CATHERINE MASSON

11 downloads 6367 Views 291KB Size Report
Castro em Os Lusiadas de Camoes e em La Reine Morte de Montherlant,” and to study at ... De la correspondance à la scène : les coulisses de la pièce George ...
CATHERINE MASSON 12 Russell Rd. Apt 401 Wellesley, MA 02482 [email protected] (781) 431-6142

Wellesley College French Department Wellesley, MA 02481-8201 (781) 283-2417

EDUCATION Ph.D., French, University of Michigan, Ann Arbor, Michigan, 1988. Dissertation : “Littérature et Tauromachie, une lecture de Michel Leiris.” Director: Ross Chambers. Maîtrise de Français, langue et littérature médiévales, (mention très bien), Université de Haute-Bretagne, Rennes, France, 1981. Licence de Portugais, Université de Haute-Bretagne, 1980. Diploma de Honra, Instituto de Cultura e Lingua Portuguesa, Lisboa, 1980. Licence de Sciences du Langage et de la Culture, Université de Haute-Bretagne, 1979. Licence de Lettres Modernes, Université de Haute-Bretagne, 1979. ACADEMIC EXPERIENCE 2003-present 2010-2012 2008-2010 Spring 2010 2009-2010

Professor of French, Wellesley College, Wellesley, MA. Director of Junior Year Program, Wellesley-in-Aix, Aix-en-Provence, France. Chair of Theatre Studies Reappointment and Promotion Committee. Associate Director of Wellesley-in-Aix, Wellesley College, Wellesley, MA. Chair of Reappointment and Promotion Committee for the reappointment review of Director of Theatre Studies Spring 2007 Chair, French Department, Wellesley College, Wellesley, MA. Fall 2003 Director of Junior Year Program, Wellesley-in-Aix, Aix-en-Provence, France. 2002-2003 Director of Junior Year Program, Wellesley-in-Aix, Aix-en-Provence, France. 2001-2002 Associate Director of Wellesley-in-Aix, Wellesley College, Wellesley, MA. 1999-2002 Chair, French Department, Wellesley College, Wellesley, MA. 1996-2003 Associate Professor of French, Wellesley College, Wellesley, MA. 1992-1993 Director of Junior Year Program, Wellesley-in-Aix, Aix-en-Provence, France. 1991-1992 Associate Director of Wellesley-in-Aix, Wellesley College, Wellesley, MA. 1989-1991 Director of the French House, Wellesley College, MA. 1988-1996 Assistant Professor of French, Wellesley College, Wellesley, MA. 1986-1987 Instructor, Residential College, Ann Arbor, MI, (also 1983, 1985). 1983-1986 Instructor, Summer Language School, Middlebury College, Middlebury, VT. 1984-1988 Coordinator and Lecturer, University of Michigan. Training and supervision of teaching assistants in second-year French program. 1982-1985 Director of the French House, University of Michigan, Ann Arbor, MI. 1981-1984 Teaching Assistant of French, University of Michigan, Ann Arbor, MI. THEATRICAL EXPERIENCE 2004 1996

Creative work for the stage George Sand – Gustave Flaubert, Echanges Epistolaires. Play performed in France, Switzerland, Monaco, and the USA (2004-2007), published in 2006. Pour Faire le Portrait de Prévert, montage of Jacques Prévert’s poems. Play performed in the USA, France, Germany and Switzerland (1996-2001). Text registered at the SACD (Société des Auteurs & Compositeurs Dramatiques), Paris, 2001.

2

2008

1996

1995

1994 1992 1991 1986 1985 1984 1983

Acting Theatrical Readings: “Monologues” from Cosima by George Sand, The Eighteenth International George Sand Conference: Writing, Performance, and Theatricality in George Sand’s Works, The University of California at Santa Barbara, September. Claire in Les Bonnes by Jean Genet, USA. Participation in a student production of Always the Same Game, voice of Madame Danzard, the French mother, Ruth Nagel Jones Theater, Wellesley College. Entre le Gouffre et l'Azur, spectacle about Charles Baudelaire and his Works, USA. (One of three main characters) Estelle in Huis Clos by Sartre, Germany & Switzerland. Estelle in Huis Clos by Sartre, Switzerland. Estelle in Huis Clos by Sartre, Germany. Estelle in Huis Clos by Sartre, USA. in Entre le Gouffre et l'Azur, spectacle about Charles Baudelaire and his Works, USA. Mme Pernelle in Tartuffe by Molière, Estelle, in Huis Clos by Sartre, USA. Mme Boulingrin in Les Boulingrin by Courteline, USA. In Poétique Prévert, USA. Georgette in L'Ecole des Femmes by Molière, USA. Mme Chouilloux in On purge bébé by Feydeau. Staging

1997

2010 2007 2007 2006 2005 2004

Assistant to the Director for Le Jeu de l'Amour et du Hasard, by Marivaux, USA. Directing Phèdre by Racine, sponsored by the French House, Wellesley College, May 7 & 8. George Sand – Gustave Flaubert, Echanges Epistolaires. Play performed in Vevey, Switzerland, the U.S.A and Puerto-Rico. Huis Clos by Sartre: New Production Huis Clos 2005, performed in Weimar/Lahn and in Frankfurt-am-Main, Germany. George Sand – Gustave Flaubert, Echanges Epistolaires. Play performed in Monaco for the National Day, and in Fribourg and Berne, Switzerland. Huis Clos by Sartre: New Production Huis Clos 2005 to celebrate Sartre Centennial. (Staging, designing of decor and costumes), performed in France and the USA. George Sand – Gustave Flaubert, Echanges Epistolaires by Catherine Masson (staging, designing of decor and costumes). Spring 2004.

PROFESSIONAL AWARDS Nominated for the Price Sony Labou Tansi given by the House of Writers from Francophonies in Limousin (France), January 2007. Awarded “Chevalier dans l’Ordre des Palmes Académiques” by the French Government, 2006. Research Grant for research on Olympe de Gouges and George Sand, Committee on Faculty Awards. Wellesley College, 2006. Research Grant for an edition of 8 plays by Marguerite de Navarre, Committee on Faculty Awards. Wellesley College, 2005. Research grant for project on George Sand and The Revolution of 1848, Committee on Faculty Awards,

3 Wellesley College, 2001. Research grant for publication of L’Autobiographie et ses aspects théâtraux chez Michel Leiris, Committee on Faculty Awards, Wellesley College, 1995. Research grant for project on women playwrights, Committee on Faculty Awards, Wellesley College, 1991. Pew Summer Seminar on Literary Criticism, Wellesley College, 1990. Research grant to study the role of the director as rewriter, interview of Eugene Ionesco and Antoine Vitez, director of the Comédie-Française, Committee on Faculty Awards, Wellesley College, 1988. International Scholarship, Foundation Gulbenkian for a paper on “Comparaçao da apresentaçao de Inês de Castro em Os Lusiadas de Camoes e em La Reine Morte de Montherlant,” and to study at the University of Coïmbra, Portugal, 1980. PUBLICATIONS Books Edition and Presentation of Cosima by George Sand, Paris: Le Jardin d’Essai, 2013. Co-editor of George Sand : Une écriture expérimentale, New Orleans: Presses Universitaires du Nouveau Monde, 2006. Co-editor of 8 plays by Marguerite de Navarre in Théâtre de femmes de l’Ancien Régime. Vol. 1 : XVIe siècle. Saint-Etienne, coll. « La cité des dames » nº 5, déc.2006. Play : George Sand-Gustave Flaubert, échanges épistolaires, Paris : Le Jardin d’essai, 2006. L'Autobiographie et ses aspects théâtraux chez Michel Leiris, Paris: L'Harmattan, 1995. Articles « Lupo Liverani, adaptation du Damné pour doute de Tirso de Molina et testament théosophique de George Sand », in « Staging the Self », Women's Voices: Critical Essays on Francophone Women's Theater, C. Beach & J. Johnston éds., Women in French Studies, (Forthcoming 2014). « George Sand: ‘Un auteur dramatique honnête dans la peau d’un romancier’», Écriture, performance et théâtralité dans l’oeuvre de George Sand, O. Bara et C. Nesci éds., Ellug, Grenoble, (Forthcoming 2014). 13 Entries on plays by George Sand, one entry on « Adaptation des romans à la scène », one on « Bérengère » in Dictionnaire George Sand, Paris, Champion (forthcoming). « De la correspondance à la scène : les coulisses de la pièce George Sand-Gustave Flaubert, échanges épistolaires, in Des vérités de raison et de sentiment. Lectures de la correspondance FlaubertSand, Thierry Poyet éd, CELIS, collection “Ecritures de l’intime”, Cahier no22, Presses Universitaires Blaise Pascal, 2013. « George Sand, fille naturelle de Diderot ? Du Père de famille de Diderot au Pressoir de George Sand », Sand et les arts du XIXe siècle, O. Bara éd. Les Amis de George Sand, no. 34, 2012.

4 « Le secret révélé : mise en scène de la marginalité dans Cosima de George Sand », La Marginalité dans l’œuvre de George Sand, Clermont-Ferrand, Presses Universitaires Blaise Pascal, coll. Révolutions et Romantismes, 2012. « Le Père Va-tout-seul : théâtralisation de l’article politique sandien, » Une autorité paradoxale, t. 1 Sand journaliste, Marie-Ève Thérenty éd., Saint-Etienne, Presses Universitaires de Saint-Etienne, 2011. “As you like it de Shakespeare comme il a plu à George Sand”, George Sand : Intertextualité et Polyphonie I, Nigel Harkness & Jacinta Wright éds, Bern, Peter Lang, 2010. “La guerre de 1870 et la Commune sous les plumes épistolaires de Sand et Flaubert”, Histoire(s) et enchantements. Hommages offerts à Simone Bernard-Griffiths, Presses Universitaires Blaise Pascal, Clermont-Ferrand, 2010. “Féminisation et subversion du héros romantique dans le théâtre de George Sand,” George Sand Studies, vol.27, 2008. “George Sand’s L’Autre: From ‘Auto-adaptation’ to rewriting”, in Novel Stages. Drama and the Novel in Nineteenth-Century France, ed. Pratima Prasad & Susan Mcready University of Delaware Press, 2007. “George Sand et l’‘auto-adaptation’ de ses romans à la scène,” in George Sand, Pratiques et imaginaires de l’écriture, B. Diaz et I. Hoog Naginski (dir.), Presses Universitaires de Caen, 2006 . “Michel Leiris” in Encyclopedia of Modern French Thought, ed. Christopher John Murray, Fitzroy Dearborn Publishers, 2004. “Préfaces de George Sand à son théâtre: Manifeste théâtral et témoignages historiques,” George Sand Studies, Volume 22, 2003. “George Sand, le ‘génie devenu fou’ et sa conquête de l’Amérique,” in Œuvres et Critiques XXVIII, 1. Réception internationale de George Sand à l’étranger (XIXe siècle), Gunter Narr Verlag, Tübingen, Germany, 2003. “Olympe de Gouges anti-esclavagiste et non violente,” Women in French Studies, Volume 10, 2002. “Le Roi attend, Retour de la République et Retour de George Sand au théâtre,” Les Amis de George Sand, no. 24, 2002. “George Sand à la Comédie-Française,” in Gislinde Seybert / Gisela Schlientz, eds., George Sand – jenseits des Identischen (Bielefeld: Aisthesis Verlag, 2000). “Pratique de l'oral par le théâtre,” in RELIEF, Revue de Linguistique et d’Enseignement du Français, Vol. 3, Toronto, July 1994. “Le Pendule révolutionnaire et la giclée de sang du texte leirisien,” in Mélanges offerts à Jean Peytard, Annales Littéraires de l'Université de Besançon, Vol. 502, Les Belles Lettres,1993. “Prostitution and Racism in Sartre's The Respectful Prostitute,” in Text & Presentation, Journal of the Comparative Drama Conference 12, Gainesville, FL, Maupin House Publishing, March 1992.