
^
J
1
V
J
llj
i
J
1
rit.
let гщ
4
В
2
3
В
В —— —в
2
0
В ^4
^ ^ в— о—1
2
2
4
2
В
--2
В
4
В
Gtr. 2
-ПА У
> J
J
i
J
•
J
J
чw-
i
i
j
j
j
j
4
=
4
D \Я
rit.
J T
r.ivi.
2
2
4
4
5
5
4
—2—2—a—a
4
4
4
2
1
2
—в
Free time B7/F# Gtr. 1
. л * g i
J
.
J
з
1 : 11
L
4
2
4
2
В
2
В
—2 rH X
1
:
l_2
3
A tempo El
•> •> >»:
Gtr. 2
Jtfi
7
i
?
?
? 4)
f В
Gtr. 1
щщ
=
r-7 —9 34 = L-9
г
г
X
\ \ri f Ж -6
_
£ V :
!
siЛ
2
1
8 п TT
1
-2
n^F 7 7^= —9—9— •—7 7 7^= —9 9 7 7^=
= i
81 \В
a ¥•
==! L
:
>
||
л
i i i -B—в—в
=
н Gtrs. 1 & 2: w/Riff В
E Rhy. Fig. 1 Gtr. 3
Ы -42-
-12-
3i=
-42-42-
A7
Jp -42-
42
-41-
42/
A7
B7
End Rhy. Fig. 1
ilhhf » -
=1
ff—i 1
r ^ i £
7
i-42 —12 -12
14 14
* *
^
12 9 11
-
12— 9 — H —
—
Г
•
г
и
и —
•Tied to beat 1 on all recalls. Gtr. 1 hm 3
J J i Ji|J j J J ^ ^ *
V
*
.
-P-
1/2
3
в — г
4
5—5
4
—2—2—В—В—^^—2 3—4
4
_ —
1
J
~9 \
2—2—4
3
/Г~-—^ v
Я
^
42)-B
3 — 2 —— в
2
2
В
^ 2 — 6 — A 1—В—^vЭ—В-1
Gtr. 2 Щ
s
Ц
^
...
J J J JilJ J J i
^ —; / - J -
PM r.M.
2—2—4
•
-9
-J-
Tr i
4
5—5
4
4
- 2 — 2 — В — В — ^
2
3 — 2 — —6—В—В—В—В
В
В
В—'L - e
6 — в — в — В
В-^9
7 —
л
ОС
Gtr. 3: w/ Rhy. Fig. 1 Gtr. 2: w/ Riff В1 (1 st 6 meas.) Gtr. 1
>-
Mb
^ ^
»T
I
Г Г
-О)—в-3
2
8
2
о—f-
-2
B-3
4-
-2
-2
4
4-
2
6
5
6-
A7
ft'"
J Jr, j
"
Ц
-
Г
Г r r-'f [
y
p
p
p
p
p
p
p
p
p
p
p
—1— 3
3
3
3
3
3
3
3
Ш ring - -
4
6
' v 4—6—4—6
к a
e /7 a / / Уд
6
A O
A U
A U
A U
A U
A O
A U
A Q
A Q
A Q
A Q
^
A U
-9—9—9—9—9—9—9—9—9—9—9—9—
A
8
E
A
A
8
A
8
8
A
8
A
8
Q
8 A 1 O 8 D 8O 8^
7
B7
Gtr. 1
^
'
1
let ring \!2
^
iЦ *
* =4Ц * fl
(7Э
^
_ 3
_
L r
-8
2—8
_ 3
2—
_
8
2—8
_ 3
2
1
r L' ^ П Г Н 'fJ ц - J >J J ' _
-8 2—8
3
2—
2
z ^ j
1/4
3^
8
8 2—
2
Gtr. 2
рщ
J J j j ^ j i j j j j ^ j
j p p
P.M.
-2
-9
0-^4
4-
-2
2
4
2-
4-
-4
4
2
2^ 4 -
-2
2
4
4
5
5
4
4-
A7
v!i/ff'-r
t^f
1=Г
hold 1 bend
-fl—2—8
-2
2
о—1-
8
8-
-УА
-2
8-
3
-A
8-
2-
-4
6
4-
2
4
4-
5—
(7) -6
4-
-4
2-
3 ^ 4
-8
0 ^ 4
4-
-2
—2
2
2
2
2
2—
Gtrs. 1 &2: w/RiffBl Gtr. 3: w/ Rhy. Fig. 1 (till fade)
m A7
Ztegm fade A7
B7
E
Gtrs. 1 & 2
rtVr т j j J
J J J
J.и
PM
2—2—4—4
5
5
11
^ ^ * ^
4 — 4 — —2
2
0
6
^
ё
2
^4
3
2—
I
JJJ J
^^^
2
41 0 ^ 4 — 4
2
J
2
4—4—
I
J J
4
I
4
'
2
:
2
^4
P.M.
-fl—0-^4—4-
-2—2—4—4-
-2—2-
_4—^—2—2
^ ^—2— -2 -9—9—7^4—43—4
2—4—4-
A7
у
j
-4—4—2—2
2-
E
j
J
i
J
J
j
4
4
2
2
i
J> J^J
0
-0—8-
j
.
1
_
0
s'4
4
2
2
4
4
-5
5
4
2
2
4
2
2
4
4
Fade out B7
• J M -MP Щ)
| ф
I ф
PM -
2
I
I
A7
1 -J-
-J-
- J.
j
j
J.
J
-
2
4
i
4
2
2
4
4
-2
2
4
4
5
5
4
4
-2
2
0
0
2
3
2
from Dare to Be Different
Hearts Grow Fonder By Tommy Emmanuel
/ Fsus2/C
G
/
Asus2
A
Dadd9/E
Bm7
E
и
*
E E 34 1
3
C#m7
4
Dm7
234
Ell
G5
'5fr
»4fr 13121
23
13121
1121
231
13121
Esus4
E/A
Dadd9/A
234
21
423
7fr 13111
2
34
Moderately slow J = 83 Asus2
A
D/A
E/A
D6/A
Rhy. Fig. 1
7
*Gtr. 1 (acous.)
i
1 4 mp let ring throughout
fi:
-9
0
4 2 0
-e -e 1 2 0
о—Bо—e1 1 2 2 0 8
t1= r1 2e-
^
-X X ^
rh
XXX-
-8
В
0
fr-
-3—3—3 -4 4 4 -4 4 4
3—34 44-
-e—e-
*Two gtrs. arr. for one.
Gtr. 2 (elec.)
Ш w/ clean tone & slap-back delay P.M. throughout
X -A
2
2
2
X
X —- г
2
2
X
*
X
X
X
X—X—
ъ Rhy. Fig. 1A Gtr. 3 (elec.)
r, w/ clean tone P.M.
I A
ъ
4
j
P.M.
6 у
6
j
4 6
j
—4
1
а4
з4
Copyright ©2001 UNIVERSAL MUSIC PUBLISHING PTY. LTD. All Rights in the United States and Canada Controlled and Administered bv UNIVERSAL - POLYGRAM INTERNATIONAL PUBLISHING INH
=
Dm/A
Dm6/A
Bm7
C#m7
Dm7
Ell
в Gtrs. 1 & 3: w/ Rhy. Figs. 1 & 1A (1 1/2 times) Gtr. 2 tacet Asus2 Gtr. 4 (elec.)
flujf
^
A
E/A
к
^Jf
Г
wf w/ dist. A
.
7
D/A
...
-
—-
5 6 D
Dm/A
7 /
/
\
(5)
7
Dm6/A
A
E/A
^
#
F
^
^
*
'
"
—
V
ш
P.M.
e
1
Asus2
'F
D6/A
^
7F
Bm7
D/A
P.M.
7/
^ \t) fi— D
-
1
^
^ A
C#m7
4A
Dm7
D R
Ell
D6/A
ЛЛ
G5
Ell
Aadd9
A3
i Gtrs. 1 & 3: w/ Rhy. Figs. 1 & 1A (1 1/2 times)
Asus2 Gtr'4
.
W
L
jf
A J* -
,
4
D/A
E/A 1 *f
\
Г
. —
p
i*
/а
is* 9
a
9 /
7
— 'F
—
P.M. ,
D6/A
#
1
—
^
m
P.M.
e
Э
e Э
e D
7
/
с
D
Oe
7 #
7 #
R'— D
A
A 4
7 /
Dm/A
Asus2
Dm6/A
A
m
E/A
Bm7
D/A
C#m7
Dm7
D6/A
Ell
A 0
—
G5
Ell
Aadd9
Gtr. 3
п
Щ-
mJ и
j
P.M.-
-6
0-
4
fr-
Rhy. Fig. 2
End Rhy. Fig. 2
(cont. in slashes)
H i4
0—I
7 7 7
'
8
. . .
: .
— a . -a
i — — н —7 i 7
—-9
— i 9
Gtr. 5 (elec.)
I w/ slight dist.
Gtr. 3 tacet 2nd time, Gtr. 6 tacet
Fsus2/C
m
j
/
л
m
m
r ~ n - r m ; %
Gtr. 4
I
p simile on repeat
Р.М.--Ч
i -6-^ 7X9
Gtr.5
^ 7—(7)
(7) 5
5 8X7—(7)—9-
7X9
Asus2
r m r ~ n - h
-9
my-14-
l«fe
-44-
-14
n
(12)X
—9—Ifl—9-
10
10
10^3
1fl=
-лг—9—н-
m let ring -
.
.
.
.
.
.
n и
3
3 I I I1 iIв1
ft 0
r n
г п - т
m
1 1/2
(W-e
8-
-8—10
10
-Л
12~
7^9
- t t -
12X10 9X7
10 -X 7
1.8^8 X 7 ^ 5
8 X 5
8 X 5
fl^7 X 5^4
7 X 4
7 X 4
8—10^ 12 X5 7 fl-
m
1 •3
=" 1
-•'r*
a
To Coda Dadd9/E
r~n a
/
i
;
n
C#m7
)
J
Dm7
;
Ell
)
8va -
t ioX12 -*—Xт/9
~n
Bm7
12X14 x X 9X11
-и-
-14-
-Ifl-
-17-4fl
W
D Gtrs. 1 & 3: w/ Rhy. Figs. 1 & 1A (1 1/2 times) Gtr. 5 tacet
Asus2 Gtr. 4
A
D/A
E/A
D6/A
loco к
li'll"
,
Ф'
r
f
т u-j
'
l
V к
%ww i 7
0 9
Dm/A
-
r
г Г 1 l 't= 1
P.M. A 7 9 /
4 a
с Э
ft 0
Dm6/A
,
7/
сЭ
P.M. e Э
/C\
Bm7
-
7/
1
P.M.
"f
7
'
7/
^ WJ
.
C#m7
0£
^ 4
4
n U
Dm7
Ell
0fi
Е Gtrs. 1 & 3: w/ Rhy. Figs. 1 & 1A (1 1/2 times)
Asus2
A
Dm/A
Л
D/A
Dm6/A
Asus2 A it i j P M ^ i
Gtr. 4 tacet
E/A
Bm7
A
C#m7
_ Г
_ Г
1П 10
1П 1U
^ ^ 11) 12-^14 11 Л 10
Т .
Dm7
D/A
E/A
_ Г
D6/A
£ г
ЁиАл. г ^ f
1Z
14
11
г л ц М Ч 13Х1С
^ Г ¥
m 1U
г
0 у
11
D6/A
1
1Л 14 11
Ell
1Л 14
4П 1Z
11
4А 1Z
1* 12
У
1 J 1П 1U
1П 111
119с
(? _ 0 Э Т И
7 /
DS.alCoda Gtr. 1: w/Rhy. Fig. 2
G5
Ell
Aadd9
ф-Coda
Е
Gtrs. 1 & 3: w/ Rhy. Figs. 1 & 1A (1 1/2 times) Gtr. 5 tacet
Asus2
A
E/A
D/A
D6/A
loco к
Gtr. 4
Г 7
9
9
f
Э
с 3
EJ"
P.M.
P.M.-
ft D
с
э
г7
е э
i
7/
у
7/
Г71 UJ
fiN. 0
n
j
4j
0e
7 г
Dm/A
r"
Dm6/A
r
r
r
Г т
7
Р.М.
;
^
J
5
Asus2
Bm7
Г
Г Г Г
r
1
i&r
6 fl 4
A
6
7
9
Ell
r
,n
^ -!tX7
5
9
f
=|
*
«
D/A
E/A
D6/A
» Г
Ш
f
J
P.M. - - ч
P.M.
P.M.9
Dm7
н
7
¥-C- T 7
C#m7
с
с 6 0
с
/7
Сеч vDJ
7
1
7
/
'
7
/
--
ft
0
it
^ 4 4
44
с
7
/
G5
Gtr.
G5
Ell
,гл~п
пт))
G5
E Ell
ттпт))
Esus4
rtrmrrnm
Р.м.н -r^v-
3
2 3
5
^ 4X6 7 6
10 9 10 ^2
(2)/
12 9 10 9
1
г -42
2-
3 2 3
Gtr.3
3
£ 7777-
Иг
7-
А
E/A
Dadd9/A
E/A
Rhy. Fig. 3
r m
m
n ,
r m ,
vvvvvvvvvvvvvvvvvvwvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvv^ it
£
£
i
1/2 47)—5
№
*VVVVV4*%V»VVVVVVVV*VVVV*VV*VVVV%V**^ 5
(5ЭХ
Rhy. Fig. ЗА
~П
Щ
t
Ш
p.M. -
-9
A
-4 6
4 6
4 6
4 6
46-
-2 -4
Bm7
E/A
2 4
2 4
4 6
C#m7
4 6
4 6
4 6
Dm7
4 6
46-
Ell End Rhy. Fig. 3
m
,
>~rm
n
m
i
ij
'1 i r l -—2
2
—2
2—2—1 2 0 В—в—в
—В
2
3
2
i 2
2
3
2
2 — 2 — 3
2
в—в—в—в
i l l l —
-2 -2 -2
2 2 2 2 — 2 — 2 2 2 2
-в
1
2 2 2
В—В—В—В
[Г Dm
Bb
Dm
I Dm
Bb
Dm
End Rhy. Fig. ЗА
Rhy. Fig. ЗА
ij : '
7 5
5 3
3
5
7 5
3
i A I 5 3
3 1
wPPf
i ^'Щ
2 В
7 5
3
5 3
5
7 5
Э
8
?
Rhy. Fig. 3
1 3 2 л и
1
=
End Rhy. Fig. 3
—
; '
A
П н#—
—
В В 3
1— 3 2 п и
1° 3
®
nj 5 з 3 1
? i
2 в
fb4
=
* з 2 л и
§ 1 В з
п и
П
t|J
1 — 2i —
—w ?
—э
И
а
Н г
° — 1 — ? — Н
i—в—4
[Г
D.S. al Coda 1 (take 2nd ending)
Asus4
9 £ л U
с
§ Rhy. Fig. 4
$
End Rhy. Fig. 4
i f
77*
steady gliss.
-42-44-
==44«-
-42-4fl-
-ф-Coda 1
D Gtr. 1: w/Riff В Gtr.
с
2
G/B
J f 4 hi: go ff .
Я
5
Г
^
—P
=
вЬб
rq^T
—
—
' ^
с
9 E Э
e Э
с
e Э
с 9
7 #
•
;
;
С
С
з — С
v w v w w w w ^ w УЯ 0
7
/
о О
7
а 0
7 /
/
1 1
9
Gtr. 1: w/ Rhy. Fig. 2
A7 , Х^ТГ^^^Ч
h T
A7/C# VWWWWWV
Dm
Г Г Г ^ Г ''Г г
г if Г J
1 1/2 ^ 1
1U
Bb/D
\lh
Ь
Г
ty1
П
— ^ —
О VIU^
Dm
0
10 1П
9 О
1Л 10
7/
1П 10
C/D Bb/D A/D Bb/D
f T T V ^ iг у i i i i 5
1
Г
Г Г 3-
1
П
G/D ^ ^
ft
Г
1
W W W W W W
1
6
f
F/D U0.
( 5 ) ^ 5/""N— —6— -8
6
f 5
5
C/D
1П 10
6
7 /
—6
V
X V X
F/D
1
6
6
з
8
G/D
r r
F г г
1
6
о 0
1П 10
Dm
Пi f
f
Й 0
110 Л
1
5
1/2
^
7
r .
Bb/D
А
i^iiff br f 4 t?
,
,
.
(6Э
6
8
A
, 6
Bb/A
8va
f ,
.
A
^
-
Bb/A
8va
Г
f ,
steady gliss.
6
-g^lO 1
\/2
rr—его
(-5
Bb/A
А
!
г
«
1
Gtr. 1: w/ Rhy. Fig. 3(1 1/2 times) Gtr. 2: w/ Rhy. Fig. ЗА
Dm
С
Dm
С
Bb
A
Dm
С
Dm
С
Bb
A
Gtr. 1: w/ Rhy. Fig. 4
Dm
Gtr. 2
Bb
Dm
P
Gm
Gm6
S
с
4 a
7 /
0 о
с d
o
a
/
7
Г 7/ s
0
m « x
8
D.S.S. al Coda 2 E Gtr. 1: w/Riff A
Asus4
D
Л / ^
I
Csus2 G/B
m fdbk.
/8 ч) C
cat
fflV—^ V»J7 —
QQ
-ф-Coda 2 Dsus2
\
^ ^ г — Г 1 f
9
9
9
2 S
2 6
2 0
г
I .
г 1
# i — — i 9
9
9
d
d
-3 "—^ -2 2 — о —J
3 2 9
3 2 9
3 2 9
3 2 0
3 2 9
-
*
9
d
J
3 2 9
3 2 0
3— 2 0
**={
3
2 0
2
4 —
0
4
Bbsus2
F§(no3rd)
E Gtr. 1: w/Rhy. Fig. 1
№ D
Dsus2
F/D
G/D
•
'
Dsus2
•
!«
ЛЛ
"
1
1 Л
^ j
j; >
_
"""
^
^
^ ^ л
|
_
-ф >
a 2
I
N > -a -2
Csus2
i
D5
Gtr. 11 VJIT.
^
Dsus2
G/B
from Up From Down Under
Initiation By Tommy Emmanuel
s
Moderately slow J = 88 N.C.
*E5
(Perc.)
^
Gtr- 1
(acous.)
^
4 4 4 4 'l4 4 4 4 * 4 4 4
'
PP w/ fingers
•T A в
e
e
о
L-e
e
e
e
e
e
e
e
e
•Chord symbols reflect implied harmony.
D/E
у
= г г г г г
г г
irf
г
г
г г г г г г
г
г г г г г г г г
Harm. *w/ delay let ring throughout
—i
7 7 7 В
0
8
8
8
8
8
L-в
8
8
8
8
8
8
8
8
1-8
^
2—4 8
8—8
8
8
8
8
•Set for quarter-note regeneration w/ 2 repeats.
E5
Г Г г г г г г г
Em7
г г г г г г г г
A/E
B7/E
г г г г г г г
г
Ег п
л » -1
,
ж
f
г г г г г г г г 8
§ — 45
W 8
~
г г г г г г г г
г г г г г г г г
Л s
ч
N
J
8
8
8
8
8
6
8
т 8
п
8
"
9 L-e
8
8
8
8
6
8
8
L-e
е
8
8
8
8
Copyright© 1988 UNIVERSAL MUSIC PUBLISHING PTY. LTD. All RinhtQ in the United States and Canada Controlled and Administered bv UNIVERSAL - POLYGRAM INTERNATIONAL PUBLISHING, INC.
8
в D/E
Em
А.
Em
D/E
i
f s
Г Г г r L_L_T_J Г г г г г г г г г г г г г г г г Ф -8
8
8
8
8
-т—8
7-
-т—9
7-
8—8
"7 8 -т-9-
-8
fr-
8
8
8
8
8—8
Г
8-
Em
ш
8-
-8
8
8
8
8
D/E
8-
Em
-i
0
г г г г г г г г г г г г г г г г г г г г г г гг 8-
5 / 7 ^ 5
9-8
8
8
8
8
8
5 / 7 ^ 5
8
-8
8-
8
8
8
8
8—8
8-
$ г г г г "Iг г г гГ г| гГ г г г г г г -"7—8 -т—98
8
8
8
8
8
8-
-8
8
8
8
8
8—8
8
8
8
8-8
8-
D/E
г г г г г г гг
7frт—9 8-
-8
8
8
8
8
8—8
D/E
Егп
78-
Em
й
£• s i
tSf
8
Em
В7/Е
-8
-fl
Г Г г г г г г г г г г г г г г г г г г г г г гг = f fw а
it о
о
о
n
n—n
0 a
;7 9I ]7
= —A
n
о
n
a—о
о
D/E
г г г г г г г г г г LZ
1 7-i
n
о
Em
т
Г Г
л-. .. . —a
-
Е_Г г г
о-
A .... a . a
l a
В7/Е
г
гг
i
г
гг
Em
J
j - - — - J-
i— г г г г 5 4 8
А
г г
г
4 2 4
в -— в — В — в — L - в — В — В
6
—
Ш 1
^
г8-
Г Г Г Г •г г г г
г
-5 -4 -5 0
Em
j — f
1*\ 5 W * В
В7/Е
4 2 4
h
^ —
г г г г г г г г 5 4 5
В
2
В —* — в — в — в — 1 - е — в — в — в — в
в
в — в
"
ш Аш/Е
Вт/Е
N J.
* === Г 1
Г
Г
-Ь— \ т
г
Г i
Г
Г
в
0
0
—Ш.
J
Г'
г
2
4 4
г з
1
§—
1 В
J
ш
IS
т-
0
0
0
С/Е
0
L-e
г г 44
0
* 1a4 *j3
=j= Я——
6
F
г
г
г
2
0
В
в
В
В
в
в
6
В
B7/E
J J
^
Г Г Г Г Г Г Г
Г Г Г Г Г Г Г Г
'
-7 8
--8 Ф и в — в — в — * — в — в — в —
И
7
т
г' г г г г г г
'
Em
'
О ^
г г г г г г г г
^
4
1
1 в — в — в
;;
0 в — в
в — в
+
и
г г г г г г г г
7 7
В 7 в —
— в — в — в — в — в — в — в — в — - з — в — в — в — В — В — В
Е5
/вi
I I
в
Em9
J
fr
Г^^Ь
L _ r L _ r
5 5
Л
=&'Л
« — *
5
Em(add9)
г г г г г г г г
У
1
7 9
- в — в — в — в — в — в — в — в — L -в
В — В — В
В—в—в
в — •1Л1
и Em
D/E
Em
D/E
А Г
Г г г г г г г
(!)
г г г г г г г
г
г
г г г г г г
=
1I I -0—8-
- 0 — 0 -
-0—0-
0
D/E
Em
Em
1 г
ig
г г г г г г г ,—,
m У n
и
а.
п
л.
г
г г г г г г г г
г
?—8—о— ..—о—о а а
а
а
о
7 0 7 M i — 7 — 7—9 7 а—о -о —о.
о
Em
В7/Е
•I
Г Г г г г г г г
г г г г г г г г
В7/Е
п
и
а
о—. -а
Em
г г г г г г г г
5 а
В7/Е
h
мг
r
?t т-9 а
t
Em
b_
г г г г г г г г
Е
J-
П
*
в
1
0
о
о—о
о
Eadd9
rft-^r —
г
' 1
ffl—
Ы—h _ ! . J
104
о
~
Н
..uA*
г
о
8
8
. L.
..
LL5
г г г г '
I -
4
4 8
8
8
8
8
8
8—
L
-8
«у
.J
8
8
1
2
6
3
1 8
8
г 8
5 8
8
8
^ г г г г г г г г —
э
1
8 1 4 8
-8
г г г и
is,
]
г г г г г г г г
85
8
6
Eadd9
5 8
8 =—
I
F#mll/E **J «
г 3—Г
5 И—8
\
Jtj-J1 I
г г г г г г г г
г г г г г г г г 0 5/
-J
r
i
—5 8
8
8
6
—8
8
8
8
8
8
8
8
Am/E
B7/E
B/E
Em
v . h
N
Г Г Г Г Г Г Г I -3
2-
г г г г г г г г
5-
г г г г г г г
-ю-
-42-
-41-
+5- 0 — в — о — о — в — о
е-
-е—в
в — в — в — в
в
о-
-в
в
в
в
г
в
в
в
о-
Етб
I
ЦЁ
г г г г г г г г г г г г г г г г г г г г г г г г 42/ - 0 — о — в — в — в — в — в — о -
- о — в — в — в — в — в — в — о -
F/E
Ет9
- о — о — в — в — в — в — в — а -
В7/Е
Ет
Е Ж
Г Г Г Г г г г г
- о — в — в — в — в — в — в — 6 -
и
г г г г г г г г
-0——0
0
0
0
0
0
D/E
Ет
0-
W
7—в
7—9
n
n
n
n
n
n
n
; i9
Г
а
а
а
J
Г г г г г г 12
^
7
- 0 — о — о — о — о — о — о -
-i
в
г г г г г г г
л
а
л
а
п
г г
в г
г
; 8 ?
0
D/E
^
в-
7
Ет
I
-7
D/E
г г г г г г г г
7 7 п
г
Ет
Л Г Г г г г г г г
г г г г г г
a
n
n
a
n
o
n
п
Em
D/E
Em
В7/Е
i Г г г г г г г г
в
г г г г г г г г
г г г г г г г
г
—г—"N
-wо о
-&—е-
Еш
D/E
Em
П 7 1
Pi
-
г
Г
1
Г Гг г г г г г г г г г г г г г г г г г г г г г 78-
~~т 8 -7—9-
- t t -
7-
-8—8-
-8—8-
-8—8-
D/E
f
n
n
Em
r ^
J+я.
г
г
г
г
г
feH
Ш'
г
г
В7/Е
—
'1
^
^
h
—
г г г г г г г г
г
г г г г г г г г t
it8
1Ф
г
f*\ г W 8
8
8
8
; i
8
В7/Е
*
9
г
г
г
5 4 5
5 4 5
8—8
8
г
8
Ш
8
У
b *'
*
г
8
8
8
8-8
8
8
Em
г
г
4 2 4 8
7
j =L-e
8—8
Em
г
9
4 2 4 8
8
—
г
7
_ . ..
г
г
г
^
L-8—6
8
J
| 1
г
8
5
5
5
8
6
F#m7add6/E
г
г
г
8
8
8
Д
42 4
8
8
N.C.
П J
. ^ J
у
T
>
.
'
'
f v - L ^ - ^
V
*
,
'
.
1
>
=1
'
mp
1
P.S. n II X V H J^ X v ^
x ^ ^ x ^ ^
В +
Dm7
п
•ф
и
а
m
1
m
*
D \/f .
0
в
В
Э
в
0
э
в
3
в
5
L
3
в
-fl
в
3
в
в
э
в
3
5
в
3
tChord symbols reflect implied harmony.
^
=: J: ^
^J ^
P.M.
В
-
в
в—з
в—3
hj-g
^ J: А
в
в
ч
3—5
let ring
в
в—3 3—JL-fl
в
1
в в—3
' j j / j j j ^ i
в—3 в
в з—5
в э - JL-e
в в—3
в
в э—5
з_1
Copyright© 1993 UNIVERSAL MUSIC PUBLISHING PTY. LTD., TOMMY EMMANUEL MUSIC, CHRIS GILBEY PTY. LTD. and DEERFIELD PROD. PTY. LTD. All Rights for UNIVERSAL MUSIC PUBLISHING PTY. LTD., TOMMY EMMANUEL MUSIC and CHRIS GILBEY PTY. LTD. in the United States and Canada Controlled and Administered by UNIVERSAL - POLYGRAM INTERNATIONAL PUBLISHING, INC. All Rights for DEERFIELD PROD. PTY. LTD. in the United States and Canada Controlled and Administered by UNIVERSAL - SONGS OF POLYGRAM INTERNATIONAL, INC.
ift
ли r->:_i_i_ r->
i ii
1 i— i-k
_
•
J
.
Шш *
|
3
* — S
I
. iJ
|
p
J
J
3
4 J J 4 4 4 4 4
——
I
I
p
3
-j
ё
. -J. -Ф
'
mp
P.M [
fl II
0
A II
4 J
fl II
1 0
ч 9
е 0
с — D
—•—
F/A
л
ОС
G/B
D5
8va-
8va
vwwvwwwww
loco
/2Л
«
r^P -14—15
8va
л
ОС
G
С
G/B
- t t -
14—15-
-w-
F5
J
G5 8va
E Gtr. 3 tacet
л ,4 Gtr.
D 5
-|J
J
г
д
'T
mp
с
О U
£
i ^Л
A
It
4
U
Dm7 Gtr. 4
J
P
—
; -
2
—
=
=
—
—
^
2
Gtr. 1 3 i ,
^
,
,
—
I
I
3 I
^
i
•
^
f i ^ t ^ f f f f F
— ;
•Ф P
^
^
^
D
в
e
e—э
e—э
e
в
3—5
e
э — 1-В
в
В—3
в—3
в
в
3—5
в
В—3 3 — 1-В
*
в В—3
в
„ , 3—5
в
„ 3—
Gtr. 4 tacet
18\
-42)-
/(18)\
-1/2
/(16)
-ею-
-1/2
•Vol. swell
End Riff A
Riff A
3 P.M.-
P.M.-
0
-9
Э -0—3
0 -0
-3—5
Begin
3-
0-
3
3
0-
3-
-0—3 -3—5
3-
0-3—5
3-
fade
Gtr. 1: w/Riff A (2 times)
8va-
v V V V
Gtr. 3
V v v v v v v v v
. .
loco
i string noise
w/bar-l
v v v v 19
(19)
(19)
(19)
(19)
v v v v v v v v v I (19)
(19)
(19)
(19)
(19)
(19)
(19)
(10)
(19)
(19) -JPht
Fade out
from Determination
Stevie's Blues By Tommy Emmanuel
s
Moderately J = 129 ( Л = J } ) N.C.
G5
Gtr. 1 (slight dist.)
ьЫЬ
•Chord symbols reflect basic harmony.
A5
i W
т л ,
j
r
y
m
i
G5
E
Ш let ring -
H
1/4 -в—5—з—4—a-
-В—5—з—4—03
/1\ 2X4
А
С
D
С
A
3
E
i p y
m
i ^ J J d t i
4-
2 0
e
T
t
^
f
2 0
A7
e* fer ring
1
1/4 2 2 2 0
2 2 2
5 5 5 3
7 7 7 5
5 5 5 3
0
^ r^A
2 2 2 0
3
i
0—5
4—0
"p
f
3
3
3—(3W
3
2
X X
2 * X
2— * X
- >
^
0
^ 3—2—0 —2
0
3
f
J i
2 3
7
, 0 —
A7
J
J
/er ring - -H let ring
1/4
I
0 — —0
Гh JTf1 3
1
о — — 3—2—0
B7#9
1/4
1 let ring
1
3 2
3 2 2
bm
J
/ef ring ~ -\
-H — a
3 2 2
*
2— 2 2 0
3 ^ 0—2
3
L "TV
bm
/е/ ring
5—0
0
1
^
— ^ —2—0—1— 2— 2—
Copyright© 1993 UNIVERSAL MUSIC PUBLISHING PTY. LTD. All Dinhtc in fh* I initori statp* and Canada Controlled and Administered by UNIVERSAL - POLYGRAM INTERNATIONAL PUBLISHING, INC.
в Е
1-РиЛ
Е
М
М
М
,
Ж Ж Ж Ж
R3-, • >•
Ж Ж Ж Ж
«/
3 5 = 4 — 5 3 5 = —
Е?Е
Ч
1 1 2—2—2—2 8—0—8—0
1/4
В—5—э——4—0
^—з
1
е— 3 2 0
ц
г
—2 0— L-В
r ^ r
r
.
r
m
ш
ж
5
~9
'
1/4
—^ 2i
0—5
3
4—0
ъ
0— 3 2 0
tJ А
2 o -- L - 0
С
D
С
h 2 2 0
1
,
5 5 1
7 7 5
щ
-w
#
J—0 3
0 5 > 4 0
5 5 3
0
ф
и
2 2 0
^ ^4
г—в
J—2 3 0—L
Ц 0—5
3
II
J
j
4—0
з
3
SgL— •
0
л
~9
^ 2—0
—
- >-
-9
v 3 2 0
9 9
—
vvwwvw
«
H
« «
о
^ —3 2 0 o-
3
j^jP m
л
J
о
—
e
H 44
о
«—9— t2—9—
A7
u j ' i ^ j —^sjrJr и
0 5 $ 4 0
e—^—з y^A
>•
>-
-ф
L-e
- к Л Г
: ij
d—^s^T
2
— 3-2-0
d
2
JTT* ** d —
ГЪгЬт Hr L^J—
d
— . 3-2-0
3
\ jm J Ji
v
3
Ahmm 9
m\|J m ^ 4'иг d
*
3
d*
ш
0
e^ 0^ 0^ Ik^3 2 0 2 0 is'A 0 г/4 0 г/4 0 гУ2
3 0
2
С Е WVWWVVWV
П A 0
ПЛ . /< 2X4
n U
ftA i /Л 2X4
j-J-i—*—I
r j l w
n U
w
о i
n U
T V
J i, J ^J J ^ 2
0
л '
n 1
3
Г 1
1 1/4
1 2 С —В
—"
^v t ^
m
3
Е
1 t X J j j l i
— ^ — э
B7
§«
/-в 3
J ^ l
J Jjj
2 2 0
2 0
Ь
2 0
1/4
h
t
1/4
Е
n
J-
fl
| , ,
2—2—2—2—2—2 0—В—0—0—В—в
А
гМг rn
Е
-9
-9 •
•/
fer ring
А
/ i2 / 4л
j
э
/•сч
v ч J
e 3
зо
(.g;
• П a U
А7
«А
а 3
Щ
f } ty "J-F-
Щ
w/pick &finger- —о
-0—е-
е-
-е-е-
0 г3
-3-
В7
42 42
А7
П
« Н-
42—/42¥Ч42
12-
12
Е
В7
-14—m -44—H+ 44—m
-e
15
15
rrc
tr
rr
rr
rr
rtr
tr
rr
17—(17) 15
-47-
17
(17) 15
47-
ОТ
11
ь
1
1
-щ—
1
7
л -
Т
f т
—
-J—L=
)
Ф
i
3
1/2
14 У
(Щ \14/
12 12
14— 14— g—
" — '
-^45 -г46 g
g
Х15 Х16 g —— g — — g
В7
44—n
8
9
Ъ—
± = i =
14—
А7
D j.
>
i
Ч - J
—
*
r i
i
i
txJ
>•
^
M ~9у
-ш
-J
1/4
13
8
9
9—7
^
^
8 7 6 7
(TV*
8—5—8——4—8
3
8
3—2—8
8
8 У
8— j
А
1/4
\
"
3^4
—8
-ш
w
—
оJ \
8—3
3—e—
Е
3
та чг r p ^ p r ••
3
3
f\ i^ 1 \ci
8
5
i
4
nfjJ У
-
5f
5
8
>
—
>
г Т ^ Г г . ь ^ Т !
—
-9
5
TP
-Ф-
—9
e — Ц1
>•
if
1— —9
8—2 2 2
—.
12
44 44 14
8
8
^ 3^-4
12—9—
3
8
5
3^
4
#
0
0
^ — N 3X2 0
X—
8 8
8 —:
8
-12
A
C
5
D
5
C
A
Е
A
3
ft11
д ^ ц
i f
= 4 f i t f l if г r ^ r г , J T H H l щ у т j j L-LJ " J j j
-9Ix—2 X—2—X X—2—X
5 5 3
7 7 5
8 8
2 2 2 8
^ r^A
3
8—5—3—4—8
8 2
0 8
j
-9
—9
v 3
—X—9 X 7
8
14 12—14 12—14 13—12
E
— 3S ^ n
—
-ф
"—'
5 5 5 3
>
№
G
1
ж
—12—9— —12—9— 12—9— 1 9 — 7 —1 8 fr—
В7
^-^t^bfrrTT
r f ¥ r i
ж
1
| Г
T i —e 0
" " " Г tfl
,
1 2 / 12y B-rt^—tt^
-t—8
(11) 9 — 9 — 7
11
г
г
E l f
"
|
T
l
1
I
г
-9
3
5
^ fT
А7
9 9
=?=
til
>
til
Г
til
til
7—8 7
7
*
1
7
Е Е7
Е7
А7
l i t A •„
> ,J
J.
Е7
T f
i f - ^pCifc. r
let ring
ft i— - §
®
В7
1
r f — r f — m t f S
let ring
1
f ''Pip
J
H
i o—-—_ • 0 T 2 ^
7t ^ ^ 0 ^7
7
6
s — s — / 0 5
124
"-9-V-
" - 9 - Ч -
4 2 ^
A7
I h h
ь
Л
i
ж
- n f r ^ j
E7
,
г -
8
J
.
3
= J JM
J i
a
J1 ^ J = i
t
ft
i f s - - r г
^ — X о—1 X
3=
Г 1 2 ^ — """12^ 6
3 2 4
8
3 2 4
6
к s
'
a
-9'
"
8
2 2 2
X X X
— 2 = — 9^ 4 = 5—- --""12^
2 2 2 e
2 2 2
i
В7
A7
.
B7
j
'U'f ^ 4 4 ^
7 ^
4 4 ^ -X
6-
7—6 7
4**
76
5-
-2
2
-2 -2
2—о—1 г-
t
^
f-
3
i
E5 -3 Д.
Д.
3
1
£
\/
mp -
\y
Д.
Д.
Er-
: «я/* 1/2
-2 -2
\/
a
1
4 4
1/2
1/2
1/2
1/2
1/2
1/2
1/4
4
4ir
~*7 -e
a-
-e
-4
*7—*7—
B-
4
4
-6—fff £
^ 7
(6)^9 4-
-э—B-
E5
B5 -3
1 I
w
3
r !
V—•-H wwvvwvv
И
1/4
vvwwv
J _
t i l l !
2 ^ 6
1
42 -v44
13 H
1415
-if^ 16-
« T^
-4
6-
-5
3
5
14-
44P
5
5
5—r
1/4
15^12
42-
44
( 1 4 ) 12
4 4
14 14
1212-
44-
А5
J 1Э
l
1/4
/ЧГЧ VIU/
Ч4 T —— / 17 on 17V 1С 1С v У If £U 1 / \ 1 D 10 ' ^ 19 1/ 1 /7^\ ч 1Ш 0 ID 1П 17 1
vvvwvvvvvvvvvvwvvvvvvvvvvvvvvvvvvvvvv J 40 4A 4Л -«о 1С. 1С. 1С. Itl
la
шт 1/2 -H
1Щ
-42-42-
14
-M1
— 1 2 -12-
/ef ring -
44V - 1 2 14-—12AW—12-
-44^
16
m
1/2
Ы V14
-M -14
IJ 14
-42-
14 1 2 ^ 14 12 13 14 12
^ 4 -
-42-
B5
/
/er ring -
-5
E5
iMfy (h * 1 v
О
3
5——В
i
L = | Ъ
В
Г> О 3
1
1
В
Ъ
=
3
=i
-
В
—
^
2
—В
; 3—в
3
B-
^
- f l — 5 — в — 6 — e — 6 — e -
у
э
5
г Г
В
А
[ г ^ Г j
5 — 4
8
о
3—2
j
В
» л
ОС
[Gj E
ft
A
0 5
G5
E
A J J 1 Л Ащ
)f
H r
м
U L j r ^ yj - l
1
m
A5
M
G5
E5
m
л
« 12 10
9 9 7
—
~9 1/4
1/4
f
f
1—2
f-i
j—2
2
^
0 - H
0—5—3——4—9
3
Y * d r
f
' I ,
0
i
у
Ц
0
^ — 3
r . .
.ft
r
h
^
J j J j J
j
"
5
3^4
0
0—/* 3 з
С
o-
A
D
С
E
Uljd J 5
^
7 5 7 5 7 3—5
-2
« 0
с
0
у 3
8
i 3 —
—
F w
i
t
л
ОС
g
f
г
Г w
3
0 2
>
.
с
: —з—^
г
—3 2
0
Г
b
r
2—3
f
.
>
.
0 2
3—0
0 0
.
с
1
.
е 1
*
3 2
5
3
4
0
0— 3
2 0 0—1
^
^
у
^
д
м
^
г -
—
й
=
=
1
—
^
3 2
3 2
—
3^5
,
(5)^4
r
h
r
Ж
ТГ Ж
B7
3I
3
r ^ —
b
« Г Т 1 r f f i M r ^ P : • •
г Ж
0
0
3
0
о
^
3
0—
2
g
l
^
rAA
0
5
0 3
г
,
П 2— 2— 2— 0 J
—0
3
ft
. 0
E r
5 5 5 3
T
A7 ^
^
—
>•
3 g
11
B7
1/4
2
0
з
j
1/4
n — H 12—H 13—12
A
ж
>
1
9 9
iSTl и» г Г^Г г , —2— -2—
\
2—0
У
E
0 о —
ir
№
2
Xy 2 о — э — о —
А
J
3
04—2
2 /—9 a — о — э
i
——
0
Ж
Ж
a
3
П 2
Н
^
r - 4 - q ii
J
J
4
H
3
3
3
3
7—7—7 5—5—5
8 6
8 6
8 6
г 0
H—1—1—1—1—1—2—2 -2—2—2—2—2—2—2—2 2 2 2 2 2—2 n a n n a n
a
ж
-
-4—4—4 -4—4—4 -2—2—2—4—4
0 0
А
,
t 3
j-J 0
5
ъ
I
Г_дг
4
0
.
j
-2 -2 -2 -8
2 2 2 8
'
3^—e 8
С5
D
hj : У
w—g j
7 7 7 5
5 5 3
A7
B7
Ihh^r r
,|
7 7 7
E
Cb,
Л
L
4-
V W W W H
^
-
J
4
1
Я
иш'^ш
5
2
5 3
2 8
I
0
N.C.
=1
1
_ -2—3—2—8
2
-
А
tr
w/pick &finger4
i •
С
2
8—
X f -*—1 2
2
4 (2)
8
2
8
2
1
8—
Free time F7
El
I-11/2
-5—3—5—3—0 -4 3^4
2-e—B-
0-
" "i
1/4
1/4
-12
-42-
J 15
1/4
.. 12
-42-
. J 15
< u
1
.. 12
^
-42-
tt-
-45
E l f o
loco
u
J
3—5—3—e-
J
N.C.
J
12—
л
ОС
from Up From Down Under
Up From Down Under By Tommy Emmanuel and Alan Mansfield
a
Free time
Am
N.C. Gtr. 1 (acous.)
и mf
w/ fingers
-9
fi:
j
— I
Bm
Em7
m
Л
let ring -
let ring -
- H let ring Harm. 42—
let ring -
—4-
2-
Am7
F#/A# #
Iе
-Ч
/ef ring -
—•
Ш
Amll
4*
/е/ ring -
/с/ ring H.H.
ч -7
-e
fr-
7
e-
-7
G
D°7
/е/ ring
5(17)
Am
Am7
D7
1
H.H.
в
let ring -
-H
m /е/ ring -
-4-
л ОС
H.H.
5-
5(17)
let ring -
9-
-3 •Chord symbols reflect implied harmony.
Bm
D7add4
-7
42-
Copyright© 1989 UNIVERSAL MUSIC PUBLISHING PTY. LTD., CHRIS GILBEY PTY. LTD. and EMI SONGS AUSTRALIA All Rights for UNIVERSAL MUSIC PUBLISHING PTY. LTD. and CHRIS GILBEY PTY. LTD. in the United States and Canada Controlled and Administered by UNIVERSAL - POLYGRAM INTERNATIONAL PUBLISHING, INC. All Rights for EMI SONGS AUSTRALIA in the United States and Canada Controlled and Administered by EMI BLACKWOOD MUSIC INC. All Riahts Reserved Used hv Pprmi«.Qinn
-5mi
Moderately slow J = 79 N.C.
В *Gmaj7
Bm7
Am7
Em7
Bm7
F#/A#
8va
1
6
7t
7 1П 1U
/
й
0
8
. 7/
111 1U
1Л lU
r > -in/19 10/1С
14 ID
ЛА
19 \£
ЛА
14 ID
14
14
14 ID
14 17 14 19 1A 19 ID 1/ ID lc 14 \c
*Chord symbols reflect overall harmony.
1/2
-12
(12) 10
8
7
W
7
0
Gtr. 2 (elec.)
i
§
'
И
J J
-M-
-Hh
7-
r — Лn J r si CJ
г Г П
— 1 1
10
10/12
J
J
r
ej
-
J
J г
mp w/ clean tone & chorus /ef ring throughout
4
о
3
= 0 4
3 4
0
3
3
0
0
2
12
1
Bm7
F#/A#
Amll
Dll
Db7#ll
4
Cmaj7
F#m7l>5B7#5
\>*F 'Г Г f f 7
7—В
«
Em7
A9
f f ^ f i г1 r f A r r1 r=i —7— —— "С I -19
8
19
'
м
\>Г
s>w
8
7
1 8 Г° о H8
7
8
F9
$ 'бЙ
F13
? - 9 -^7
Л , 15 =
Am9
D(b5)
Г r i Lf f - f "— l j LJ^
1/2
7
^
18
8
гЮ -^7
19 8
[
pW -^7
I
18 8
L^J
1
18 ^—(9Э-18
7
if f-f
D5
11 1 1 let ring
/ V 10/12418—8
^^ ^ Htf—f & ^J -- f - ^ г — f— -^-p 8
D Dsus4
f I
p i
19 9
18 18
7-
i i
-4*-
-8-^7
-7—8-
12—гМ
HW—v—
13
10/12
15 14 15—Я
re-44—12-
f L J i r r r А 4
J
n II
J
n II
A4
A 4
5va
loco
wwvvvw
с Э
q J
7f 7
Ш
0A
/7
0П
1П 111
1
Am7
T if
Ippi
q d
Г
' a
^ л 44
A 9
9 11
7
Gmaj7
Dll
Am 11
q 0
n II
Bm7
Em7
;
1/2
vvwvvvw d2H8
-Н»
-8
13-
-W-
Л
I
—8-
-8—7
18
18
^ №/42-
-45-
-42-
m
0
1/2
-3—5
(9) 7
Bm7
Amll
Dll
8va-~
fc^
loco
/ Г Г . Г Г
Db7#ll
Cmaj7
3-
F#m7b5
r f iPfrff
B7
f
tff.
1/2
-44-
15 14 15
0t
я
17
tr44
12—rd2)
(12) 18
-8
1*=
-18-
-7
8
7
8—7-
-43-
эй
0-
i
p
3 1/2
-8
7
8
18-
-9-H
9-
(9) 7
-43
7-
i—Г
111
Em7
A9
D
-42
Ю/12
tt
Dsus4
8
—2 -3
9
3 5 * 5
4
F13
5 7 5
6
Am9
>
Dll
>»
j t f m f ]a m г
г
г
г
V -7
V У V 7 7 7
г
}
¥ ¥ ¥
У ')? 7 •7
У 7
7—7—7
£ :
7
¥ 7
¥ 7
f
f
f
0
7
10 0 V
Г
f l
1
0
4
5
Г
9—
^
—
0
-8 i
m
Г
^ г
Ф
Г
1 —
J
I
J
4 7
ff^v £
ff ^
9
p
—
r
л ОС
4 6
10
Am9
F13
I* ..
D7
40-
9-
8
F9
D°7
5
=r u=u
4
-
5
8 7
5
0'
u
8 7
7
7
H ||
5
^
H
i
и
Gmaj7
f r
mp
—4 —2
3
It' - J ] ]
1 1 ] ]
mp p J^J
. I I I 1i ,
i
w
7
_ _
7
5
5
7
J
J
Г 1W
.
У
r ~ t ^Wt ' -2
-
5
7
Bm
5
7
F#/A#
5
Am9
-1 1
7
5
i
5
Dll
-
4 5
7
Gmaj7
4 5
Am
p.
k.
1
9A
2 2 8
^—F—tfjjfiM—-®-r
F ' w F * — t | # F ^ Lih
t = f = t
J "C
4
7 7 —
:
3
=
t l — и 3
1
Cmaj7
F#m7b5
B7
Em7
f
A9
D7 D7sus4 ш'
*
г
-7
'
y p
U | l
r T ' f
г
'
4
D7
4
p
1
\
4
4
4
1
8
8
8
6
6
6
- 5
!
5
5
5
4 — 4 — 4
- 9
1
8 — 8 — 8
-в
4
-7
-7 ~=t
йВ
D°7
)
1
iF 1
= H = 5 — 5 8 — 8
8 — 8 — 8 — (1
-в
]EUiy.
Fig. 1
"f3
\ — i
F13
F13
f
r
h e 4 8
7
- 9
8
г
7 - 9
1
M s
Р'
ш
в ?
- 9
г - 7 :- X - 4
1 5
— 7
t
1 (
1 3 [)
9•
f
'
1
1 — 1
Am9
Am9
Dll
F
D Gtr. 2 tacet
Gmaj7
Am7
Bm7
Em7
Gtr. 1
1 j>*.. § '
t
^ J
—
J
J J^J
- =— l1 ^
J
?)
1 1 J J '
7
m f
A 4
4 Э
4 Э
7 /
Gmaj7
^74 \t)
Am7
'2;f * r ~ r j
С D
4
J
К Э
^
WWVWWVVWWVWVW 8
9 0
Gtr. 2
7 f
f
F
1
r a ^
«
7/
а0
П 9
Em7
f '
^ 7/
л "
Bm7
vvvvvvvvvvvvvvvvvvvvv
ijT^Li"'
43 «
'
t / 1 7 Ъг
tt
N
8—7
7
8
1Л III
П0
n У
_
j' »
Л
J
' П Р t j
г 7I
0 9
'f I
7
0 9
Й 0
7 I ft D
I'
I'f R 0 4 Э с Э
T
l
L i П U
J
г 3 40
Ш 3
с0
43
л 4 А4
л
ОС
Gtr. 2: w/ Rhy. Fig. 1
Cmaj7
D7
F#m7b5
D7sus4
D°7
B7
Em7
D7
A9
F13
E Dll
Bm7
GS
Em
Bm7
Am7
F#/A#
Am7
Bm7
Em7
Dll
F#/A#
Gmaj7
Amll
A9
D
Am7
Dll
Dsus4
D°7
Bm7
Db7#ll
D7
Cmaj7
F13
Em7
F#m7b5
B7
Amll
F13
F Gtr. 2 tacet
Gtr. 1 tacet
от
*
i
^
i
i
8—^^ t^W
1
f
r
О - г p-r 1
8
5
5
f
r
^ 7
—
5
5
— ^ ^ 7 5
5
J
u
^ 7
5
L
raaa
=
5 8
(8)
t
j J '_Hi
—
J
*
5
7
—
1/4
j / /
= 5
7
&—
Begin fade
Fade out
Guitar Notation Legend Guitar music can be notated three different ways: on a musical staff, in tablature, and in rhythm slashes. D RHYTHM SLASHES are written above the staff. Strum chords in the rhythm indicated. Use the chord diagrams found at the top of the first page of the transcription for the appropriate chord voicings. Round noteheads indicate single notes.
D
E
G
rm-)Л
open 3fr
Notes: Си
д f!
в
THE MUSICAL STAFF shows pitches and rhythms and is divided by bar lines into measures. Pitches are named after the first seven letters of the alphabet. TABLATURE graphically represents the guitar fingerboard. Each horizontal line represents a string, and each number represents a fret.
Strings: high e
low
T 1 '
\ -e z.
Hi
4th string, 2nd fret
1st & 2nd strings open, played together
open D chord
Definitions for Special Guitar Notation HALF-STEP BEND: Strike the note and bend up 1/2 step.
WHOLE-STEP BEND: Strike the note and bend up one step.
GRACE NOTE BEND: Strike the note and immediately bend up as indicated.
SLIGHT (MICROTONE) BEND: Strike the note and bend up 1/4 step.
t 1/2
1/2
J_
ft:
ft:
ft:
BEND AND RELEASE: Strike the note and bend up as indicated, then release back to the original note. Only the first note is struck.
PRE-BEND: Bend the note as indicated, then strike it.
1/4
Ф В
PRE-BEND AND RELEASE: Bend the note as indicated. Strike it and release the bend back to the original note.
m
UNISON BEND: Strike the two notes simultaneously and bend the lower note up to the pitch of the higher.
Ф
1/2 -9
ft:
вVIBRATO: The string is vibrated by rapidly bending and releasing the note with the fretting hand.
fi-
WIDE VIBRATO: The pitch is varied to a greater degree by vibrating with the fretting hand.
HAMMER-ON: Strike the first (lower) note with one finger, then sound the higher note (on the same string) with another finger by fretting it without picking.
ft: PULL-OFF: Place both fingers on the notes to be sounded. Strike the first note and without picking, pull the finger off to sound the second (lower) note.
v w w w w v w v w
# vwwvwvwvwvwv^w
w w v w w w w v % - t t -
ft: LEGATO SLIDE: Strike the first note and then slide the same fret-hand finger up or down to the second note. The second note is not struck.
BSHIFT SLIDE: Same as legato slide, except the second note is struck.
TRILL: Very rapidly alternate between the notes indicated by continuously hammering on and pulling off.
TAPPING: Hammer ("tap") the fret indicated with the pick-hand index or middle finger and pull off to the note fretted by the fret hand.
"NATURAL HARMONIC: Strike the note while the fret-hand lightly touches the string directly over the fret indicated.
PINCH HARMONIC: The note is fretted normally and a harmonic is produced by adding the edge of the thumb or the tip of the index finger of the pick hand to the normal pick attack.
m
HARP HARMONIC: The note is fretted normally PICK SCRAPE: The edge of the pick is and a harmonic is produced by gently resting the rubbed down (or up) the string, producing pick hand's index finger directly above the a scratchy sound. indicated fret (in parentheses) while the pick hand's thumb or pick assists by plucking the appropriate string. —Jf—1 p.s.
HI.H.
P.H.
Harm.
-42-
T 1 A n В
в-
MUFFLED STRINGS: A percussive sound is produced by laying the fret hand across the string(s) without depressing, and striking them with the pick hand.
PALM MUTING: The note is partially muted by the pick hand lightly touching the string(s) just before the bridge.
a
EL
RAKE: Drag the pick across the strings indicated with a single motion.
m
a
P.M.-
, 7(19)
rake
TREMOLO PICKING: The note is picked as rapidly and continuously as possible.
#
1
T
fi:
в ARPEGGIATE: Play the notes of the chord indicated by quickly rolling them from bottom to top.
*
А В
B:
VIBRATO BAR DIVE AND RETURN: The pitch of the note or chord is dropped a specified number of steps (in rhythm), then returned to the original pitch.
m
VIBRATO BAR DIP: Strike the note and then immediately drop a specified number of steps, then release back to the original pitch.
w/ bar-
w/ bar
-1/2
-1/2
-1/2
V
V
V
w/ bar-1/2 -1/2 V V
T>
m
VIBRATO BAR SCOOP: Depress the bar just before striking the note, then quickly release the bar.
Г —
T
S
fi:
чЧ-
чеъ
Л
7 1
7 /
7 /
n D
B:
Additional Musical Definitions (accent)
(accent)
(staccato)
Riff
Label used to recall composed, melodic lines (usually single notes) which recur.
Fill
Label used to identify a brief melodic figure which is to be inserted into the arrangement.
Rhy. Fill
A chordal version of a Fill.
tacet
Instrument is silent (drops out).
• Accentuate note with great intensity.
• Play the note short.
Upstroke
D.C. al Fine
Label used to recall a recurring accompaniment pattern (usually chordal).
• Accentuate note (play it louder).
• Downstroke
D.S. al Coda
Rhy. Fig.
Go back to the sign (%), then play until the measure marked "To Coda" then skip to the section labelled "Coda." Go back to the beginning of the song and play until the measure marked "Fine" (end).
Repeat measures between signs.
ft
in
When a repeated section has different endings, play the first ending only the first time and the second ending only the second time.
NOTE: Tablature numbers in parentheses mean: 1. The note is being sustained over a system (note in standard notation is tied), or 2. The note is sustained, but a new articulation (such as a hammer-on, pull-off, slide or vibrato) begins, or 3. The note is a barely audible "ghost" note (note in standard notation is also in parentheses). Л ЛЛ
FINGERPICKING GUITAR BOOKS
Hone your fingerpicking skills with these great songbooks featuring solo guitar arrangements in standard notation and tablat The arrangements in these books are carefully written for intermediate-level guitarists. Each song combines melody and harmo one superb guitar fingerpicking arrangement. Each book also includes an introduction to basic fmgerstyle guitar. FINGERPICKING COUNTRY
17 classic favorites: Always on My Mind • By the Time I Get to Phoenix • Could I Have This Dance • Crazy • Green Green Grass of Home • He Stopped Loving Her Today • I Walk the Line • King of the Road • Tennessee Waltz • You Are My Sunshine • and more. 0069968 7 $7.95
FINGERPICKING DISNEY
15 songs: The Bare Necessities • Beauty and the Beast • Can You Feel the Love Tonight • Colors of the Wind • Go the Distance • If I Didn't Have You • Look Through My Eyes • Reflection • Under the Sea • A Whole New World • You'll Be in My Heart • and more. 00699711 $9.95
FINGERPICKING HYMNS
FINGERPICKING ACOUSTIC
15 songs: Behind Blue Eyes • Best of My Love • Blowin' in the Wind • The Boxer • Dust in the Wind • Helplessly Hoping • Heyjude • In My Life • Learning to Fly • Leaving on a Jet Plane • Tears in Heaven • Time in a Bottle • You've Got a Friend • and more. 00699614 $8.95
15 songs: Amazing Grace • Beneath the Cross of Jesus • Come, Thou Fount of Every Blessing • For the Beauty of the Earth • I've Got Peace like a River • Jacob's Ladder • A Mighty Fortress Is Our God • Rock of Ages • and more. 00699688 $8.95
FINGERPICKING MOZART
FINGERPICKING ACOUSTIC ROCK
15 of Mozart's timeless compositions: Ave Verum • Eine Kleine Nachtmusik • Laudate Dominum • Minuet in G Major, К. 1 • Piano Concerto No. 21 in С Major • Piano Sonata in A • Piano Sonata in С • Rondo in С Major • and more. 00699794 $7.95
FINGERPICKING BACH
Includes 15 songs: Can You Feel the Love Tonight • Don't Know Why • Endless Love • Imagine • Let It Be • My Cherie Amour • My Heart Will Go On • Piano Man • Stand by Me • We've Only Just Begun • Wonderful Tonight • and more. 00699615 $7.95
15 songs: American Pie • Bridge over Troubled Water • Every Rose Has Its Thorn • Knockin' on Heaven's Door • Landslide • More Than Words • Norwegian Wood (This Bird Has Flown) • Suite: Judy Blue Eyes • Wanted Dead or Alive • and more. 00699764 $7.95 12 masterpieces from J.S. Bach: Air on the G String • Bourree in E Minor • Jesu, Joy of Man's Desiring • Little Prelude No. 2 in С Major • Minuet in G • Prelude in С Major • Quia Respexit • Sheep May Safely Graze • and more. 00699793 $7.95
FINGERPICKING BALLADS
15 songs: Against All Odds • (Everything I Do) I Do It for You • Fields of Gold • Have I Told You Lately • It's All Coming Back to Me Now • Looks Like We Made It • Rainy Days and Mondays • Say You, Say Me • She's Got a Way • Your Song • and more. 00699717 $7.95
FINGERPICKING BEATLES
30 songs including: All You Need Is Love • And I Love Her • Can't Buy Me Love • Heyjude • In My Life • Lady Madonna • Let It Be • Love Me Do • Michelle • Nowhere Man • Please Please Me • Something • Ticket to Ride • Yellow Submarine • Yesterday • and more. 00699049 $17.95
FINGERPICKING CHILDREN'S SONGS
15 songs: Any Dream Will Do • Do-Re-Mi • It's a Small World • Linus and Lucy • The Muppet Show Theme • Puff the Magic Dragon • The Rainbow Connection • Sesame Street Theme • Winnie the Pooh • Zip-A-Dee-Doo-Dah • and more. 00699712 $7.95
FINGERPICKING CHRISTMAS
20 classic carols: Away in a Manger • Deck the Hall • The First Noel • God Rest Ye, Merry Gentlemen • Hark! The Herald Angels Sing • It Came Upon the Midnight Clear • Jingle Bells • О Little Town of Bethlehem • Silent Night • What Child Is This • and more. 00699599 $7.95
FINGERPICKING CLASSICAL
15 songs: Ave Maria • Bouree in E Minor • Canon in D • Eine Kleine Nachtmusik • Fur Elise • Habanera • Minuet in G Major (Bach) • Minuet in G Major (Beethoven) • New World Symphony • Pomp and Circumstance • and more. 00699620 $7.95
FINGERPICKING POP
FINGERPICKING PRAISE
15 songs: Above All • Breathe • Draw Me Close • Great Is the Lord • He Is Exalted • Jesus, Name Above All Names • Oh Lord, You're Beautiful • Open the Eyes of My Heart • Shine, Jesus, Shine • Shout to the Lord • You Are My King • and more. 00699714 $7.95
FINGERPICKING ROCK
15 songs: Abracadabra • Brown Eyed Girl • Crocodile Rock • Free Bird • The House of the Rising Sun • I Want You to Want Me • Livin' on a Prayer • Maggie May • Rhiannon • Still the Same • When the Children Cry • and more. 00699716 $7.95
FINGERPICKING STANDARDS
17 fantastic songs: Can't Help Falling in Love • Fly Me to the Moon • Georgia on My Mind • I Just Called to Say I Love You • Just the Way You Are • Misty • Moon River • Unchained Melody • What a Wonderful World • When I Fall in Love • Yesterday • and more. 00699613 $7.95
FINGERPICKING WEDDING
15 tunes for the big day: Beautiful in My Eyes • Don't Know Much • Endless Love • Grow Old with Me • In My Life • The Lord's Prayer • This Is the Day (A Wedding Song) • We've Only Just Begun • Wedding Processional • You and I • and more. 00699637 $7.95
FINGERPICKING YULETIDE
16 holiday favorites: Blue Christmas • The Christmas Song • Frosty the Snow Man • A Holly Jolly Christmas • I'll Be Home for Christmas • Jingle-Bell Rock • Let It Snow! Let It Snow! Let It Snow! • Merry Christmas, Darling • Rudolph the Red-Nosed Reindeer • and more. 00699654 $7.95 F o r M o r e I n f o r m a t i o n , See Y o u r L o c a l M u s i c Or Write
Dealer,
To:
HAL^LEONARD® C O R P O R A T I O N 7 7 7 7 W . B L U E M O U N D R D . P . O . B O X 1 3 8 1 9 MILWAUKEE, WL 5 3 2 1 3
Prices, contents and availability subject to change without notice.
Visit Hal Leonard online at www.halleonard.com
PLAY THE CLASSICS JAZZ FOLIOS FOR
BEST OF JAZZ GUITAR
J
by WolfMarshall • Signature Licks ^ In this book/CD pack, Wolf Marshall provides a hands-on analysis of 10 of the most frequendy played tunes in the jazz genre, as played by the leading guitarists of all time. Features: All the Things You Are • How Insensitive • I'll Remember April • So What • Yesterdays • and more. 00695586 Book/CD Pack $24.95
GUITAR STANDARDS
l.'MUHi-
lELl Classic Jazz Masters Series 16 classic jazz guitar performances transcribed note for note with tablature: All of You (Kenny Burrell) • Easter Parade (Herb Ellis) • I'll Remember April (Grant Green) • Lover Man (Django Reinhardt) • Song for My Father (George Benson) • The Way You Look Tonight (Wes Montgomery) • and more. Includes a discography. 00699143 Guitar Transcriptions $14.95 JAZZ BALLADS FOR FINGERSTYLE GUITAR
IL1 Щ1Н 41
JAZZ GUITAR BIBLE
The one book that has all of the jazz guitar classics transcribed note-for-note, with standard notation and tablature. Includes over 30 songs: Body and Soul • Girl Talk • I'll Remember April • In a Sentimental Mood • My Funny Valentine • Nuages • Satin Doll • So What • Stardust • Take Five • Tangerine • Yardbird Suite • and more. 0 0 6 9 0 4 6 6 Guitar Recorded Versions $19-95
JAZZ GUITAR CHORD MELODIES arranged & performed by Dan Towey This book/CD pack includes complete solo performances of 12 standards, including: All the Things You Are • Body and Soul • My Romance • How Insensitive • My One and Only Love • and more. The arrangements are performance level and range in difficulty from intermediate to advanced. 0 0 6 9 8 9 8 8 Book/CD Pack $19-95
\m\№i
JAZZ GUITAR PLAY-ALONG
21 standards, including: Cry Me a River • Easy to Love • In a Sentimental Mood • Isn't It Romantic? • Mood Indigo • My Funny Valentine • My Romance • Some Enchanted Evening • Stella by Starlight • The Way You Look Tonight • When I Fall in Love • and more. 00699028 Fingerstyle Guitar $12.95
JAZZ CLASSICS FOR SOLO GUITAR
GUITARISTS
тттта
arranged by Robert B. Yelin This collection includes excellent chord melody arrangements in standard notation and tablature for 3 5 all-time jazz favorites: April in Paris • Cry Me a River • Day by Day • God Bless' the Child • It Might as Well Be Spring • Lover • My Romance • Nuages • Satin Doll • Tenderly • Unchained Melody • Wave • and more! 00699279 Solo Guitar $17.95
J
Guitar Play-Along Volume 16 ^ With this book/CD pack, all you have to do is follow the tab, listen to the CD to hear how the guitar should sound, and then play along using the separate backing tracks. 8 songs: All Blues • Bluesette • Footprints • How Insensitive (Insensatez) • Misty • Satin Doll • Stella by Starlight • Tenor Madness. 0 0 6 9 9 5 8 4 Book/CD Pack $14.95
JAZZ STANDARDS FOR FINGERSTYLE GUITAR
\m\Mir
20 songs, including: All the Things You Are • Autumn Leaves • Bluesette • Body and Soul • Fly Me to the Moon • The Girl from Ipanema • How Insensitive • I've Grown Accustomed to Her Face • My Funny Valentine • Satin Doll • Stompin' at the Savoy • and more. 0 0 6 9 9 0 2 9 Fingerstyle Guitar $10.95
JAZZ FAVORITES FOR SOLO GUITAR
JAZZ STANDARDS FOR SOLO GUITAR g p arranged by Robert B. Yelin arranged by Robert B. Yelin This fantastic 35-song collection includes lush chord melody arrangements in standard notation and tab: 35 chord melody guitar arrangements, including: Ain't Misbehavm' • Autumn Leaves • Bewitched • Cherokee • Autumn in New York • Call Me Irresponsible • How Deep Darn That Dream • Girl Talk • I've Got You Under My Skin Is the Ocean • I Could Write a Book • The Lady Is a Tramp • Lullaby of Birdland • My Funny Valentine • A • Mood Indigo • Polka Dots and Moonbeams • Solitude Nightingale Sang in Berkeley Square • Stella by Starlight • • Take the "A" Train • Where or When • more. The Very Thought of You • and more. 00699278 Solo Guitar $17.95 0 0 6 9 9 2 7 7 Solo Guitar $17.95 JAZZ FOR THE ROCK GUITARIST j » by Michael Mueller ^ Take your playing beyond barre chords and the blues box! This book/CD pack will take you through the essentials of the jazz idiom with plenty of exercises and examples - all of which are demonstrated on the accompanying CD. 00695856 Book/CD Pack $14.95
JAZZ GEMS FOR SOLO GUITAR arranged by Robert B. Yelin 35 great solo arrangements of jazz classics, including: After You've Gone • Alice in Wonderland • The Christmas Song • Four • Meditation • Stompin' at the Savoy • Sweet and Lovely • Waltz for Debby • Yardbird Suite • You'll Never Walk Alone • You've Changed • and more. 00699617 Solo Guitar $17.95
101 MUST-KNOW JAZZ LICKS by WolfMarshall Add a jazz feel and flavor to your playing! 101 definitive licks, plus a demonstration CD, from every major jazz guitar style, neatly organized into easy-to-use categories. They're all here: swing and pre-bop, bebop, post-bop modern jazz, hard bop and cool jazz, modal jazz, soul jazz and postmodern jazz. 0 0 6 9 5 4 3 3 Book/CD Pack $16.95 For More Information, Or
See Y o u r Write
Local Music
Dealer,
To:
HAL^LEONARD® C 7777
w.
O
R
P
O
BLUEMOUND RD. P.O.BOX
R 13819
A
T
I
MILWAUKEE,
O
N
Wl 53213
Visit Hal Leonard Online at www.halleonard.com
Prices, contents and availability subject to chanae without notice.
RECORDED VERSIONS®
The Best Note-For-Note Transcriptions Available Ш г п
И В В 5 5 Д
t
;;
/('( •/ h. , •/>,//',':.-.• ,r,••//'• ••/.
