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THE RETURN OF THE GODS: Evidence ... Representation of a weapon of the gods, the “thunder-hammer,” ... goddess Vandina surrounded by streaming rays.
THE RETURN OF THE GODS: Evidence of Extraterrestrial Visitations BY ERICH VON DÄNIKEN

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Figure 1

The small creature being led away by King Salamasar III is supposed to be “an ape.” Neither the feet nor the spread fingers belong to an ape.

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Figure 2

These creatures of fables are also obviously kept on a short leash. (Make-up tablet of King Narmer, The Egyptian Museum, Cairo)

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Figure 3

This is how NASA imagines future “space-habitats” in which journeys of light years could be made.

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Figure 4

On this old engraving of the Jain religion, the 24th tirthamkara is worshipped in a procession. Above float airships.

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Figure 5

In the middle of Java stands the largest Buddhist temple, the Borobudur. The wall reliefs show scenes from the life of Buddha. Everywhere stands stupas which are here seen as a means of transport to the divine worlds. That is why a young Buddha sits in every stupa.

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Figure 6

In the middle of Java stands the largest Buddhist temple, the Borobudur. The wall reliefs show scenes from the life of Buddha. Everywhere stands stupas which are here seen as a means of transport to the divine worlds. That is why a young Buddha sits in every stupa.

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Figure 7

Detail from a Sumerian scroll-seal showing a divine chariot in the firmament.

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Figure 8

Representation of a weapon of the gods, the “thunder-hammer,” in the Kva Bahal Monastery in Nepal.

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Figure 9

Cave drawings of the Australian Aborigines depicting the divine goddess Vandina surrounded by streaming rays.

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Figure 10

The robot Upuaut constructed by Rudolf Gantenbrink.

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Figure 11

Inside the pyramid. The walls are bare and without script or ornament. (The metal struts are modern.)

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Figure 12

At the end of the Great Gallery, the ways divide. The lower shaft, blocked by a grille, leads to the Queens’ Chamber.

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Figure 13

Two meters in front of the door lies the broken-off piece of metal. (Computer reconstruction)

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Figure 14

The Great Gallery

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