David Charles Wright Updated: August 14, 2015

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Aug 14, 2015 - Journal of Aesthetics and Art Criticism (The American Society for Aesthetics), vol. ..... (https://neuroaestheticsnet.files.wordpress.com/2012/10/chap-6- ...... The science of art, optical themes in western art from Brunelleschi to ...
ART IN THE EMBODIED MIND: A BIBLIOGRAPHY

David Charles Wright

Updated: August 14, 2015

CONTENTS

1. Evolutionary aesthetics and paleoneuroaesthetics ...................................................................... 3 2. Neuroscience and the study of the embodied mind .................................................................. 10 3. Visual perception ...................................................................................................................... 18 4. Eye movements ......................................................................................................................... 27 5. Face recognition and evaluation ............................................................................................... 29 6. The embodied mind, neuroaesthetics, and aesthetic psychology ............................................. 31 7. The embodied mind, neuroaesthetics, and art education .......................................................... 36 8. The embodied mind, neuroaesthetics, and art production ........................................................ 36

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1. EVOLUTIONARY AESTHETICS AND PALEONEUROAESTHETICS BARRETT, Justin L. 2011 “Metarepresentation, Homo religiosus, and Homo symbolicus,” in Homo symbolicus; the dawn of language, imagination and spirituality, Christopher S. Henshilwood and Francesco d’Errico, editors, Amsterdam/Philadelphia, John Benjamins Publishing Company, pp. 205-224 (https://www.academia.edu/8249416/Henshilwood_C._and_d_Errico_F._editors_._2011._Homo_sym bolicus_The_dawn_of_language_imagination_and_spirituality._Amsterdam_Benjamins, access: 29 March 2015).** BEDNARIK, Robert G. 2003 “A figurine from the African Acheulian,” in Current Anthropology (The University of Chicago Press), vol. 44, no. 3, pp. 405-413 (http://www.jstor.org/stable/pdf/10.1086/374900.pdf?acceptTC=true&jpdConfirm=true, access: 5 April 2015).* 2011 “The origins of human modernity,” in Humanities (MDPI AG), vol. 1, no. 1, pp. 1-53 (http://www.mdpi.com/2076-0787/1/1/1/htm, updated: 2 September 2011, access: 6 April 2015). 2013 “Pleistocene paleoart of Asia,” in Arts (MDPI), vol. 2, no. 2, pp. 46-76 (http://www.mdpi.com/20760752/2/2/46, updated: 19 June 2013, access: 26 July 2013). 2015 “The significance of the earliest beads,” in Advances in Anthropology (Scientific Research Publishing), no. 5, pp. 51-66 (http://www.scirp.org/Journal/PaperDownload.aspx?paperID=54515, updated: 10 March 2015, access: 1 April 2015). BOLY, Melanie; SETH, Anil K.; WILKE, Melanie; INGMUNSON, Paul; BAARS, Bernard; LAUREYS, Steven; EDELMAN, David B.; TSUCHIYA, Naotsugu 2013 “Consciousness in humans and non-human animals: recent advances and future directions,” in Frontiers in Psychology (Frontiers Media), vol. 4, article 625, pp. 1-20 (http://journal.frontiersin.org/Journal/10.3389/fpsyg.2013.00625/abstract, updated: 31 October 2013, access: 30 January 2015). CHIMPANZEES AS ARTISTS 2006 “Chimpanzees as artists,” in Artists Ezine, vol. 1, no. 6 (http://www.artistsezine.com/WhyChimp.htm, access: 21 March 2015). CONSOLI, Gianluca 2012 “A cognitive theory of the aesthetic experience,” in Contemporary aesthetics (Michigan Publishing, University of Michigan Library). vol. 10 (http://quod.lib.umich.edu/c/ca/7523862.0010.006/-cognitive-theory-of-the-aesthetic-experience?rgn=main;view=fulltext, access: 26 March 2015). 2014 “The emergence of the modern mind: an evolutionary perspective on aesthetic experience,” in The Journal of Aesthetics and Art Criticism (The American Society for Aesthetics), vol. 72, no. 1, pp. 3755 (http://onlinelibrary.wiley.com/doi/10.1111/jaac.12059/abstract, access: 25 March 2015).* D’ERRICO, Francesco; HENSHILWOOD, Christopher S. 2007 “Additional evidence for bone technology in the southern African Middle Stone Age,” in Journal of Human Evolution (Elsevier), vol. 52, no. 2, pp. 142-163 (http://www.sciencedirect.com/science/article/pii/S0047248406001576, access: 25 March 2015).* 2011 “The origin of symbolically mediated behaviour, from antagonistic scenarios to a unified research strategy,” in Homo symbolicus; the dawn of language, imagination and spirituality, Christopher S. Henshilwood and Francesco d’Errico, editors, Amsterdam/Philadelphia, John Benjamins Publishing Company, pp. 49-73 (https://www.academia.edu/8249416/Henshilwood_C._and_d_Errico_F._editors_._2011._Homo_sym bolicus_The_dawn_of_language_imagination_and_spirituality._Amsterdam_Benjamins, access: 29 March 2015).** D’ERRICO, Francesco; HENSHILWOOD, Christopher S.; VANHAEREN, Marian; NIEKERK, Karen van 2005 “Nassarius kraussianus shell beads from Blombos Cave: evidence for symbolic behavious in the Middle Stone Age,” in Journal of Human Evolution (Elsevier), vol. 48, no. 1, pp. 3-24 (http://www.sciencedirect.com/science/article/pii/S0047248404001307, access: 25 March 2015).* D’ERRICO, Francesco; NOWELL, April 2000 “A new look at the Berekhat Ram figurine: implications for the origins of symbolism,” in Cambridge Archaeological Journal (Cambridge Journals), vol. 10, no. 1, pp. 123-167

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(http://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=76619&fileId=S0959774 300000056, access: 5 April 2015).* DEACON, Terrence W. 1998 The symbolic species, the co-evolution of language and the brain, reprint, New York/London, W. W. Norton & Company. DRAWINGS BY THE APES undated “The drawings by the apes,” in Chimpanzee AI, Primate Research Institute, Kyoto University (http://langint.pri.kyoto-u.ac.jp/ai/en/album/the_drawings_by_chimpanzees.html, access: 20 March 2015). DUBREUIL, Benoît 2011 “The other middle-range theories,” in Homo symbolicus; the dawn of language, imagination and spirituality, Christopher S. Henshilwood and Francesco d’Errico, editors, Amsterdam/Philadelphia, John Benjamins Publishing Company, pp. 185-203 (https://www.academia.edu/8249416/Henshilwood_C._and_d_Errico_F._editors_._2011._Homo_sym bolicus_The_dawn_of_language_imagination_and_spirituality._Amsterdam_Benjamins, access: 29 March 2015).** DUNBAR, Robin Ian MacDonald 2003 “The social brain: mind, language, and society in evolutionary perspective,” in Annual Review of Anthropology (Annual Reviews), vol. 32, 2003, pp. 163-181 (http://www.jstor.org/discover/10.2307/25064825?sid=21106391471823&uid=2&uid=3738664&uid= 4, access: 8 de abril 2015).* 2009 “The social brain hypothesis and its implications for social evolution,” in Annals of Human Biology (Society for the Study of Human Biology), vol. 36, no. 5, pp. 562-572 (http://www.ncbi.nlm.nih.gov/pubmed/19575315, access: 8 April 2015).* ELLIS, George F. R. 2011 “Biology and mechanisms related to the dawn of language,” in Homo symbolicus; the dawn of language, imagination and spirituality, Christopher S. Henshilwood and Francesco d’Errico, editors, Amsterdam/Philadelphia, John Benjamins Publishing Company, pp. 163-183 (https://www.academia.edu/8249416/Henshilwood_C._and_d_Errico_F._editors_._2011._Homo_sym bolicus_The_dawn_of_language_imagination_and_spirituality._Amsterdam_Benjamins, access: 29 March 2015).** FREIWALD, Winrich A.; TSAO, Doris Y. 2010 “Functional compartmentalization and viewpoint generalization within macaque face-processing system,” in Science (The American Association for the Advancement of Science), vol. 330, no. 6005, pp. 845-851 (http://www.sciencemag.org/content/330/6005/845.abstract, access: 9 April 2015). GANNON, Megan 2014 “Cave carving may be 1st known example of Neanderthal rock art,” in livescience (http://www.livescience.com/47640-abstract-neanderthal-cave-engraving-discovered.html, updated: 2 September 2014, access: 20 March 2015). GORILLAS AS ARTISTS 2006 “Gorillas as artists,” in Artists Ezine, vol. 1, no. 6 (http://www.artistsezine.com/WhyGorilla.htm, access: 21 March 2015). HEINRICH, Bernd 2013 “The biological roots of aesthetics and art,” in Evolutionary Psychology, vol. 11, no. 3, pp. 743-761 (http://www.epjournal.net/wp-content/uploads/EP11743761.pdf, access: 26 March 2015). HELVESTON, Patricia A.; HODGSON, Derek 2010 “The neuropsychology of ‘animism:’ implications for understanding rock art,” in Rock Art Research (Australian Rock Art Research Association/International Federation of Rock Art Organisations), vol. 27, no. 1, pp. 61-94 (https://www.researchgate.net/publication/270340034_The_Neuropsychology_of_%27Animism%27_I mplications_for_Understanding_Rock_Art, access: 30 January 2015).** HENSHILWOOD, Christopher S. 2014 “Decoding the Blombos engravings, shell beads and Diepkloof ostrich eggshell patterns,” in Cambridge Archaeological Journal (Cambridge Journals), vol. 24, no. 1, pp. 57-69 (http://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=9193116&fileId=S09597 74313000450, access: 30 March 2015).*

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“Origins of symbolic behaviour” (preliminary version), in McGraw-Hill Yearbook of Science & Technology, New York, McGraw-Hill (https://www.academia.edu/14618608/Origins_of_symbolic_behaviour, access: 3 August 2015). HENSHILWOOD, Christopher S.; D’ERRICO, Francesco 2011 “Middle Stone Age engravings and their significance to the debate on the emergence of symbolic material culture,” in Homo symbolicus; the dawn of language, imagination and spirituality, Christopher S. Henshilwood and Francesco d’Errico, editors, Amsterdam/Philadelphia, John Benjamins Publishing Company, pp. 75-96 (https://www.academia.edu/8249416/Henshilwood_C._and_d_Errico_F._editors_._2011._Homo_sym bolicus_The_dawn_of_language_imagination_and_spirituality._Amsterdam_Benjamins, access: 29 March 2015).** HENSHILWOOD, Christopher S.; D’ERRICO, Francesco; MAREAN, Curtis W.; MILO, Richard G.; YATES, Royden 2001 “An early bone tool industry from the Middle Stone Age at Blombos Cave, South Africa: implications for the origins of modern human behaviour, symbolism and language,” in Journal of Human Evolution (Elsevier), vol. 41, no. 6, pp. 631-678 (http://www.sciencedirect.com/science/article/pii/S0047248401905159, access: 25 March 2015).* HENSHILWOOD, Christopher S.; D’ERRICO, Francesco; WATTS, Ian 2009 “Engraved ochres from the Middle Stone Age levels at Blombos Cave, South Africa,” in Journal of Human Evolution (Elsevier), vol. 57, no. 1, pp. 27-47 (http://www.sciencedirect.com/science/article/pii/S0047248409000207, access: 25 March 2015).* HENSHILWOOD, Christopher S.; D’ERRICO, Francesco; YATES, Royden; JACOBS, Zenobia; TRIBOLO, Chantal; DULLER, Geoff A. T.; MERCIER, Norbert; SEALY, Judith C.; VALLADAS, Helene; WATTS, Ian; WINTLE, Ann G. 2002 “Emergence of modern human behavior: Middle Stone Age engravings from South Africa,” in Science (The American Association for the Advancement of Science), serie nueva, vol. 295, no. 5558, 15 February 2002, pp. 1278-1280 (http://www.sciencemag.org/content/295/5558/1278.abstract?sid=da7c3755-b2bc-4ced-93da2c024c50b1fd, access: 14 March 2015).* HENSHILWOOD, Christopher S.; NIEKERK, Karen Loise van 2011 “Middle Stone Age chemists: a 100,000 year old pigment processing workshop at Blombos Cave, South Africa” (preliminary version), in The Digging Stick (The South African Archaeological Society), no. 29, pp. 1-5 (https://www.researchgate.net/publication/280622197_Middle_Stone_Age_Chemists_A_100000_Year _Old_Pigment_Processing_Workshop_at_Blombos_Cave_South_Africa, updated: 3 August 2015, access: 3 August 2015). HIMELFARB, Elizabeth J. 2000 “Prehistoric body paint,” in Archaeology (Archaeological Institute of America), vol. 53, no. 4, (http://archive.archaeology.org/0007/newsbriefs/zambia.html, access: 20 March 2015). HODGSON, Derek 2000 “Art, perception and information processing: an evolutionary perspective,” in Rock Art Research (Australian Rock Art Research Association/International Federation of Rock Art Organisations), vol. 17, no. 1, 2006 (https://www.researchgate.net/publication/262408071_Art_perception_and_information_processing_A n_evolutionary_perspective, access: 23 March 2015).** 2003 “The biological foundations of Upper Paleolithic art: stimulus, percept and representational imperatives,” in Rock Art Research (Australian Rock Art Research Association/International Federation of Rock Art Organisations), vol. 20, no. 1, pp. 3-22 (https://www.researchgate.net/publication/264762127_The_Biological_Foundations_of_Upper_Palaeo lithic_Cave_Art_Stimulus_Percept_and_Representational_Imperatives, access: 11 April 2015).** 2006 “Understanding the origins of paleoart: the neurovisual resonance theory and brain functioning,” in PaleoAnthropology (PaleoAnthropology Society), 2006, pp. 54-67 (http://www.paleoanthro.org/static/journal/content/PA20060054.pdf, access: 22 March 2015). 2008a “An ‘aesthetic’ explanation for the symmetry of Acheulian handaxes: some neuropsychological insights,” in Plasticities Sciences Arts (http://www.plasticites-sciencesarts.org/PLASTIR/Hodgson%20P12.pdf, updated: 22 September 2008, access: 2 April 2015). 2014

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“The visual dynamics of Upper Paleolithic cave art,” in Cambridge Archaeological Journal (Cambridge Journals), vol. 18, no. 3, pp. 341-353 (http://dx.doi.org/10.1017/S0959774308000401, access: 1 May 2015).* 2008c “The visual dynamics of Upper Paleolithic cave art” (preliminary version), in ResearchGate (https://www.researchgate.net/publication/231876489_The_Visual_Dynamics_of_Upper_Palaeolithic_ Cave_Art, access: 1 May 2015).** 2011 “The first appearance of symmetry in the human lineage: where perception meets art,” in Symmetry (MDPI AG), vol. 3, no. 1, pp. 37-53 (http://www.mdpi.com/2073-8994/3/1/37, updated: 1 March 2011, access: 30 January 2015). 2012a “Accommodating opposing perspectives in the ‘modern human behavior’ debate,” in Current Anthropology (The University of Chicago Press), vol. 53, no. 3, June 2012, p. 358. 2012b “Cognitive evolution, population, transmission, and material culture,” in Biological Theory (Springer), vol. 7, no. 3, pp. 237-246 (http://link.springer.com/article/10.1007/s13752-012-0074-y, updated: 14 December 2012, access: 17 April 2015).* 2012c “Hominin tool production, neural integration and the social brain,” in Human Origins (Archaeopress), vol. 1, pp. 41-64 (http://eprints.soton.ac.uk/210797/1/HumanOriginsV1.pdf, access: 10 April 2015). HODGSON, Derek; HELVESTON, Patricia A. 2006 “The emergence of the representation of animals in paleoart: insights from evolution and the cognitive, limbic and visual systems of the human brain,” in Rock Art Research (Australian Rock Art Research Association/International Federation of Rock Art Organisations), vol. 23, no. 1, pp. 3-40 (https://www.researchgate.net/publication/270448735_THE_EMERGENCE_OF_THE_REPRESENT ATION_OF_ANIMALS_IN_PALAEOART_Insights_from_evolution_and_the_cognitive_limbic_and _visual_systems_of_the_human_brain, access: 30 January 2015).** 2010 “The neuropsychological basis of rock art: hyperimagery and it significance for understanding the archaeological record,” in Archaeological invisibility and forgotten knowledge; conference proceedings, Łódź, Poland, 5th-7th September 2007, Karen Hardy, editor, Oxford, Archaeopress, pp. 172-179. HODGSON, Derek; VERPOOTEN, Jan 2015 “The evolutionary significance of the arts: exploring the by-product hypothesis in the context of ritual, precursors, and cultural evolution,” in Biological Theory (Springer), vol. 10, no. 1, pp. 73-85 (http://link.springer.com/article/10.1007/s13752-014-0182-y, access: 20 March 2015).* HODGSON, Derek; WATSON, Benjamin 2015 “The visual brain and the early depiction of animals in Europe and Southeast Asia,” in World Archaeology (Taylor & Francis), pp. 1-16 (http://www.tandfonline.com/doi/pdf/10.1080/00438243.2015.1074871, access: 14 August 2015). HOLLOWAY, Ralph L.; CLARKE, Ronald J.; TOBIAS, Phillip V. 2003 “Posterior lunate sulcus in Australopithecus africanus: was Dart right?” (preliminary version), in Human Paleontology and Prehistory (Académie des science/Elsevier), pp. 1-7 (http://www.columbia.edu/~rlh2/2004.CompteRendusStw505..pdf, updated: 2003, access: 9 April 2015). 2004 “Posterior lunate sulcus in Australopithecus africanus: was Dart right?,” in Human Paleontology and Prehistory (Académie des science/Elsevier), vol. 3, pp. 287-293 (http://www.sciencedirect.com/science/article/pii/S1631068303001593, access: 9 April 2015).* ISBELL, Lynne A. 2011 The fruit, the tree, and the serpent; why we see so well, Cambridge/London, Harvard University Press. JOORDANS, Josephine C. A.; D’ERRICO, Francesco; WESSELINGH, Frank P.; MUNRO, Stephen; VOS, John de; WALLINGA, Jakob; ANKJÆRGAARD, Christina; REIMANN, Tony; WIJBRANS, Jan R.; KUIPER, Klaudia F.; MÜCHER, Herman J.; COQUEUGNIOT, Hélène; PRIÉ, Vincent; JOOSTEN, Ineke; OS, Bertil van; SCHULP, Anne S.; PANUEL, Michel; HAAS, Victoria van der; LUSTENHOUWER, Wim; REIJMER, John J. G.; ROEBROEKS, Wil 2014 “Homo erectus at Trinil on Java used shells for tool production and engraving,” in Nature (Nature Publishing Group) (http://www.nature.com/nature/journal/vaop/ncurrent/full/nature13962.html, updated: 3 December 2014, access: 7 December 2014).* 2008b

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LANGLEY, Michelle C.; CLARKSON, Christopher; ULM, Sean 2008 “Behavioural complexity in Eurasian Neanderthal populations: a chronological examination of the archaeological evidence,” in Cambridge Archaeological Journal (Cambridge Journals), vol. 18, no. 3, pp. 289-307 (http://dx.doi.org/10.1017/S0959774308000371, access: 1 May 2015).* MAKAPANSGAT PEBBLE undated “The Makapansgat pebble,” in Natural History Museum, London, Trustees of the Natural History Museum (http://piclib.nhm.ac.uk/results.asp?image=013061, access: 1 April 2015). MALAFOURIS, Lambros 2007 “Before and beyond representation: towards an enactive conception of the Paleolithic image,” in Image and imagination: a global prehistory of figurative representation, C. Renfrew e I. Morely, editors, Cambridge, McDonald Institute for Archaeological Research, pp. 289-302 (http://cogprints.org/6134/, access: 30 January 2015). MAXMEN, Amy 2010 “Bowerbirds trick mates with optical illusions,” in Nature News (http://www.nature.com/news/2010/100909/full/news.2010.458.html, updated: 9 September 2010, access: 20 March 2015). MCFARLAND, Richard; ROEBUCK, Hettie; YAN, Yin; MAJOLO, Bonaventura; LI, Wu; GUO, Kun 2013 “Social interactions through the eyes of macaques and humans,” in PLoS One (Public Library of Science), vol. 8, no. 2, pp. 1-11 (http://journals.plos.org/plosone/article?id=10.1371/journal.pone.0056437, access: 20 March 2015). MCGREW, William C. 2011 “Pan symbolicus: a cultural primatologist’s viewpoint,” in Homo symbolicus; the dawn of language, imagination and spirituality, Christopher S. Henshilwood and Francesco d’Errico, editors, Amsterdam/Philadelphia, John Benjamins Publishing Company, pp. 1-12 (https://www.academia.edu/8249416/Henshilwood_C._and_d_Errico_F._editors_._2011._Homo_sym bolicus_The_dawn_of_language_imagination_and_spirituality._Amsterdam_Benjamins, access: 29 March 2015).** MILLER, John P.; ROBINSON, Peter undated “Ancient symbols in rock art: a human perspective, a human prerogative,” in Bradshaw Foundation (http://www.bradshawfoundation.com/ancient_symbols_in_rock_art/index.php, access: 30 January 2015). MOELLER, Sebastian; FREIWALD, Winrich A.; TSAO, Doris Y. 2008 “Patches with links: a unified system for processing faces in the macaque temporal lobe,” in Science (The American Association for the Advancement of Science), vol. 320, no. 5881, pp. 1355-1359 (http://www.sciencemag.org/content/320/5881/1355.abstract, access: 9 April 2015). MORRIS, Desmond 1996 The human zoo, a zoologist’s classic study of the urban animal, New York, Kodansha. 1999 The naked ape, a zoologist’s study of the human animal, New York, Dall Publishing. MORRISS-KAY, Gilian M. 2010 “The evolution of human artistic creativity,” in Journal of Anatomy (Wiley), vol. 216, no. 2, pp. 158176 (http://onlinelibrary.wiley.com/doi/10.1111/joa.2010.216.issue-2/issuetoc, access: 30 January 2015). NADAL, Marcos; CAPÓ, Miquel; MUNAR, Enric; MARTY, Gisèle; CELA-CONDE, Camilo José 2009a “Constraining hypotheses on the evolution of art and aesthetic appreciation,” in Neuroaesthetics, Martin Skov and Oshin Vartanian, editors, Amityville, Baywood Publishing Company, pp. 103-129. 2009b “Constraining hypotheses on the evolution of art and aesthetic appreciation,” in Neuroaesthetics, Martin Skov and Oshin Vartanian, editors, Amityville, Baywood Publishing Company, pp. 103-129 (https://neuroaestheticsnet.files.wordpress.com/2012/10/chap-6-nadal.pdf, access: 23 March 2015). NASR, Shahin; Liu, NING; Devaney, Kathryn J.; YUE, Xiaomin; RAJIMEHR, Reza; UNGERLEIDER, Leslie G.; TOOTELL, Roger B. H. 2007 “Scene-selective cortical regions in human and nonhuman primates,” in The Journal of Neuroscience (Society for Neuroscience), vol. 31, no. 39, pp. 13771-13785 (http://www.jneurosci.org/content/31/39/13771.full.pdf+html, access: 9 April 2015). ORANGUTANS AS ARTISTS 2006 “Orangutans as artists,” in Artists Ezine, vol. 1, no. 6 (http://www.artistsezine.com/WhyOrangutan.htm, access: 21 March 2015).

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