Prassi esecutiva nella musica del sei e settecento

Le offerte di Formazione Continua 13/14

Prassi esecutiva nella musica del sei e settecento Lugano 30 settembre, 1 e 2 ottobre 2013 de Donatis_Ghirlanda_Pianca_Zanichelli

Destinatari Il corso, in collaborazione con la Fondazione Fabio Schaub, è destinato a musicisti diplomati e/o diplomandi già attivi nell’ambito della prassi esecutiva barocca o con specifico interesse ad approfondire questo repertorio. Gli strumenti che possono essere coinvolti sono: violino, viola, violoncello, contrabbasso, oboe, flauto, fagotto, tromba, trombone, clavicembalo, liuto, arpa, timpani. Le voci: soprano, contralto, tenore e basso.

Periodo Il corso si tiene a Lugano (sede del Conservatorio) dal 30 settembre al 2 ottobre 2013.

Docenti I docenti principali sono Lorenzo Ghirlanda e Luca Pianca. Il corso si avvale della collaborazione di specialisti ospiti quali Fiorenza de Donatis fiorenzadedonatis.com (violino) e Barbara Zanichelli barbarazanichelli.it (canto).

Modalità Il corso è caratterizzato da una full immersion di 3 giorni sulla prassi esecutiva barocca. È necessario portare il proprio strumento barocco. Gli archi devono avere almeno le prime due corde di budello e l’arco barocco. Sulla base degli studenti iscritti, i docenti proporranno i brani cameristici o d’ensemble che saranno affrontati nei 3 giorni di corso e nel saggio previsto la sera conclusiva. Gli studenti possono proporre brani cameristici del proprio repertorio (allegare la lista al modulo di iscrizione).

Costo e iscrizioni Retta del corso: 300 CHF. Per gli studenti Bachelor e Master del CSI il corso è gratuito. Modulo di iscrizione: http://www.conservatorio.ch/allegati/manager/FCiten.pdf Le iscrizioni devono pervenire entro il 15 settembre 2013.

Alloggio A costi contenuti, è possibile soggiornare con possibilità di cucinare presso: Ostello della Gioventù www.luganoyouthhostel.ch Résidence Centro Cristiano www.centrocristiano.ch Ostello Montarina www.montarina.com

LORENZO GHIRLANDA Lorenzo Ghirlanda was born in Lugano in 1974. He has received the diploma in trombone at Bern University of Arts. During his studies he joined the Bern Opera for two years as a trombonist. From 1998 till 2001 he was a postgraduate student at the Liszt School of Music Weimar and at the Scola Cantorum Basiliensis (Basel) where he specialised in baroque trombone. In 1999 he founded the instrumental consort „Canto antico“ together with three other trombonists to provide a forum for his increasingly work with historical instruments and Renaissance and baroque musical performance tradition. The ensemble won the first prize of the International Jan Koetsier Competition. Lorenzo Ghirlanda constantly works with Luca Pianca, the ensemble of Vittorio Ghielmi, „Il suonar parlante“ and the ensemble „La Galeazzesca“ (Milan). Since Years there is an intense cooperation with the dutch conductor and composer Hans Rotmann with whom he develops projects which build links between early and contemporary music. In their multimedia-based production „Membra Jesu nostri“ of Dietrich Buxtehude during the Semana de música religiosa de Cuenca in 2007 Lorenzo Ghirlanda was coauthor and soloist. From 2004 till 2006 he developed the project “Europa Werkstatt” at the “Kunstfest Weimar” (Artistic Director: Nike Wagner), which every year brought together young european musicians with famous soloists. In 2006 it was Ivo Pogorelich, the great piano player, who was working with the young orchestra. Since than Lorenzo Ghirlanda is also working as Pogorelich’s artistic adviser. In 2008 he gave his debut as a conductor with the Handel opera “Alcina” at the Handel Festival in Halle. Future projects with him conducting include a trilogy of fragments of unknown Handel operas: 2010 „Titus“, directed by Schorsch Kamerun, 2011 with „Showcase Beat le Mot“ „Berenice“ and 2012 „Alceste“ directed by Paul Binnerts. In addition to his performing and conducting activities, Lorenzo Ghirlanda devoted his time to the academic research. From 2003 till 2005 he was a stipendiary of the Swiss National Science Foundation and developed the project „Language in music“. He worked on the subjects of historic trombone and techniques of articulation at the Scola Cantorum Basiliensis (Basel), the Liszt School of Music Weimar, the Colloque Harmonique in Lausanne, the Conservatoire of Swiss Italy in Lugano and at the Mozarteum in Salzburg. Since 2008 Lorenzo Ghirlanda is responsible for a research project about the acoustic and articulate topics at the Conservatoire of Swiss Italy. In February 2009 he presented the project during the international conference „The Reflective Conservatoire: Building Connections“ at the Guildhall School of Music and Drama in London.

LUCA PIANCA Luca Pianca is today one of the musicians most requested inside the field of the interpretation of the baroque music. Born in Lugano, Switzerland, he collaborated during more than ten years with Nikolaus Harnoncourt and the Concentus Musicus Wien since 1982, it has been at the head of Il Giardino Armónico, and it has collaborated with the most important singers of the current importance, as Sylvia McNair, Eve Mei, Cecilia Bartoli, Anthony Rolfe-Johnson, Marijana Liposevk.... This has done of not alone Luca Pianca an out-standing laudista and teorbista , but also a great connoisseur of the vocal preclassic art. He has in your credit approximately thirty record recordings with numerous prizes, between which it is necessary to emphasize integral for lute by J.S.Bach and by Antonio Vivaldi. He has taken part in diverse productions of the Zurich Opera House, besides in the Festival of Salzburg, and has been a guest for institutions as the Berliner Philarmoniker. He} has actuated as soloist in the most prestigious rooms of concert, between which it is necessary to emphasize the Carnegie Hall of New York, the Musikverein of Vienna, the Wigmore Hall of London, the Deutsche Philharmonie of Berlin and the Oshi Hall of Tokyo.