helbling choral music

HELBLING

Choral Music

Oratorios, Masses, Choral Collections Chorus XXI Series Helbling Secular Choral Music Series Helbling Sacred Choral Music Series Helbling Choral Concert Series (HCCS)

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HELBLING Choral Music – Contents

CONTENTS Choral Collections

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Sacred Choral Works – Oratorios

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Sacred Choral Collections

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Secular Choral Collections

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11

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Sacred Choral Works – Masses

Warm-ups

Chorus XXI Series – New Perspectives in Choral Music

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Helbling Secular Choral Music Series Jazz Choir

Chamber Choir goes Pop

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Masterworks of Great Composers, arranged for Choir and Piano

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36

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International Folk Songs, arranged for Choir and Piano

Helbling Sacred Choral Music Series New Sacred Choral Works

Masterworks of Great Composers, arranged for Choir and Piano/Organ

Helbling Choral Concert Series (HCCS) Titles 2009

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37

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39 Lighter Concert Selection ..................................................................................................................................................................................................... 39 Popular (Rock, Pop, Evergreen, Swing, Ballad) ............................................................................................................................. 42 Folk & Multicultural ..................................................................................................................................................................................................................... 46 Gospels & Spirituals ...................................................................................................................................................................................................................... 47 Sacred ..................................................................................................................................................................................................................................................................... 48 Christmas & Seasonal ................................................................................................................................................................................................................. 52 ...............................................................................................................................................................................................................................................................

All Further Titles

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Composers & Arrangers

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63 62

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Sacred Choral Works – Oratorios Lorenz Maierhofer Lorenz Maierhofer

In the Beginning was the Word

Im Anfang war das Wort

Oratorio for mixed choir SATB, Solo Soprano and

In the Beginning was the Word

Baritone, Solo Violin, String orchestra and/or organ

Oratorium

Duration: about 70 minutes. In its content, this moving and festive oratorio presents the Prologue of the Gospel according to St. John in relation to the maturing of humanity in faith. The work portrays, in the sense of a creation story, the path that leads from earthly striving and doubt to religious enlightenment. Gesamtpartitur

The music is characterised by a sensitive setting of the `Word`, by powerful melodies and colourful harmonies, and by the optimism of religious faith.

Full score

Lorenz Maierhofer

Im Anfang war das Wort In the Beginning was the Word Oratorium

The 11 choral parts are mainly based on psalms. The messages of the choral compositions are musically intensified by soprano and baritone solos. The self-contained character of the choral parts enables them also to be performed individually, both in religious services and in sacred concerts.

Für gemischten Chor SATB, Sopran- und Bariton-Solo, Solo-Violine, Streichorchester und/oder Orgel

Fo For or mixed mixed choir ch hoir SA SATB, Soprano solo, solo violin, So oprano and and Baritone Barit string and/or organ stri rin ng orchestra orchesstra a

Gesamtaufnahme in deutscher Sprache Complete recording in German

The recitatives are sung by the soloists with organ accompaniment (baritone = Prologue of St John’s Gospel, soprano = associative thoughts on the text of the Prologue) or, optionally, can be declaimed by two narrators. The recitatives are introduced by a solo violin, arco or pizzicato. The instrumental accompaniment by string orchestra (violin 1, violin 2, viola/violin 3, violoncello, double bass) and/ or organ lends the work a classical festive radiance. Contents (Choral parts): In the beginning was the Word – Worship the Lord – Let your eyes see God’s creation – Earth to heaven – Fling wide the gates and doors – I lift up my eyes – Thou art my God – Send forth Thy spirit – Grant us peace – I will magnify the Lord – The Lord bless you and keep you Chor + Soli: Im Anfang war das Wort Choir + Soli: In the beginning was the Word

1

A

Joyfully

rit.

13

Solo-Violine: strahlend Solo violin: full of radiance

2

Vn. 1

Freely

= ca. 100

arco

Vn. 2

Violin

Violin 1 Va. (Vn. 3)

6

Violin 2

rit.

3

3

Vn.

Vc.

3

3

Viola (Violin 3)

3

Db. Violoncello

rit. pizz.

arco

Double-bass Solo Soprano Solo Baritone

S O L I

Hal le

Hal le lu

8

Soprano Alto Tenor Bass

jah,

lu jah,

hal le

S A

Wort, Word,

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war lu

bei

Gott, jah,

es the

war Word

bei was

Gott! God.

Freely

Baritone 8

T B

In

hal le lu jah,

C H O I R

Bariton-Rezitativ: Im Anfang Baritone recitative: In the beginning 10

C H O I R

Im the be

An gin

fang ning

war was

das the

Wort Word,

und and

das the

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14

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= ca. 114

8

19

Wort Word

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Im The

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Gott, God,

Gott. God.

Vn. 1

Vn. 1

Org.

Vn. 2

Vn. 2

Va. (Vn. 3)

Va. (Vn. 3)

Vc.

3

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lu jah,

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Solo S. 8

hal

le

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S O L I

S A C H O I R

Im An fang In the be

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was

das the

Und das Wort schenkt mir Er And the Word He gives

war bei sei nen was me His

Sopran-Rezitativ: Geboren und erwacht Soprano recitative: Born and awakened

Gott. Tag. God. Day.

Freely 6

Solo Bar. 8

T B

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Soprano Ge bo ren und er wacht, er Born and a wa kened, a

rit.

Org. Org.

Choral score SATB + organ – HI-C6236 € 12,90 Full score (study score/conductor’s score) – HI-C6237 € 39,■ Conductor’s score (full score enlarged, A3 format) – on request ■ Instrumental parts (Vl. 1, Vl. 2, Va./ Vl. 3, Vc., Db., Org.) – HI-C6238 € 55,■ CD - Complete recording (German lyrics) – HI-C6239CD € 17,80 Sample pages & recordings at www.helbling.com ■ ■

rit.

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Sacred Choral Works – Oratorios Lorenz Maierhofer

There is a Light Oratorio with Christmas songs, spirituals, folk songs and texts based on St. Luke’s Gospel This easy-to-sing, moving, yet at the same time groovy work combines the Christmas story as told in St. Luke’s Gospel with Christmas songs, spirituals and folk songs. It can be sung with great flexibility in the spirit of an oratorio.

The work permits two different performance variants:

*

An interpretation of the “basic edition” for choir a cappella, soli and narrator

**

“Enriched oratorio edition” for mixed choir SATB, soli and piano, with recitatives for baritone solo (optionally spoken by a narrator with piano accompaniment)

Contents (Choral parts): There is a light – Sunny light of Bethlehem – Señora Doña Maria – Somebody’s knocking at your door – Let my light shine bright – Vamos pastorcillos – This little light of mine – It’s a me – Those were the days – Sunny light of Bethlehem, Amen – Let’s sing a song of Christmas

* There is a Light: Basic edition – a cappella for choir, soli and narrator Duration: about 35 minutes. This edition provides all of the choral pieces as easy-to-sing strophic songs, each introduced by solo passages. Between the choral sections, the Christmas story from St Luke’s Gospel is freely declaimed by a narrator. The distinctive compositional concept also provides the option of combining different choirs (mixed choir, treble choir, male-voice choir) together in a single, joint performance. The naming of the chords throughout indicates the possibility of a free chord accompaniment, for example on piano or guitar. For pianists, it is also easily possible to take the corresponding passages of the piano accompaniment and the accompaniment for the spoken texts of the narrator from the enriched oratorio edition. ■ Choral

■ Choral score, basic edition SAA – HI-C4914 score, basic edition SATB – HI-C4913 score, basic edition TTBB – HI-C4912 € 9,50 Sample pages & recordings at www.helbling.com ■ Choral

** There is a Light: Enriched oratorio edition – vocal-instrumental for mixed choir SATB, soli and piano, with recitatives for baritone or alto solo (optionally spoken by a narrator with piano accompaniment) Duration: about 45 minutes. This edition enables the work to be performed as an oratorio for choir, soli and piano, with recitatives for a baritone (or alto) solo. Alternatively, the recitatives can also be freely declaimed by a narrator to a piano accompaniment (this option can be heard in the complete CD recording). In the enriched oratorio edition, the choral sections have been arranged as varied strophic songs. The chord names given in the piano accompaniment also make a band accompaniment (e.g. piano/bass/percussion) possible. Choral score, enriched oratorio edition SATB, soli, piano – HI-C5749 € 12,50 Piano part – HI-C6304 € 6,■ CD - Complete recording SATB, piano, narrator (German lyrics) – HI-5157CD € 17,80 ■ CD - Piano recording – HI-5158CD € 17,80 Sample pages & recordings at www.helbling.com ■ ■

Sacred Choral Works – Masses Lorenz Maierhofer

Missa Lumen Latin Mass for mixed choir SATB a cappella and soli, optionally with string orchestra and/or organ

Lorenz Maierhofer

/KUUC.WOGP • vocal- instru menta

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Mixed choir, soli and string orchestra Gemischter Chor, Soli und Streichorchester

• a cappe lla

Mixed choir and soli Gemischter Chor und Soli

This new ”Mass of Light” is characterised by a special tonal language. An expressive archaic vocal style is combined with a solemn classical charm and slightly popular nuances. The light of the human quest, of the assurance of faith and divine eternal joy form the message of the Missa Lumen – a Mass that moves performers and the audience alike. With its scope for variant performances, the Missa Lumen is a versatile choral repertoire item for the annual calendar of church music: vocal-instrumental or a cappella. Contents: Kyrie – Gloria – Credo – Sanctus – Agnus Dei Choral score SATB – HI-C5893 € 10,50 Full score – HI-C5897 € 18,90 ■ Instrumental parts – HI-C5905 € 20,■ CD – Complete recordings – HI-C5894CD € 17,80 Sample pages & recordings at www.helbling.com ■ ■

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Lorenz Maierhofer

Missa de Anima

Lorenz Maierhofer

Latin Mass for mixed choir SATB, Baritone solo, a cappella or with organ, optionally with drum(s) or stomps A strong, rhythmic pulse and powerful archaic vocals characterise the music of this new Latin “Mass of the soul, of the spirit and of life”. In a lively and colourful kaleidoscope of harmony, modern and mediaeval sounding musical tones combine in a festive Mass with a special radiance. Optionally, the rhythmic, pulsating character can be underscored by a percussive drum accompaniment or with stomps (stamped rhythms or rhythms played percussively with a variety of objects). A youthful and refreshing new repertoire work for religious services and concerts. Contents: Kyrie de Anima – Gloria de Anima – Halleluja de Anima – Sanctus de Anima – Agnus Dei de Anima Score SATB, drum, stomps, organ – HI-C6259 € 10,50 CD – Complete recordings – HI-C6260CD € 17,80 Sample pages & recordings at www.helbling.com

■ ■

MISSA DE ANIMA For mixed choir SATB, Baritone solo a cappella or with organ, optionally with drum(s) or stomps

Für gemischten Chor SATB, Bariton-Solo a cappella oder mit Orgel, optional mit Trommel(n) oder Stomps

Lorenz Maierhofer

MISSA DE ANIMA

Festively Feest sti tivvely aarchaic, rchaic, rhythmic and lively Festlich archaisch, archa haais is isch, rhythmisch rhyth und bewegt

ic and lively festively archaic, rhythm isch und bewegt festlich archaisch, rhythm

3 interpretations OLO ORGAN DRUM s-IXEDCHOIR "ARITONES OLO ORGAN s-IXEDCHOIR "ARITONES "ARITONESOLO s-IXEDCHOIRACAPPELLA

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Lorenz Maierhofer

Missa Harmonia Mundi für gemischten Chor SATB a cappella, optional mit Streichern und/oder Orgel

for mixed choir SATB a cappella, optionally with strings and/or organ

Viele Sprachen – ein christlicher Glaube Many languages – one christian faith

Lorenz Maierhofer

Missa Harmonia Mundi christlicher Glaube Viele Sprachen – ein one christi an faith Many langua ges –

Gesamtpartitur Full score

Missa Harmonia Mundi Mass for mixed choir SATB a cappella, optionally with organ and 2 trumpets and/or strings The motto of this Mass is: many tongues – one Christian faith! For this, the Latin text of each of the parts SAT combines with a living language (German, English or Spanish) sung by the independently borne bass voice. This festive work is relatively easy to sing. Optionally the Mass can be accompanied with strings and/or organ. This formation can be expanded with 2 trumpets. The brass parts can also accompany the choral singing together with the organ. The TTBB edition of this Mass can be accompanied with organ and, optionally, with 2 trumpets. Contents: In nomine / In the Name – Kyrie eleison / Have mercy – Laudamus Dominum / Glory to the Lord – Cantemus Halleluja / Let’s sing Hallelujah – Offerimus / We offer – Sanctus / Holy – Agnus Dei / Lamb of God – Corpus Domini / Lord Jesus’ Body – Jubilate / Be joyful Choral score SATB + organ – HI-C6268 € 10,50 Full score SATB, strings, trumpets, organ – HI-C6269 € 18,90 ■ Instrumental parts to SATB – HI-C6270 € 20,■ CD – Complete recordings – HI-C6271CD € 17,80 ■ Choral score TTBB, organ, trumpets – HI-C6324 € 10,50 Sample pages & recordings at www.helbling.com ■ ■

Josef Sulz

Missa Jubilate Deo Latin Mass mixed choir SATB a cappella, optionally with organ and/or strings In its form and style, the short Latin Missa Jubilate Deo follows in the tradition of classical church music. Alongside powerfully simple and in many cases insistently expressive moments, effective fugato passages and splendid unisons create a highly festive atmosphere. The singing parts are supported by an organ and/or string (ad lib) accompaniment, thus ensuring that the sound has a festive effect. Because of its cantabile conception, its clear structure and the uncomplicated nature of its harmonies, this Mass is also highly suited to the needs of less experienced singers and small church choirs, and can be performed on a wide variety of occasions. Contents: Kyrie – Gloria – Sanctus – Benedictus – Agnus Dei Choral score SATB – HI-C5527 € 10,50 Instr. parts (Vl. 1, Vl. 2, Va., Vc., Db., org.) – HI-C5559 € 17,Sample pages & recordings at www.helbling.com ■ ■

Missa

Josef Sulz

Jubilate Deo

Kleine A-cappella-Messe im klassischen Stil für gemischten Chor (SATB) Instrumentalbegleitung ad lib. (Orgel, Streicher)

C H O R PA RT I T U R

Sacred Choral Works – Masses Michael Aschauer

Missa anima integra Latin Mass for mixed choir SATB a cappella, optionally with organ and/or strings This Latin Mass is marked by exceptionally rich and powerfully expressive melody and harmony. Radiant with joy, solemn and measured, insistent in lamentation, moving in contemplation, the Mass speaks directly to human emotions and reflects faith, trust, hope and a zest for life. The optional, easy-to-perform organ and/ or string (colla parte) accompaniment offers an additional performance alternative, provides support for the vocal parts and lends the Mass an added festive splendour. The clarity of form, tonal disposition, moderate proportion, logical part-writing and balanced ambitus of the voices make this Mass easy for even small church choirs to sing on a variety of occasions. Contents: Kyrie – Gloria – Sanctus – Benedictus – Agnus Dei Choral score SATB + organ – HI-C6284 € 10,50 String parts (Vl. 1, Vl. 2, Va., Vc.) – HI-C6285 € 20,Sample pages & recordings at www.helbling.com ■ ■

Siegfried Singer

Missa Classica (In honorem Sancti Leonardi) Latin Mass for mixed choir SATB, soli SATB, with organ and strings, optionally with brass ensemble and timpani Both in form and in style, this composition takes as its point of reference the great tradition of classical church music. In line with current practice in church music, there is no setting of the creed. With the festive splendour of its sound, the Missa Classica is especially suitable for the major festivals of the church year. At the same time, care has been taken to ensure that the Mass can also be easily managed by amateur choirs. The choral part is easy to sing, and the solos can also be handled by capable choral singers. For the performance, two different instrumental formations are possible: either with strings and organ only, or with, in addition, two oboes, two bassoons, two horns and timpani. Contents: Kyrie – Gloria – Sanctus – Benedictus – Agnus Dei Choral score SATB – HI-C4828-1 € 10,50 Full score – HI-C4828-0 € 18,90 ■ Instrumental parts – HI-C4828-2 € 29,90 Sample pages & recordings at www.helbling.com ■ ■

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Ethno-Mass for peace

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The Ethno-Mass for peace – including celebrated words of Nelson Mandela, Mother Teresa, Pope John Paul II, Martin Luther King Jr., … – can be sung in religious services and celebrations, in concerts or at events in support of peace, either with a specific ethno sound or by a gospel choir or in traditional classical choral style. The international language of intercultural music and the spoken texts, quote timless messages of hope and appeals for peace.

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9 African, Afro-American and Native American Songs for mixed voices SATB a cappella, soli, drums and speaker

Contents: Peace to the World (Introit) – Oh Burden Down, My Lord (Kyrie) – Singa Yesu Singa / Sing and Open to Jesus (Gloria) – Ah, Kezhegukin / Good Morning, My Day (Gradual) – The River is Flowing (Offertory) – Sana, Sananina, Praise the Lord (Sanctus) – Hambani Kahle (Agnus Dei) – Kuwate / The Infinite Sun (Communion) – Yakanaka Vhangeri / Praise the Lord All Together (Final Hymn) Choral score SATB – HI-C5425 € 14,90 CD – Complete recording – HI-C5431CD € 17,80 Sample pages & recordings at www.helbling.com ■ ■

Lorenz Maierhofer

Body & Soul New Gospel-Mass for choir SATB a cappella and speaker, optionally with instr. accompaniment This groovy, yet at the same time contemplative and meditative Mass combines stylistic features of gospel, swing and pop with lyrics based on the Psalms. Each choral piece is preceded by a meditative spoken text. The arrangements can be performed in various forms: choir a cappella / choir a cappella and speaker / choir, speaker and instrumental ensemble. Contents: Body and Soul (Introit) – There is One More Day (Kyrie) – Now at the Name of Jesus (Gloria) – Who Knows Where We are Going? (Gradual) – Well, I’m Gonna Sing (Offertory) – I Sing Holy (Sanctus) – Waiting for the Lord (Agnus Dei) – Thanks (Communion) – What a Happy Day (Communion) – I’ve got a Feeling (Final Hymn) Choral score SATB – HI-C4808 Choral score SSA – HI-C4871 ■ Choral score SA – HI-C5080 € 10,50 ■ Instrumental score & parts (to use with all choral editions) – HI-C5461 € 16,50 ■ Piano part (to use with all choral editions) – HI-C5462 € 6,■ CD – Complete recording – HI-C4810CD € 17,80 ■ CD with backing tracks – HI-C5296CD € 17,80 Sample pages & recordings at www.helbling.com ■

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FER LORENZ MAIERHO

religious and spiritual songs ten Chor Gospel-Messe für gemisch Choir Gospel-Mass for Mixed

(SATB) THE BODY & SOUL-SINGERS r: Dieter Dorner Sprecher/Speake

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Sacred Choral Collections Lorenz Maierhofer

Close to God’s Footprints 14 Songs & New Gospels for mixed choir SATB or SAAB a cappella and soli “Let’s sing and praise!“ This is the message of these 14 highlights for concerts, celebrations and religious services. The easy-to-sing songs arouse with new gospel sound and groove, the drive of a cappella pop and the moving charm of meditative ballads. As an additional option, all of the songs can be performed with instrumental accompaniment. Contents: Close to God’s Footprints – In My Father’s World – To the Left, to the Right – Just Here in My Little World – When the Sun Sets over the Mountains – Shine, My Candlelight – Can’t You Feel God’s Mighty Hands – I Do it My Way – Fly, Little Butterfly – Hallelujah, Earth and Heaven – I Know, My Name is Written There – God’s Holy Spirit – May God Bless My Living – Between Heaven and Earth

RHOFER LORENZ MAIE

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14 Songs & New Gospels for mixed voices SATB and

soli

vokal- ense mble

1

Choral score SATB – HI-C5888 € 12,50 CD – Complete recordings – HI-C5889CD € 17,80 Sample pages & recordings at www.helbling.com ■ ■

Lorenz Maierhofer

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New Gospel Train 16 spirituals and new gospels for mixed choir SATB a cappella (also available SAA) This edition contains new arrangements of new gospel songs and spirituals rich in tradition, easy to sing. They make it possible to experience the timeless message of hope, love, peace and joy. The new gospels, the newly composed songs in the collection, combine elements of the negro spiritual, gospel and the jubilee song, and expand them with elements taken from jazz and pop. Contents: The New Gospel Train – Hear Me Prayin’, Lord – Sinner You Know – Burden Down, Lord – Certainly, Lord – I Sing Holy – Heaven is a Wonderful Place – Lord, I Know I’ve been Changed – May Peace on Earth – Make Love, Not War – I’ve got Peace like a River – Steal Away – Let’s Sing a Hallelujah – Oh, Mary, Don’t You Weap – Save the World – I’ve got a Feeling Choral score SATB – HI-C5104 € 11,90 ■ Choral score SAA – HI-C5106 € 11,90 ■ CD – Complete recordings – HI-C5105CD € 17,80 Sample pages & recordings at www.helbling.com ■

16 S PI R ITUAL SO N GS

for mixed voices (SATB or SAAB) für gemischte Stimmen (SATB oder SAAB)

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Sacred Choral Collections

ONE ARRANGEMENT – MANY OPTIONS Treble Voices (SA or SSA) or Mixed Voices (SAB or SATB)

The series for variable choir combinations by Gwyn Arch ❏

an innovative concept for school, youth and adult choirs ❏ different choir combinations in one choir score: two treble voices SA three treble voices SSA or SAA three-part mixed voices SAT or SAB four-part mixed voices SATB ❏ bass part with restricted vocal range and occasional alternative notes especially for young male voices ■ ■ ■ ■

The different choir combinations

❏

manageable piano or keyboard accompaniment integrated in every score additional available CD+ (Audio-CD + CD-ROM in one) containing: complete recordings of all 5 arrangements instrumental backing tracks for all arrangements printable instrumental score, printable instrumental parts ■

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■

Go down, Moses With determination / Mit Entschlossenheit q = c. 116)

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Gwyn Arch (Arr.)

5 spirituals Variable arrangements for choir SA/SSA or SAB/SATB and piano, optionally with instrumental accompaniment There is still no end to the fascination exercised by the performances of the large numbers of gospel choirs, and after the concerts and religious services, the streets everywhere are full of enthusiastic audiences swinging their way home, still stirred by the power of the gospel songs and spirituals. So it goes without saying that the FlexiChoir series would not be complete without the inclusion of spirituals. The arrangements are varied and groovy, and will get that crucial feeling going in both the singers and the audience. ai

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Contents: When the Saints go marching in – Swing low, sweet chariot – Go down, Moses – I couldn’t hear nobody pray – I want Jesus to walk with me Choral score + piano – HI-C5754 € 9,90 ■ CD – HI-C5755CD € 17,80 Sample pages & recordings at www.helbling.com

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Sacred/Secular Choral Collections Gwyn Arch (Arr.)

5 christmas songs Variable arrangements for choir SA/SSA or SAB/SATB and piano, optionally with instrumental accompaniment One date in the calendar that can always be relied upon is Christmas. And for choirs in particular it means large numbers of seasonal concerts and religious services. FlexiChoir offers you a colourful range of Christmas choral music, from England, France, Spain and the USA. The titles will convince that swing, real feeling and humour can all be part of the sound of Christmas.

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Contents: Joy to the world – O holy night – A la nanita nana – Santa Claus is comin’ to town – Mary had a baby ■ Choral score + piano – HI-C5794 € 9,90 ■ CD – HI-C5795CD € 17,80 Sample pages & recordings at www.helbling.com

Gwyn Arch (Arr.)

5 irish folk songs Variable arrangements for choir SA/SSA or SAB/SATB and piano, optionally with instrumental accompaniment Lovers of folk music rate Irish folk right at the top of the popularity scale. Ireland is after all a country with an inexhaustible variety of ballads, love songs, melancholy songs of home and, of course, drinking songs. The FlexiChoir series offers you a small crosssection from the Irish folk music repertoire. The songs provide living proof that Irish music, too, can sound absolutely authentic when sung by a choir. Contents: A bunch of thyme – She moved thro’ the fair – Carrickfergus – Cockles and mussels – I know where I’m goin’ score + piano – HI-C5792 € 9,90 ■ CD – HI-C5793CD € 17,80 Sample pages & recordings at www.helbling.com

■ Choral

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2009 10:11:11 Uhr

Gwyn Arch (Arr.)

5 caribbean songs Variable arrangements for choir SA/SSA or SAB/SATB and piano, optionally with instrumental accompaniment For many people, the Caribbean‘s atttratction is sun, sea and sand, cocktails and exotic fruit. But for many, too, it is the music of the Caribbean islands that triggers memories and itchy feet. Whether reggae or calypso, this is music that your whole body responds to. The FlexiChoir series focuses on folk songs from Jamaica, Trinidad and Tobago, which bring a taste of Caribbean verve and zest for life to both choir and audience. CD a v

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Contents: Come back, Liza – Miss Lilian – Brown gal trilogy – Marianne – Matilda Choral score + piano – HI-C5761 € 9,90 ■ CD – HI-C5762CD € 17,80 Sample pages & recordings at www.helbling.com ■

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Secular Choral Collections Lorenz Maierhofer

Inspirationals African Gospels, Blues, Earth Songs for mixed choir SATB a cappella, optionally with drums

OFER LORENZ MAIERH

Meditative Choral Music

ty and blues / between multicultural spirituali ität und Blues Spiritual zwischen multikultureller en Chor (SATB) for mixed choir / für gemischt

Like prayers, Inspirationals convey deep human emotions, full of spirituality and blues. These easily singable compositions and arrangements span a wide range of choral music styles with Indian, African, Afro-American and Native American sounds and messages. Solo vocal improvisations, spoken texts, expressive instrumental accompaniments ad lib, and, not least, choreographies can give the pieces a very individual effect. Whether the mood is meditative, contemplative or groovy, the Inspirationals move singers and audiences alike – in concerts, celebrations and choral meditation. Contents: Om Shanti Om (Give Me Peace) – Bianu umuaka kwenu (Come and Wake up into Daylight) – Deep in the Earth (Madshekule) – Uyingcwele Baba (You Are Holy, My Lord) – Hambani kahle (Our Light shall Brighten the Night) – Sana, Sananina, Sing and Praise –– Blues and Trouble – Spirit, Come – I Wanna Sing My Blues –Essence of Joy – Yin & Yang – Sunshine to You

Choral score SATB – HI-C5607 € 12,50 CD – Complete recordings – HI-C5649CD € 17,80 Sample pages & recordings at www.helbling.com ■ ■

Markus Detterbeck

Sing Africa, Sing 9 African songs for mixed choir SATB a cappella

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9 afrikanische Lieder

Contents: Mamaliye (Sing Africa, sing) – Molweni (Let’s say hello) – Sesithi bonga (Let us sing bonga) – Thina singu (Let us be the burning fire) – Thula sizwe (Any day now) – Revival – Thula mtwana wami (African lullaby) – Hamba kahle (Farewell) – Freedom is coming Choral score SATB– HI-C5753 € 12,50 CD – Complete recordings – HI-C5770CD € 17,80 Sample pages & recordings at www.helbling.com

■ ■

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CHOR AKTIV 16

Sing Africa, Sing provides a whole diversity of insights into the great breadth of African choral music. This collection of choral settings from the experienced hand of Markus Detterbeck ranges from songs of welcome through lullabies to religious inspirationals and politically motivated freedom songs. In addition to the language of the originals, every song has been provided with singable English lyrics. The appendix contains warm-ups, guides to pronunciation for each of the titles. Whether performed in concerts or in religious services, these lively and rhythmic choral songs are always guaranteed to win the enthusiasm of the audience.

für gemischten Chor SATB a cappella

choir 9 African songs for mixed SATB a cappella

7 2009 12:01:19 Uh

Secular Choral Collections Henry O. Millsby

Swinging Baroque 7 vocal arrangements of instrumental pieces from the Baroque period, for mixed voices SATB a cappella (also available SAB, SAA or TBB) Swinging Baroque contains seven vocal arrangements of well-known and easy-to-sing highlights of the baroque period. These groovy choral pieces have been arranged in Swingle Singers style. The rousing, swinging scat treatments can be performed a cappella; a vocussion or instrumental accompaniment (for example on percussion, double bass or piano) can lend additional appeal to an interpretation. These songs will be a source of great enthusiasm for anyone who has always wanted to experience baroque music with a difference. Contents: Swing the “Prelude” (M.-A. Charpentier) – Brighten the day (J. J. Fux) – Bourrée for W. A. (L. Mozart) – Polonaise for W. A. (L. Mozart) – There’s Swing in the “Air” (G. F. Handel) – Swinging Intrada (Anonymous) – Swinging “Anna Magdalena” (J .S. Bach) Choral score SATB – HI-C5921 ■ Choral score SAB – HI-C5044 ■ Choral score SAA – HI-C5051 ■ Choral score TBB – HI-C5052 € 11,50 ■ CD – Complete recordings – HI-C4920CD € 17,80 Sample pages & recordings at www.helbling.com ■

Lorenz Maierhofer

20 choral arrangements of well-known themes by great composers for mixed voices SATB a cappella (also available SSAA, TTBB) 20 easy-to-sing choral arrangements of timeless, popular themes by the great composers. With humour, sensitivity and unerring style, Lorenz Maierhofer has created choral pieces that will inspire enthusiasm in a wide variety of performance situations – festive, tongue-in-cheek and with lively rhythms. Contents: A Welcome (G. F. Handel) – Classic Light-Chant – Sing and Rejoice (Anonymous) – I Hear the Birds Sing (F. Schubert) – Come, Tender Spring (J. Haydn) – It Rings Out So Joyful (W. A. Mozart) – Vienna Polka Sound (J. Strauß II) – Scat-Minuet (L. Mozart) – Romance in F (L. v. Beethoven) – Our Little Night Music (W. A. Mozart) – Good Morning / Good Evening (Chr. W. Gluck) – Love May be (J. Pachelbel) – Sunset Serenade (J. Haydn) – Wedding Bells (F. Mendelssohn-Bartholdy) – The Great Classics Hallelujah … Choral score SATB – HI-C6145 ■ Choral score SSAA – HI-C6305 ■ Choral score TTBB – HI-C6306 € 12,50 ■ CD – Complete recordings – HI-C6183CD € 17,80 Sample pages & recordings at www.helbling.com ■

CHOR AKTIV 18

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Secular Choral Collections / Warm-ups Carsten Gerlitz

Love & Choir

Carsten Gerlitz

6 pop ballads & love songs arranged for mixed voices SSATB a cappella 6 pop ballads arranged for mixed voices SSATB a cappella

She’s the one Bright eyes Something stupid Without you Follow me One more night

Cuddling in the choir! With these six well known pop ballads arranged by Carsten Gerlitz for mixed choir SSATB, this dream finally becomes reality – with every hit a cuddly moving declaration of love! The songs by Phil Collins, Simon & Garfunkel, Robbie Williams and Nicole Kidman, Mariah Carey and Uncle Kracker are presented in a new a cappella style. Guaranteed to make the hearts of the performers and the audiance beat faster! Contents: One more night – Follow me – She’s the one – Bright eyes – Something stupid – Without you Choral score SSATB – HI-C5847 € 12,50 Sample pages & recordings at www.helbling.com ■

Lorenz Maierhofer

Ethno Canons 14 canonic songs, based on songs and themes from 4 continents This collection of 14 warm-up canons provides a tuneful musical world tour, taking in Australia, Asia, Africa and America. These songs to perform canonic are suitable for small singing groups as well as for choirs. The musical patterns permit a broad range of accompaniments. This opens up easily understandable paths and insights into the characteristic sound worlds of a range of different cultures. The pieces have been deliberately selected and adapted for practical use in musical and choral teaching, promoting vocal self-awareness, a sense of rhythm, voice training and production, aural training and movement. Corresponding suggestions and tips backed up by concrete exercises are provided for each of the pieces. Individual, creative interpretations of the Ethno Canons can also be effectively performed on stage. The enclosed CD is a complete recording of all 14 canons. It is the ideal support for a holistic and motivating treatment. Contents: Abeeyo / A welcome – Uh a lay lay – Cherry blossom, Sakura – Arirang round – Hineh ma tov / It’s a good old tradition – Caravan’s double round – Banuwa round – Hambani kahle round – Rhythm and Syncopation – Saturday night fever – Peace to the world – Ah, kezhegukin / Good morning, my day – Kuwate / The infinite sun – The river is flowing ■ Score (German version) incl. CD with complete recordings – HI-S5377 € 24,90 ■ English version of the score: in preparation ■ Soundtrack-CD – HI-C5410CD € 17,80 Sample pages & recordings at www.helbling.com

Warm-ups Lorenz Maierhofer

Warm-ups for voice & body 25 canonic songs and chants for choir, classroom and stage Warm-ups are small pieces with great effect – ideal for many situations where people sing together in groups. Canonic structures and pattern accompaniments such as small bass parts, rhythmic accompaniments with vocussion or percussion, and background vocals permit great diversity in the arrangement of the pieces for a broad range of levels of difficulty. These 25 short, easy-to-sing pieces motivate people to sing in a variety of ways. For each of the warm-ups there are specific hints and tips on how to use them in music and choir teaching: “body & voice”, “rhythm & movement” or “performance”. Whether as a rhythmic rap number with Vocussion, as a canon with choreographed movement, or as a creative musical piece, the warm-ups can also be performed very effectively on stage. The CD supplied with the sheet music offers recordings of all pieces. Contents: Mister Spookey‘s rhythm round - Talking faces - Sing a cappella - Echo sound in groove - The train - Drum and drum - There is sunshine - What a delight - Let‘s swing ... ■ Score (German version) incl. CD – HI-S5608 € 24,90 Sample pages & recordings at www.helbling.com

■

English version of the score: in preparation

Lorenz Maierhofer

Sing-Gymnastics 14 action songs and movements for choirs, schools and at home Sing gymnastics are short songs to accompany physical exercises, catchy little numbers specially designed to liven up people and get them moving. Whether you use them as a warm-up or as a refreshing break, these action songs will always guarantee fresh enthusiasm, renewed concentration and relaxation. The sheet music together with the enclosed CD, containing sung recordings and short video sequences, provide everything you need to motivate! All of the songs are easy to sing, and everyone will quickly be able to perform them from memory. Accompaniment patterns for voices, rhythm instruments and mallet instruments are included. Sing gymnastics involve movement for all areas for the body, from stretching to jumping and tap-dancing to get the circulation going – the movements are balanced and accord with the latest findings of sports medicine. Contents: Keep your body fit - Alien ladies in the street - Let‘s keep fit - Moving feet - Shoulder Boogie-Woogie - Up and down in my moving train - Walk, jump and wave your hand ... Score (German version) incl. CD – HI-S5788 € 24,90 Sample pages & recordings at www.helbling.com ■

■

English version of the score: in preparation

15

16


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The series Chorus XXI - New Perspectives in Choral Music, with choral works by contemporary composers, offers chamber and concert choirs and also dedicated amateur choirs a broad spectrum of sacred and secular pieces. The diversity of its style and content ranges from musical settings of poems through sacred concert pieces to experimental sound compositions. Many of the compositions have already been successfully performed in competitions and have aroused considerable international attention.

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17


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SATB a cappella – HI-C6220 € 2,60 (Minimum order: 10 copies) Recordings at www.helbling.com ■

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As a dedication to Joseph Werndl, the retiring director of music of Passau Cathedral and an admirer of Anton Bruckner, this four to eight voice, homophonically oriented choral piece is characterized by its affinity with Bruckner: reminiscent of the Dorian mode, it, too, sets its climactic points on the thrice repeated cry of Jesus, before taking up the initial motifs in a kind of reprise starting at Sancta Maria, and leading into an eight-voice D major for the Amen.

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SATB divisi a cappella – HI-C6122 € 2,60 (Minimum order: 10 copies) Recordings at www.helbling.com ■

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a cappella SATB divisi

j b œœ œœ œœ œj 24

Ver - bum

SATB divisi a cappella Harald Feller’s Four Christmas Motets are an expression of individual aspects of the Christmas mystery. By means of colourfully arranged harmonies, freely floating rhythms and finely drawn melodies, the composer succeeds with these settings in moving both singers and audience in equal measure in their innermost selves. In the Verbum caro, a tranquil beginning is followed by a second, livelier part with a more joyful character. The closing forte, surprising at first sight, gives clear and vivid expression to the power of the word.

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Harald Feller, Verbum caroÊUÊ-/ Ê`ÛÃÊUÊ^ÊiL}]Ê,ÕÉÃLÀÕVÊUÊ ÃÃ}i°ÊÊÀ}ÌÃÊÀiÃiÀÛi`°


19


O magnum mysterium SATB divisi a cappella Slow and expressive

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(for rehearsal)

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j œœ my -

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mag - num

7 œ 8

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b œœ

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b œœœ

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Harald Feller

my -

o

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ri - um,

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mag - num

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um,

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ste

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Harald Feller, O magnum mysteriumÊUÊ-/ Ê`ÛÃÊUÊ^ÊiL}]Ê,ÕÉÃLÀÕVÊUÊ ÃÃ}i°ÊÊÀ}ÌÃÊÀiÃiÀÛi`°

Harald Feller’s Four Christmas Motets are an expression of individual aspects of the Christmas mystery. By means of colourfully arranged harmonies, freely floating rhythms and finely drawn melodies, the composer succeeds with these settings in moving both singers and audience in equal measure in their innermost selves. In the setting of O magnum mysterium, an expressive, very slow soprano melodic phrase, carried by colourful harmonies, gives particularly clear emphasis to the mystery of Christmas. CHORUS

XXI



HARALD FELLER

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N o. 3 o f : Four Chri stmas mo N r. 3 a u s tets / : Vier We ihnachtsm otetten


Lux fulgebit

Harald Feller


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Lux fulgebit

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A

Lux

SATB divisi a cappella Harald Feller’s Four Christmas Motets are an expression of individual aspects of the Christmas mystery. By means of colourfully arranged harmonies, freely floating rhythms and finely drawn melodies, the composer succeeds with these settings in moving both singers and audience in equal measure in their innermost selves. The motet Lux fulgebit begins pianissimo, enigmatically and monophonic. In a dynamic intensification, ever more tones join in until, after repeatedly gathering forces, the work closes with a jubilant Amen. XXI


N iven Perspekt

HARA

LLE LD FE

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tets / stmas mo Four Chri otetten N o. 4 o f : ihnachtsm : Vier We N r. 4 a u s

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Harald Feller, Lux fulgebitÊUÊ-/ Ê`ÛÃÊUÊ^ÊiL}]Ê,ÕÉÃLÀÕVÊUÊ ÃÃ}i°ÊÊÀ}ÌÃÊÀiÃiÀÛi`°


20


Jubilate Deo

Simon Wawer

SSAATTBB a cappella Lyrics: Psalm 100

Vivace h = Ç 80–90

&C

S1 S2

p j & C œ. œ œ œ

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Ju - bi - la - te,

T1 T2 B1 B2

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HI - C6079

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Encounters can awaken beautiful memories and trigger a feeling of wellbeing. Reason enough for joyful excitement, euphoric rejoicing and singing with all our might. However, reflection, inner calm and contemplation of the sublime, into whose presence we have entered and whom we remember in our joy, also form a part of it all. Jubilate Deo has been composed in the style of modern, jazz-like, spiritual a cappella choral works. Strongly rhythmic and with special harmonic effects, it appeals not only to young people’s choirs but also to committed choirs whose members have remained young at heart.

œ

CHORUS

XXI


SSAATTBB

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Jubilate Deo SSAATTBB a cappella

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Music: Simon Wawer © Helbling, Rum/Innsbruck

œ œœ œœœ

Simon Wawer, Jubilate DeoÊUÊ--// ÊUÊ^ÊiL}]Ê,ÕÉÃLÀÕVÊUÊ ÃÃ}i°ÊÊÀ}ÌÃÊÀiÃiÀÛi`°

+VCJMBUF%F

SSAATTBB a cappella – HI-C6079 € 3,90 (Minimum order: 10 copies) Recordings at www.helbling.com ■

Simon Wawer

SSAATTBB a cappella

Viva la musica SSAATTBB a cappella

S1 S2 A1 A2

What would our existence, our lives, be without music? Joyful emotions, sorrowful romances, songs of battle or feelings of love: without music, any portrayal of these could only be imperfect. Music is an elemental mirror of our selves and our souls, an inherently human form of expression. Let us take delight in it. Let us honour it. Let us make use of it for the sake of peace. Music! Long may it live!

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T2

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XXI

SSAATTBB

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a cappella

neu

SIMON

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WAWE

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WBMB.VTJDB

■

18.03.2009

8:54:28 Uhr

SSAATTBB a cappella – HI-C6257 € 3,30 (Minimum order: 10 copies) Recordings at www.helbling.com

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N iven Perspekt

poco a poco acc.

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Simon Wawer © Helbling, Rum/Innsbruck

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Psalm 100


Viva la Musica

a cappella

SIMON WAWER

mu - si - ca!

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Simon Wawer, Viva la MusicaÊUÊ--// ÊUÊ^ÊiL}]Ê,ÕÉÃLÀÕVÊUÊ ÃÃ}i°ÊÊÀ}ÌÃÊÀiÃiÀÛi`°

M sample l pages att www.helbling.com h lbli ➞ More

21


IUPPITER commissioned by CONSONO chamber choir, cond. Harald Jers

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Ma -ha - ha

Ma f

f

-

Michael Ostrzyga

Iuppiter

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Ma -ha - ha

Ma

mus.

Ma

mus.

Ma -ha - ha

Ma -ha - ha

mus

Michael Ostrzyga (*1975) © Helbling, Rum/Innsbruck

-

Iuppiter is a choral work based on Jupiter’s many Latin cult names and etymologically related concepts from other ancient languages. In addition, passages from the Ordinary of the Roman Catholic Mass and the Pentecostal Sequence are used. The initial sound is succeeded by an ornamental, mysterious middle part. The composition ends in a megalomaniac, eruptive final part, like thunder and downpour.

Michael Ostrzyga, Iuppiter • SSAATTBB • © Helbling, Rum/Innsbruck • Esslingen. All rights reserved.

CHORUS

XXI

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SSAATTBB a cappella – HI-C5920 € 4,50 (Minimum order: 10 copies) Recordings at www.helbling.com ■


Lux aeterna

Franz M. Herzog

Lux aeterna

SATB divisi a cappella specially commissioned for the 44th International Choir Competition, Porcia Castle, Spittal an der Drau, Austria Lyrics: Communio of the Requiem Mass

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XXI

-

Seite 1

e Ne iven neu Perspekt

Re

>œ J

-

C5846 Lux_Aeterna_Ne

R U Ss i n C h o r a l M u ss ii ck CwHP eO u rspective r Chorm

n >œ

simile

Re

13:35 Uhr

F

> ## & # # 43 œ

A1/2

S2

29.01.2007

quasi come campanelli

Re -

S2

u12seit

Music: Franz M. Herzog © by Helbling, Rum/Innsbruck

q = 88

S1

With Lux aeterna, Franz M. Herzog presents an impressive concert piece for mixed voices that with its dramatic interpretation of the content of the requiem mass represents a fascinating challenge for every dedicated choir. With an exceptionally expressive musical language, full of tension and suspense and characterized by cluster-like overlays of melodic lines and differing sound surfaces and pattern structures, he has produced a vivid, closely-woven musical setting of the final plea for eternal light.

K MKZZOVV

MICHAEL OSTRZYGA

-

œ -

Œ

qui - em,

Re

j œœ ‰ œœ-

Œ

Œ

nam,

-

Re

j nœ ‰ œ œ œ-

Re

-

-

-

qui -

-

qui -

j‰ œœ

Œ -

-

j œœ ‰

Œ -

-

œ

-

Œ -

-

œ

œ

qui - em,

nam,

-

œ

œ J

nœ

Re -

œ nœ #œ nœ #œ nœ #œ œ œ nœ œ nœ œ nœ #œ nœ #œ nœ j œ œ Œ a œœ ‰ œœ œ œ

Œ

j œ n œœœ ‰ œœ œ œ

Œ

Œ

j œœœ ‰ œ

Franz M. Herzog, Lux aeterna • SATB divisi • © Helbling, Rum/Innsbruck • Esslingen. All rights reserved.


K

22


Kyrie SATB divisi a cappella Music: Franz M. Herzog © by Helbling, Rum/Innsbruck

q » 98

# & # 43

S 1/2

Œ

Œ

p

œ œ œ œ œ œ œ œ œ œ œœ œœ œœ œœ Ky - rie

e - lei-son, Ky - rie e - lei- son, Ky - rie e - lei -

p # & # 43 œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

A 1/2

Ky - rie e - lei- son, Ky - rie e - lei - son, Ky - rie

T 1/2

# V # 43

B 1/2

? # # 43

&

œ œ œ œ œœ œœ

œœ œœ œœ œœ œœ œœ œœ œœ œœœ œœœ œœœ œœœ

? # # 43

5 # & # œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ

son, Ky - rie e - lei- son, Ky - rie e - lei-son, Ky - rie e - lei - son, Ky-rie

e - lei- son, Ky - rie e - lei-son, Ky - rie e - lei -

# & # œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ son, Ky - rie e - lei- son, Ky - rie e - lei-son, Ky - rie e - lei-son, Ky-rie

e - lei- son, Ky - rie e - lei-son, Ky - rie e - lei -

# V # F

œ.

œ

˙

Ky

-

rie e

-

le

-

œ œ J

œ

i - son,

e

# & # œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ ? ##

6

˙

HI - C5729

from Missa for Mixed Choir SATB divisi a cappella

## 3 4 œ œ œ œ œ œ

? ##

Kyrie

e - lei-son, Ky - rie e - lei- son, Ky - rie e - lei -

Piano (for rehearsal)

Franz M. Herzog

œ

œ.

œ œ J

œ -

le

˙.

œ -

i

-

œ

œ

CHORUS

˙.

Franz M. Herzog, Kyrie • SATB divisi, Sopr.-Solo • © Helbling, Rum/Innsbruck • Esslingen. Alle Rechte vorbehalten.

XXI

New Pers P e r s p e k tpectives in Chora l iven neu e r C h o r mM u s i c usik

son.

œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ œ

Following in its extensive structure in the tradition of the great settings of the Mass, the Missa for Mixed Choir by Franz M. Herzog is marked by its outstandingly vivid musical language. All sections of the Mass can also be performed independently of one another. The treatment of the Kyrie text is outstanding for the expressive and atmospheric density of its musical language. Expressive melodic lines and terse rhythmic patterns are repeatedly combined in ways which are always new and vividly convey the message of the text to the audience. SATB divisi, Soprano Solo

FRANZ M. HERZOG

Kyrie


from “Missa for Mixed Choir, Sopran o Solo and Percus sion ad lib”


Gloria

Franz M. Herzog

SATB divisi a cappella Music: Franz M. Herzog © by Helbling, Rum/Innsbruck

h » 62

Gloria

>˙ .. >œ ˙>˙ .. J

& 22

S 1/2

from Missa for Mixed Choir

A 1/2


T 1/2

Following in its extensive structure in the tradition of the great settings of the Mass, the Missa for Mixed Choir by Franz M. Herzog is marked by its outstandingly vivid musical language. All sections of the Mass can also be performed independently of one another. Herzog fashions the Gloria in vivid form. Several musically independent sections are combined to form a unified whole. The climax of the piece is an intense and powerful solo. A highly stimulating challenge for concert and chamber choirs.

f

f j & 22 ˙ .. œ ˙˙ .. Œ ˙ .. > > > > Glo - ri - a,

B 1/2

& 22 ˙ .. Piano (for rehearsal)

? 22 ˙ ..

j œ ˙˙ .. Œ œ ˙˙ .. J

ww

˙ ˙˙

j œ ww˙˙ ..

ww

˙˙

-

78

ri - a.

U> ww

>œ . >œ J

78

wUw

Œ

˙Ó˙ ....

j U œ . œœ œ wwww J

78

U ww

œ . œ ˙˙ J

˙

78

ri - a.

-

q »124

87

F

> œ œ œ œ œ œ œ

Glo -

-

-

-

& 87 P

7 V 8 œ œ œ œ œ œ œ œ. >

P

œ -

o,

Œ

œ œ œ œ œ œ œ œ. >

Glo - ri - a in ex - cel - sis De

>œ œ œ œ œ œ œ œ .

?7 8 Soprano Solo SATB divisi,


e Ne iven neu Perspekt

RZO M. HE

Œ

>œ wUw> J

œ . >œ ˙>˙ J

Glo

ww˙ ..

78

ri - a.

Glo - ri - a.

˙˙ >˙

a,

-

j œ ww

˙ ..

Glo

˙˙

Glo - ri - a,

ww

-

>˙ ..

ww

>˙f >œ ww> .. J

> ww

Glo - ri

Glo

& 78

R U Ss i n C h o r a l M u ss ii ck CwHP eO u rspective r Chorm

FRANZ

ww

ri - a,

f ? 22 >˙ .. >Jœ ˙>˙ .. Œ >˙ ˙>˙ Glo - ri - a,

9

-

j œ ww > >

V 22


XXI

Glo

Œ

Glo - ri - a,

>œ wUw> J

>˙ ..

œ -

o,

Œ

œ -

Œ

o,

>œ œ œ œ œ œ œ œ .


œ -

Œ

o,

G

Gloria Sopran o Solo for Mixed Choir, sion ad lib” from “Missa and Percus

■


œ œ œ œ œ œ œ

& 87

Œ Œ ? 87 œ œ œ œ œ œ œ œ . œ œ œ œ œ œ œ . œ œ œ œ œŒ œ œ . œ œ œ œ œ œ œ .

6

HI - C5730

œ

Œ

Franz M. Herzog, Gloria • SATB divisi, Sopr.-Solo • © Helbling, Rum/Innsbruck • Esslingen. Alle Rechte vorbehalten.


23


Credo

Franz M. Herzog

SATB divisi a cappella Music: Franz M. Herzog © by Helbling, Rum/Innsbruck

q » 132

& 78

S 1/2

F

Œ.

œ

2 œ œ 4

Cre - do in

Credo

A 1/2

& 78

24

from Missa for Mixed Choir

T 1/2

V 78

24


P

? 7 ˘œœ œœ. œœ. ˘œœ œœ. ˘œœ œœ. ˘œœ œœ. œœ. ˘œœ œœ. ˘œœ œœ. ˘œœ œœ. œœ. ˘œœ œœ. ˘œœ œœ. ˘œœ œœ. œœ. ˘œœ œœ. ˘œœ œœ. 2 8 4

B 1/2

Cre- do in u - num De -um, Cre - do in u - num De -um, Cre - do in u - num De-um, Cre - do in u - num De - um,

& 78

Œ.

œ

Piano (for rehearsal)

? 78 œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ 24

5

2 j &4œ œ >

j 3 œ 4œ œ œ œ œ >

u - num

& 24

-

De

-

34

-

4 4 œ

43

44 œ >

Cre - do

in

& 24 œj œ œœ

? 24 œœ

6

œœ

u

44 œ >

Cre

? 24 ˘œœ œœ. œœ. ˘œœ

Œ

3 4

Ó

4 4

um.

Cre

V 42

2 œ œ 4

j œ œ >œ œ - do in

u - num

j œ œ >œ œ - do in

u - num

j 3 œ 4œ œ œ œ œ >

44

j 3 œ 4œ œ œ œ œ >

44

De

-

De

-

-

-

-

-

um.

Following in its extensive structure in the tradition of the great settings of the Mass, the Missa for Mixed Choir by Franz M. Herzog is marked by its outstandingly vivid musical language. All sections of the Mass can also be performed independently of one another. Like Kyrie and Gloria, the Credo is characterised by several independent sections which form a unified whole, pedals, powerful melodies and expressive harmonic progressions. A stimulating piece for dedicated choirs!

um.

34 œœ. ˘œœ œœ. ˘œœ œœ. œœ. 44 ˘œœ œœ. ˘œœ œœ. ˘œœ œœ. œœ. ˘œœ 43 œœ. ˘œœ œœ. ˘œœ œœ. œœ. 44 -

num De - um, Cre - do in

u - num De - um, Cre - do in

j œ œ œ œ

u

j œ

43 œ œ œ œ œ

44 œ œ

œœ

œ œ œ œ œ œ 43 œ œ œ œ œ œ

44 œœ œœ œœ œœ œœ œœ œœ œœ

HI - C5844

j œ

-

CHORUS

XXI

New Pers P e r s p e k tpectives in Choral iven neu e r C h o r mM u s i c usik

num De - um, Cre - do in

SATB divisi, Soprano Solo

FRANZ M. HERZOG

34 œ œ œ œ œ

44

34 œœ œœ œœ œœ œœ œœ

44

Franz M. Herzog, Credo • SATB divisi, Soprano Solo • © Helbling, Rum/Innsbruck • Esslingen. All rights reserved.


Credo

from “Missa for Mixed Choir, Sopran o Solo and Percus sion ad lib”


Lorenz Maierhofer

encounters monolog-e • dialog-e • trialog-e

I. monolog-e for mixed voices Lorenz Maierhofer (*1956) © by Helbling, Rum/Innsbruck

„Ich bin Leben, das leben will, inmitten von Leben, das leben will.“ "I am the life that wants to live, among the life that wants to live." Albert Schweitzer (1875–1965)

SATB a cappella encounters is a cycle of three compositions for mixed voices. These sound collages describe three fundamental forms of human communication. Taking sound centred on “e” as its starting point, the work uses the means of sound and scene to portray communicative situations. The graphic notation of this contemporary choral composition leaves a great deal of freedom for improvi-sation and creative interpretation: singing, speaking, movement and acting.

12.03.2007

15:34 Uhr

Seite 1

C5457 Begegnungen

SATB a cappella

XXI

O R nUnSe u e r C h o rl mMuussiikc CrH spektive Chora in Pe pectives New Pers

L

H MAIER ORENZ

OFER

gen b e g ee ng cno uu nn t e r s e - e trialog monolo g- e

•

dialog

•

men chte Stim ür gemis es ollagen f ixed Voic 3 Klang-C ges for M und-Colla Three So

■ SATB a cappella – HI-C5457 € 3,90 (Minimum order: 10 copies) Recordings at www.helbling.com

Lorenz Maierhofer, begegnungen/encounters • SATB • © Helbling, Rum/Innsbruck • Esslingen. All rights reserved.

HI - C5457

➞ More sample pages at www.helbling.com www helbling com

7

24

Helbling Secular/Sacred Choral Music Series – Jazz Choir

HELBLING SECULAR CHORAL MUSIC

HELBLING SACRED CHORAL MUSIC XVeeZaaV

eeZaaV

H6I7V

H6I77VXV

mixe ed d cho ir

choir m ixediZg8 ]dg

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When will

œ

will

œ

When will

Œ

Œ

Œ

Œ

doo,

doo,

,

œ

3

œ.

‰

will

it

change?

œ

œ it

.

change?

cŒ

œ

œ

will

it

.

change?

cŒ

œ

.

c .

it

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Œ œœ œœ

The

. ..

p

Doo

p

Doo

p

Doo

Doo

. Œ Œ .

soffuso e mischiato

œ œ œ œ œ œ J J J J J J

moon

p

change?

œ.

p

p

Œ

Doo doo doo doo doo doo

cœ

œ

will

œ

me?

cŒ P

back to


œ

Œ Œ

œ J

œ.

Œ

will

œ œ œ

he come

Œ

,

œ œ œ œ œ œ j œj . J œ

œ.

all of this change?

doo,

Œ

j 3j j œ œ œ

œ

Œ

.

œ Œ ? Œ .

j œ œ

œ.

doo,

&

he come?

? 3 4

6

& œ

œ.

3 & 4 œ

(for rehearsal)

? Œ

eeZaaV

H6I77VXV

"8+&(1

➞ More sample pages at www.helbling.com www helbling com

4

G. F. Handel (1685–1759), arranged by Gwyn Arch

Art Thou Troubled SATB and Piano

English lyrics: William Gurney Rothery (1858-1930)

Art Thou Troubled

Andante (q = ca. 80)

S

SATB and Piano (also available SSA and Piano)

A

T

Art Thou Troubled is a song which extols the healing powers of music. Thus music is the “source of all gladness” and will “heal thy sadness,” as it calls to us with “voice divine.” The delightful melody has enjoyed unbroken popularity to the present day. Under its original Italian title, Dove sei, amato ben, it formed part of George Frideric Handel’s opera Rodelinda, which he composed for the Royal Academy of Music in 1725. Gwyn Arch here presents a sensitive reworking of this aria for choir and piano.

B

ric Handel George Fride(1685-1759)

Art Thou Troubled

SATB and Piano – HI-C6140 SSA and Piano – HI-C6141 € 2,60 (Minimum order: 10 copies) Recordings at www.helbling.com ■

Gurney Rothery Lyrics: William (1858-1930) Gwyn Arch Arrangement:

■

=>"8+&)%

04.03.2009

1

14:11:23 Uhr

8

Mu - sic will

Mu - sic will mp

Mu - sic will

calm thee.

Art

thou

Art

calm thee.

calm thee.

thou

wea - ry?

wea - ry?

Art thou

wea - ry?

thou trou - bled?

Art mp

thou trou - bled?

Art

thou trou - bled?

Rest

shall

thine,

Rest shall

be

rest

be

thine,

be

be

thine,

rest

Rest shall

be

thine,

rest

Rest

Art mp

mp

will calm thee.

legato

mp

Mu - sic

Andante (q = ca. 80)

^Vcd

all

are

Œ ¿ ¿ ¿ ¿ ¿ —

Children of this world!

>

>

all D

œ

œ œ

œ

œ œ

1. We all are chil - dren of this 2. We are the change, we want to 4. = 2. / 6. = 1. al

world, ooh, see, ooh,

œ œ œ

œ œ œ œ œ

? # .. œ

œ œ œ

œ œ

œ œ

G

D7

œœ œ

œœœ œ œœ

œ

œ

Photocopying this copyright material is ILLEGAL

G

œ

œ œ œœ œ œ

œ œ œ

œ œ

world, doo see, doo Am

œ œœ œœ œœ œ œœ

Children! Chil - dren!

U

Œ

œ œ > > chil - dren! >œ U œ œ ¿ ¿ > > > U

Children! Chil - dren!

Œ

> œ

> œ

chil - dren!

U

Œ

œ œ œœ

œ œ Uœ œ œ

Œ

œ œ # œj œ ‰ œ J J m

cre - a - tive and cre - a - tive and

cu cu

œ.

j œ

j œ ‰ œ

œ œ J

œ J

#

œ ‰ œ J

œ

doo doo

¿ œ œ

ts doo doo ts doo doo

G

D7

Em

-

ri - ous. 1./2. Dis ri - ous.

1./2. Dis -

1./2. Dis -

¿ œ

œ

ts doo ts doo

doo doo

œœ œ œœ. œ ‰ œœj œ œ œ œ œ œ œ J J œœ œ œ œ œ œ œ

D7

U

¿ ¿ œ œ œ > > > >

D7

œ

world, let's be hap - py, see, let's be hap - py,

œ œ

(snap)

are

l Solo ad lib

œ

(snap)

>

œ œ œ œ œ œ œ œ ‰ œj œ œ œ œ

world, ooh, see, ooh,

Fotokopieren grundsätzlich gesetzlich verboten

> œ

(snap)


œ

all are chil - dren of this 1. We are the change, we want to 2. We 4. = 2. / 6. = 1. al

? # .. œ

œ >

œ œ œ œ


# . . œ œ

(snap)

Œ ¿ ¿ ¿ ¿ ¿ —

# V .. œ œ œ œ

&

Œ ¿ ¿ ¿ ¿ ¿ —


D omit3


8& "--"3& $)*-%3&/ % 0' 5)*4 803based on

# c

? # c

(for rehearsal)

# & .. œ

SATB

&

Piano/Klavier

Œ ¿ ¿ ¿ ¿ ¿ —

VERSION

HCCS - 6147

SATB a cappella, optional with instrumental accompaniment

We All are Children of this World

AND ENGLISH

LYRICS Lorenz Maierhofe r

Lyrics: Lorenz Maierhofer, based on quotations of Rigoberta Menchú Tum and Mahatma Gandhi

Groovy q = Ç 86 Intro

AND ARRANGEMEN

Lorenz Maierhofe T r

GERMAN

BASED ON THE ORIGINAL

We All are Children of this World

2

This song by Lorenz Maierhofer is a choral hymn to a better, more humane world. The profound message of the lyrics is based on quotations from Mahatma Ghandi and the Nobel Peace Prize winner Rigoberta Menchú. This choral piece can be performed a cappella or with instrumental accompaniment.

string quartet

$0.& 5&/%&341 3*/(

■


Lorenz Maierhofer

optional with

,0.. )0-%&3-&/;

œ

doo doo

œ ‰ œ J

doo. 1./2. Dis doo.

A7 D j œ œ # œj œœ œ #

œ

œ

© Copyright 2009 HELBLING AUSTRIA: Kaplanstrasse 9, 6063 Rum/Innsbruck | GERMANY: P.O. Box 100754, 73707 Esslingen All rights reserved


œ

j ‰ œœ œ ‰ œ J

HCCS- 6150

41

Helbling Choral Concert Series (HCCS) – Titles 2009 (Lighter Concert Selection)

The Seasons of Our Love

2

SATB a cappella Lyrics: Lorenz Maierhofer

Music: Lorenz Maierhofer

#

Emotionally and freely

& c œ œ œ œ œ œ œ ˙

S

# & c

A

In the be - gin - ning let us sow

œ œ œ œ œ œ œ ˙


# V c œ œ œ œ œ œ œ ˙

T



&

Piano/Klavier

& V

# #

#

c

˙ œ œ œ œ œ œ then may our seed bloom to

˙ œ œ œ œ œ œ

œ œ œ œ

˙

œ

sum - mer, mm.

˙

˙˙ ˙

the springtime,

œ œ ˙

for

the springtime,

œ

œ œ ˙

for

the springtime,

for

Œ œ œ œ

œ w

mm.

In springtime

U

œ w

Œ œ œ œ

œ w

Œ œ œ œ

mm.

In springtime

U

mm.

the springtime,

œ

œœ ˙˙ œ ˙

In springtime

U

œœœ www

then may our seed bloom to

sum - mer, mm.

U

U

43 œ œ œ

œ

to

œœœ œ

œ œ ˙ au

-

In summer may

our crop grow

to

au

-

˙

œœ œœœ œ

˙ œœ œ œ œ œ œ b˙. œ œœ œœ œœ œ ˙œ œ œœ œœœ wœ b ˙ .

œ œ

œ œ œ œ



œ œ œ n œ bU˙ . œ œ

our crop grow

3 4 n œœœ œœ n œœ œ œœ œœ œœœ œ œœœ œ (œ) œ 3 œ œ œ 4

œ #œ nœ œ œ

œ ˙.

The Seasons of Our Love SATB a cappella A poetically moving choral composition by Lorenz Maierhofer that is characterised both musically and lyrically by a deep emotional intensity. Here, the passing of the seasons becomes a symbol for the flourishing of a relationship, from its first tender burgeoning, through the time of its full blossoming until, in mature years, the partners can enjoy the fruits together: “May they be blessed, the seasons of our love!”

œ œ œ œ œœ

SATB

œ œ œ ˙ ˙. œ œ

œ œ

œ œ œ œ


HCCS-6152

5)& 4&"40/4 0' 063 -07&

SATB – HCCS-6152 € 1,90 (Minimum order: 10 copies) Recordings at www.helbling.com ■

MUSIC Lorenz Maierhofe r LYRICS Lorenz Maierhofe r

HCCS - 6152


F. Mendelssohn-Bartholdy (1809–1847), arranged by Lorenz Maierhofer

2

Wedding Bells SATB a cappella Festive q = Ç 80

# A & # c

œ.

œ œ œ.

SATB a cappella

(for rehearsal)

œ

œ œ

œ

œ œ

œ

œ œ œ


MUSIC

ldy hn-Bartho Felix Mendelsso

T ARRANGEMEN

r

Lorenz Maierhofe

LYRICS

r

Lorenz Maierhofe

HCCS - 6093

œ

œ

œ

œ

œ

œ

œ

œ

œ

œ

œ

Ref.: Da

da - va da, da - va da,

da - va dam da - va dam


da - va dam. My dear, oh da - va dam. Dam dam dam

Ref.: Da *) Ref.: Da





œ œ œ.

œ œ

œ œ œ

œ œ œ


œ œ œ. œ œ œ.

# & # c œ. ? ## c œ .

œ œ œ.

3 # & # œ œ œ. #œ œ œ nœ œ

œ

œ œ


œ œ œ

œ œ œ



œ œ œ

œ œ œ

œ œ œ

œ œ œ

œ œ

œ œ œ

œ œ œ

œ

œ œ œ œ œ œ œ œ œ

œ

hear the “Hal - le - lu - jah Wed - ding Bells” from heav - en high, hal - le - lu - jah, da da - va da - va dam dam da da - va dam dam da, dam dam dam da

œ œ

œ œ

œ

œ. #œ œ œ nœ œ

hal - le - lu - jah, hear the da - va da - va da - va

# & # œ œ #œ.

œ œ œ nœ œ

œ #œ.

œ œ œ nœ œ

# V # œ œ #œ.


œ œ œ œ nœ


œ #œ.

œ œ œ œ nœ

? ## œ œ œ .

œ

œ œ





# & # œœ œœ # œœ ..

8&%%*/( #&--4

œ

*) Ref.: Da

œ œ œ.


œ œ œ œ

œ œ œ œ œ œ

œ

œ œ

œ œ

hear the “Hal - le - lu - jah Wed - ding Bells” from heav - en high, hal - le - lu - jah, da da - va da - va dam dam da da - dam dam da, dam dam dam da

a cappella

œ


? ## c œ .

Piano/Klavier

œ œ


œ œ œ

Ref.: Da

# V # c œ.

B

œ


*) Ref.: Da

T

œ œ

Ref.: Da *) Ref.: Da

# & # c œ.

A

The sound of the organ version of the wedding march from Felix Mendelssohn’s A Midsummer Night’s Dream has accompanied countless numbers of happy couples on their way to the altar. Lorenz Maierhofer has written lyrics for this well-known instrumental piece and turned them into an a cappella choral version that will certainly be a new highlight for singing at weddings.

Music: Felix Mendelssohn-Bartholdy (1809–1847), from the Wedding March Arrangement and additional music: Lorenz Maierhofer

Lyrics and scat text: Lorenz Maierhofer

S

Wedding Bells

SATB

a cappella

to autumn, ooh,

œœ # œ œœ n œœ ˙ œ œ

Lorenz Maierhofer

œœ

to

In summer may

U

-

our crop grow

œ #œ nœ œ œ œ

sum - mer, mm.

au

In summer may

œ œ œ n œ bU˙ . 3 œ œ œ 4 œ œ

? #

Œ œ œ œ

our crop grow

œ œ œ œ ˙

# ˙ ˙˙

Œ œœ œœœ œœœ œ

œ œ ˙

# ˙ œ œ œ œ œ œ œ œ œ œ œ œ b˙. 3 œ œ œ 4


Œ œ œ œ

mm.

œ œ œ œ œ

In summer may

U

œ œ w

sum - mer, mm.

˙ œ œ œ œ œ œ

In springtime

U

œ œ œœœ œ œ œ ˙

œœ œ œœ œ œ

œ œ œ

U

U œ œ œ œ œ œ b ˙ . 34 n œ œ œ œ œ œ œ œ œ # œ œ n œ


?# &

œœ œœ œœ œœœ œ œ œ

œœ œœ œœ

? # c œ œ œ

(for rehearsal)

6

for

?# c œ œ œ œ œ œ œ œ œ œ

B

&

œœœ œ ˙

? # # œœ œœ # œœ ..

# œœ œœ œœ n n œœ œœ #œ œ œ œ nœ œ œ œ

œ

œ

œ œ œ

œ œœ œœœ œ œ

œ

œ œœ

œ œ œ

œ œ

œ œ œ œ

œ œ

œ œ

œ.

œ

œ œ œ œ


œ. #œ. #œ. œ.

# œœ œœ #œ œ œ œ

œ n n œœ œ œœ œ n œœ œ

œ

______________ *) optional text version: scat syllables, sounding like instruments / optionale Textvariante: Scat-Silben, den Instrumenten nachempfunden • Pronunciation tips for the scat syllables / Aussprachetipps für die Scat-Silben: du = doo = [du:] / ba = [b8] / dam = [dam] / yam = [jam] / dava = [dawE] Fotokopieren grundsätzlich gesetzlich verboten




œ

HCCS- 6093

42

Helbling Choral Concert Series (HCCS) – Titles 2009 (Popular)

Good Night Gut' Nacht

2

SATB a cappella

English lyrics: William Shakespeare from Romeo and Juliet, Act II, Scene II German lyrics: Lorenz Maierhofer

# & c œ

Emotionally q = Ç 92

S

.

1./2. Good 1./2. Gut'

&

Piano/Klavier

5

& &

# ‰ # ‰

# V ‰ ? # .

night, Lieb',

good gut'

night, Nacht,

.

œ

.

œ

.

œ

w

1./2. Good 1./2. Gut'

night, Nacht,

good gut'

night, Nacht,

good mein

night, Lieb',

good gut'

night, Nacht,

1./2. Good 1./2. Gut'

night, Nacht,

good gut'

night, Nacht,

good mein

night, Lieb',

good gut'

night, Nacht,

œœ œ

. ..

œœ œ

.. .

œœ

# c

part - ing is Ab - schied lässt

j œ œ j œ œ

œ œ

part - ing is Ab - schied lässt

is lässt

&

# ‰

j œœœ œœœ

œœœ

? # . Fotokopieren grundsätzlich gesetzlich verboten


.

. .

œ

j œ œ

œ

Good Night

w

good mein

œ

? # c œ

(for rehearsal)

œ

night, Nacht,

?# c œ

B

.

good gut'

# V c œ œ

T

œ

night, Nacht,

# & c œ

A

.

œ

œ

. .

œ sweet süß

œ

w

such mich

sweet süß

œ

w

such mich

sweet süß

œœ

œ w

œ

œœ

œ œ

...

such mich

.

œ

. .

œ œ

œ

œ œ œ

. .

œ

œ

œ

œ œ œ

. .

sor weh - kla

œ œ

-

œ

sor weh - kla

-

sor - row, kla - gen,

sor weh - kla

-

œ

œœ œœ

ww

œ

œœ œœ

œ

œœ

œ œ

œ œ

œ œ

-

œ

- row. gen.

-

- row. gen.

-

- row. gen.

œ

œ œ

William Shakespeare’s powerful words of farewell spoken by the lovers in Romeo and Juliet are combined with music by Lorenz Maierhofer to create a song of eventide and farewell of a special nature. Musical density and tones in close harmony that take their inspiration from jazz express the sweet pain of separation and the hope of an early reunion.

part - ing Ab - schied

www

œ œ

œ

SATB a cappella

w


œ

œ

. .


œ

w

œ

.

œ œ

œ

Lorenz Maierhofer


œœ


SATB


HCCS- 6092

MUSIC Lorenz Maierhofe r ENGLISH

LYRICS William Shakespe are GERMAN


HCCS - 6092


Popular 2

A Friend

R. Clemens Schäfer

SATB a cappella Lyrics: Angelika Rothmayr

Music: R. Clemens Schäfer


A Friend

S

SATB a cappella

A

A romantic pop ballad which, with great sensitivity, takes as its theme the importance in a person’s life of a friend. This new composition by R. Clemens Schäfer in typical a cappella style is ideal for performance as the closing piece of a concert or as an encore.

‰ œ. ? bb c w b u

(for rehearsal)

j j œ œ œ Œ

œ

? bb œ . b

doo doo

MUSIC

Schäfer LYRICS

Angelika

Rothmayr

HCCS - 6083

j œ œ.

doo doom

doo

œ J œ.

doo doom


F7


Fm7

œ J

œ.

doo

‰ œ œ.

œ œ J

doo

doo,

j œ œ.

of love,

doo doo

doo doom B b7

Œ

œ

doo

j œ œ.

doo doom

w ‰ A œ œœ œœ ‰ Jœœ œœ œœ J j j œ œ. œ œ.

Eb

doo

j œ œ.

‰ bœ

A b maj7

œ J

œ. b

doo

j œ

doo

Gm7

Œ œ‰ œœ œœ œ ‰ J

œ œ œœ J j œ

j œ œ.

œ.

j œ œ œ œ

j œ

‰ Œ

who guides me,

Œ

doo

when

Œ

œ

œ

doo

œ J

‰ œ

doo doo

doo doom

œ J

doo

doo doom

œ

œ J

œ

doo

œ J ‰ œ

doo

j œ

of love,

j œ ‰ Jœ œ œ ‰ œ

‰ œ

j œ œ.

œœœ œ J

‰ œj œ Œ œ

œ

doo,

œ J

need a friend

Œ

œ

doo doom

œ.

who

doo

doo

E 7/G j j œ œ œ œŒ b œœ œ œœ

I

j œ ‰ Aœ doo

‰ bœ

œ.

Œ

j b & b b œ . œ œ œ œ œœ œ Œ œœ ? b b œ‰ . œ œœ ‰œ . n œ b J J Cm7

œ J

doo

b

œ. Œ

U

of love,

œ

doo

Eb

U

‰ j . œ

u

Œ

œ

doo

doo doom

j œ w

the beau - ty

doo

doom

R. Clemens

œ.

A b/B b

b V b b ‰ œ œJ ‰ n œ

SATB – HCCS-6083 € 2,60 (Minimum order: 10 copies) Recordings at www.helbling.com

doo

doom

b & bb c Œ

Piano/Klavier

b &bb Œ

■

‰ œ

1. Doo,

sees

" '3*&/%

? bb c U b w

4

a cappella

U

j œ

‰ Œ

be - side me

Œ

œ

doo

1. Doo,

B

need a friend

Œ

.

1. Doo

j œ œ œ œ

œ œ œ œ J

I

U

b V b b c ‰ œ.

T

œ.

1. Doo,

b &bb cŒ

b & b b œ.

SATB

j U ‰ œ

b &bb cŒ

doo

j œ œ.

doo doom

doo,

œ J ‰ nœ

doo

j œ œ.

doo

doo doom

œ J

doo,

j œ

doo

b

E 7/G A maj7 Gaug7 j j œ œ œ Œœ b œœ œ œœ œ œœ œœ œ ‰Œ n œ œ œœœ ‰ J ‰ œ œ j j j œ. œ œ œ. œ œ. œ J œ.

œ. Œ

a cappella

(00%/*()5 (65/"$)5



HCCS- 6083

43


2

When the Moon is on the Run SATB a cappella and Soprano Solo Lyrics: Hans Unterweger

Music: Hans Unterweger

Animated q = Ç 80 Intro

&b c œ œ œ œ œ

Solo (S)

S

&b c œ œ œ œ œ

A

&b c

?b c

B

œ œ œ œ œ

Œ

œ œ œ œ œ œœœ

œœœ

œ

œ

B b maj7

œœœ

œœœ

œœœ b œœœ

œ

œ

œ

œ œ œ

to meet

Œ

B b m6

œ

œ œ

the sun,

Œ

.

œ œ

doo - ah.

‰ œ œ œ

1. When the moon

.

œ bœ

Doo dub dub doo,

when she fears

&b

.

doo - ah.

‰ œ œ œ

4

œ œ

Doo dub dub doo,

? b c œ

& b .

Œ

doo - ah.

F

(for rehearsal)

.

Doo dub dub doo,

& b c œœ œ

Piano/Klavier

œ œ

doo - ah.

Doo dub dub doo,

Vb c œ œ œ œ œ

T

.

doo - ah.

Doo dub dub doo,

A

œ œ

œ œ œ

is

1. Doo

doo

1. Doo

doo

1. Doo

doo

1. Doo

doo

...

Œ

F

C/E

.

Œ

‰ œ œ œ

.

doo

doo

-

ah

ah -

doo

doo

doo

doo

doo

-

ah

doo

doo

doo

doo

doo

-

doo

doo

-

?b

œ

œ

doo

doo

Dm

Dm/C Dm/A

& b

doo

? b

œ


œ


doo

œ

œ

doo

G m7

œ

œ

B b/C

œ #œ œ

when she knows that dawn

doo

- ah

ah -

-

- ah

ah

ah -

-

- ah

ah

doo

doo

C

F

A7

œ

This sensitive, yet at the same time groovy new love ballad by the widely recognized a cappella pop specialist Hans Unterweger will touch the hearts of performers and audience alike. It can be sung a cappella or with accompaniment.

is

-

When the Moon is on the Run SATB a cappella (also available TTBB)

doo

Vb

the run,

doo

&b

œ œ

on

Hans Unterweger

#

SATB

#


HCCS-6084

2

MUSIC Hans Unterweg er LYRICS Hans Unterweg er

HCCS - 6084

City of My Heart SATB a cappella and Solo, Piano ad lib Lyrics: Franz M. Herzog / Aja / Elli Bauer

# Intro & # c *)

City of My Heart

Solo

&

A

B

(ad lib)

‰

œ

# & # &

and Solo, Piano

ad lib

##

MUSIC

Herzog Franz M. LYRICS

Herzog, Franz M. Bauer Aja, Elli

HCCS - 6151


œ

? ## œ .

œ

G/A

œœœ œ

#

œ J

doo

œ

œ œ J

ooh

ooh,

œ.

doo

G

G/A

D

œœœ

œœœ

œœ œ

œ

œ

œ.

œ œ. J

œ.

œ J

doo doo E m7

œ

œ œœœ

j œ œ.

doo

œœ œ

j œ

D

doo

F # m7

œœ œ


doo

E m7

œ œ

œœœ

j œ

œ œ

Œ

oh. oh.

œ

œ œ

doo

œ œ

doo

oh

j oh œ œ œ œ

doo, oh

B m7

œ œ œ œ œœ œ œ

A/C #

œœœ œ œ

œ

œ

‰

œœ

When I Come and

oh

______________ *) The introduction can be played by the piano alone. / Die Intro kann vom Klavier alleine gespielt werden. Fotokopieren grundsätzlich gesetzlich verboten

œ J

doo doo

œ.

ooh,

œ œ. J

œ. œœ œ

a place to call my own, a place to call my home,

œ

œ

‰ œj œ œ œ œ œ

ooh,

doo doo. 1./2. Doo

w

# D/F & # œœ œ ? ## œ.

œ

with that friend - ly small town flair, where I can find re - lease,

# V #

1./2. Ooh,

œ

doo

#

a place for which I a place that gives me

1./2. Ooh,


œ.

1. There's 2. It's

w

w

w

doo

$*5: 0'.:)&"35

w

D/F G D E m7 #

œ & # c œ œ œ œœ œœ

œœ œ œ œ œ ? ## c œ œ œ œ œ œ œ œ œ œ œ

Piano/Klavier

j œ œ œ œ œ

doo doo doo doo doo doo. 1./2. Ooh,

Ooh,

care peace,

j œ œ œ œ œ œ

œ.

Ooh,

Ooh,

# & #

a cappella

c

Ooh,

? ## c

4

SATB

##

# V # c

T

Franz M. Herzog composed this moving pop ballad to open the “World Choir Games 2008” in Graz, where it was sung by thousands of choral singers in unison. A real concert highlight, it can be sung a cappella or with piano accompaniment.

# & # c

S

SATB a cappella, optionally with piano accompaniment

Music: Franz M. Herzog

q = Ç 70

and Soprano

Solo

8)&/5)&.00/ *40/5)&36/

SATB – HCCS-6084 ■ TTBB – HCCS-6085 € 2,60 (Minimum order: 10 copies) Recordings at www.helbling.com ■


Franz M. Herzog

a cappella

œ œ

doo

œ.

œ

doo

œ

doo

œ

doo

doo D

œœœ œ.



œ J

doo

œœ œ

j œ

HCCS- 6151

44


2

Que sera, sera Whatever will be, will be SATB a cappella Lyrics: Ray Evans / Jay Livingston

S

Music: Ray Evans / Jay Livingston Arrangement: R. Clemens Schäfer

& 34 œ œ œ

just

& 43 œ œ œ

just

1. When I

A

1. When I

T

B

? 43

? 43

(for rehearsal)

7

& œ œ œ What will

What will

I

be?

? œ

œœ

œœ

œ bœ



.

.

œ

tle

girl,

œ œ œ

girl,

-

-

œœ

I asked my

doo.

œœ

œ

When

œ œ œ œ œ œ

œ

Œ

.

I

.

be?

Ooh,

œ

.

Ba

doo

doo

œœ

œ œ

œ

..

œ

.

will

œ œ œ I

.

œ

œ

be

I

œ

œ

ba

doo

œ

œ œ

œ

.

œ

œ

œ

œ œ

œ

Que sera, sera Whatever will be, will be SATB a cappella (also available SSAA, TTBB)

œ

œ

œ œ

œ

œ œ

œ

will

I

.

.

. rich?

will

œ

doo

œ

œœ

be

er:

.

œ

.

-

ooh,

girl.

pret - ty,

œ œ œ

moth

a

œ œ œ

pret - ty,

will

œ

œ

œ

œ

be

Ooh,

I

œ œ

œ .

œ

œœ

œ

œ œ œ she was

œ

moth - er:

.

œ œ

Œ

œ œ œ

be?

I asked my

œ

ba

will

œ œ œ

œ

tle

.

œ

œ

œ œ

œ œ œ

girl,

I

G7

œœ

.

.

what will

& œœ

lit

a

œ

œ

œ

œ

œ œ œ

? œ œ bœ

œ œ œ

C

œ

what will

V .

lit

1. Doo

œ œ œ

I,

a

be,

& œ œ œ

œ

1. Ooh,

.

I

What will

was

V 34

& 43

Piano/Klavier

was

R. Evans / J. Livingston, arranged by R. Clemens Schäfer

I

.

ba

doo

œ

. œœ

œ

.

© see copyright notations p. 7 © Copyright of this edition 2009 HELBLING AUSTRIA: Kaplanstrasse 9, 6063 Rum/Innsbruck | GERMANY: P.O. Box 100754, 73707 Esslingen All rights reserved

Originally composed for an Alfred Hitchcock film, this international hit achieved worldwide popularity with Doris Day’s version in the film The Glass Bottom Boat. Clemens Schäfer’s arrangement of the Oscar-winning title, in carefree, flowing triple time, gets right to the very heart of this piece of wisdom: What ever will be is just a matter of fate – Que sera, sera! SATB

26&4&3" 4&3" Whateve

SATB – HCCS-6202 ■ SSAA – HCCS-6203 ■ TTBB – HCCS-6204 € 2,60 (Minimum order: 10 copies) Recordings at www.helbling.com ■

œœ

œ œ

HCCS- 6202

r will be , will be

Ray Evans MUSIC / Jay Livingston ARRANGEMEN

R. Clemens

6202 Que sera_SATB.indd

1

HCCS - 6202

Conquest of Paradise

Vangelis, arranged by Lorenz Maierhofer

SATB a cappella, Solo (S/T) ad lib

Lyrics: Vangelis q = Ç 76

V b 43 Œ

S/T-Solo

Conquest of Paradise

(ad lib)

& b 43 ( )

S

SATB a cappella, optionally Solo (also available SSAA, TTBB)

Œ

Music: Vangelis Arrangement: Lorenz Maierhofer

.

Solo: vocal or instrumental ad lib

Co - ra.

œ

& b 43

A

.

œ

Na

na

Na

na

.

œ

1.

na,

œ

na

œ

œ

na,

œ

..

..

.

na

na.

œ

na

..

.

na

na.

3 V b 4 œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ ..

T

Tm ta ta tm ta ta tm tm, tm ta ta tm ta ta tm tm, tm ta ta tm ta ta tm tm, tm ta ta tm ta ta tm tm.

Musically powerful archaic forms of pop are the defining characteristic of this hit, which achieved worldwide popularity as a film soundtrack and through its use as music to accompany combatants at international boxing events on their way to the ring. Lorenz Maierhofer has arranged this compulsive piece with its dynamic bolero rhythms for choir. No matter whether it is performed a cappella or with instrumental accompaniment, this choral piece will be a distinctive opener for concerts, festivities and events. SATB

a cappella

and Solo (S/T)

ad lib

? b 43 œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ ..

B


MUSIC

Vangelis T ARRANGEMEN

r

Lorenz Maierhofe

LYRICS

Vangelis

HCCS - 6205

œ

(stomp/drum)

& b 43

(for rehearsal)

2.

5

Vb ( )

œ

na.

1. Na

& b #

œ

na.

1. Na

Vb œ œ œ ?b œ œ œ

tm tm tm.

œ

&b

÷

œ

Œ Œ œ œ

2.A

& b #

œ

œ œ œ

œ

Œ

A

..

œ

œ œ œ

œ

œ œ ..

1. Dm

Dm

. œ

œœ

na na na (2.) no - re - ni

Œ #œ œ

na i

œ.

œœ

#œ œ

.. œ

œ.

j œ

na na na (2.) no - re - ni

1./2. Na

na,

na per

Œ

œ.

na per

.. œ .

na i

-

-

œ

1./2. Ah.

#œ œ. na pe,

#œ œ.

œ

j œ. œ

œœ

#œ œ

j œ. œ

œœ

#œ œ

œ.

j œ

na in

na pe,

na in

œ œ œ œ œ œ œ œ

na na na no - re - ni

na na na no - re - ni

œ

na co

-

-

tm

ta ta tm

ta ta tm, na

œ œ

na

1./2. Tm ta ta tm ta ta tm, na

na

na na,

tm tm

tm ta ta tm ta ta tm tm

.. œ

œ

œ œ

Dm

.. œ .

œ

œ œ œ

œ

A7

œ œ

#œ œ

.. œœ œ œ œœ . œ œ œ œœ

œ.

# œ ( œ. œ œ œœ œœ œ œ œœ #œ.

œ

na,

na co

tm

.. œ œ œ œ œ œ œ œ # œ .

______________ • tm = tam [t8m], like a bass-drum Photocopying this copyright material is ILLEGAL

Dm

œ œ

.. œ.

? b œœ œœ œœ


œ œ œ

..

œ

.

œ

. œ (œ) ? 3 œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ .. b 4 Dm

Piano/Klavier

tm tm tm.

$0/26&45 0'1"3 "%*4&

Tm ta ta tm ta ta tm tm, tm ta ta tm ta ta tm tm, tm ta ta tm ta ta tm tm, tm ta ta tm ta ta tm tm.

43 œ

÷

T

Schäfer

Ray Evans LYRICS / Jay Livingston


2

a cappella

tm

œ œœœ œœœ œ œ

œ

œ œ

Dm

j œ. œ œ #œ œ œ) j œœ œœ œ œ œœ . œ œ œ œœ

© 1992 EMI Music Publishing Ltd, London W6 8BS. This arrangement © 2008 EMI Music Publishing Ltd, London W6 8BS Reproduced by permission of International Music Publications Ltd (a trading name of Faber Music Ltd) . All Rights Reserved © Copyright of this edition 2009 HELBLING AUSTRIA: Kaplanstrasse 9, 6063 Rum/Innsbruck | GERMANY: P.O. Box 100754, 73707 Esslingen All rights reserved


HCCS- 6205

45


2

Life is a Tango SATB a cappella, optional with instrumental accompaniment Lyrics: Lorenz Maierhofer

#

Œ ‰ œj œ & c œ œ ‰ œj œ œ ~~~ œ œ ‰ œj œ œ œ ~~~ œ ¿ ~~~ œ œ

S

A

1./3. Doo dn

ba dm brrr

*)

1./3. Doo dn

ba dm brrr

ba dm brrr

1./3. Doo dn

?# c œ

B

1./3. Dm

œ

dm

? # c œ

(for rehearsal)

V

œ

œ

œ.

j œ œ œ œ

œ œ œ

œ.

j œ œ œ œ

# œ œ3 œ

œ.

j œ œ œ œ

œ œ œ 3

5

1. Life is a Tan - go, 3. It goes for - ev - er, 3

ba dm ba dm

1. Life is a Tan - go, 3. It goes for - ev - er,

œ œ

Dm dm

#

œœ œ

? # Ó

dm. (clap)

*)

doo dn

ba dm brrr

doo dn

ba dm brrr

dm. (clap)

*)

doo dn

ba dm brrr

doo dn

ba dm brrr

dm. (clap)

3

Am

œœ œ

œœ œ

œ

______________ • dam = d8m / dm = like a double bass *) “brrr” = like a vibraslap, humorous Fotokopieren grundsätzlich gesetzlich verboten


œ

œ œ

œ

dm doo dn dm

dm

j œœ œœ

‰ œ

D

œ

œ.

œ œ œ J

3

dm, Œ with sound and groove, dm, with sun - shine or rain,

œ

œ

œ œ œ

œ.

œ œ œ

œ

œ

dm

doo

3

3

Œ

D

œœ œ œ

D7

œœœ œ

œœ œ

3

œœ œ

-

œ

œ

D

Em

œœ

œœ œ

œ œ

Œ Œ

3

œ Œ œ œ œ ¿

ba dm ba dm

dm dm

dm, (clap) life is a dm, brings us to -

ba dm ba dm

dm dm


ba dm ba dm

dm dm


œ œ

Lorenz Maierhofer

Life is a Tango SATB a cappella, optionally with instrumental accompaniment Tango music is characterised by deep emotions, by feelings of joy and torment – just as life is. Lorenz Maierhofer has made this the theme of this groovy and humorous a cappella highlight with the pointed declaration: “Life is a tango, and tango is fun!”

œ ¿Œ œ œ œ 3

œ Œ œ œ3 œ ¿ œ œ

ah, with sound and groove, oh yeah.

j œœœ œœœ

G

œœœ

œ

œ œ œ J

dm, with sound and groove, dm, with sun - shine or rain,

-

dm doo dn dm. (clap)

j œ œ œ

dm, Œ with sound and groove, dm, with sun - shine or rain,

doo dn dm

œ œ

œ

œ œ œ œ Œ ¿

j œœ œœ

‰

œœ œœ

œ œ

œ œ œ

œ

Em

œœ

œ.

A m7

œ

œœ œœ

œ

œ œ œ

j œœœ œœœ œœœ œœœ

œœ .. œ. œ

dm

œ œœ

dm

Em

œ œ œ œ

œ

ba dm ba dm

œ

A m7

œ

œ

ba dm ba dm

1. Life is a Tan - go, 3. It goes for - ev - er,

?# Ó &

ba dm brrr

dm doo dn dm

# & c œ œ ‰ œj œ œ œ œ œ

Piano/Klavier

&

doo dn

œ œ œ œ

Em

#

ba dm brrr

# V c œ œ ‰ œJ œ œ ~~~ œ œ ‰ œJ œ œ ~~~ œ œ ‰ œJ œ œ ~~~ œ ¿Œ

T

#

doo dn

# Œ ‰ œj œ ‰ œj œ & c œ œ ‰ œj œ œ œ ~~~ œ œ œ ~~~ œ ¿ ~~~ œ œ

A

&


Groovy q = Ç 116

œœ .. œ. œ

œ

œ

Em

œœœ œ

SATB

œœœ

Œ

œ

œ

a cappella,


HCCS-6153

T. Gilkyson / R. Dehr / F. Miller, arranged by Lorenz Maierhofer

MUSIC Lorenz Maierhofe r LYRICS Lorenz Maierhofe r

HCCS - 6153

# & cŒ

Animated

SATB a cappella (also available TTBB)

A

œ œ œ ¿ Œ

Œ ¿

œ¿ œ œ Œ (snap) # cŒ œ œ œ V

Œ ¿

(snap)

1./2. So schön, 1./2. Sweet, sweet

# & cŒ

T

?# c Œ

B


4

&

&

# c Œ

G

? # c Œ

œœ œ

œœ œ

œœ œ

Œ

œ

œ

œ

Œ

# œ œ œ œ œ œ œ schön war die Zeit. mem' - ries you gave

#

a

me.


# œ œ œ œ œ œ œ schön war die Zeit. mem' - ries you gave

a

me.

?# œ œ œ œ œ œ œ schön war die Zeit.

)&*.8&)

MUSIC

Miller R. Dehr, F. ARRANGEMEN

T

r

Lorenz Maierhofe GERMAN

LYRICS

D. Rasch E. Bader, ENGLISH

T. Gilkyson,

SATB – HCCS-6097 ■ TTBB – HCCS-6098 € 3,30 (Minimum order: 10 copies) Recordings at www.helbling.com

mem' - ries you gave

■

LYRICS

Miller R. Dehr, F.

HCCS - 6097

# œ œœ

D7

&

? # œ

a

me.

œ œœ

œ œœ

œ œœ

œ œœ

œ œœ

œ œœ

œ

œ

œ

œ

œ

œ

Œ Œ Œ

.

Œ

.

a me.

Œ

a me.

schön war die Zeit, mem' - ries you gave

so a

schön, me,

œœ œ

G

D7

.. œœ œ

.. œ

œœ œ

œœ œ

œœ œ

œœ œ

œ

œ

œ

œ

œ œ œ

Œ

œ œ œ

Œ

So schön, Sweet, sweet

œ œ œ So schön, Sweet, sweet

-

œœœ

Œ

simile

œ

-

œœ œ

Œ

œœ œ

œ

Œ œ

œ

.

œ

œ

œ œ

œ œ

œ œ œ

schön war die Zeit. mem' - ries you gave

œ

D7

œ œœ œ

œ

-

ßer re and a

œ œœ

œ œœ œ

Œ

œ œ œ

œ œ œ

œœ œ

Œ

œœ œ

Œ œœ œ

Œ Œ

œ

œ

œ

a

me.

œ

œ

œ

a

me.


œ

Œ


Œ

œ

- nend hei - le Jah one fresh for - get

œœ œ

.

œ

œ œ œ



.. œ œ œ œ œ

1. Bren 2. Vie 1. Take 2. Don't G

Œ

simile

.. œ œ ¿œ œ œ œ ¿œ Œ Œ .. œ œ œ œ œ œ œ


V a cappella

.. œ œ œ œ œ œ œ ¿ ¿ Œ Œ

Œ

œ œ œ

Music: T. Gilkyson, R. Dehr, F. Miller Arrangement: Lorenz Maierhofer


Œ


&

T. Gilkyson,

SATB a cappella

German lyrics: E. Bader, D. Rasch English lyrics: T. Gilkyson, R. Dehr, F. Miller

Memories are Made of This Dean Martin, Freddy Quinn and many other performers have made this a popular worldwide hit, no matter whether it is sung with German or with English lyrics. Lorenz Maierhofer’s sensitive and easy-to-sing arrangement of this evergreen will arouse enthusiasm time and again.

3

Heimweh (Schön war die Zeit) Memories are Made of This

S

.&.03*&4 5)*4 "3&."%&0'

instr. acc.

-*'&*4 "5"/(0



SATB

optional with

3

œœ œœ œœ œ œ œ

œ œ

œ

œ œ

œ

Wüs - ten - sand, schwe - re Fron, ten - der kiss, moon - beam, small

œ œœ

œ œœ œ

œ œœ

© Copyright of this edition 2009 Helbling, Rum/Innsbruck • Esslingen. All rights reserved


œ œœ

œ

œ

HCCS- 6097

46

Helbling Choral Concert Series (HCCS) – Titles 2009 (Folk & Multicultural)

Folk & Multicultural 2

Jamaica Farewell SATB a cappella Lyrics: Traditional

Music: Calypso, Trad. Jamaica Arrangement: Lorenz Maierhofer

# & # c Œ¿ ‰¿ œj œ œ J (snap) Animated q = Ç 140

S

1.–3. Down

the way,

# & # c Œ¿ ‰¿ œj œ œ J (snap)

A

1.–3. Down

# V # cœ

T

1.–3. Down, down,

? ## c œ œ.

B

1.–3. Down, down,

&

Piano/Klavier

##

c Œ

5 # j & # ‰¿ œ œ œ œ J

A

œ œ

the way,

‰ œJ œ œ . down,

œ.

œ

Œ œ

down, down,

Œ

down, down,

œ œ œ

œ œ œ

1. Down the way where the nights are gay 2. Down at the mar - ket you can hear 3. Sounds of laugh - ter ev' - ry - where

# & # ‰¿ œj œ œ œ J

œ œ œ

œ œ œ

# V # œJ œJ œ œ œ

œ œ œ

œ œœ œœ

? ## œ .

œ.

œ

down

down,

G

D

‰ œJ œ œ .

œ œ œ

œ

œ

down,

‰ œ œœœ œ J D

Œ

G

D

œœ

œœ Œ

j ‰ œ œ œ . œ œ. œ ‰ Jœ œ œ œ œ


œ œ œ

œ œ œ


œ œ œ

œ œ œ


œ œ œ

Œ ¿

(snap)

and the sun shines dai - ly on the moun - tain top. la - dies cry out while on their heads they bear. and the danc - ing girls sway - ing to and for.

Œ ¿


(snap)

down.1. Down the way where the nights are gay 2. Down at the mar - ket you can hear 3. Sounds of laugh - ter ev' - ry - where


Down Down Down

1.–3. Down

##

D

œ œœœ œœœ œœœ œœœ

? ## œ .

œ.



œ.

down

down

G

œœœ œœœ

œœ œ

œœ œœœ œœœ œ œ œ

œ

œ.

œ.

œ

down,

œ.

œ.

down

œœ œœ œ œ

A7

œ

œ.

œœ œ

down

œ

down,

œœ œœ œœ œœ œœ œœ œ œ œ œ œ œ œ.

œ

Jamaica Farewell SATB a cappella (also available SAA, TTBB)

down the way, down.

Œ œœ

1. Down the way where the nights are gay 2. Down at the mar - ket you can hear 3. Sounds of laugh - ter ev' - ry - where

œ.

Jamaican Trad., arranged by Lorenz Maierhofer

down, down.

down the way,

D

œ.

œ ¿Œ

œ

(snap)

down the way, down, down, down,

D

œ ¿Œ

down, down.

Œ

down, down,

down, down,

‰ œj œ œœ

Œ œœ

œ œ j

‰ œ œ œ . œ œ. œ. œ ‰ Jœ œ œ œ œ

œ

(snap)

down, down,

‰ œ œ œ œ œ œ. œ. J

down,

Œ

Œ œ

œ

the way,

D

? ## c œ œ

(for rehearsal)

&

Œ

œ

œ

down down D

œœ œ œ

œ

œ œ

down. Down

œœ œœ œœ œ œ œ œ


œ

A new choral evergreen with a Latin calypso feeling. With this catchy song from the Caribbean, Harry Belafonte achieved an outstanding hit. This choral arrangement by Lorenz Maierhofer has made the wellloved song into an easy-to-sing highlight for choirs, one that can be sung a cappella or with accompaniment.

œ œ

HCCS- 6208

SATB

+"."*$" '"3 &8&--

SATB – HCCS-6208 ■ SAA – HCCS-6209 ■ TTBB – HCCS-6210 € 1,90 (Minimum order: 10 copies) Recordings at www.helbling.com ■

Calypso,

ARRANGEMEN

LYRICS

Traditiona

l

6208 Jamaica

Farewell_SATB.indd 1

HCCS - 6208

Down by the Salley Gardens

SATB a cappella Lyrics: William Butler Yeats (1865–1939)

# ## & # c

Music: Herbert Hughes (1882–1937) Arrangement: Markus Detterbeck

T

SATB

4

7 ## & ## œ

œœ

doo

doo

## & ##

# ## V #

%08/#:5)& 4 "--&: ("3%&/ MUSIC

Herbert Hughes T ARRANGEMEN

œ

k Markus Detterbec LYRICS

Yeats William Butler

HCCS - 6211

SATB – HCCS-6211 ■ SSAA – HCCS-6212 € 3,30 (Minimum order: 10 copies) Recordings at www.helbling.com

w

.

œ

doo

w

.

œ œ

œ

.

gung gung,

w

doo

œ

dung

doo. Doo

Ó œ

œ

dung

œ œ

Œ

w

œœ

œ

.

œœ

doo

œ doo

œ

doo

w

gung gung,

œ

œ œ œ

œ

w

œ œ œ

doo

doo

doo

Solo or small group ad lib

Œ

œ œ œ

Doo

dung

■

doo doo

? ## ## .

a cappella

œ œ œ

j œ

doo

œ œ

doo doo doo

œ œ œ.

œœ

? ### # c .

(for rehearsal)

doo

gung gung, *)

## & ## c

Piano/Klavier

Œ œ œ

Ó

Dung

This song numbers among the most popular of Irish folk songs, and its lyrics are derived from the great Irish poet William Butler Yeats. Markus Detterbeck has composed a moving arrangement of the piece, skilfully incorporating the typical Irish sounds of the bagpipe drone. It can be sung a cappella or with accompaniment.

? ## ## c .

B

Doo

## & ## c ## V ## c

Solo or small group ad lib

Expressive q = Ç 92

A

SATB a cappella (also available SSAA)

3

Down by the Salley Gardens

S

## & ## œ ? ### # .

œœ

œ

œ

doo

œ

doo

w

.

œ

w

gung,

dung

gung

gung,

œ

œ

w

œ œ

Œ

.

œœ œ œ œœ

doo

œ j œ

œ œ

.

doo

gung

œ.

MUSIC

Trad. Jamaica

Lorenz Maierhofe T r


Herbert Hughes (1882–1937), arranged by Markus Detterbeck

a cappella

œœ

œ . œ œ

œ

w

œ œ

______________ *) dung / gung: pronounced “oo” as in “good” or “look” © Copyright 2009 Helbling, Rum/Innsbruck • Esslingen. All rights reserved


HCCS- 6211

47

Helbling Choral Concert Series (HCCS) – Titles 2009 (Gospels & Spirituals)

2

Hambani kahle The Light shall Brighten the Night Das Licht erleuchte die Nacht SATB a cappella English and German lyrics: Lorenz Maierhofer

With an archaic feeling q. = Ç 56

A f # & # 68 œ .

S

œ œ œ œ.

œ.

Ham - ba,

ham

œ.

œ.

ham

œ.

œ

j œ œ œ œ

œ

j œ œ œ œ

f # & # 68 œ .

A

Ham - ba,

f # V # 68 œ .

T

Ham - ba,

f

B

? # # 68 œ . œ.

œ. œ.

# & # 68 œœ .. œ.

œœ . œ ..

D

? # # 68 œ . œ.

(for rehearsal)

6 # & # œ œ œ œ

œ

# V # œ.

-

kah

? ## œ .

kah

&

##

-

le,

œœ œœ œœ œœ

? ## œ .

œ.



ham - ba

ham - ba

œ

œ

j œ œ œ.

œ.

œ

œ. œœ ..

œ œœ

œœ . .

œ

œœ

œ

j œ

œ.

.. .. œ .

œ œ œ

œ. œ.

.. .. œ .

œ œ œ

œœ .. œ.

.. .. œ . œ.

kah - le.

j œœ œœ œ . œ.

A

.. .. œ.

kah - le.

j œ œ œ.

œœ . .

j œ

Ham - ba - ni,

p

Ham - ba - ni,

f

Ham - ba - ni

f

kah - le.

j œ œœ . œœ œ .. j œœ œ . œ. D

Ham - ba - ni

œœ

j œœ

j œ œ œ œ œ

j œ

j œ œ œ œ œ

j œ

œ. œ.

D

.. .. œ .

-

ni,

j œ œ.

œ

-

j œ œ œ œ œ

j œ œ.

œ

œ.

œ.

œ œ œ

ni

kah

œ.

œ œ œ

œ.

ni,

ham - ba - ni kah - le. Ham - ba

ham - ba - ni kah - le. Ham - ba

œ.

kah

œ.

œ œ œ

œ.

œ.

œ. œ.

œ

kah - le.

B

j œ œ œ œ œ

ni

œ. œ.

.. .. œ .

ham - ba, ham - ba - ni

œ œ œ

A

œ.

ham - ba - ni

œ œ œ

œ.

ham - ba

j œœ

j œ œ œ.

ham - ba, ham - ba - ni

œ

œ

ham - ba

œ.

D

œ. œ.

œ

le,

ba,

œœ œ œ œœ . œ œ œ. œ œ J j œ œ œ œ œ

j œ œ.

œ.

-

œ.

-

-

œ œ

ni

kah

j œ œ

D

œ œ œ

-

le.

œœ œœ œœ œœ œ.

Ham - ba

le.

œ. -

p

œ.

ham - ba - ni

D

œ

ham - ba - ni kah - le,

ba,

ham - ba,

j œ œ.

ham - ba - ni kah - le,

# & # œ œ œ œ

-

ham - ba,

Ham - ba,

Piano/Klavier

Music: based on a Zulu traditional Adaption and arrangment: Lorenz Maierhofer

œ.

Ham - ba

j œ

D

œœ . . œ.

œœ

œ œ œ

-

ni, ham - ba - ni kah - le.

-

ni, ham - ba - ni kah - le.

-

-

œ.

ni

kah

j œœ

D

œ œ œ

-

-

œ

le.

œ

le.

œœ œœ œœ œœ œ.


œ

South African Trad., arranged by Lorenz Maierhofer

Hambani kahle SATB a cappella (also available SAA, TTBB) “Go in peace” is the translated form of the Zulu message of this South African song. Lorenz Maierhofer has expanded this valediction both musically and lyrically to create a choral piece that can be sung not only all year round as a song of farewell but also as a song for Advent or more specifically as a hymn to the light of peace. It is suitable for performance in concerts, on ceremonial occasions and in religious services.

F

j œ

SATB

The Das

F

œ J

The Das

j œœ œ J

HCCS-6213

The Lig ht shall Brighte n the N ight Das Lic ht erleu chte die Nacht


based on MUSIC a Zulu traditiona l ARRANGEMEN

Lorenz Maierhofe T r ENGLISH

HCCS - 6213

Gospels & Spirituals I Sing Holy Du bist heilig

2

Lorenz Maierhofer

SATB a cappella, optional with instrumental accompaniment English and German lyrics: Lorenz Maierhofer

S

1./2. I sing “Ho - ly, 1. Du bist hei - lig, 2. Du bist hei - lig,

SATB a cappella (also available SAA, TTBB)

? bb c Œ b


b & b b œ. 5

b & bb c

j œ nœ

œ

b & b b œ. SATB

a cappella,

optional with

b V b b nœ.

instr. acc.

*4*/()0-: %6#*45)&*-*( MUSIC

r

Lorenz Maierhofe ENGLISH

AND GERMAN


LYRICS

r

Lorenz Maierhofe

HCCS - 6088

j œ œ

œ J œ

œ œ

1. made the earth and 2. made the light and 1./2. hei - lig, hei - lig,

? bb œ . b &

bb

b

? bb b Fotokopieren grundsätzlich gesetzlich verboten

G

œ. n œœ .. œ.

œ œ œ œ œ J j œœ n œœœ œ

œœ œ

œ œ œ œ œ J Photocopying this copyright material is ILLEGAL

j j œ œ œ œ œ œ œ

F

œ œ œ œ œ

1. “Ho - ly, ho - ly, 1. Hei - lig, hei - lig, 2. Hei - lig, hei - lig, Eb

1. made the earth and 2. made the light and 1./2. hei - lig, hei - lig,

œ œ œ

œ œ œJ œ œJ œ œ

œ

ho - ly!” hei - lig, hei - lig, Gm

œ œœ œœœ

œ œ) œ œ œ (

œ

œœ œ

œ

œ

œ œ

œ œ œœ œ

Ab

œ œ

œ œ œœ œ

œœ œ

œ

œ

j œœ œœ œ œ

Cm j œœ œœ œœœ œœœ œ œ

œ œ œj œ

j œ œ œj œ œ Aœ œ œ J J

heav - en, 1./2. come and save me from all dark - ness, hei - lig. Ho - si - an - na, dir sei

Cm

God, who Du bist Du bist

.

œ œ

praise. Herr. Herr.

God, who Du bist Du bist

.

œ œ

œ œ œj œ œj œ œ œ œ

œ œ A œ œ œj œ J œ œ

œ œ

praise. Herr. Herr.

œ œ

I sing “Ho - ly” in grate - ful praise. God, who du bist hei - lig, mein Gott und bist hei - lig. Du bist du gibst Halt mir, mein Gott und bist hei - lig. Du bist

heav - en, 1./2. come and save me from all dark - ness, hei - lig. Ho - si - an - na, dir sei

œ

œ

ho - ly, ho - ly!” I sing “Ho - ly” in grate - ful mein Schöp - fer, du bist hei - lig, mein Gott und mei - ne Zu - flucht, du gibst Halt mir, mein Gott und

œ œœœ œœœ

? bb c Œ b

œ œ œJ œ œJ œ œ

œ œ œ

1./2. I sing “Ho - ly, 1. Du bist hei - lig, 2. Du bist hei - lig,

B

œ œ œ

ho - ly, ho - ly!” I sing “Ho - ly” in grate - ful mein Schöp - fer, du bist hei - lig, mein Gott und mei - ne Zu - flucht, du gibst Halt mir, mein Gott und

b F &bb c œ œ œ b F Vbb c œ œ œ

A

T

Whether in religious services or in concerts, this choral piece, taken from the gospel Mass Body & Soul, is already a fixture in the repertoire of many a choir. In this choral edition, which for the first time includes a German version of the lyrics, the song will allow the message of the glory of God to ring out time and again.



F b &bb c œ œ œ

j j œ œ œ œ

Eb

j A œœœ œœ Aœ j œ œ

Bb

j œœ œœ œ œ j œ œ

œ

Fm

œ .

.

œœœ

j œ œ

œ œ

œ

œ œ œ

Lob - preis und Ehr',

œ œ

œ œ

œ œ œ œ œ œ

that harms, oh yes,

Lob - preis und Ehr',

B b7

œ

œ œ œ

Cm

Fm

œ

œœ œ œ

œœ œœœ œœœ œ

œœ œ

œœ œœ œ œ

œ

that harms, oh yes,

œ

AND GERMAN



I Sing Holy

a cappella

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œ œ œ



œ œ

œ œ I

am

ho - si -

œ œ œ œ I

am

ho - si -

œ œ

Ab

œœ œœ œ œ œ œ

HCCS- 6088

48

Helbling Choral Concert Series (HCCS) – Titles 2009 (Sacred)

3

I've been Saved

Susanne Schempp

SATB a cappella Lyrics: Susanne Schempp

Music: Susanne Schempp

A

q = Ç 160

% # & # c œ œ œ œ .. œ

S

A

T

B

Ref.: I've been

guid

Ref.: I've been

guid

Ref.: I've been

guid

Ref.: I've been

guid

# & # c œ œ œ œ

.. œ

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.. œ

? ## c œ œ œ œ

.. œ

# & # c œœœ D

Piano/Klavier

? ## c œ

(for rehearsal)

4 # & # ˙

œ

œ

œ

œ

œ

œ

can't de

# & # ˙

can't de

# V # ˙

can't de

? ## ˙

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can't de

# & # ˙˙ ˙

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œ

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œ

-

œ -

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scribe

scribe

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scribe

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˙

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ed,

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D

˙˙ ˙

œ œ ˙

˙

œ

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œ

œ

˙

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œ

œ

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it,

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it,

œ

œœœ

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I don't

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˙

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I've been

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œ œ ˙ œ œ ˙

I‘ve been Saved is a lively choral piece in typical new gospel style. Borne along by confident religious faith, this spirited, swinging song will arouse enthusiasm in concerts and religious services alike.

œœœ œœ ˙˙ œ ˙ œ œ ˙

w

œ

w

œ

w

saved.

saved.

œ

œ

œ

œ

œ œœ

œœ œ

œœ œ

œœœ

œ

œ

œ

œ

I've been

SATB a cappella (also available SSA)

saved.

œ

I've been

œ œ ˙

it,

it,

œ œ œ œ

˙

˙˙˙

œ Em

œ

I’ve been Saved

it,

hide

I've been

œ œ ˙

it,

œœœ œœœ œœœ œœœ

A

œœœ

hide

I don't

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.. œ

it,

I don't

ed,

.. œœ œ

it,

œ

˙

ed,

-

%

œ œ ˙

ed,

-

SATB

w

saved.

*7&#&&/4"7&%

SATB – HCCS-6094 ■ SSA – HCCS-6234 € 2,60 (Minimum order: 10 copies) Recordings at www.helbling.com ■

D

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© Copyright 2009 Helbling, Rum/Innsbruck • Esslingen. All rights reserved

HCCS- 6094

Susanne Susanne

Sacred Silence is Flowing Im Fluss der Stille

2

MUSIC

T ARRANGEMEN MUSIC AND r

Lorenz Maierhofe AND GERMAN


W. A. Mozart based on

ENGLISH

&b c

A

LYRICS

r

Lorenz Maierhofe

HCCS - 6154

œ œ

˙

flow flow Stil Stil

? c œ œ œ œ b

B

& b c ˙

œ

& b ˙. 5

1./2. riv 1./2. führt

-

œ

Vb Œ

? Œ b

œ œ

-

œ œ

? b Œ Fotokopieren grundsätzlich gesetzlich verboten

œ œ œ

œœ

˙

a

riv

œ

-

˙

œ -

er

˙

ing, ing, le le

er

œ

œœ œœ ˙˙ œ œ

œ œœ

œ #œ

to und

to und

œ œ

-

er

œœ

to und

˙œ

œ

œ œ

œ œœ # œ

œ œ

#œ

œ œ

œ œ ˙

œ

œ

œ œ œ œ œ ˙

# œœ œœ

a it's re das

-

œ

er. ing. ser. ser.

˙

œ œ ˙

riv sing Was Was

-

er. ing. ser. ser.

flow - ing like a flow - ing, hear, it's mich das kla - re Rich - tung mir das

riv sing Was Was

-

er. ing. ser. ser.

œ.

-

œ J œ œ œ

œ œ ˙ œ œ œ

œ œ œ œ œ

œœ . œ ˙ œ œ œ œœ J

car - ry, lei - tet,

to car - ry me be - lei - tet mich

œ œ ‰ œj œ œ œ

car - ry, lei - tet,

to car - ry me ge - lei - tet mich

œ œ ‰ œj œ œ œ

Nœ œ ‰ œ œ œ œ J car - ry, lei - tet,

N œœ

-

a it's re das

j œ œ ‰ œ œ œ œ

œœ

œ œ ˙

riv sing Was Was

œ œ œ œ Nœ

is flow - ing like I like to hear trägt mich das kla gibt Rich-tung mir

si - lence is si - lence is im Fluss trägt im Fluss gibt

riv

˙˙

œ

Music part A: based on a melody of W. A. Mozart's Wiener Sonatinen Music part B and arrangement: Lorenz Maierhofer

is flow - ing like like to hear I trägt mich das kla gibt Rich- tung mir

œ œ œ

œ œ œ

œ

˙

ing, ing, le le

a

# œœ


-

œ

œ #œ œ

œ -

œ

1./2. Like 1./2. Es führt

& b ˙. Œ

œ œœ

œ ? b c œœ œœ œœ œ œ

(for rehearsal)

-

œ

1. Si - lence, 2. Si - lence, 1. Im Fluss, 2. Im Fluss,

Piano/Klavier

-

œ œ ˙

1. Si - lence is 2. Si - lence is Fluss der 1. Im Fluss der 2. Im

&b Œ

œ œ ˙

flow flow Stil Stil

Vb c œ œ œ œ œ œ

T

1./2. Like 1./2. Es führt

*. '-644 %&345*--&

œ œ

1. Si - lence is 2. Si - lence is 1. Im Fluss der 2. Im Fluss der

a cappella

4*-&/$& *4'-08*/(

ADDITIONAL

&b c ˙

S

SATB a cappella (also available SSAA, TTBB)

SATB


A

Silence is Flowing It was a melody taken from Mozart’s “Viennese Sonatinas” which inspired Lorenz Maierhofer to create this choral song with its classical charm. The musically and lyrically peaceful flow of the piece speaks of the sense of divine protection to be found in the river of silence whose clear waters carry us ever and again homewards. To be sung on contemplative ceremonial occasions or in concerts, with either g German or English lyrics.

SATB a cappella

English and German lyrics: Lorenz Maierhofer

œœ œœ

to car - ry me ge - lei - tet mich

‰ ‰

j œ œ œ œ œ J

œœ

MUSIC

Schempp LYRICS

Schempp

HCCS - 6094


Wolfgang A. Mozart (1756–1791), arranged by Lorenz Maierhofer

a cappella

œœ œœ

œœ œ œ

œ

˙

N œœ œ ˙˙

Œ

Œ

Œ

œ.

œ N˙ J

œ.

j œ ˙

home. heim.

Œ

œ œ

œœ œ ˙˙

home. heim.

œ œ

It's my It's my Es Es

w w

home. heim.

œœ .. w w

j œœ N ˙˙



HCCS- 6154

49


Lobet den Herren allezeit Worship the Lord SATB a cappella, optional with strings/organ

German and English lyrics: Lorenz Maierhofer, Festive q = Ç 180 based on psalms f (2.x p, Soli ad lib.)

# & 34 œ

S

1. Lo 2. Er 3. Ges 1. Wor 2. His 3. No

# f & 34 œ # f V 34 œ

A T

f

B

œ

5

&

# F œ

œ

1.–3. Lob 1.–3. Sing all

# F & #œ # F V œ

œ


F

œ


&

#

# œœœ

# œœœ

? # œ

œ


His

œ His

œ His

œœœ œ


-

-

œ

den voll wie the and it

(2.x p, Soli ad lib.)

œ œœ œœ

-

c œ œ

c œ

-

-

c œ

c

-

-

c œ

œ -

Her Gnad heut Lord, kind has

œœ

c

-

œ œ œ œ œœ œ œ

œ

in Him will His

œ

œ

œ

œœ

die them

œ

3 4 œ

œ

œ

43 œ

œ

in sing

œ

œ

die them

œ

in sing

die them

œœ œ

œœ œ

œ

œ

œ

43 œ

Him with

43 œ

Him with

3 4 N œœœ 43

œ

.

œ

œ

3 œ 4 34 œ œ 34 œœ

œ

œ

all

- mel your

œ

Nœ

œ all

œ

all

œ

œœœ œ

œ

- mel, your

œ

- mel your

œ œ

Worship the Lord

..

SATB a cappella, optionally with strings or organ (also available SSAA, TTBB)

œ

œ

.

..

œœ

œœ

..

..

œ œ

œ œ

..

..

.

Lorenz Maierhofer

..

..

.

- le - zeit. al Herr lich - keit. E wig - keit. at all times. nev er end. glo - ry and grace.

in Him will His

Him with

.

œ

œ

34 œ

œœ

in sing

œ

34 œ

œœ

œœ

œ

- le - zeit. al Herr lich - keit. E wig - keit. times. all at end. nev er glo - ry grace. and

œ

ren und und praise ness all

œ

34 œ

œ

ren und und praise ness all

œ

œ c

œœ

sin - get prais - es,

c œœ œ

Her Gnad heut Lord, kind has

œ


c œ

c

c


c

œ

#œ

?# œ

œ

œ

bet ist tern ship love lim -

? # 34 œœ

(for rehearsal)

œ


# & 34 œœ

Piano/Klavier

œ

den voll wie the and it


1. Lo 2. Er 3. Ges 1. Wor 2. His 3. No

?# 3 œ 4

œ

bet ist tern ship love lim -


c

A new and powerful “Laudate Dominum” composition by Lorenz Maierhofer, a festive piece marked by powerfully dynamic rhythms. Whether it is sung a cappella or with organ or string accompaniment, this choral song is certain to be a rewarding new addition to the repertoire for religious services and concerts. Instrumental parts are seperately available.

weit, might.

. œ

œ

œ

weit, might,

in sing

die and

.

.

c c

weit, might.

.. œ

c

œ


œ

c c

HCCS-6157

SATB a cappella,

8034)*15


MUSIC Lorenz Maierhofe r GERMAN

German lyrics: Matthias Claudius (1740–1815) / Lorenz Maierhofer (verse 4) English lyrics: Jane Montgomery Campbell (1817–1878)

Animated A

# & # cœ

S

SATB a cappella (also available SAA, TTBB)

1. Was 3. Er 1. God 3. We

# & # cœ

A

# V # cœ

T

1. Was 3. Er 1. God 3. We

? ## c œ

B


# & # œ œ

PSALMS

HCCS - 6157

der er He the

# & # œ œ # V # œ

SATB a cappella

70/(055 -&4)&3 ,0..5"(0%0/-: *45)&.",&3 r

GERMAN

LYRICS

r

/ L. Maierhofe ENGLISH


MUSIC

Lorenz Maierhofe M. Claudius

LYRICS

ry Campbell

Jane Montgome

HCCS - 6160

der er He the

? ## œ &

##

œœ œ

? ## œ

œ

œ

œ

Stroh lässt paints seed

halm die the time

œ

œ

œœ

œ

halm die the time

œœœ œ

œ nœ œœœ

nœ

œ

œ

œ

œ

œ

œ œ œ

œ

œ

œ

œ

œ

œ

œ

œ

œœ œ

œœ

œœœ œ œœœ

œœ œ

œ

œ

œ

œ œ

und die Win - de way - side and the

œ

œ

œœ a œœ œ aœ œ

œ

œ

œ

œ

œ Ster we flow har

-

-

œ

-

œ œ œ œ

Ster we flow har

œ œ œ

œ œ œ

œ

und die Win - de way - side and the

œ

œ

œ

œ

œ œ

von er of for

was fer - ne, auf - ge - hen, the Mak - er O Fa - ther,

œ

œ


was fer - ne, auf - ge - hen, the Mak - er O Fa - ther,

nah ist und macht die Sonn' on - ly is thank Thee, then,

? ## c œ

Stroh lässt paints seed

œ

3

SATB a cappella

nah ist und macht die Sonn' is on - ly thank Thee, then,

# & # c œœœ

5

q = Ç 108

œ

-

œ

-

-

œœ œ

von er of for

œ œ œœ œœ œ œ

œ

œ

ne, hen er, vest,

der und He our

œ

œ

ne, hen er, vest,

der und He our

œ œ œœ œœ

œ œ œ œœ

œ

œ

œ.

j œ .

œ

œ.

j œ . j œ .

Gott kommt al - les her, stellt des Mon - des Lauf, and far; all things near and good, all things bright

œ œ

œ

œ

œ

œ.

œœ œ

œœ .. œ.

œ

œ.

œœ œ œ

œ.

j œ œ

œ.

j œ œ

œ J

œ

Sper - ling und tut den Him lights the eve life, our health,

œ. œœ ..

œ.

œ.

Gott kommt al - les her, stellt des Mon - des Lauf, all things near and far; all things bright and good,

Sper - ling und tut den Him lights the eve life, our health,

œ.

AND ENGLISH

LYRICS Lorenz Maierhofe r BASED ON

Von Gott kommt alles her God Only is the Maker

Lorenz Maierhofer

An expressive hymn of praise to the creation with the words of the poet Matthias Claudius. Whether in concerts or on ceremonial occasions, this composition by Lorenz Maierhofer is ideal for singing on a wide range of occasions throughout the ecclesiastical year. It can be sung with either German or English lyrics.

strings/organ

)&-03%


God Only is the Maker

optional with

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j œ œ j œœ œ j œ

œœ œ œ

œ

j œ . j œœ œ

.. .

j œ

.

.

das mel ning and

Meer, auf, star, food,

œ

.

das mel ning and

Meer, auf, star, food,

œ

.

œ

.

œœ œ

.. .

œ



. HCCS- 6160

50


Alta Trinità beata Holy Trinity / Heil'ge Dreifaltigkeit SATB a cappella

Italian lyrics: Laude, 15th century German and English lyrics: Lorenz Maierhofer

l

S-Solo ad lib: Hal - le - lu - jah,

hal

Al - ta Tri - ni Ho - ly Trin - i - ty Heil' - ge Drei - fal - tig -

& b 42

tà high keit

be in des

sem - pre bles - sing uns auf den

œ œ

œ œ

V b 24

œ œ

œ œ

? b 42 œ œ œ œ

œ œ

œœ œœœ

œ

œœœ œœ œ

& b 42

œ œ

œ œ

Joyfully

S

A

T

B

lu -

4

-

-

& b wœ

œ

&b œ

-

do to gen

œ

œ

Vb œ

œ

?b œ

-

œ

œ

& b œœœ

œœ œ

œœ œ

œœœ

œ

œ

œ

œ

-

a down We

-

a down We

do to gen

-

œ

-

a down We

? b œ Fotokopieren grundsätzlich gesetzlich verboten

do to gen

œ

-

œ œ

œ œ

œ œ

œ œ

œ œ

œœ œœ

œœœ œ œ

da noi send your seg - ne


sem - pre bles - sing uns auf den


tà high keit

be in des

-

a - ta, heav - en, Him - mels,


sem - pre bles - sing auf den uns

w

-

œ -

œ

ra - ta. man - kind. des Le - bens.

ra - ta. man - kind. des Le - bens.



le

œœ œœ œ œ œ œ


œ

œ œ

-

-

-

-

œ œ

be in des

- jah.

des

œ œ Ó

tà high keit

? b 42 œ œ œ œ

(for rehearsal)


& b 42

Piano/Klavier

Music: 15th century Arrangement: Lorenz Maierhofer

ra - ta. man - kind. Le - bens.

œ œ

m

œ

Tri - ni Foun - tain Quel - le

œ

œ



œœ œœ

œ

w

tà of light, des Lichts,

œ

w

œ

w



œ

w

œœœ

œœ œ

œ

ww w

œ

œ

w

œ glo peace Freu

glo peace Freu

œ œ

œ

-

-

œ

œ

ri ful de

und

œ

œ

ri ful de

œ

-

-

und

œ

glo peace Freu

-

ri ful de

und

œ

œ

œœ œ

œœœ

œ

œ

œ

-

œ

œ œ

o - sa riv - er, Frie - den,

Italian (15th century), arranged by Lorenz Maierhofer

Alta Trinità beata SATB a cappella (also available SSAA, TTBB) This 15th century Italian hymn praises the Holy Trinity of God the Father, God the Son and God the Holy Spirit, one of the fundamental tenets of Christian belief. Lorenz Maierhofer has reworked the traditional song arrangement. No matter whether it is sung with Italian, German or English lyrics, this choral piece is equally suitable for religious services and ceremonial occasions and for concerts.




HCCS- 6163

SATB a cappella

"-5"53*/*5 #&"5"


)0-:53*/ *5: )&*-¦(&%3&*' "-5*(,&*5

MUSIC

15 th century ARRANGEMEN

Lorenz Maierhofe T r ITALIAN

LYRICS Laude, 15 th century ENGLISH

HCCS - 6163


Let Me be Near to Thee


S


A

SATB a cappella Emotionally, like a pop ballade q = Ç 88 Intro

&b c Œ

Ó

&b c Œ

Ó

Vb c Œ

T

This moving new gospel ballad by Lorenz Maierhofer speaks of mankind’s yearning for closeness to God, especially in our darkest hours. A song for concerts, ceremonial occasions and religious services, it can be sung with either German or English lyrics.

Œ Œ

U

(Gm7)

A

&b œ œ Vb Œ

?b Œ

SATB – HCCS-6095 TTBB – HCCS-6100 € 2,60 (Minimum order: 10 copies) Recordings at www.helbling.com ■

MUSIC

r

AND GERMAN

LYRICS

r

Lorenz Maierhofe

HCCS - 6095

■

b Œ

.

.

œ nœ œ

1./2. Oh 1. Mein 2. Mein

my my Dein Dei - ne

œ

œ n œ œ

œ œ

my my dein Dei - ne

U .

Ó

œ

U .

œ

œ

œœ œ œ

U

Œ

œ œ

Œ œ œ Œ

œ

œ œ œ

œ œ

let me come let your an - gels füh - re nä - her sie wacht

œ œ

my Lord, Dein Weg, Dei - ne Hand,

Am

.. .

œ œœ œ œ œ

Œ Bb

œœ œ

Œ

œ

œ

œ

œ

œ

œ

doo doo doo du du du

œ œ

œ

œ

œ œ

œ

.

doo. du.

Doo Du

doo. du.

C sus4

œœœ

œ

doo du

œœœ

œœœ

œœœ

.

C

œ .. œ

œ

œ œ œ

Thee. me. Dir. mir.

œ œ œ

œ

clos - er to watch o - ver mich zu ü - ber

Thee. me. Dir. mir.

œ œ nœ

œ

F

G7

ooh. uh. uh.

œœ œœ œœ œ œ nœ

œ œ œ

œ

.

Œ

.

clos - er to watch o - ver mich zu ü - ber

œ œ œ œœ œ

.

doo. du.

Doo doo doo doo Du du du du

.

œ œ œ

œ œ œ

. Lord, Lord, Weg Hand,

œ

doo du

.

let me come let your an - gels füh - re nä - her sie wacht

.

Œ

m

Thee! Dir!

Lord, Lord, Weg Hand,

Œ

Lord, Gott, Gott,

F

..

œ

œ œ .

Lord, Lord, Gott, Gott,

& b œœ œœ ?

5

œ œ b c

1. Oh 2. Oh 1. Oh 2. Oh

a cappella

Lorenz Maierhofe

?

(for rehearsal)

1. Oh 2. Oh 1. Mein 2. Mein

ENGLISH

œ

near to sein bei

& b c Œ

Piano/Klavier

&b œ œ

-&5.&#& /&"3505)&& -"44.*$) %*3 /")4&*/#&*

Let me be Lass mich nah

œ œ

Doo Du

U

?b c œ œ

B


U

l Solo ad lib (vocal or instrumental)

SATB

3

Let Me be Near to Thee Lass mich nah sein bei Dir

Lorenz Maierhofer

AND GERMAN


.

Œ

.

œ Aœ

1./2. When the 1./2. Wenn es

œ œ

When the 1./2. Wenn es

C sus4 C

.. œ .



Œ œ Aœ œ œ HCCS- 6095

51


3

Vater unser The Lord's Prayer

Lorenz Maierhofer

SATB a cappella, optional with organ/strings German and English lyrics: based on Mt 6,9–13


Expressive q = Ç 126 Intro

S

A

# & # CÓ

# & # CÓ

Ó

Ó

Ó

Ó

œ

# V # CÓ

T

? ## C Ó

B

# & # C œ

Organ (ad lib)

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der in

V

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der in

im

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du

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bist

# & # œ ##

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du

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bist

im

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un Fa

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ser ther

im in

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œœ

œœ

œœ

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œœ œ

ww

œ

ww

Ó

Him - mel, heav - en,



œ

w

w

œ

ge - hei hal - lowed

Ó

Ó

ge hal -

-

Ó œ

œ

œ

œ

-

ligt be

œ

œ

ge - hei hal - lowed

œ œ

Ó

-

- hei - lowed

œ

œ

œ

œ

œ œ

Va - ter Our

The Lord’s Prayer SATB a cappella (also available SSAA, TTBB)

un - ser, Fa - ther

Ó

œ œ

Va - ter Our

œœ œ

Œ

w

œ

œ

œ

œ

wer - de dein Na - me. your name.

œ

œ

œ

œ

œ

This Lord’s Prayer is the piece which gives its name to Lorenz Maierhofer’s only recently released Vater unser-Messe (Lord’s Prayer Mass). It can be sung both a cappella or with string or organ accompaniment. The composition is characterised by Maierhofer’s sensitive response to this powerful text. A melodious and harmonically moving work for every devotee of pleasant sounding sacred choral music, it is suitable for performance in both religious services and concerts, a cappella or with string accompaniment. Instrumental parts are seperately available. SATB a cappella,


œ

œ

œœ

w w

w


HCCS-6090

MUSIC Lorenz Maierhofe r GERMAN


HCCS - 6090

#

# l Soli ad lib & c œ #œ œ œ # w V cŒ

A

T

?# c Œ

B

&

Piano/Klavier

4

&

#

m

#

# V œ

# c œ #œ

? # c Œ

(for rehearsal)

&

m

œ

Œ Œ œ

?# œ


MUSIC

r

AND GERMAN

doo du

LYRICS

r

Lorenz Maierhofe

HCCS - 6167

■

&

#

? # œœ

then rich - te

œ œ œ œ

¿ œ

œ

œ œ

ts doo doo, then ts du du, rich - te

Em

œ œ

then rich - te

SATB a cappella

Lorenz Maierhofe

œ œ œ

moun - tains, Ber - ge,

#œ

œ œ œ

#œ

1. Ooh, 1. Uh,

œ ¿ œ

œ œ œ

Œ

œ œ

œ œ œ œ œ œ

Em

œ

w œ

œ

œ

œ œ

œ

œ

œ

œ

œ

God's light keeps on auf den Blick zum

#œ œ

œ

œ

œ

œ

E7

œ œ

œ œ œ

œ œ œ

œ œ

¿ œ #œ #œ œ

œ

shin ing, Ho - ri - zont,

œ œ

œ œ


œ

œ

œ œ œ

œ

œ

w

doo doo doo du du du B7

œ

w #œ

j ‰ œ œ œ J ‰

keeps shin - ing da - hin - ter

j j œ œ œ

‰ œ J

œ œ J

œ œ œ

œ œ

œ

œ

œ œ œ œ J

for you and ist e - wi - ges

j œ œ œ œ œ œ œ œ J




œ

œ

‰ œj œ œ J

Am

œœ œ

œœ œ

œœ œ

‰

œ

œ

œ

‰

œ

doo du


œ


œ œ œ

#œ

œ œ

œ

œ

ooh, uh,

ts doo doo doo doo ts du du du du

œ

œ

œ œ

Œ

œ

sun sets o - ver the in das wei - te

œ œ

Œ œ œ #œ #œ œ

œ œ

œ œ

when the sinkt sie

. œ

œ


# œœ

B7

#œ

œ


œ

.

doo du

œ œ œ

œ


o - ver the hin - ter die

1. Doo ts doo doo 1. Du du du du

sea, Meer,

ENGLISH

œ œ

1. When the sun sets 1. Zieht die Son - ne


6/4&54 8)&/5)&4 06/5"*/4 07&35)&. //& ;*&)5%*&40 (& #&3 )*/5&3%*&

l Soli ad lib

& c œ #œ

S

3

SATB a cappella Emotionally q = Ç 92

AND ENGLISH

LYRICS based on Mt 6,9–13

When the Sun Sets over the Mountains Zieht die Sonne hinter die Berge

Lorenz Maierhofer

This spiritually moving choral ballad is a hymn expressing religious faith. A profound and comforting piece, its radiant strength can bring gladness to every concert and also on many occasions throughout the ecclesiastical year.

organ/strings

5)&-03%§4 13":&3



When the Sun Sets over the Mountains

optional with

7"5&36/4&3


ligt be

œ

un - ser, Fa - ther

œ œ

ligt be

-

œ œ

Va - ter Our

j œœ œ j œ

j œœ œœ œ œ

D

œ œ J

œ œ œ œ J j œœ œœ œœ œœ œ œ œ œ D7

œ œ œ œ J



HCCS- 6167

52

Helbling Choral Concert Series (HCCS) – Titles 2009 (Christmas & Seasonal)

Christmas & Seasonal 3

Christus natus est SATB a cappella Lyrics: based on the antiphon for the Magni%cat of the Christmas vesper


Festive q = Ç 110

S

&c

43

c

43

c

A

&c

43

c

43

c

T

Vc

f

œ œ 43 œ œ œ

43 œ œ œ

Glo - ri

f

?c

B

-

Glo - ri


7

&c

&c

? c

œ œ

43

43

43 Œ

?c

43 Œ

na - tus,

na - tus,

? c

43 Œ

c

œ

œ

œ

œœ

œœ

œ

c

œ

na - tus

c

c

œ

-

Al - le - lu

-

œ œ œ œ

f

œ

œ œ œ œ

œ

Chris - tus

f

œ

œ

Chris - tus

est.

43 .

43 .

Al - le - lu

c

43 Œ

na - tus

c

c

43 Œ

œ

œ œ œ œ

De - o:

œœ

c

Chris - tus

De - o:

c

œ

c

in ex - cel - sis

œ œ œ 43 œ œ œ

Chris - tus

43

a

œ

in ex - cel - sis

43

& c

Vc

& c

-

a

œ

œ

œ

œ

na - tus

na - tus

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est:

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est:

3 4œ œ œ

c

œ œ œ 43

c

43

c

œ

. 43 .

œœ

œœ

ja, Chris - tus

œ œ œ 43

œ

œ

œ

œ

Ho

Ho

c

œ

-

di -

.

..

œœ

œ


A concertante composition for Christmastide by Lorenz Maierhofer in which he combines archaic mediaeval atmospheric sound with a modern musical language. Enlivened by its powerful rhythms, this festive hymn will ring out at Christmastime.

di -

œœ


œ

-

.

œœ

Christus natus est

ja, Chris - tus

SATB a cappella

œ

œ

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est.

43 Œ

Lorenz Maierhofer

HCCS- 6165

MUSIC Lorenz Maierhofe r

■

based on the antiphon

LYRICS for the Magnificant of the Christmas vesper

6165 Christus

natus SATB.indd

1

HCCS - 6165


SATB a cappella, Piano ad lib

Sunny Light of Bethlehem SATB a cappella, optionally with piano accompaniment (also available SAA, TTBB)

Lyrics: Lorenz Maierhofer


Intro q = Ç 90

B bmaj9

Dm

Piano/Klavier (ad lib)

This Christmas song by Lorenz Maierhofer is already numbered among the standards for choral singing at Christmastime. In this choral edition, it has for the first time been released in the form of a varied strophic song which can be sung with English or German lyrics and a cappella or with piano accompaniment. The piece is also part of the musical version for choirs of the Christmas story as told in St. Luke’s Gospel: There is a Light.

?

b c‰

j 5 & b œ œ œ œ œ œ.

j œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

Praise sing - ing full of joy,

& b ‰ ?b ‰

praise sing - ing full of joy,

B b9

Dm

œ

œ œ œ œœ

C

œ

a cappella,

F

œ œ

& .. œ œ

œ œ

V .. œ œ

œ œ

? .. œ œ

œ œ

œ

1./2. Sun - ny light of 1./2. Heil' - ges Licht von

A

T


r

ENGLISH

AND GERMAN


MUSIC

LYRICS

r

Lorenz Maierhofe

HCCS - 6216

B b9

F9

œ.

B


& .. œœ œ C

Piano/Klavier (ad lib)

? .. œ . ()

Em

œœ œ

œœ œ

j œ œ.

œœ œ

U œœ œ

œ

œœ

œ œ

œ

œ œ

.

light of und so

joy. rein.

œ

œ

œ œ œ œ œ œ

œ

œ

œ œ œ œ œ œ

œ œ

Œ

n

Œ

n

œ œ

n

yes!

œœœ n œœœ œ

Gsus9 G7

sun - ny stil - le

œ œ œ œ

Beth - le - hem, oh Beth - le - hem, so

C

3

œ œœ 3

Uœ

œ œ Good Dein

.

œ


sun - ny stil - le

light of und so

joy. rein.

Good Dein


sun - ny stil - le

light of und so

joy. rein.

Good Dein


sun - ny stil - le

of so

joy. rein.

œ œ œ œ œ œ

Am

œ J

œ

Dm

œœœ œ œœœ œ œœœ œœ œ œ j œ œ œ œ œ œ

Softly

& .. œ œ 9

S

Piano ad lib

Lorenz Maierhofe

Dm

œ

U œ œ œ œ

praise sing - ing full of joy the Lord, oh

œœ œ œ œ œ œœ œœ œ œ œ œ F9

j œ œ

œœœ .. .


SATB

b

C9 F9 C Dm B 9 F9 Dm Gsus9 G7 œ œœ œœ œœ œ œ U œœœ œœ œ gœU J œ œ œœ œ œ j œ œ œ œœ œ œœœ œ œ g œœ ... œ œœ œ œœ œ U 5 U œ œ œ. œ œ œ œ j œ œ œœ œ œ œ œ œ œœ œ œ. œ œ œ œ œ œ œ œ œ œ œ œ œ. œ

U j & b c œ œ œ œ œ œœœœ ... .

Freely

46//: -*()5&. 0' #&5)-&) )&*-(&4 -*$)&.5 70/ #&5)-&)

3

Sunny Light of Bethlehem Heil’ges Licht von Bethlehem

Lorenz Maierhofer

œœ œ

œ.

œœ œ

Em

œœ œ

j œ œ

Am

œœ œ œ

œ

œ.

œ

Dm7

œœ œ

œ œ

G

œœ œ

œœ œ

œ J

œœ œ

.

œ

w

C9

œœœ .. œ œ . œ.

œ œ œœœ

j œ œ



œ HCCS- 6216

53

Helbling Choral Concert Series (HCCS) – All Further Titles Can You Feel the Love Tonight

POPULAR Aber dich gibt‘s nur einmal für mich Heart of Gold by Nilsen Brothers – Pepe Ederer, arranged by Lorenz Maierhofer In 1965, the German group ”Nilsen Brothers” won the hearts of pop fans with a mellifluous catchy tune that overflowed with love and yearning. Even today, this evergreen still remains hugely popular – in both its English and German versions. With his easy-to-sing choral arrangement and tongue-in-cheek humour, Lorenz Maierhofer has brought the charm of the powerful and expressive original to the choral platform.

Live is Life

by Elton John, arranged by Carsten Gerlitz It is not only cinema audiences that are stirred by Can You Feel the Love Tonight from The Lion King. The arrangement of Elton John’s pop ballad is a euphonic choral piece. This song will awaken the enthusiasm of both the singers and their audience alike. HCCS-5436 SATB

€ 2,60

Daydream Lullaby

HCCS-5821 SATB

€ 2,60

by Henry O. Millsby The swinging and humorous lyrics of this song by Henry O. Millsby are an invitation to daydream. An easy-to-sing and groovy choral piece with a pithy charm.

HCCS-5822 TTBB

€ 2,60

HCCS-5186 SATB and Bass Solo

Barbar‘ Ann by Fred Fassert, arranged by Lorenz Maierhofer The songs of the ”Beach Boys” have lost none of their appeal since they were at their height in the sixties. Freedom, zest for life and the American way of life are also captured in sound form by this rousing choral arrangement of their greatest hits. HCCS-5439 SATB and Baritone Solo

€ 2,60

HCCS-5459 TTBB and Tenor Solo

€ 2,60

Begegnungs-Jodler Meeting Yodel by Lorenz Maierhofer »Yodel goes Jazz« would be one way of characterizing – with a twinkle in the eye – this crossover piece. Starting out from short Alpine yodelling composition with German and English lyrics, the yodel, with its solo voice and with effects such as vocussion, evelops into a jazzy, groovy concert piece. HCCS-5321 SATB and Soprano Solo

€ 3,30

Bel ami / So Do I by Theo Mackeben, arranged by R. Clemens Schäfer The popularity of the title song Bel ami from the 1939 film of the same name has remained unbroken to the present day. Whether sung a cappella or accompanied by a band, R. Clemens Schäfer’s lively arrangement will carry away both performers and their audience in equal measure. It can be sung in either German or English. HCCS-5965 SATB

€ 2,60

HCCS-5966 TTBB

€ 2,60

Audio samples:

@

➜ www.helbling.com

€ 2,60

Doo Dub Dah by Lorenz Maierhofer Swinging in chorus! In the refrain, four independent voices move with each other and against each other, singing scat syllables – a groovy choral hit, pithy, with tongue-in-cheek humour and easy to sing. The verses will make everyone want to join in and swing. A highlight for both concerts and singing get-togethers! HCCS-5801 SATB

€ 2,60

HCCS-5802 SSAA

€ 2,60

HCCS-5803 TTBB

€ 2,60

Dreaming (A Song of Peace and Harmony) by Lorenz Maierhofer This easy-to-sing choral piece in the style of a pop ballad sings of the dream of a better world. Whether in concert or on festive occasions, this choral piece never fails to arouse enthusiasm with the romantic charm of its sound. HCCS-5185 SATB

€ 2,60

HCCS-5231 SSA

€ 2,60

by OPUS, arranged by Lorenz Maierhofer In 1985, the rock group OPUS topped the charts around the world with their Live is Life. Today, the song is seen as one of the timeless highlights of pop-rock history. Lorenz Maierhofer’s choral arrangement in a cappella style is a choral hit – easy-to-sing and guaranteed to stick in your mind, it can be sung a cappella or with instrumental accompaniment. HCCS-5798 SATB

€ 2,60

HCCS-5799 SSAA

€ 2,60

HCCS-5800 TTBB

€ 2,60

Lollipop by Beverly Ross / Julius Dixon, arranged by Lorenz Maierhofer In 1958 the American group ”The Chordettes” had an international hit with their song Lollipop. This easy-to-sing choral arrangement of this evergreen brings back to life the charm and flair of the 1950s. HCCS-5437 SATB

€ 2,60

Love is a Flame by Hans Unterweger Choral pop sound of the very best is what this new hit for choir and soloist by Hans Unterweger has to offer. Groove, sound and a catchy melody make this piece a highlight of any concert. It can be sung a cappella or accompanied by a group. HCCS-5987 SATB

€ 3,30

HCCS-5996 TTBB

€ 3,30

Mah-na-mah-na by Piero Umiliani, arranged by Markus Detterbeck With its snappy opening motif, the song Mah-namah-na from the ”Muppet Show“ became a highly successful hit. In this arrangement, Markus Detterbeck has taken up the musical comic effect and expanded the piece by punchy use of motifs from well-known songs. HCCS-5673 SATB

€ 2,60

Have a Nice Day

HCCS-5674 SAA

€ 2,60

by Lorenz Maierhofer A cheerful, swinging choral composition with optimistic charm and drive. This easy-to-sing choral piece has already become a standard and can be performed on a wide variety of occasions.

HCCS-5675 TTBB

€ 2,60

HCCS-5192 SATB

€ 2,60

HCCS-5193 SSA

€ 2,60

HCCS-5740 TTBB

€ 2,60

Leaving in Close Harmony by Lorenz Maierhofer A close harmony setting of the internationally known farewell song Now It’s Time for Leaving, with lyrics in 12 languages. HCCS-5179 SSATB

€ 2,60

HCCS-5180 SSAA

€ 2,60

Marmor, Stein und Eisen bricht Marble Breaks and Iron Bends by Christian Bruhn / Drafi Deutscher, arranged by Lorenz Maierhofer Drafi Deutscher’s unforgettable hit Marble Breaks and Iron Bends in an easy-to-sing arrangement by Lorenz Maierhofer. A stirring new choral hit, it can be sung with German or English lyrics, a cappella or with instrumental accompaniment. HCCS-5967 SATB

€ 3,30

HCCS-5968 TTBB

€ 3,30

54

Helbling Choral Concert Series (HCCS) – All Further Titles Music is Number One by Hans Unterweger Whether performed by choir a cappella or with instrumental accompaniment, Music is Number One is a happy and carefree piece that everyone will want to sing and swing to. ”Music moves and unites” is the message of this rousing song. HCCS-5669 SAB

€ 2,60

HCCS-5670 SATB

€ 2,60

HCCS-5671 SAA

€ 2,60

HCCS-5672 TTBB

€ 2,60

Only You by Vincent Clarke, arr. by S. S. Barrett / L. Maierhofer It was with Only You that the English a cappella ensemble ”Flying Pickets“ achieved worldwide fame. This easy-to-sing choral arrangement is closely oriented towards the original – with its distinctive charm, feeling and groove, it will arouse the enthusiasm of singers and audience alike. HCCS-5676 SATB

€ 2,60

HCCS-5677 SSAA

€ 2,60

HCCS-5678 TTBB

€ 2,60

Red, Red Rose by Stefan Kalmer A choral piece that combines the lightness of a British folk song with the verve of a pop song. A youthful and temperamental setting to music of the well-known poem by Scotland’s national poet, Robert Burns. HCCS-5498 SAA

€ 2,60

HCCS-5499 SAB

€ 2,60

Rote Lippen soll man küssen Lucky Lips by Jerry Leiber / Mike Stoller, arranged by Lorenz Maierhofer One of the best-known evergreens, which achieved worldwide popularity with Cliff Richard’s English version, here in a rousing and easy-to-sing choral arrangement by Lorenz Maierhofer. Whether sung with English or with German lyrics, this is a compulsive piece for many occasions. It can be sung a cappella or accompanied by a band. HCCS-5970 SATB

€ 3,30

HCCS-5971 TTBB

€ 3,30

Shall I Compare by Stefan Kalmer In over 400 years, William Shakespeare’s sonnet Shall I Compare Thee to a Summer’s Day has lost none of its radiance. The timeless effect of this classic work is reflected in Kalmer’s groovy setting. HCCS-5501 SATB

€ 3,30

The Entertainer (Sing the old ragtime song along) based on Scott Joplin, arranged by Lorenz Maierhofer Scott Joplin’s famous rag, now in a version for choirs! With his easily singable choral arrangement

and snappy lyrics, Lorenz Maierhofer sets off a firework display of good humour. A rousing new choral hit for many occasions! HCCS-5961 SATB

€ 2,60

HCCS-5984 SSAA

€ 2,60

HCCS-5962 TTBB

€ 2,60

The Lion Sleeps Tonight by G. Weiss / H. Perettti / L. Creatore, arranged by Carsten Gerlitz Wimoweh, the song from the African townships made famous by Miriam Makeba and “The Tokens“, is numbered among the timeless pop classics. In Carsten Gerlitz’s choral arrangement, this haunting song will be the highlight of any choral concert. HCCS-5438 SATB

€ 2,60

The Rose by Amanda McBroom, arranged by Lorenz Maierhofer Bette Midler’s international hit The Rose is the title song from the film of the same name about the legendary singer Janis Joplin. This sensitive and expressive pop ballad has become a classic of its genre. Lorenz Maierhofer’s a cappella pop arrangement captures the mood of the song in an expressive staging for choir and soloists a cappella or with instrumental accompaniment. HCCS-5796 SATB and Soli

€ 2,60

HCCS-5797 TTBB and Soli

€ 2,60

Time to Leave by Franz M. Herzog An atmospheric farewell song in pop-ballad style for soloist and choir. This new choral composition by Franz M. Herzog provides – with or without piano accompaniment – a refreshing highlight in any choral concert. HCCS-5403 SATB, Soprano-/TenorSolo, Piano ad lib

€ 2,60

HCCS-5747 SSA, Soprano Solo, Piano ad lib

€ 2,60

HCCS-5748 TTBB, Tenor-Solo, Piano ad lib

€ 2,60

What a Wonderful World by George David Weiss, arranged by Carsten Gerlitz Louis Armstrong’s timeless classic is one of the best-known declarations of love for the beauty of the Earth. Carsten Gerlitz has created a choral arrangement that impressively captures the mood of the song. It can be sung a cappella or with instrumental accompaniment. HCCS-5963 SATB

€ 2,60

arrangement presented here highlights in tonguein-cheek fashion the underlying cheerful mood. HCCS-5831 SATB

€ 2,60

HCCS-5832 TTBB

€ 2,60

LIGHTER CONCERT SELECTION Audite silete Now Listen, Be Quiet by Michael Praetorius, arranged by Lorenz Maierhofer This dance-like song in praise of music has become well-known in a setting by Michael Praetorius. Lorenz Maierhofer’s arrangement is marked by its interesting figuring of the parts. This vibrant piece from the 17th century can be sung in Latin, German or English in small solo formations or by large choirs. HCCS-5188 SATB

€ 1,90

HCCS-5741 SAB

€ 1,90

HCCS-5238 SSA

€ 1,90

HCCS-5240 TTBB

€ 1,90

Bourrée for W. A. based on a Bourrée from Leopold Mozarts “Notebook for W. A. Mozart“, arranged by Henry O. Millsby Leopold Mozart‘s piano piece for his son, Wolfgang Amadeus, has been adapted as a groovy choral piece by Henry O. Millsby. This swinging vocal arrangement uses scat syllables and so continues, in a sense, in the tradition of the “Swingle Singers“. HCCS-5187 SAB, Drum Set ad lib

€ 1,90

HCCS-5236 SSA, Drum Set ad lib

€ 1,90

HCCS-5237 TBB, Drum Set ad lib

€ 1,90

Das klinget so herrlich It Rings Out So Joyful based on W.A. Mozart, arranged by Lorenz Maierhofer It rings out so joyful – now for choir as well! With his lyrical and musical expansion of the well-known melody from Mozart’s Zauberflöte (Magic Flute), Lorenz Maierhofer has created a highly effective choral piece. Whether it is sung with German or English lyrics, the humorous interplay of voices and glockenspiel or triangle is a highlight for concerts, celebrations and social occasions. HCCS-5765 SATB

€ 2,60

HCCS-5767 TTBB

€ 2,60

Wochenend und Sonnenschein Happy Days are Here Again

Die Forelle The Trout

by Milton Ager, arranged by Carsten Gerlitz This hit from back in 1929 has become an evergreen. Whether in English or German, this exhilarating number has achieved worldwide popularity thanks to innumerable artists such as the Comedian Harmonists and Barbara Streisand. The slightly jazzy choral

based on Franz Schuberts lied “Die Forelle” D 550, arranged by Siegfried Singer One of Schubert’s best-known lieder, in an easy-to-sing arrangement for choir, can be performed a cappella or with piano accompaniment. A concert piece that combines the charm of choral sound with that of the solo song.

55

Helbling Choral Concert Series (HCCS) – All Further Titles This choral song can also be sung with English lyrics, a cappella or with optional piano accompaniment. HCCS-5444 SATB, Piano ad lib

€ 2,60

HCCS-5528 TTBB, Piano ad lib

€ 2,60

Erlaube mir, feins Mädchen Allow Me, oh Maiden by Johannes Brahms, arranged by Lorenz Maierhofer This choral classic in folk-song style by Johannes Brahms tenderly and subtly takes love as its theme and arouses the same enthusiasm today as it did in Brahms’ times. In addition to the German lyrics, this edition also includes a new English version. HCCS-5958 SATB

€ 1,90

HCCS-6073 SAA

€ 1,90

HCCS-5959 TTBB

€ 1,90

Fröhlich klingen uns’re Lieder Merry Let the Tune be Sounding by Lorenz Maierhofer A festive choral piece with classical charm for concerts, celebrations and festive occasions. This composition can be sung a cappella by a choir alone or a cappella alternating echo-like with a group of soloists. The alternative perfomance with piano or organ accompaniment rings out as a sparkling musical dialogue. HCCS-5666 SATB a cappella or with Piano/Organ

€ 2,60

HCCS-5667 SAA a cappella or with Piano/Organ

€ 2,60

HCCS-5668 TTBB a cappella or with Piano/Organ

€ 2,60

Give them thy fingers by Stefan Kalmer In his poem Give them thy finger, William Shakespeare describes the yearning of a young man for his beloved to show him the same love and devotion that she bestows upon her piano. Groovy and with a melancholy charm, Stefan Kalmer’s jazzy concert piece will arouse your enthusiasm. HCCS-5843 SAB

€ 3,30

“Good Bye“ with a Smile by Lorenz Maierhofer A farewell song for the moment of parting, looking confidently to the future in the hope of a reunion not long delayed. This captivating piece with its charming close-harmony sound is an ideal close for concerts and social gatherings. HCCS-5742 SAB

€ 2,60

HCCS-5743 SATB

€ 2,60

HCCS-5744 SAA

€ 2,60

HCCS-5745 TTBB

€ 2,60

Hörst du den Vogelsang I Hear the Birds Sing based on the theme from Franz Schubert‘s symphony D 759, “The Unfinished”, arranged by Lorenz Maierhofer The melody of this new choral song to springtime is based on the well-known instru-

mental theme from the symphony The Unfinished by Franz Schubert. Lorenz Maierhofer’s sensitive choral adaptation is in the euphonic tradition of romantic song compositions which have been turned into folk songs. It can be sung in German or English.

May God be with You by Stefan Foidl The lyrics of this sensitive and expressive composition by Stefan Foidl are based on Irish blessings, traditional Irish benedictions. An atmospheric song of farewell for concerts and religious celebrations.

HCCS-5475 SATB

€ 2,60

HCCS-5488 SSA

€ 2,60

HCCS-5808 SATB

€ 2,60

HCCS-5489 TTBB

€ 2,60

HCCS-5809 TTBB

€ 2,60

Ich wollte, meine Lieder I Wish My Songs were Flowers

May God Bless My Living Segen will uns tragen

by Lorenz Maierhofer Lorenz Maierhofer has set two poems by Heinrich Heine, Ich wollte, meine Lieder (I wish my songs) and Wenn ich bei meiner Liebsten bin (When I am with my sweetheart) to music in a lively, dancing, strophic choral song. A charming declaration of love. German lyrics only.

by Lorenz Maierhofer An atmospheric new blessing for many occasions throughout the cycle of the year, it can be sung with either German or English lyrics. With its simple and moving lyrics and music, this composition is certain to become a new addition to the repertoire for religious cervices, celebrations and concerts.

HCCS-5613 SATB

€ 2,60

HCCS-5985 SATB

€ 1,90

HCCS-5685 TTBB

€ 2,60

HCCS-5986 TTBB

€ 1,90

Intrada a cappella Anonymous (17th century), arranged by Henry O. Milsby It was an unknown 17th century master who composed the melody of this intrada, which Henry O. Millsby’s choral arrangement has made into a rousing a cappella piece. With or without body percussion and step movements, the Intrada a cappella is an ideal opener for concerts and festivities! HCCS-5829 SATB

€ 2,60

HCCS-5830 TTBB

€ 2,60

Let‘s Joyfully Raise Our Voices Wir feiern ein Fest der Freude based on M.-A. Charpentier, Prélude (“Te Deum“), arranged by Lorenz Maierhofer Lorenz Maierhofer’s arrangement of the theme from Marc-Antoine Charpentier‘s Prélude to his Te Deum has resulted in a radiant choral piece. A highlight for all festive occasions, it can be sung with German or English lyrics. HCCS-5815 SATB

€ 1,90

HCCS-5816 SAA

€ 1,90

HCCS-5817 TTBB

€ 1,90

Let‘s Sing a Welcome Singt ein Willkommen by Lorenz Maierhofer A hymn of welcome for two choirs, full of festive euphonic splendour, easy to sing with a range of different performance variations – a cappella, with piano/organ accompaniment or accompanied by wind and drums. The three editions, for mixed choir, male-voice choir and female choir, can be combined in any way desired as choir and echo choir. This fascinating work with its flexible performance options was composed by Lorenz Maierhofer for world choir games 2008 in Graz. HCCS-5953 SATB – SATB

€ 2,60

HCCS-5954 SAA(A)– SAA(A)

€ 2,60

HCCS-5955 TTBB– TTBB

€ 2,60

HCCS-6262 Instrumental parts

€ 9,80

Mit leichtem Blut / Vienna Polka Sound of Johann Strauss based on the fast polka “Leichtes Blut“ op. 319, arranged by Lorenz Maierhofer A witty choral arrangement of Johann Strauss’s well-known polka, with humorous lyrics in German and English. HCCS-5175 SATB, Piano ad lib

€ 2,60

HCCS-5176 TTBB, Piano ad lib

€ 2,60

Neigen sich die Stunden Now It‘s Time for Leaving by Lorenz Maierhofer This choral standard, which has been translated into numerous languages, unites people of a wide diversity of cultures in peace and harmony. The choral edition contains the lyrics in twelve languages. HCCS-5162 SATB

€ 2,60

HCCS-5739 SAB

€ 2,60

HCCS-5163 SSA

€ 2,60

HCCS-5164 TTBB

€ 2,60

Oh Hear the Sound of Silence Hör in den Klang der Stille by Lorenz Maierhofer A choral highlight marked by romantic and contemplative simplicity. On festive occasions both spiritual and secular, this easy-to-sing choral piece will move singers and audiences alike. HCCS-5174 SATB and Soprano Solo

€ 1,90

HCCS-5213 SSA and Soprano Solo

€ 1,90


€ 1,90

56

Helbling Choral Concert Series (HCCS) – All Further Titles Our Little Night Music Unsere kleine Nachtmusik

Sing and Rejoice Freut euch und singet

based on W. A. Mozart‘s theme from “Eine kleine Nachtmusik“ KV 525, arranged by Lorenz Maierhofer A humorous choral adaptation of the wellknown theme from Mozart’s A Little Night Music, with lyrics in English and German.

Trad., arranged by Lorenz Maierhofer A new festive choral song. The melody, which was also used by Melchior Frank in his choral arrangement Kommt, ihr G’spielen (Come, all playfellows), can be traced back to a 16th century English dance tune. A lingering melody for many occasions, it can be sung with German or English lyrics.

FOLK & MULTICULTURAL

HCCS-5159 SATB

€ 2,60

HCCS-5160 SSA

€ 2,60

HCCS-5956 SATB

€ 1,90

€ 2,60

HCCS-5964 SAA

€ 1,90

HCCS-5957 TTBB

€ 1,90

HCCS-5197 TTBB

Romance in F based on Beethoven’s theme from the “Romanze in F-Dur“ op. 50, arranged by Henry O. Millsby A sensitive choral adaptation of the internationally well-known theme from Beethoven‘s Romance in F, to be sung with scat syllables. HCCS-5172 SATB

€ 2,60

Sunset Serenade In der Abendstund’ based on Joseph Haydn‘s theme from the ”Serenaden-Quartett“ op. 3/5, arranged by Lorenz Maierhofer The well-known theme from Joseph Haydn’s Serenade Quartet as an atmospheric evening song. An easy-to-sing choral piece with lyrics in English and German. HCCS-5161 SATB and Soprano Solo

€ 2,60

based on Wolfgang Amadeus Mozart, arranged by Lorenz Maierhofer It was a motif from Mozart’s Viennese Sonatinas that inspired Lorenz Maierhofer to compose this expressive love song. A moving new choral standard for concerts and for festive and convivial singing, with both German and English lyrics.


€ 2,60

€ 2,60

HCCS-5975 TTBB

€ 2,60

Rosemary by Lorenz Maierhofer Rosemary – that’s the name of the young lady with a plentiful supply of boyfriends. She turns up absolutely on time for all her rendezvous, but unfortunately, again and again she’s late for work. Both the lyrics and the music of Lorenz Maierhofer’s rhythmic and snappy composition arouse the enthusiasm of all who hear it. A humorous choral piece for concerts and competitions. HCCS-5813 SATB

€ 2,60

HCCS-5814 SAA

€ 2,60

Sah ein Knab ein Röslein stehn Young Man Passing a Blossom Spied by Heinrich Werner, arranged by Peter Hammersteen Alongside the version by Franz Schubert, Heinrich Werner’s folk song setting of Heidenröslein (Rose among the heather) is one of the most popular lieder classics. Peter Hammersteen has arranged the piece with great sensitivity and succeeded in creating a simple choral piece in the tradition of the romantic choral song. It can be sung in the original German or with the new English lyrics. HCCS-5686 SATB

€ 2,60

by Markus Detterbeck Markus Detterbeck, a proven expert on African choral music, has arranged the traditional South African lullaby Thula mtwana wami as an atmospheric choral piece. In both the original language and with the new English lyrics, this piece introduces a delightful variety into any concert programme. HCCS-5973 SATB

€ 2,60

Aya Ngena

Roses in Red Rosen so rot

HCCS-5960 SATB

African Lullaby Thula mtwana wami

Swinging ”Anna Magdalena“ arranged by Henry O. Millsby This groovy choral piece is based on the well-known minuet from the Notebook for Anna Magdalena Bach. Henry O. Millsby’s vocal arrangement continues in the tradition of groups such as the ”Swingle Singers“. A choral highlight that never fails to arouse enthusiasm.

Trad., arranged by Henry O. Millsby A Zulu song full of lively African rhythms and driving energy. The song was born out of the anti-apartheid movement, and in Henry O. Millsby’s stirring arrangement it will be the highlight of every concert, rousing the audience to almost jump out of their seats. HCCS-5181 SATB and Soprano Solo, Drums ad lib € 2,60

Ej uchnjem Yo, heave ho Trad., arranged by Peter Hammersteen The ”Song of the Volga Boatmen“ is one of the best known of Russian folk songs. This expressive choral arrangement combines the earthy rhythm of the work song with the idyllic charm of Russian folk music to produce a powerful concert piece. HCCS-5472 SATB or SAB

€ 2,60

HCCS-5485 SAA

€ 2,60

HCCS-5484 TTBB

€ 2,60

HCCS-5711 SAB

€ 2,60

HCCS-5681 SATB

€ 2,60

Greensleeves

HCCS-5682 SAA

€ 2,60

HCCS-5683 TTBB

€ 2,60

Trad., arranged by Peter Hammersteen The lament for the unrequited love of the lady Greensleeves is one of the best known songs of Renaissance England. While the melody has its origins in Scotland, the lyrics are said to be by King Henry VIII. Peter Hammersteen’s choral arrangement turns Greensleeves into a sensitive concert piece full of simple elegance.

There‘s One More Song So lebet wohl bis zum Wiederseh’n by Peter Hammersteen A moving farewell song, full of the happy certainty of an early reunion. Whether it is sung in English or German: this catchy, easy-to-sing choral song will bring people together. HCCS-5170 SATB

€ 2,60

HCCS-5169 SAB

€ 2,60

When My Day is Done Ruhet mein Tag sich aus by Lorenz Maierhofer With this choral piece, Lorenz Maierhofer presents a sensitive song for evening and farewell. A versatile highlight for every type of choir, to be sung with or without a solo part and with German or English lyrics.

HCCS-5687 SAA

€ 2,60

HCCS-5999 SATB

€ 1,90

HCCS-5688 TTBB

€ 2,60

HCCS-6000 SAB

€ 1,90

HCCS-5473 SATB or SAB

€ 1,90

HCCS-5487 SSA or SAB

€ 1,90

Ipharadisi Trad., arranged by Lorenz Maierhofer This inspiring African gospel piece resonates with hopeful yearning for a paradise where there is a life of singing and dancing. Lorenz Maierhofer arranged the piece with richly expressive African musical and stylistic elements for an international concert tour by the ”Vienna Boys’ Choir“. This choral setting with a solo part can also be accompanied on drums. HCCS-5614 SATB and Solo

€ 3,30

HCCS-5615 SSA(A) and Solo

€ 3,30

HCCS-5665 TTBB and Solo

€ 3,30

57

Helbling Choral Concert Series (HCCS) – All Further Titles Ladoo, Farewell, My Dear Friends Ladu, lebt wohl, liebe Freunde Trad., arranged by Peter Hammersteen An atmospheric evening and farewell song, based on a Russian folk melody. This choral piece is an appeal, full of fervent hope for an early reunion, to Ladoo, the divine protector of lovers and travellers. HCCS-5443 SATB

€ 2,60

HCCS-5560 SSAA

€ 2,60

HCCS-5458 TTBB

€ 2,60

La Mariposa Trad., arranged by Lorenz Maierhofer A choral arrangement of a stirring dance from the Andes! Regardless of whether it is sung with Spanish, English or with German lyrics, this easyto-sing piece brings the fascinating verve of South American folk music to the concert platform. It can be sung a cappella, or freely accompanied by rhythm instruments or a Latin band. HCCS-5976 SATB

€ 1,90

Old McDonald‘s Walk Around by Henry O. Millsby An amusing choral arrangement whose particular charm lies in its imitation of animal sounds. HCCS-5173 SATB

€ 2,60

HCCS-5210 SSAA

€ 2,60

HCCS-5211 TTBB

€ 2,60

Portsmouth Trad., arranged by Carsten Gerlitz A piece that achieved international popularity in a pop version by Mike Oldfield, Portsmouth has been arranged for choir by Carsten Gerlitz. An arrangement full of dance-like charm and cheerfully optimistic drive. HCCS-5479 SATB, Piano ad lib

€ 2,60

HCCS-5361 SAB, Piano ad lib

€ 2,60

Rasti, rožmarin You, My Lovely Rosemary Du, mein Rosmarin Trad., arranged by Emil Adamicˇ (SATB), Peter Hammersteen (TTBB) This touching love song from Slovenia is a melodious, romantic hymn to the beloved. Whether it is sung with the traditional Slovenian verses or with the new German and English lyrics, this choral piece will arouse enthusiasm in both concert performances and on social occasions. HCCS-5836 SATB

€ 1,90

HCCS-5837 TTBB

€ 1,90

Sana, Sananina, Praise the Lord Trad., arranged by Lorenz Maierhofer This powerfully expressive African gospel song has its roots in a cry of hosanna from Botswana and has become a choral hit which can be performed equally well in concerts or as the Sanctus in religious services. The power of expression that

lies within the easy-to-sing and captivating song comes across particularly strongly if the singers accompany the music with gesture. The choreography is described and illustrated in the sheet music. HCCS-5875 SATB

€ 2,60

HCCS-5885 SAA

€ 2,60

HCCS-5886 TTBB

€ 2,60

Samba lelé, Little Chico Samba lelé, kleiner Chico Trad., arranged by Lorenz Maierhofer A choral piece with all the verve and charm of Latin American folklore. The verses describe a beach encounter full of Latin groove. Little Chico, the little drummer boy, has a talent for getting the girls going with his drumming rhythms. A rousing concert piece, with or without accompaniment on drums.

Thina Singo (Let Us be the Burning Fire) Trad., arranged by Markus Detterbeck A rhythm oriented choral highlight from South Africa that conveys African zest for life with the call and response, clapping, stamping, fingersnapping and percussive vocal effects typical of the style. A powerful call for togetherness! HCCS-5697 SATB

€ 3,30

HCCS-5698 SSAA

€ 3,30

HCCS-5737 TTBB

€ 3,30

Three Gipsies

HCCS-5404 SATB

€ 2,60

HCCS-5495 SAB

€ 2,60

Trad., arranged by Uli Führe An atmospheric Celtic folk song from Scotland with a gently melancholic tinge. It tells of a woman who chooses a life of wandering with the three gypsies rather than the comfort of domestic family life. Uli Fuehre’s successful choral arrangement casts its spell over the performers and their audience alike.

HCCS-5496 SAA

€ 2,60

HCCS-5972 SATB

HCCS-5500 TTBB

€ 2,60

€ 2,60

Thula sizwe (Any Day Now)

Singa Yesu Singa Sing and Open to Jesus Trad., arranged by Lorenz Maierhofer A stirring choral arrangement full of the characteristics and elemental power of African gospel music. It can be sung either in concerts or in religious services, in either the original language or in English. HCCS-5331 SATB, Drums

€ 3,30

HCCS-5332 SSAA, Drums

€ 3,30

HCCS-5370 TTBB, Drums

€ 3,30

The Earth is My Mother by Lorenz Maierhofer An expressive choral work based on a motif taken from a song of the Native American Navajo which, with its integrated spoken texts and archaic drum rhythms, intensifies into an impressive acoustic experience.

Trad., arranged by Markus Detterbeck Be calm and cry no more, God will protect us, is the English version of the Zulu text of this song, which is an exceptional reflection of the thoughts and feelings of the black population of South Africa. With his choral arrangement and new English lyrics, Markus Detterbeck brings this message in stirring form to the concert platform. HCCS-5880 SATB

Un poquito cantas Trad., arranged by Franz M. Herzog Franz Herzog’s infectious, rhythmically accented choral arrangement of this Latin American dance song is captivating in its tone-painting, forward striving accompanying patterns. The solo part sets expressive accents. A thoroughly effective highlight for concerts, celebrations and festive occasions. HCCS-5820 SATB

€ 2,60

HCCS-5883 SSAA

€ 2,60 € 2,60

HCCS-5281 SATB, Speaker, Drums

€ 3,30

HCCS-5884 TTBB

HCCS-5282 SSAA, Speaker, Drums

€ 3,30

HCCS-5415 TTBB, Speaker, Drums

€ 3,30

Uyingcwele Baba (You are Holy, My Lord)

The River is Flowing Trad., arranged by Lorenz Maierhofer At the centre of this choral piece is a Native American song whose theme is the eternally changing flow of existence in the great river of life. Lorenz Maierhofer has expanded the song both lyrically and musically, and adapted it into a moving choral arrangement. The prevailing mood is meditative, with archaic tonal elements, and the flow of music ebbs away to the spoken words of Chief Seattle: »[...] Leave nothing but footprints.« HCCS-5616 SATB

€ 2,60

HCCS-5617 SSAA

€ 2,60

HCCS-5702 TTBB

€ 2,60

€ 2,60

Trad., arranged by Lorenz Maierhofer A stirring Zulu song that is sung in South Africa with improvisation to set the mood for religious ceremonies or at the Sanctus in church services. Lorenz Maierhofer noted down the basic melody of the song, and has expanded and adapted it into an atmospheric choral arrangement. For concerts, festive occasions and religious services. HCCS-5699 SATB

€ 2,60

HCCS-5700 SSA

€ 2,60

HCCS-5701 TTBB

€ 2,60

58

Helbling Choral Concert Series (HCCS) – All Further Titles What a Saturday Night (Linstead Market) Trad., arranged by Lorenz Maierhofer This easy-to-sing choral arrangement of the popular Jamaican standard conveys a typical Caribbean feeling reminiscent of Harry Belafonte. The piece can be sung either a cappella or with accompaniment – for example with Latin percussion. HCCS-5694 SATB

€ 2,60

HCCS-5695 SAA

€ 2,60

HCCS-5696 TTBB

€ 2,60

Yakanaka Vhangeri / Praise the Lord All Together Trad., arranged by Lorenz Maierhofer Yakanaka Vhangeri is a powerful South African gospel song, which also forms the finale of Lorenz Maierhofer’s Ethno-Mass for Peace. This easy-tosing piece fascinates us with the typical antiphonal singing of the choir and the solo part. It can be sung a cappella or accompanied on drums. HCCS-5974 SATB

€ 2,60

CHRISTMAS & SEASONAL At Holy Christmas Time Ja, es begab sich by Lorenz Maierhofer This new choral song tells, in classical and contemplative style, yet with the charm of a pop ballad, the story of Bethlehem. A highlight for concerts and festive occasions at Christmastide. HCCS-5189 SATB HCCS-5242 SSA

Come and See the Christmas Star Wieder naht der heilige Stern by Lorenz Maierhofer A new choral standard for Advent, full of concertante festive atmosphere. This easy-to-sing composition can be per-formed in concert and in a liturgical setting, with English or German lyrics.

Candlelight’s Flaring Brennende Lichter based on Wolfgang Amadeus Mozart, arranged by Lorenz Maierhofer This moving choral piece is based on the theme from the first movement of Mozart’s piano sonata in A major, KV 331. Lorenz Maierhofer has created a subtle arrangement of this popular melody as a setting for a contemplative text for Advent and Christmastide. A moving arrangement for ceremonial occasions and concerts.

€ 2,60

HCCS-5166 SAB

€ 2,60

HCCS-5810 SATB

€ 1,90

HCCS-5167 SSA

€ 2,60

HCCS-5871 SAA

€ 1,90

HCCS-5168 TTBB

€ 2,60

HCCS-5811 TTBB

€ 1,90

En natus est Emanuel Geborn ist der Emanuel This Day is Born Emmanuel

Let My Light Shine Bright

by Michael Praetorius, arranged by Siegfried Singer This festive Christmas carol by Michael Praetorius with the richly varied form of its verses is a rewarding rediscovery for very Christmas programme. It can be sung with Latin, English or German lyrics. HCCS-5997 SATB

€ 2,60

HCCS-5998 TTBB

€ 2,60

Feliz Navidad by José Feliciano, arranged by Lorenz Maierhofer In 1970, the blind musician José Feliciano had a hit with Feliz Navidad, and today this is still one of the most popular Christmas songs worldwide. Rhythmically accentuated yet still easy to sing, Lorenz Maierhofer’s choral arrangement arouses great enthusiasm – melodious and at the same time catchy, it is certain to be a highlight of Christmas concerts and celebrations! HCCS-5818 SATB

€ 2,60

HCCS-5819 TTBB

€ 2,60

Heilige Nacht Heavenly Night by Johann F. Reichardt, arranged by Lorenz Maierhofer This composition by Johann Friedrich Reichardt, a contemporary of Franz Schubert, is one of the most popular classical-romantic choral pieces at Christmastide. A solemn and moving choral work of expressive simplicity for concerts and festive occasions, now available in a singable English version. HCCS-5712 SAB

€ 1,90

HCCS-5706 SATB

€ 2,60

HCCS-5716 SATB

€ 2,60

€ 1,90

HCCS-5707 SSA

HCCS-5717 SAA

€ 2,60

€ 1,90

HCCS-5708 TTBB

HCCS-5718 TTBB

€ 1,90

Christmas Lullaby by Andrea Figallo A touching and sensitive lullaby for Christmastime, which tells the story of a woman and her child on the first Christmas Eve. Movingly composed by Andrea Figallo, the bass singer of the well-known vocal group »The Flying Pickets«.

by Norbert Wallner, arranged by Lorenz Maierhofer Norbert Wallner’s atmospheric carol for Advent and Christmas has become a classic of Christmastide singing. Lorenz Maierhofer’s interesting, yet easy-to-sing choral arrangement and its new English lyrics make this choral piece a highlight of any concert or celebration.

HCCS-5165 SATB

€ 1,90 € 1,90

Immer wenn es Weihnacht wird Christmas Joy is All Around

Himmlischer Adventjodler Heavenly Advent-Yodel

Trad., arranged by Lorenz Maierhofer An inspiring choral arrangement of the popular gospel song. After an atmospheric and meditative introduction, the joyful news rings out in a festive, lively and groovy call and response. A highlight of any concert or festive occasion at Christmastide and throughout the church calendar. HCCS-5713 SATB

€ 2,60

HCCS-5714 SAA

€ 2,60

HCCS-5715 TTBB

€ 2,60

Let‘s Sing a Song of Christmas by Lorenz Maierhofer An infectious Christmas song in the style of a hymnic pop ballad – for solo voice (alto or baritone), choir and piano. A highlight full of swinging groove for an Advent or Christmas concert. HCCS-5191 SATB, Solo and Piano

€ 2,60

HCCS-5249 SSA, Solo and Piano

€ 2,60

Little Baby Jesus Christ by Lorenz Maierhofer This composition in gospel style proclaims in paeans and with a moving groove (drum accompaniment ad lib) the message of Bethlehem. A stirring choral piece for concert, religious services and festive occasions. HCCS-5492 SATB, Drums ad lib.

Shine (Baby mine, good night) by Andrea Figallo This atmospheric choral piece by Andrea Figallo, the bass singer of „The Flying Pickets“, can be performed as a Christmas lullaby or a sensitive love song. Regardless of whether it is sung by an a cappella ensemble or a larger choir, this piece will move both the singers and the audience alike. HCCS-5864 SATB

by Lorenz Maierhofer Lorenz Maierhofer’s Heavenly Advent-Yodel is the expanded two choir variant of his widely known Advent-Yodel. In this festive concertante version, the main choir communicates with a group of soloists or with a single solo voice. A highpoint of any concert or festive occasion.

HCCS-5719 SATB

€ 2,60

HCCS-5812 SSAA

€ 2,60

HCCS-5709 SATB – SSA

€ 2,60

HCCS-5882 TTBB

€ 2,60

HCCS-5710 TTBB – SATB

€ 2,60

€ 2,60

€ 2,60

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Helbling Choral Concert Series (HCCS) – All Further Titles SACRED CHORAL MUSIC Ave Maria Hail Mary by Lorenz Maierhofer A solemn composition based on the Angelus with the full splendour of romantic sound. An intimate prayer for mixed voices and soprano solo, to be performed in concert or in a liturgical setting. HCCS-5269 SATB and Soprano Solo

€ 2,60

Bleibe bei uns, oh Herr Stay with Us, oh Lord Oh, resta con noi by Lorenz Maierhofer This romantically inspired large-scale choral canon for three mixed choirs and a solo voice (soprano or tenor) continues in the euphonic tradition of vocal music for multiple choirs. Its moving simplicity combined with its exceptional tonal and spatial effect produces a very special singing and acoustic experience for religious services and in concert. HCCS-5272 SATB – SATB – SATB and Soprano- or Tenor Solo

€ 3,30

Cantate Domino by Ottavio Pitoni, arranged by Siegfried Singer (TTBB) The expressive simplicity of this rhythmically accented, easy-to-sing spiritual choral piece from the pen of the baroque composer Ottavio Pitoni opens up to every choir the musical world of its age. It can be sung in concerts or religious services. HCCS-5989 SATB

€ 2,60

HCCS-5990 TTBB

€ 2,60

Der Herr ist mein Hirt My Shepherd is the Lord by Johannes Steinwender A simple but effective setting to music of the 23rd Psalm by Johannes Steinwender which can be performed equally well in a religious service or a concert of religious music. It can be sung with German or English lyrics. HCCS-5991 SATB

€ 1,90

composition that will move singers and audience in equal measure, whether performed in concert, on festive occasions or in religious services. HCCS-5823 SATB

€ 2,60

HCCS-5881 SSA

€ 2,60

Er ist das Brot He is the Bread by Lorenz Maierhofer The lyrics of this easy-to-sing sacred composition in motet style are based on a verse of St. John‘s Gospel. Whether performed in concert, in religious services or as a grace, this choral piece moves the listener with the simplicity of its spiritual radiance and the richness of its tone. HCCS-5183 SATB

€ 2,60

HCCS-5184 SAB

€ 2,60

HCCS-5228 SAA

€ 2,60

HCCS-5229 TTBB

€ 2,60

by Franz Koringer A musical setting of the psalm with its stylistic roots in the great tradition of vocal music for multiple choirs. For concerts and religious services. HCCS-5359 SAB – SAB

€ 2,60

HCCS-5360 SSA – SSA

€ 2,60

Der Herr hat seinen Engeln befohlen For He has Ordered His Angels by Lorenz Maierhofer A stirring choral canon with great words of trust and faith from the Psalms. After an expressive introductory section, a solo part spans two canonically led choral groups. Melody and harmony move angel-like within a mild and gentle atmosphere filled with magnificent romantic tones. A choral

by Ottavio Pitoni, arranged by Siegfried Singer (TTBB) The Laudate Dominum of the versatile Italian baroque composer Ottavio Pitoni is distinguished by its chordally uncomplicated and easy-tosing arrangement. This composition, with its expressive dynamic contrasts, is a splendidly exhilarating piece for concert, religious services and festivities. HCCS-5775 SATB

€ 2,60

HCCS-5777 TTBB

€ 2,60

Mater Dei by Lorenz Maierhofer An easy to sing choral composition in motet style, with classical charm. As an option, texts can be freely spoken during the declamatory sections of the work. A moving sacred choral piece for concert, religious services and festive occasions. HCCS-5177 SATB

€ 2,60

Großer Gott, wir loben dich Holy God, We Praise Thy Name

HCCS-5219 TTBB

€ 2,60

Trad., arranged by Lorenz Maierhofer This song numbers among the great international standards of the Christian hymnal. Maierhofer’s arrangement extends the hymn with a triumphant cry of hallelujah, which can ring out as an introduction and as a bridge. The solemn choral sound of the verses is spanned ad lib by a solo part, which can also be performed instrumentally. The congregation can join in in the customary manner. The versions for mixed and male-voice choir can be sung together.

May God be with You

HCCS-5993 SATB

€ 2,60

HCCS-5994 TTBB

€ 2,60

He’s Alive Seht, er lebt by Lorenz Maierhofer The medieval tones of this powerful, large-scale Easter hymn by Lorenz Maierhofer grip both performers andaudience alike. Church modal elements,sequences of fifths and fourths, changes of time and an ad lib percussion accompaniment give musical clarity tothe triumph of the resurrection. A rewarding addition to the repertoire of any dedicated choir! HCCS-5724 SATB and Percussion ad lib

Give Thanks to the Lord

Laudate Dominum

€ 3,30

Laudate Dominum based on Johann Joseph Fux, arranged by Lorenz Maierhofer This festive hymn of praise is based on the melody of a minuet by Johann Joseph Fux, one of the most important Austrian composers of the baroque period. The choral setting and the use of Latin psalms as lyrics unite with the baroque dance form in a manner in keeping with the style. Ideal for a variety of occasions throughout the church calendar. HCCS-5738 SAB

€ 2,60

HCCS-5703 SATB

€ 2,60

HCCS-5704 SAA

€ 2,60

HCCS-5705 TTB

€ 2,60

by Stefan Foidl The lyrics of this sensitive and expressive composition by Stefan Foidl are based on Irish blessings, traditional Irish benedictions. An atmospheric song of farewell for concerts and religious celebrations. HCCS-5808 SATB

€ 2,60

HCCS-5809 TTBB

€ 2,60

Pater noster by Lorenz Maierhofer This classical concertante setting to music of the Latin text of the Lord’s Prayer combines meditative intensity with simplicity of form and archaic tonal effects to produce a solemn choral piece of special spiritual radiance – in religious services and concerts. HCCS-5515 SATB

€ 2,60

HCCS-5516 SSAA

€ 2,60

HCCS-5561 TTBB

€ 2,60

Salzburger Ave Maria Salzburg‘ Hail Holy Mary by Lorenz Maierhofer The canonical middle section of this polychoral composition is spanned by a solo part. The intense tonal and spatial effect of the piece arises out of the musical tension between the main choir, the solo voice and the two side choirs. The formation of the latter may be vocal or instrumental, or groups of soloists. A choral composition full of romantic musical splendour. HCCS-5387 SATB – SATB – SATB and Soprano or Tenor Solo

€ 3,30

Sanctus (from Missa Lumen) by Lorenz Maierhofer Song-like yet at the same time powerful, the Sanctus from Lorenz Maierhofer’s Missa Lumen is a fascinating piece. It develops its full musical splendour regardless of whether it is performed a cappella or in the variations with organ

60

Helbling Choral Concert Series (HCCS) – All Further Titles or string orchestra accompaniment. A highlight for religious services or concerts of religious music.

I’ve Got a Feeling

GOSPELS & SPIRITUALS

HCCS-5988 SATB

€ 2,60

Amazing Grace

HCCS-6263 Instrumental parts

€ 9,80

Trad., arranged by Peter Hammersteen One of the great and timeless standards of folk music. An easy-to-sing and atmospheric arrangement for soloist with choral accompaniment.

The Great Classics Hallelujah by Lorenz Maierhofer A very special choral highlight by Lorenz Maierhofer! Motifs from well-known works by Bach, Handel, Mozart, Beethoven, Smetana and Dvorˇák are worked together to form a festive Hallelujah. The piece can be sung in concert and on festive occasions of every kind. For performances at weddings, additional alternative lyrics are provided which take love as a central theme. A rewarding challenge which will arouse the enthusiasm of the singers and the audience alike. HCCS-5992 SATB

€ 3,30

The Lord Bless You and Keep You / Der Herr segne und behüte dich by Lorenz Maierhofer The Aaronic Benediction is the oldest benediction handed down to us through the bible and is still used in Christian and Jewish religious services today. The power of this text forms an exceptional bond with Lorenz Maierhofer’s music. A powerfully expressive choral piece that will become a permanent part of the repertoire of both secular and spiritual choirs. HCCS-5806 SATB

€ 1,90

HCCS-5872 SAA

€ 1,90

HCCS-5807 TTBB

€ 1,90

Ubi caritas / Wo die Güte ist / Where Charity is by Lorenz Maierhofer With this composition, Lorenz Maierhofer has created a further work for dual choirs in which two choirs singing in canon are spanned by a solo voice. Borne by the euphonic splendour of the choral singing, the words radiate the goodness and love of the Lord. The piece can be sung with Latin, German or English lyrics. HCCS-5995 SATB – SATB

€ 2,60

Zwischen Himmel und Erde Between Heaven and Earth by Lorenz Maierhofer A new choral standard for congratulations, a wide variety of festive occasions and religious celebrations. This easy-to-sing composition impresses with the heartfelt simplicity and profound expressiveness of its music and lyrics. HCCS-5860 SATB

€ 1,90

HCCS-5861 SAB

€ 1,90

HCCS-5862 SAA

€ 1,90

HCCS-5863 TTBB

€ 1,90

Audio samples:

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HCCS-5190 SATB and Alto Solo

€ 2,60

HCCS-5245 SSA and Alto Solo

€ 2,60

HCCS-5247 TTBB and Baritone Solo

€ 2,60

by Lorenz Maierhofer This choral piece in ballad form, taken from the mass Body & Soul, brings together stylistic elements of both pop and gospel. It inspires enthusiasm in both concerts and on festive occasions, whether sung a cappella or with instrumental accompaniment. A moving hymnof praise, full of religious optimism. HCCS-5721 SATB

€ 2,60

HCCS-5722 SAA

€ 2,60

HCCS-5723 TTBB

€ 2,60

Let My Light Shine Bright Burden Down, Lord Trad., arranged by Lorenz Maierhofer Burden down! – »I lay my burden down!« – is the hopeful request of this well-known spiritual from the Deep South of the USA. With his easy-to-sing choral arrangement for two solo voices and accompanying choir, Lorenz Maierhofer has brought this song full of hope and religious faith to the choral platform in a powerfully expressive form, in concert and religious festivities. HCCS-5772 SATB

€ 2,60

HCCS-5773 TTBB

€ 2,60

Freedom is Coming Trad., arranged by Markus Detterbeck The well-known South African song »Freedom is coming« is a potent ex-pression of the profound human desire for peace and freedom. Markus Detterbeck has taken this song and produced a powerful choral arrangement. A choral piece that will arouse the enthusiasm of audience and singers alike. HCCS-5783 SATB

€ 2,60

HCCS-5784 SSAA

€ 2,60

I Lift My Eyes by Lorenz Maierhofer A powerful new gospel by Lorenz Maierhofer for soloist and choir in call and response style, a touching and inspiring lyrical and musical message of hope. An easy-to-sing composition full of sound and groove, a highlight for concerts, celebrations and religious services. HCCS-5804 SATB

€ 2,60

HCCS-5870 SSAA

€ 2,60

HCCS-5805 TTBB

€ 2,60

Trad., arranged by Lorenz Maierhofer An inspiring choral arrangement of the popular gospel song. After an atmospheric and meditative introduction, the joyful news rings out in a festive, lively and groovy call and response. A highlight of any concert or festive occasion at Christmastide and throughout the church calendar. HCCS-5713 SATB

€ 2,60

HCCS-5714 SAA

€ 2,60

HCCS-5715 TTBB

€ 2,60

Little Baby Jesus Christ by Lorenz Maierhofer This composition in gospel style proclaims in paeans and with a moving groove (drum accompaniment ad lib) the message of Bethlehem. A stirring choral piece for concert, religious services and festive occasions. HCCS-5492 SATB

€ 2,60

Lord, I Know I‘ve Been Changed Trad., arranged by Henry O. Millsby Groovy and harmonically interesting, this gospel song describes the revelation and spiritual enlightenment of baptism. This gospel highlight of concerts, religious services and festive occasions is justwaiting to be rediscovered. HCCS-5178 SATB

€ 2,60

May Peace on Earth by Henry O. Millsby An expressive gospel ballad, which with its choral soul sound articulates a heartfelt wish for peace. HCCS-5442 SATB

€ 2,60

Ipharadisi

Revival

Trad., arranged by Lorenz Maierhofer This inspiring African gospel piece resonates with hopeful yearning for a paradise where there is a life of singing and dancing. Lorenz Maierhofer arranged the piece with richly expressive African musical and stylistic elements for an international concert tour by the »Vienna Boys’ Choir«. This choral setting with a solo part can also be accompanied on drums.

HCCS-5778 SATB

€ 2,60

HCCS-5779 SSAA

€ 2,60

HCCS-5614 SATB and Solo

€ 3,30

HCCS-5615 SSA(A) and Solo

€ 3,30

HCCS-5665 TTBB and Solo

€ 3,30

Trad., arranged by Markus Detterbeck An emotional freedom song in gospel style, arranged by Markus Detterbeck. This stirring choral piece, is an outstanding rendering of the intensification of a whisper into the loud cry of »Revival« across the country, a cry which can no longer be ignored.

61

Helbling Choral Concert Series (HCCS) – All Further Titles arouses the enthusiasm of today’s singers and audiences no less than those of the period.

Singa Yesu Singa Sing and Open to Jesus

Waiting for the Lord Wartend auf den Herrn

Trad., arranged by Lorenz Maierhofer A stirring choral arrangement full of the characteristics and elemental power of African gospel music. It can be sung either in concerts or in religious services, in either the original language or in English.

by Lorenz Maierhofer This new gospel song taken from Lorenz Maierhofer’s mass Body & Soul can be performed by an ensemble or by a large-scale choir either in English or with the new German lyrics. No matter whether it is sung a cappella or with piano accompaniment, or with soloists and a gospel group, this piece will arouse enthusiasm in both concerts and religious services.

HCCS-5331 SATB, Drums

€ 3,30

HCCS-5332 SSAA, Drums

€ 3,30

HCCS-5370 TTBB, Drums

€ 3,30

HCCS-5982 SATA

€ 2,60

HCCS-5983 TTBB

€ 2,60

Soon I will be Done Trad., arranged by Markus Detterbeck Even gospel greats such as Mahalia Jackson included this message full of profound faith and trust in their repertoires. Markus Detterbeck has fashioned his groovy soul choral arrangement with haunting rhythmic and melodic patterns and so created a powerfully expressive choral piece that captivates singers and audiences alike. HCCS-5720 SATB

€ 3,30

HCCS-5736 SSAA

€ 3,30

This Little Light of Mine Seht, wie das kleine Licht Trad., arranged by Lorenz Maierhofer This lively gospel song conveys in impressive fashion the glorious message of the light. No matter whether it is sung with English or with German lyrics, this piece will arouse enthusiasm both in concerts and on the various festive occasions throughout the year. It can be sung a cappella or with piano accompaniment. HCCS-5980 SATB

€ 2,60

HCCS-5969 SAA

€ 2,60

HCCS-5981 TTBB

€ 2,60

To the Left, to the Right by Lorenz Maierhofer In this groovy choral composition Lorenz Maierhofer fascinatingly unites pop and new gospel. With or without the solo part, a cappella or accompanied by a band, the piece is a highlight in concerts and religious services. HCCS-5979 SATB

€ 2,60

Uyingcwele Baba (You are Holy, My Lord) Trad., arranged by Lorenz Maierhofer A stirring Zulu song that is sung in South Africa with improvisation to set the mood for religious ceremonies or at the Sanctus in church services. Lorenz Maierhofer noted down the basic melody of the song, and has expanded and adapted it into an atmospheric choral arrangement. For concerts, festive occasions and religious services. HCCS-5699 SATB

€ 2,60

HCCS-5700 SSA

€ 2,60

HCCS-5701 TTBB

€ 2,60

CHORAL MASTERPIECES Audite silete/ Now Listen, Be Quiet / Ja, höret und schweiget by Michael Praetorius This dance-like song in praise of music has become well-known in a setting by Michael Praetorius. Lorenz Maierhofer’s arrangement is marked by its interesting figuring of the parts. This vibrant piece from the 17th century can be sung in Latin, German or English in small solo formations or by large choirs. HCCS-5188 SATB

€ 1,90

HCCS-5741 SAB

€ 1,90

HCCS-5238 SSA

€ 1,90

HCCS-5240 TTBB

€ 1,90

Cantemus by Lorenz Maierhofer “Let us sing!“ – is the maxim of this festive choral composition. ”Viva la musica“ long live music! This powerful work will arouse the enthusiasm of audiences at festive occasions of every kind. A new piece for the repertoire and a rewarding challenge for dedicated choirs. HCCS-5952 SATB

€ 2,60

HCCS-6103 SSAA

€ 2,60

HCCS-6104 TTBB

€ 2,60

Es treibt der Wind / Through Wintery Woodland by Lorenz Maierhofer This composition draws its inspiration from the late romantic period and is a musical setting of the well-known poem by Rainer Maria Rilke. Interesting, communicative and at a concertante level, the choral voices portray theyearning for a »night of splendour«. HCCS-5182 SATB

€ 2,60

HCCS-5225 SSAA

€ 2,60

HCCS-5226 TTBB

€ 2,60

In These Delightful Pleasant Groves by Henry Purcell, arranged by Siegfried Singer (SAA, TTBB) Taken from the incidental music to Shadwell’s play The Libertine or The Libertine Destroyed, the choral piece In these delightful pleasant groves is a genuine highlight of British choral music of the baroque period. With the lively exuberance of dance and his onomatopoeic effects, Purcell

HCCS-5691 SATB

€ 2,60

HCCS-5692 SAA

€ 2,60

HCCS-5693 TTBB

€ 2,60

La canzon della gallina Wann uns die Henn’ by Tiberio Fabrianese This humorous madrigal from the early 16th century was a great success from its very beginnings, because of the effective way in which it imitates the cackling of hens. This version contains, for the first time, the original Italian lyrics and also German lyrics from the same period. HCCS-5194 SATB

€ 2,60

Musica aeterna by Lorenz Maierhofer This fascinating hymn to music combines forms of expression of contemporary choral music with the tones of centuries past. A classical concertante richness of tone creates an inner tension with the interesting accents of the solo part and with rhythmic-percussive, spoken and choreographic elements. A festive and musically inspiring choral concert piece. HCCS-5493 SATB and Soprano Solo

€ 2,60

HCCS-5494 SSAA and Soprano Solo

€ 2,60

Odi et amo by Jacob Handl-Gallus A musical jewel from the wide-ranging creative work of the Renaissance composer Jacob HandlGallus. This sixpart setting of a Catullus poem on hate and love is characterised by powerful doublechoir effects through the alternation of top and bottom parts. HCCS-5690 SATB divisi

€ 2,60

Sakura Trad., arranged by Herwig Reiter Sakura, the well-known Japanese folk song that sings of the magnificent spectacle of the cherry blossom. Herwig Reiter’s choral arrangement, with its use of interesting contemporary tonal effects, resonates with the special atmosphere of a Far Eastern spring. HCCS-5171 SAATTB

€ 2,60

HCCS-5365 SSSAAA

€ 2,60

Vier Stück dem Menschen geben Freud by Erasmus Widmann, arranged by Siegfried Singer (TTBB) What gives people pleasure? The 17th century had a resounding musical answer in Erasmus Widmann’s choral composition in madrigal style: good food, a refreshing drink, lively music and, not least, a beautiful woman. To be sung in concerts and at social gatherings. HCCS-5780 SATB

€ 1,90

HCCS-5782 TTBB

€ 1,90

62


Gwyn Arch

Michael Aschauer

(b. 1931)

(b. 1977)

Works in this catalogue: page 10, 11, 29-35, 37

Works in this catalogue: page 7, 36

Erik Bosio

Markus Detterbeck

(b. 1983)

(b. 1969)

Works in this catalogue: page 28

Works in this catalogue: page 12, 37, 46, 53, 56, 57, 60, 61

Harald Feller

Andrea Figallo

(b. 1951)

(b. 1972)



Stefan Foidl (b. 1970)

Rupert Gottfried Frieberger (b. 1931)

Works in this catalogue: page 24, 25, 59


Carsten Gerlitz

Franz M. Herzog

(b. 1966)

(b. 1962)

Works in this catalogue: page 15, 53, 54, 57

Works in this catalogue: page 21–23, 43, 54, 57

For further information please visit our website www.helbling.com


Lorenz Maierhofer

Michael Ostrzyga

(b. 1956)

(b. 1975)

Works in this catalogue: page 3–6, 8, 9, 12–15, 23, 38–42, 44–61


Letizia Poltini

EL

(b. 1984)

(b. 1972)



R. Clemens Schäfer

Susanne Schempp

(b. 1960)

(b. 1958)



Siegfried Singer

Josef Sulz

(b. 1947)

(b. 1930)

Works in this catalogue: page 7, 54, 58, 59, 61


Hans Unterweger

Simon Wawer

(b. 1962)

(b. 1979)

Works in this catalogue: page 43, 53, 55


Raphael

For further information please visit our website www.helbling.com

63

Helbling Verlag GmbH Martinstrasse 42-44 73707 Esslingen – GERMANY Telephone +49 (0)711 / 75 87 01-0 Telefax +49 (0)711 / 75 87 01-11 E-Mail: [email protected]

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817/08-09

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