21 GUNS. Lyrics by Billie Joe. Moderately slow M11510 by Green Day. Verses I
& 3: Arranged by Carol Matz. Dm Bl: F C mf 1. Do you know what's worth fight ...
Guitar+Voice 4/4 time~. One of possible. Rhythm. Transcriptions. Of The INTRO. Do you know worth fighting for? When it's
8. V. 0. V. 0. V. 8. V. 5. V. 5. V. 5. G Solo. F. U. (8). U. (5). U. (5). U. (5). C. Dm. C. B`. F. C. D.S. al Coda. H Ou
And you look for a place to hide? Dm Bb F C. Did someone break your
heart inside? Bb / / / C5. You're in ruins. Chorus: F5 C/E Dm. One, 21 guns. C5
Bb5.
Page 1 of 4. 21 guns american. 21 guns feat. green day the cast of american idiot live at. Amazon.com21 guns feat. green
T. A. B c .. A q»•™. 1. 3. 2. 0. 1. 3. 2. 0. 0. 0. 3. 3. 1. 3. 3. 1. 0. 0. Dm. Bb5. 1. 2. 3. 1.
2. 3. 1. 2. 3. 0. 0. 0. 1. 0. 2. 3. 0. 1. 0. 2. 3. 0. 1. 0. 2. 3. 0. 0. F. C. 0. 0 0. 1. 1 0.
"21 Guns" by Green Day. Strumming Pattern: DDD, DU. Chords Used: Intro: Dm -
Bb- F - C (x2). Verse: Dm Bb. F. C. Do you know what's worth fighting for,. Dm.
1. 4. 3. 2. 2. 1. Vocals enter (no drums). Guitar Intro o o. One, twenty-one guns o.
Throw up your-. One, twenty-one guns. N.C. arms, in - to the sky. Vocals enter.
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'21 Guns'. By: Green Day. - Video lesson transcription -. Dm. Bb. F. C h = 80. " $. #
! Dm. BBBB. " $. # ! BBBB. $. $. $. " Bb. BD. BBDB. $. $. $. " BBBB.
21 Guns. Transcribed By Dmitri.Mironov [email protected]. Green Day. In
a case you need an Intro....Synthesizer Plays 1 and 3 Count in Triplet Feel it ...
21 Guns - green Day. 6. 11. $. 17. 23. Fine. . . . 29. 34. 41. 49. D.S. al Fine.
. . . Verse. Am do when you you're know at. F what's the worth figh end. C.
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She will be. Loved. Beauty queen of only eighteen, she had some trouble with
herself. He was always there to help her, she always belonged to someone else.
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May 27, 2009 - A typical campus hosts dozens of private businesses, including bookstores, restaurants, and ... National
last rustler, your boy-or-girl-will want a gun, a real gun, one that shoots." But
where shall he, or she, shoot the gun? The gun club is in the shooting business.
n. (7. 0. He vowed then never to make oimy Friends to make it, he says. rke many
Czechs, Lubos and he lost “just about everythin. Simandl left his home coun-.
s a boy, as a man, Elmer Keith dreamed. A of hunting big game in Africa. More
than 20 years ago he bought a -476 Westley. Richards double rifle. He knew that
...
Or how the Nazis disliked margarine, but could not afford to attack the Dutch ... As
a result margarine production started to decline in Germany in the 1930s.
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W e have received a small shiphent which we believe ..... A conservation officer ar- ..... Colt was to the gun business
21st Century Breakdownis the second album by Green Day that was fashioned in
the form of a ... 21 Guns, the most popular track from the album, is from Act III.
YOUNG BAND
Grade 2
As Performed by Green Day on their 21st Century Breakdown album
21 Guns
Lyrics by BILLIE JOE Music by GREEN DAY Arranged by JASON SCOTT
INSTRUMENTATION 1 8 2 2 4 4 2 5 2 2 4 4 4
Conductor Flute Oboe Bassoon 1st B Clarinet 2nd B Clarinet B Bass Clarinet E Alto Saxophone B Tenor Saxophone E Baritone Saxophone 1st B Trumpet 2nd B Trumpet F Horn
WORLD PARTS Available for download from www.alfred.com/worldparts
Horn in E Trombone in B Bass Clef Trombone in B Treble Clef Baritone in B Bass Clef Tuba in E Bass Clef Tuba in E Treble Clef Tuba in B Bass Clef Tuba in B Treble Clef
(Triangle/Tambourine/Marktree)
PROGRAM NOTES 21st Century Breakdown is the second album by Green Day that was fashioned in the form of a rock opera. Themes of social injustice, governmental control, and authoritarian rule are prevalent in the three acts: I: Heroes and Cons; II: Charlatans and Saints; III: Horseshoes and Hand Grenades. 21 Guns, the most popular track from the album, is from Act III. It is a musical (21-gun) tribute to one who has fallen in the heat of battle; a deeply personal and patriotic expression set in punk rock mode.
NOTES TO THE CONDUCTOR Most of the articulations throughout call for normal tonguing. The accents indicated in the refrain sections (measures 21–26; 48–53), however, do call for special attention. Center of pitch should be stressed, with a heavy ‘toh-toh’ that’s not too short. Block dynamics have also been utilized in this arrangement. Balance should not be problem since the melody predominates in the upper winds.
Please note: Our band and orchestra music is now being collated by an automatic high-speed system. The enclosed parts are now sorted by page count, rather than score order.
