ARVO PART

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SUB Hamburg. A 2012/5928. The Cambridge Companion to. ARVO PART. EDITED BY. Andrew Shenton. Boston University, USA. CAMBRIDGE. UNIVERSITY ...
SUB Hamburg

A 2012/5928

The Cambridge Companion to

ARVO PART EDITED BY

Andrew Shenton Boston University, USA

CAMBRIDGE UNIVERSITY PRESS

Contents

List offigures,plates and tables [page ix] List of music examples [x] List of contributors [xii] Acknowledgements [xvi] Editor's notes [xvii] Chronology [xviii] 1 Introduction: the essential and phenomenal Arvo Part Andrew Shenton [1] 2 A narrow path to the truth: Arvo Part and the 1960s and 1970s in Soviet Estonia Immo Mihkelson [10] 3 Perspectives on Arvo Part after 1980 Jeffers Engelhardt [29] 4 Musical archetypes: the basic elements of the tintinnabuli style Leopold Brauneiss [49] 5 Analyzing Part Thomas Robinson [76] 6 Arvo Part: in his own words Andrew Shenton [111] 7 Bells as inspiration for tintinnabulation Marguerite Bostonia [128] 8 Arvo Part and spirituality Robert Sholl [140] 9 The minimalism of Arvo Part: an 'antidote' to modernism and multiplicity? Benjamin Skipp [159] 10 Arvo Part in the marketplace Laura Dolp [177]

fviil

A Radiating from silence: the works of Arvo Part seen through a musician's eyes Andreas Peer Kahler [193] B Greatly sensitive: Alfred Schnittke in Tallinn Arvo Part [198] C Remembering Heino Eller Arvo Part [199]

viii Contents D Acceptance speech for the International Bridge Prize of the European City ofGorlitz Arvo Part [200] E Acceptance speech for the Leonie Sonning Music Prize 2008 Arvo Part [202] F Works list [203] Notes [223] Select bibliography Index [247]

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