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... CAROLE SCIALOM MAURICE HAYNES DAVID WELSH CLAUDIO COHEN TASOS P ADAMOPOULOS ROSSELLA GRASSI LAURA ...... FOR PEUGEOT 607.
DoErt I S N I E c t i v i ty r e p L P O E P 05 HAVAS a 20

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5/06/06

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TABLE OF CONTENTS: P 02 CREATIVITY P 04 CREATIVE REVIEW P 14 INTERVIEW WITH VINCENT BOLLORÉ P 18 INTERVIEW WITH FERNANDO RODÉS VILÀ P 22 KEY FIGURES P 24 DIVISIONS — EURO RSCG WORLDWIDE — MPG — ARNOLD WORLDWIDE PARTNERS P 36 SHAREHOLDER RELATIONS P 38 CORPORATE GOVERNANCE P 40 SUSTAINABLE DEVELOPMENT …TRACEY RIENER AL MOZZETTA STEPHANIE VINCENT AXELLE MICHELEZ KELLY COLE CATHERINE COOTE CATHERINE JAMAUX GERMAN ALLENDES CHRYSTELLE MURATHOUT FLORENCE MOTTON KEVIN SHALE MORGA HUDSON MATT KAISER ROSJARIN WONGSUWAN S BRECHET PEEREEBOON EIAMSONGSAK DIEGO DUCHOWNEY JEAN-KANORA YOU IVY ZHANG KASIA DRAGOVIC NICOLAS PENA EZEQUIEL BAUM ANGIE BALBIN ANN VOORSPOELS NADINE STUTTER LUZ HELENA BALAGUERA JACQUES COMEAU QUITERIE GUENIOT ANNA SETYARINI RAFAEL ROMERO EDGAR ZORRILLA JINWAN OH JUSTIN HOOPER JOICE ANN PETRA STECHERT RAINA SERAFIMOVA STEVEN YAFFE ISLANDE LALLEMAND SANDRINE PESSON CAROLINE WELLMAN FRANZ GAISWINKLER LYNDA LAUBER JOHN NETTLE STEVEN MAGDA IZQUIERDO SARAH DEFRERE ANISSA BAROUCHE JULIE MENDES ALAN SUAREZ COLIN JEFFERY GOLDIE EIS KELLY MARTIN JAMES JIANG PIA CARPSJO SARA HERNANDEZ GARCIA MARIUS JOVAISA TERANG CAHYA NIRWANA MARIE DUSSERRE MARISSA DI MASCIO LEIVA LAGUNAS CONOR MURPHY JOHNNIE ZHANG CLAY DEDEAUX CLAUDIA LAGOS THOMAS HECART BELINDA SIAHAAN SUNIL NAIR EMILY VAN RIJN BETH RICKARDS DAVID GOMEZ SANCHEZ MARK BILLOWS WIKORN ROJARAYANONT LEE BARING MARINA SANTIAGO MANGIN ARLETTE DIAZ ELODIE CARRAZ ELAINE HARTSTEIN COLLEEN FLEURY AGNIESZKA SIEDLICKA DAVI MARTINS MONTEIRO JENNI TYRNI ARMAND SCHROEDER JORGE GODINHO CELINE LARGY YAO SUN NICOLE DE PONTBRIAND LAM VU DINH DIDIER NICOLAS CH SUNDIN THIERRY PREVOST ROBERT MARCHESE JOYA WANG LILY LEATON JENNY BURKE RANDLE STONIER NELLY DOMINGUEZ PETER SARKOZI LISA DE PAOLI MARINE BENSIMON KIM RYAN CHARLOTTE LAGRELLE ELZBIETA RUCINSKA FABRICE BRIANSON MAXIMO GARC BLEKHER RAFAL KOWALCZYK CURRO SUAREZ LEONOR CRUZ JOSE ANGULO SERRATO EVA KANTROWITZ GEORGE LABONCE PATRICIA REGHEM MARIANA BAYCE AL JACKSON TOM SAUNDERS JORGE RODRIGUEZ ARNAUD REYRE ESPIE PADILLA PETER ANDREWS KEITH M WYNNE LUIS RIVERA JUSTYNA BOROWIECKA DEBORAH LICHENTIN MARTA MARTINEZ PINENT DAOUIA BELMIR JULIE PUISSANT EVA HO NURIA GARUZ ANSALDO STEVE SAMUEL SOFIA DELCLAUX PATRICIA LUSSICH GABRIEL SHAW JUAN ROCAMORA MAXIMILIANO SAN ALBERT NOGUERA ARMANDO SANCHEZ BEATRIZ HUITRON ENGUERRAND BAIJOT JOSE MARIA BETEGON TALEGON STEVE GOODMAN CHARLES JONAS INESE CEKULE ASHISH ARYA FEDERICA MARTINIELLO ISABELLE DUVAL VIRGINIA MAGALETTA PATRICIA VALLES NAU TEVES MARCUS HERRMANN LEIGH HUBENY SERGE BOURCHIS ALBERT AGUSTI ILIANA LARA ANNE-CHARLOTTE CELIER JESSE REIF ALMUDENA LUENGO LORENZO CYRIL VICENTE MATT KUHLES RANDI GETZ JOSE ANGEL LOMINCHAR MARTINEZ SARKA GRYCOVA ADAM CATHY SMITH DANA CORRAL LEONG JITI MARIA BARATA CORINNE DOS SANTOS CHRISTER ERIKSSON MARK STEIMER DAMIAN RICHARD CARLOS HIDALGO DE RUS CATHERINE GILL HELENA GIMENO GRANERO JORGE PERCOVICH SARAH FARRAND SUBODH MENON CLAU WILLIAMS AMY CLARK PM MANADO LINDSAY ROWE ANGELIKA WITHOOT LISA VANELLA MAUREEN GAWRON ANA OLIVEIRA ALICJA CYBULSKA EDMOND CASTER ARON HARRIS ISABELLE VAN DER MEULEN ALICE FERGUSON KARINE VIBERT ARON KATZ TRACY BRADY BI PANTELLO MARIE SMIT CHRISTOPHE MOREAUX ANA RIBEIROS STEVE EATON CAROLINE CHICARD PRADEEP CHAK CLAUDIA GUAL NEUS RODRIGUEZ FATIMA MAHBOUB FRANCOIS BARE RINKU SINGH KEN HESSLER ALMA DECENA GEORGE JIN SONIA GAONA GALA HELLE CELINE BOUVRANDE JYRI HELENIUS SONIA JANE EMILIE STARCK ALMA JIMENEZ CAITLIN MORAN LOUISE ZHAO EMIN ORGE JOLA SKUZA DOUG GIPSON STEPHEN N. DE SANTIS ERICK GASTON PHILIPPE MATINE STEVEN DORNIK VINETA FREIMANE SASKIA OSSENDORP PAULA CASSI LAURA MENTEKIDIS MARION LAFERRIERE ESTEFANIA MARCOS PASCALE BAZILLER CLAUDIA LOPEZ SALVADOR MEL VARLEY BRUCE COWLEY VALERIE BUGTAI MARIA RAVINA LOPEZ DE CARRIZOSA XEPUS GINEBRA JEAN-FRANCOIS SUIR JULIO PEREZ CRI MATHIEU GLAVANY JEFF NEWMAN SHARON CONNORS TOMASZ STRADOMSKI NATHANIEL SYMINGTON MARIE-HELENE VERSINI CHRIS POULIN MACIEJ ZOLL ROSIE FUSARO ALBERT TOMAS MAREK STANISZEWSKI ANTONIA TABOADA EDWIN LETHER DEHLIA TOWLER ANA MICHAL SIML ADRIENNE CAMPISANO SONIA SINGEOT RACHEL SCHLOSS FREDERIQUE GALLOUEDEC JEAN-PIERRE LEININGER JILL BERNSTEIN RICHARD NOTARIANNI MARIE-PIERRE BRETON LAURENT CHAUFFETEAU JESSE HOLT MATT GIRDLESTONE TONY BRACCO JE CABARET KADI HUGO GEERT-JAN BALTUS STEVE CURTIS ROSANELLA BADO DAVID BAILEY BERTRAND DE-LANGERON MEGHA SHARMA MONICA LEON TOM SIVEYER LAURA FERRARA MICHAEL FOX PATRICIA ANDRADE JEAN-LUC LEGALL VINCENT RENAUD KATERYNA B MIELE JONI RYAN CAROLINE PESCHER MARY SMITH TONY CAO ANNA YASTREBOVA BRENDA TARZIAN CAROLINA GOMEZ VALLEJO CATALINA BAUTISTA ALVAREZ PHILIPPE RAFFIN JAN SCHLEIFER INCINUR UNLUSOY NOEL SANOY KATARZYNA PILINSKA IRINA DZHAM ZU ANNICK AUDOUX STEPHANE GUERRY IVY SHAIO BARBARA ANCILLAI HEIKE KRAUSE SILJA GULICHER NATALIA LOMAKINA CHARLOTTE GRAY JO SUMNER KRISTEN JONES JONATHAN GYNGELL KATARZYNA KOBAK-NOWACKA JESSICA CHANG REGINE TSUI STACEY LEE M GONZALEZ HEAVEN FANG JEFF KLING VALERIE RICHARD JISH BHATTACHARYA PEDRO EGEA IVAN PETERKA PETER LU ALDONA LUTEREK SEVGI TEKIN ANETA LENARCZYK DALE JONES VALERIE KOHR SALIM JARKAS JEFF BARTOLOME IWONA RABENDA CAROLINE AL KONRAD WYGONOWSKI GONCALO CALDEIRA DA SILVA YANNAYH HANEGBY ARY SANCHEZ PAULA COSTA CLAUDIA STRAUSZ ANNA ZDANOWSKI SOFIA REY DELGADO RODNEY ULRICH ADELINE CHAN GINA SECRETARIO JANET HERMAN KAREN STRASSER AURELIO GONZAL WERNER EISENBOCK MICHELLE RUSSELL ELAINE SMOLKEN DANNI MURRAY HUGO BEASSE ROSE HOOS MARTY A GROSS HERVE CHAUMONT LUIZ MUSA PHILIPPE TIA MAY YU JOSE MORENO ROBERTO LOPEZ LINDA WATSON BEN HUANG MARTA DINIS FANNIE CHUA FLA TEREYGEOL PHILIPPE DE BREUCK MANUELLA CASAGRANDE ZULLY ORTIZ TERESA BERMUDEZ ESTER PASCUAL FERRER ERIC PHU ALEXANDRA ROJAS RICHARD PATTERSON RON WOLTERS LAMBERT DE GUZMAN JESSICA VELASCO THOMAS PAILLERE JOYCE WHITNE DOROTHEE JOLY VINCENT CLECH STEPHANE MARECHAL LORENA PRIETO LANA VALERIA DI RISIO SUZANNE DAVIS TREVOR CHAMBERS JULIA TYCHANSKY CAROLINE DELADERRIERE ANGUS GEPHART JOANNA MORRISON MARCIN JABLONSKI AUDE FOUQUIER MERED COLBORNE ALESSANDRO PEPI VALERIA IREI DAWN ALLEN GRACIELA IRIBARNE ELISABETH DESMORTIERS BOB COLLINS LORI STERN TRACEY BUNCE MARTINA HUDCOVA NELLY TOCQUEVILLE OUAKNIN TOM CUNNINGHAM KENNY CULLIVER ELIZABETH POWERS ALEXA PORAZ SUSIE ROLLINS PASCAL FAEHNDRICH SHARON DWARIKA MARIKE BOS AMY SHAFE JOSUE LOPEZ NIKKI SCAIFE-JAY MARISSA MEDINA NINA KNORR ANTOINE MADEC TESSA NICHOLSON JOSE LUIS LOPEZ LAURA LIU FRANCISCO ALVAREZ GONZALEZ BENJAMIN MA VESA MULTANEN ESTEFANIA MONTERDE MOLINA ANNE COURTOIS CRYSTAL WEI GREG DURNIAK ROY CAPON SHERRY ZHANG PATRICK BALKENENDE MADELEINE YOU ANNIE DESROCHES JOSE SALINAS ELIZABETH KOST ELAINE PANG CLAIRE TURNER GARY HUANG MA NEIL BRUCK KARIN PACHECO OLGA MURILLO KATHY RUFFIN MINDY STONE CELINE MORALES ANA VEIGA BARBARA WAWRYSZCZUK NICOLA TUCKER MANUEL ROQUE IRIS EDINGER JUSTYNA KARPACZ ED STAPOR KLAUS BRINKMANN MELISSA BROWN STEPHANIE GER ADOREMOS SHEILA SHANMUGAM SERGE MILON ANASTASSIA KOULAEVA NIGEL ROSE LUCY MACEACHERN CONCHI MARTINEZ VALERO MITCHELL POLATIN JEROME BAYHON BISWAJIT DAS WHEATEN MATHER MIHAIL NEDKOV RAPHAEL DE ANDREIS ANTOINE DELACOU PACHLHOFER BERANGERE ROQUEPLO MARIELA BROWN MAXIM SOMOV GEMA BUSTAMANTE BENITO EVA BENITO GORJON MATT BLACK FANNY TINOCO MARISOL LOPEZ MERINERO DENISE DOLGAE BRIAN YANG A. CANDELARIA RODRIGUEZ DE PAZ ROLF MEUSEL BEA YANNICK STELANDRE BLANCA PRAT LLOBET ANE-MARIE SYLVEST HANSEN MARIA REMOUNDOU ALEX RUSSELL FANNY GARCIA FRANCE ALEZARD KAREL DEJONGHE UMAKANT SHARMA CHRISTOPHER SWARBRICK GEOFF BOND JOHN KAMOOSI SUDIPTO CHATTERJEE S MATTHEW BERRY SIMONE WILLIAMS FATIMA ASMA KIM WONG FRED BURGOS BEATRICE VAN HAMME ANNE ARCHIMBAUD BATOUL CADORET ROSE WILLIS ISABELLE GAMBIER DAVID JACQUEMARD NIKI BARBOLOUPOU Mª ISABEL ARROYO ALONSO CLAUDE BEDIN CHRIST MARINA CROSTA TERI KUHLMAN UMESH PATEL ISABEL GOMEZ PATRICIA JIMENEZ SUSIE DA SILVA GERALDINE ROY CHRISTELLE DECLERCQ THOMAS CRAIG AUDRONE METIUNIENE MIKE ANTONETTI ARINA GLYOK FRONT DESK MARIN ALIA REBATE THOMAS WILKS MART THITIPANNAGUL EDUARDO OLIVARES CARLOS RODRIGUEZ FREDERIQUE DESBOIST MAJA M MARINKOVIC SARAH LIGHTFOOT JACQUES PATTIER LYDIE BOCQUILLON VICTORIA SILVA AOIBHEANN O’CARROLL RUCHI BHUSHAN MARCIN GUT LEANDER VAN ALTENA PHIL W MARTA KASPAROVA ZITA CANDEIAS KARIMA BENDALI LILIANA CHAVEZ IAN MCLEAN PATRYCJA GRODKOWSKA SANDRA DAVIS MICHAL DANILUK DOMINIQUE DHONDT YAJIN LIU SOPHIE ZUILI CRYSTAL PLACE JONATHAN BRAM ISABELLE GRIMAUD JOANNA JAN JOY LE MULLER PAULA DURHAM JILL WOLFF KIATTIKUL JAICHAIYAPHUM ESTHER MARTIN LISA PELATTI JUAN LARCO CARRIE WU EMMA RYMER SEBASTIEN PETIT-JEAN AUDREY VALENTE MICHEL DEBLON CARME TORRABADELLA OLLER ANTON SHUKAYLO JAANA SARIMO M PRETRE CAROLINE NOEL CAROLYN KEEPING TIFFANY WARREN DAWN MARIE KELLY MORITZ JEAN-PHILIPPE MARTZEL JENS HOFMANN SYLVIE DELAET EKATERINA ANTIPOVA SARAH MILLNS PABLO HERNANDEZ EVERARDO TORRES CLEMENCE BECHU CLIVE DE FRE VERONICA RAMIREZ GUADALUPE COVAS PAUL DELISLE KARINE LE-HENAFF MAGDALENA SUPINSKA OLGA RODRIGUEZ MORADO LEOPOLDO RIGOLETTI KATHY COOGAN JOANN YEATER VANESSA SORIANO PAUL ZHANG YASMINE BENANI TRACY COUGHLIN MARIO NUNEZ IRINA OTTO JERRY HAYEK THOMAS BACHARZYNA KRISTIN MAHONEY ANTOINE CHOQUE MARIJN PETERS BENOIT SIMEON ARMELLE PEDERSEN BARRY SILVERSTEIN CESAR PEREZ ALEX MORELL DANIEL ANDRADE CHARO GONZALES MIKE REID ANNE JOLY KELLY ZHANG FOLLAIN ANABELA BONUCCELLI XAVIER MORTES VALVERDE MAT EGAN CHRISTELLE MONTARRY JEAN MARC ZAKHIA THI-MINH-TRANG TRAN NOEMIE DAVID MARIA ABEIJON JORGE SCULL IRMINA TREFON MITESH DESAI JUAN DAVID JARAMILLO CRAIG HOIT PRASAN FRIEDEBERG LEA TREESE PETER GOODRUM ANNIE ENJALBERT LARRY MARCHESE MARC BUDKOFSKY MARIA REHNCRONA ALEJANDRO VALE JACK MCENANEY JEFF PRYBOLSKY TINA SKIBOSH CECILE POTELLE CAROLA GONZALEZ BARBIE MITRA LARISA SHIROZYAN PL JENNY ALLEN RUBEN YANEZ SELWYN UBELS SYLVIA BAEZ NISHITA CHEGONDI SUE BYE ALISON ENGLISH KATHLEEN WALSH BOB TIPTON MARIE EECKHOUT DANA UNGUREANU ELODIE ORIAL AMY FAVAT KASANDRA PEREZ ALVAREZ SUSSI ZHANG NELLY VAILLANT IMRA CHEN DOUNIA ACHACHI PATRICIA THEVENIN HAITAO ZHANG MIYOUNG RUSSELL EMMA SERGEANT KATIA VASCONCELLOS ELDENE EDWARDS JOHN DIAZ SIMONE ZHANG LYNN STEDMAN PABLO BRAVO NIETO TATIANA NEGINA NATALYA KRAVTSEVA CORRIE WOLLET CARLO MELANIE DWYER REMI BABINET SHARON WEINSTEIN KRISTIN EISENZOPF DAN BLANSHARD TONYA BELL NATHALIE PIGAULT GEMMA BROWN GILBERT GUILLEMOT ROBERTO MARTINEZ HERNANDEZ LISA HAWKES CECILE MACGOWAN LAURA R. SUMMA TONI BENITO ISA AKGUN KARLIBEL THIERRY MICHEELS CHRISTIANE MONTAGNON MADELEINE CHEZIERE CHIARA DE DECKER PABLO TOBIAS DE BARROS SGANZERLA NATASHA KLEVTSOVA ANA GOMEZ CECILIA SMIALEK MARTIN SCHERER JENS ALBRECHT LAETITIA FERRANDINI BRUC ANDREA CORTISSOZ WALITA GANMANEE AURELIE MAAZ SIMON BALL SEBASTIEN LARREUR MARIELLE HAGEBOECK SEAN GWIN MANEL GUILLEN CAROLINE RAY JIM JACOBY KATY PANFIL STEPHANE ALLIO CHARLES MINGASSON DALILA BELALA HERVE RUBEAUD A CASTELBAJAC BIRGIT LEHMKUHL MATTHEW JOHNSON EMILIE COLAS ASUN GALVEZ HANNI TORHORST FORUM MANAGEMENT EZEQUIEL DANERI KATINA SCOTT FERNANDO TORRES POLAINA FRANK BUCHNER TEREZA MACHACKOVA ADRIANA BLANCO JULIEN CAROT LA BERNSTEIN ISABELLE VIANE LUCY BARTON DANIEL PANKRAZ NICOLE SIEFERT MICHAEL PENA KATHLEEN GRIMES JOAN ALEV HELOISE ROUSSIER JANET RODRIGUEZ HELENE FREYSS NIZAR KADER MARLIES MEEBOER SYLVIE ALLOUARD ANDRE PAULO SCIORLIA ARTEZ ROBSON CAPUCINE LEWALLE CAROL DONOHUE ALENA MCGARRIGLE SCHIRIEN FAHMI NOELIA GARCIA MARTINEZ RICHARD DROUIN AUDE VAN BECELAERE FRANCISCO C. C. CUSTODIO STARLINK AGENT JAN ZACEK DIANA MACIAS HUBERT PODLASKI PHIL JONES OLIV JENNIFER BROWN GEORGE BERESUCK NICOLE DORRLER SETH GUGE RAFAL SOWINSKI ANTOINE COLIN HONG XU MARTIJN SENGERS DIEGO NAVARRO IRENEUSZ KOJLO CHRISTOPHER WILLSON TIM DOOCEY FANNY REMY JOANN DUMA LUC LALY ELIZABETH JERNIGAN E DUPONT ELA SZYMANSKA MARTINE VAN PELLECOM YVETTE ROBSON PATRICIA GLICA LENKA KOVARIKOVA SUZANNE HART GABRIELA MORONES MARIANGELA ZICARI PAULA ULIVETO AUDE KLEIN KARINA MULLER SANDRA ARRUDA RICARDO TANAKA DARRYL BOLTON M CHEN BENEDICTE DUSUZEAU INIGO GOMEZ MELGAR MIRIAM CASIQUE HEIDI BAUMER ANNE LEPOUTRE SAMUEL HEUZE CATHERINE GIRARD-BARONDEAU STEPHANIE STARKEY KELLY SUN SVIETA PEREZ JOSEF WAGENKNECHT MARY KOLAR ROBERTA CANTON STAN SE MOLINA SUSAN YEE JOHN KUAN AMY RANKIN SABINE SIMON KATINA FLEMMING RAUL VALE JOHNNY TWILE GILS CROCHET NIR KASTORIANO NICOLAS RAPIN RAFAEL YANEZ Mª BEGONA MOLDES CARUJO KIM SHEPELA SAMANTHA CAFFERTY ERIC DENSMORE CHARLO YASLI LAETITIA DE PERTHUIS KATERINA HUBOVA LUIZ TOSI JENNIFER RUSSELL KARINA MARQUEZ TINA MALONIS SIMON JAGO ELIF KOSEOGLU CAROLE SCIALOM MAURICE HAYNES DAVID WELSH CLAUDIO COHEN TASOS P ADAMOPOULOS ROSSELLA GRASSI LAURA C HABIB-DELONCLE ROBERTA RADUAN PETRA DUMROESE ALAN WATT EMILY GAMMON GERARD PIERRON TATIANA ZAYTESEVA GAEL CHEVAL RUMJANA STAMBOLOVA KRISTINE HAWLEY MATTHEW WHITE PATRICIA FERNANDES BELEN MATEOS APARICIO ISABELLE AV SOTOMAYOR ROSE-MARIE BERTEL PAUL METZGER ROBERT BOSE YINO WANG TARA CAMPBELL ALI KIREMITCIOGLU FRANK CHANG VICTOR HUGO CALVO IRENE IGLESIAS FERNANDEZ ALLISON WALDRON VINCE WANG JULIE POMPON ANNE RINVILLE MAYROSA GILL SARA GAVRILOV BEN WONG DAVID HECK MAUSAMI KAR ANNONCIADE MARTINETTI ELDA OLAVARRIA CAROLINA CASTRILLO NAVLET BARRY LIN ANTONIO RAIMUNDO CLAIRE JOUET-DE-ROBIANO ANNE-SOPHIE BES BERNIE GOMEZ BRIAN OCONNELL CECILE HUSTIN JUDE WIL RICARDO CRAVEIRO BOB COUSY MARIE HORZ THORSTEN MUELLER NATASHA MURRAY JUAN JOSE SORIANO JOANA LEMOS ALBANI LIZARDO JEFF SMITH ROBERT BARILLA RASTISLAV RIGO KAREN O’BRIEN GERSENDE DEMERLIS WAGNER KANNO MOLLY WALKER ERIKA MONICA CANTAGALLI SUSANA TRIVES PALOS KELLY FOY LUCIANA OKUBARO ADRIANA RADU JOSE IGNACIO CIFUENTES CHIMENO MACIEJ MICHALOWSKI RACHEL RG GALPER TIM MITCHELL ALEX EPSTEIN ERWIN GOMEZ MARITHE FLOREAN ANNELIE BOL CORINE HAME HANNE HAUGEN Mª ISABEL CASANOVA GARCIA FLORENCE KIEKEN JESSICA POST MAAN PANTALEON HIROSHI WATANABE ALEJANDRA JIMENEZ HELEN HOLDEN MAURICIO CUEVAS PATRICIA USTRELL MARCO SEGOVIA HEERAL SAVANI MILENA GUILLOT BASTIEN CONS ESTEBAN GUTIERREZ PABLO DURAN JENNIFER NICHOLSON KATHLEEN NANDA ROSBELLE PEREZ THIERRY HAPPE ROBERT BERNACIAK KATARZYNA JAZDZEWSKA RICHARD CADUDAL NATALIA MEJIA MARGARITA HUERTA BENJAMIN MESSELINK JULIE LUCAS DE LEYSS SYLVIE MORCILLO CJ JUNG LUIS FIGUEIREDO JENNY LEEB-LUNDBERG ARMIN KLEISS MARIE-PIERRE DURY ANNA GARCIA ANDREAS BERGAU BRITTANY HEBB OLIVER HILBRING SYLVIA MENARD PATRICE GLOUX MICHAEL KOZIN STAN MALLIS BENNY STEEN MOLLER SOPH CLAIRE BRIGNOLI PAUL PURVIS LORENA MARCHESE KIM HUNT RUI FREIRE ALLISON WATERS TATIANA GLENNIE PETE FAVAT JORGE SANCHA SALVADOR NELSON MASHNSHNEK CAROLINE PERKIS STEPHEN MONACO LAURA SUDAR LUIS ESTRADA SASKIA HULSHOF AICH PEDRO FARELO CHRISTIAN COLLOT SARA YE CINDY GUO FRANK VAN DER TEEMS MEGHAN ATTREED CHARLIE FABRIZIO ROBERT KITT CAMILLA ESMARK KATHLEEN QUACKENBUSH TANJA HEMME IVY SHIAO DOUG KAUHL BORJA DIAZ ROGER KIMBERLY HAMPTON LINDL KELZ ANA MULAS DE GOYENECHE LI WAN CLAIRE LEARNER CHRIS SMITH MARCELO MANRIQUEZ BELEN MONTES DONAIRE LAURA SZATNY TIMOTHY MEOTTI HOMECLICK HOMECLICK RONALD YAN CHRISTIAN CEPEDA HUGO GUADARRAMA GYAN MATHUR JULIA JAME WETHERBEE CARLOS BARBOSA ANNA PASCUAL FERRERAS BEN RAYNES MATIAS BLAZEVIC SHADI BAHAR JOELLE DUDAL MICHAEL RUD MELISSA WATSON PAUL NRAZIER OLIVIER COURADJUT RALPH DU PLESSIS JOHN STONES NAYELI AGUIRRE JOSEFINA GONI GONZ DONG LIN ALBANO MARTINS WENDY D’LUGIN MICHAEL FIGUEIREDO WILLIAM DADDI WANESSA SPIESS EUNICE LEE AUDE NOIRTIN JOHN MEENAN MANUEL MECO KARLA DIAZ CHANTAL LEBLANC NORA GARCIA CHRISTINE SCHILCHA MARCO PINTO PHYLISS KASOWSKI ALVES THOMAS LANE SANDRA SERRANO JOAN UMHOLTZ LULU HOU NICOLE YOUNGER ANGELA ANDERSON KYUNG HWA HWANG DAVID HARVEY BENJAMIN SANIAL TONY READ GILL OGLETHORPE SPRING CLINTON DANIELLE BOYLE CHRISTINE DRUMHELLER LAURENCE NICOLAS MERITXELL ESTRADA FREDERIC OLEJ FRANCOISE ROBERDET DONALD BIALER SYDNEY ROSENCRANZ TRIA F LARASATI MARGA GONZALEZ FERNANDEZ FRANCISCO PASTRANA LAURIE MCQUADE MELISSA HUBBARD AMY MANGANIELLO JERANAN SIRIPONG V VALERIE FOCARD ZAC LABANG CAROLYN DICKSON JUSTINE BURNSIDE GREG DELANEY FANNY BINDET SUMAN SRIVASTAVA PAMELA NETSCH MAGDALENA SZYMCZAK BRITT SARONY KATE HAESCHE MARIE-ESTHER LANGLET DIEGO SGRO LISA KREILING ANA DIAS BRIG EMILY FENG ANNE SEXTON LESLIE SUN STEVE PRATT KEN HAMM PAUL STAMSNIJDER FERNANDA BRACCO OLIVIER DAUCA KAMILA LENART JACEK KRET CHRISTINE WANTMAN LOHENGRIEN LIN NELLEKE JACOBS TANYA BURNS CRISTINA DUCREST ALEXANDER LANDE GWLADYS HURE MERAV TSARFATY JOSE JOAO SARAH SCHULTE LUKE CARR TIFFANY WU ANDREAS GEYR MICHELE ARNAUDIES LAURA LEMMETTI SYLVIE AZNARAN SARAH FLEISCHMAN SUSAN CHRISTIE ELSA CHAPTAL JONAH BURLINGAME ERIKA WOLFEL JIRI HORCICA AUBERT-TREVALINET JORGE PEREZ HOLDER LAURA RUSHER ELAINE BERTRAND ALEXEY STRAKHOV XIN KOU SUMMER MCCLANAHAN SYLVIE LEBLANC MARTINE DUCLAUX MICHELE LEE PAKI ARRANZ VALERIA AMERIO FRANCISCO FERNANDEZ DINA LIBERMANE MEGH ALCARAZ HAROON NIAZI TRUDIE QUINN DAVID CARTER GABRIELA FLOR KRISTI AZZINARO ANNE CAMPBELL SONIA SANMARTI HARRY LAX ANTHONY JONES RUBY BANA AUDREY FOURNIER BEATRIZ ROBATTO JOHN HUTCHINSON PAUL TYSZKIEWICZ FLORENCE LUSSON ELENA ORTIZ MELANIE GALLET CASA HAMID ADAM SIERS LAURA MCELHINNEY TRISTAN DE ROUVRAY RUPERT DAY LILIANA FRANCO ADOLFO ARAVENA ANGELA WHEATCROFT WOODY WOMACK LEANDRO CASTELLETTI HAO CHANG GUILLEMETTE LEPEZ LESLIE HARRIS TINANT LISA KIELT RONNIE PEDERSEN PEGGY PESCE MARIE-STEPHANIE PERDRIAT ERIN BURKE VACLAV HELEBRANT ERIK ROLLINI MARCOS BATISTA SANTOS HANK DIAMOND TORONTO EDITOR PIERRE ERIC STAHL EVELIN RIOJA 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MIKI CAI JOSE LUIS BIROCCO GABRIELA LEON FELIPE ANDRADE JILL NEWTON PIETRO SOTGIA ERIN MONACO LISA BENISCHEK GOPAKUMAR RAVEENDRAN LIONEL MOULIN RUSLAN SAMAEV SUSAN TIN1 AGUSTIN SAIZ NATE SUTTON CHRIS O’HARA KAREN ALVARADO MATHIEU AUVRAY ISABELLE DARMENDRAIL MACIEJ ADAMSKI ANETA JAMOREK LYNNE PINA GINA GROVER JANE OWSLEY EEVA RUOKANEN EDWIN PHILIPS ALEXANDER MICHL BELEN GRACIA A FARBMAN ARNAUD BUGNOT EUGENE SEOW NICK OXTOBY NATHALIE LORENT ED PATRICK ANA ISABEL GONZALEZ URBANEJA BLANDINE ESCOFFIER ASHLEY ENGEL ANNA IFERGAN GUNTER FINK BEATE SCHEUMANN PAUL GLYDE JOHAN HARGREAVES GEMA VA TOM HARVEY-ROBSON EDWARD MONTES RANI SUKKARU ARMANDO DANDER PAULA FUSCO MIKE FAY BERTRAND BEUVIN SANDRINE NOUMA JULIA OWENS CARLO MARTEGANI ANNA PAULA NICOLAU GAGAN SHARMA ALEXANDER HUERFANO JULIE TRIPI VAL RIA VOLZ LAURA BERRY CHARLOTTE LONGUEMARE DAVID REINBACH MIKE RELES AXEL SCHREIBER FRANCOISE RONDIN GEOFFREY SUMMERVILLE SANDRA BENTO JOSEP MARIA TAPIA ESTARAGUES DAVE CRAFT ANNE-LAURE JANNIN BERT KERKHOF MELINA TALIA GUERRERO ESPINOSA ALVIN TAM KRISZTA GRESZ VIRGINIA GARABEDIAN CYNTHIA ZIKARA MICHAL GOLOTA JAN GINSBERG SEAN OCONNOR AL PAZ PATRICIA THERON CAMILLA PUSATERI ANAYELI GUADARRAMA REMY GALVANI PATRICIA GARCIA LOPEZ LE A GORDON YENNYS CASTILLO LILIANA HUERTA RICHARD LINNETT MARIAN LOPEZ DOMINIQUE ENGELHARDT IVAR MULDER CHRIS REN NUNO CORREIA JASON KANEFSKY MERCEDES CABACHIEFF RAPHAEL HALIN LISA HOYLE VICTORIA FELLOWS BARBARA RAMOS RANIE KRISTEN TAPPING JACKIE MEYER MARILYN GROSS FREDERIC BONN TERENCE HM BOUMAN PETER ROSADO SHAZZIA KHAN EVA RIANO RAMOS WANIA FILIPPETTI ANU AHOPELTO JUDITH VATH EMILIE PHILIPPON EMMA DEN-OUDEN GEMMA HERRERA RECIO TRAN NICK JURIOS STEPHANIE LEBOW RACHAEL PAY ED PARENTI SARAI MELENDEZ YOSHIHISA KUSAKABE JENNIFER PICARELLI JONATHAN COHEN MARC RUSSELL-STACEY NATALIA CHALAYA MARK KIRGIS MONIKA SAYEGH JODY RAYFIELD TATYANA BUGULOVA LLE MUZELLEC DEBORAH CLAQUIN LORI STODDARD BENNO WU NATALIA ARIAS CABAL DHIRAJ KUMAR FREDERIQUE GEHIN MARIA BANASZEK KWANG-RYEOL CHA ADAM GUMBLEY VINCENT LEGG ROSA MARIA YUBERO TOFINO THIBAUT LEROY NICOLE MISIOROWSKI WEIGLOVA ALBANE COLLON JANET COUPERTHWAITE JUAN CARLOS FANDINO CHRISTINA CORRAL PETER CHEE SHELEY LIM JAMES MISURELLI SAUL SILVA JENNY THORNE JOHAN EIDMANN JULIE PASTEYER ALISON KOWALCZYK UWE WATSCHOUNEK ROSE AIMEE E MELARD GUY KEIDAR GEORGE GOETZ MARIE-FRANCE DESVOL MICHELE HODOUIN SIMAO PEREIRA JOELLE CATALANO-VALTIER MATTHEW GELLER GINA HUITRON MICHAEL MAHONEY TERRY HUNT MICHAEL REMICE BONNIE POTTER KARINA MECKEL HEATHER ISSIER-POWELL ANDREW KNOX ASHLEY WEATHERSBY KAREN SHORT LIZ MCNEIL-GRIST ANA COUTINHO DEANNA GATTIE PEDRO MENDEZ SEVILLANO DONNA PASCALAR SUZANNE WONG MARK DECENT CYNTHIA CHEN JENNIFER AYLING CAROLINE SILVER LENA MIRANDA EMMANUELLE KISTNER FRANCISCO GARCIA BARRERA FABIOLA DURAN KNIGHT TU MICHAEL FREEDMAN-APONTE CJ WOOD MILLI HIRVONEN IRINA PEFTIEVA LUIS ALARCON BUCIEGOS KEN OHRNBERGER MERCEDES RODRIGUEZ JAMIE REILEY HABIBA AN KAZA RAZAT KATE ENNIS LUIS GARCIA ALICE HYLAND PAMELA MATTHEWS ALEJANDRO LORA REBECCA GRASMUECK VICKY BATALLA-DURAN PRODUCAO BRIEDGESTONE XAVIER JADOUL REMY TRICOT DIETMAR FISCHER AUDREY CWAJGENBAUM BRIAN TAMM DA MONICA GARCIA ANNA VRBOVCOVA LARA MCMURRAY SUSAN POLACHEK MARK FABBRO JERRIE VANGELDER BRAND CHUANG FRED SBERNA KAREN WALSH JON AGNE HILDA MARIA CLARE WALLIS JACQUELIN RUIZ FATIA AIDOUNI HAYLEY RAFFILL ALBERTO PUERTA AGUILERA NIGEL PERRY AMAN KOCHHAR SHARON GREEN ULRIKE ANDRESEN SHELLEY TIGERT VERONIQUE LETANG LAURA STURTZ RUDY ARCE KAITLYN BRENNER GEOFFREY ALAN BRINCK CHRISTOPHER SCI JAIRO GOMEZ GIANFRANCA PUDDU MARK JOSEP MARIA BATALLA ANNETTE STOVER SABINE KREMSHUBER JUSTIN COX ADRIAN KITTNER DAVINE VAN HEESE FRANCISCO BORREGO ANNA GARKAVENKO PABLO TORRAS LUTKEN LIM SOOHOON MATTHIEU SIMIAND RICHARD STAYTE BEN DAWES KRIS MOODY LS JORGE BURGOS SONIA MURRIA CASARES MA.EUGENIA NAVARRETE ANNA M. POLO JACEK KOSMULSKI NELU PUZNAVA HANNA LIEU MARIO MILLAN LAURE DUFOURG DANIBELL MARTINEZ ILENE MELNYK REINALDO PARREIRAS ANA FRANÇA DAVID ROSSMANN TFORD KATE BEGBIE APRIL SUNA BARIS CALISAN ANDRZEJ LUKIEWICZ SAM TIEN IGNACIO PARRA LAMIA BELLALOUNA PIERRE RIESS CARLOS GUERRA JOE ROBERTS AMY YORK BARTOSZ GOTT ARMIN MOLAVI ALYSON YAFFE CATHERINE CHIRINIAN ANNE-MARIE KA LEHTONEN EDURNE ZABALA ELISABETH PAULIN ERIKA ADAM DAVE NUZZI DAVID GRAY BRENDA MIDDLETON CHRISTINEJOY OROSCO EMMA BURDETT ALISON GOLDBERG ESTER DOMINGUEZ MARY LYNN LALONDE SYLVAIN CALAGE KATELL NIHOUARN MACIEJ CHAILIDOU MECHELLE RODRIGUEZ LAURE BOUQUEROD LUZ MONTOYA IVAN GLASER MICHAEL SHONKOFF PRIMROSE MATTHEW DELPHINE DROUIN AREUM HAN HUGH TREACY RAUL MARTIN FELIU OLGA ZHELANNOVA ROB TRIPAS NELSON ALEJANDRO RAMIREZ IA DMITRIENKO LEE LEVITAN SABRINA ABON RODRIGO VIEIRA MAXINE BRADBURY ANTHONY D’ALBERO GABRIEL DIORIO REBECCA NEMETH RICHARD WECHSLER MATTHEW SCHNEIDER ZHENG FENG JENNIFER WRENTMORE BRIAN HUDSPITH GIULIANO STEFANINI ERS DAVID CID ANDREAS SCHULZ XAVIER SCHNEIDER VIVI SULASTRI JOE CASIMIR JR. DOMINIQUE PONGE PANAGIOTIS KOSTARAGOS CHARLES BERNARD ALBERT ROELE KONSTANTINOS MARAGKAKIS PATRICK DE REGT SILVIA PEREZ MARTIN NATALIA GUICHOU REIRA VALERIE CALLIER LAURENCE ALGANS FANNY DUREAU ANNE OH GORDON WU LILY LOU FABIO AUGUSTO SOARES PEARL LEONG HUMBERTO GARCIA PETER WOLFMAYR CLAIRE AMOS SCOTT TANELLI JULIE KRAMME GOLDBAEK SANDRINE ETHEVE CAROLINE SABELLA CHU DANIEL PELLICER YURI KIM MEHDI EL HAIBI SONG GAO GENE HUDZINA CECILY SMITH SITA RAINA ADOLFO LIRA JAVIER VAZQUEZ CORDON SARAH SRICHAYUNDON ANTHONY WONG MATTHIEU DEBAY RITESH PATEL FIONA EADIE JACK GOLDENBERG RIK LAFONTAINE PILAR SANTACRUZ NADINE MEDJEBER ALVARO ARROYO OLIVIA BENOIT ALFONSO FORMARIZ CECILE DEMARI GERALD SACUTO NADINE MUNDSCHENK DAVID M STACK ALESSANDRO CERUTTI MICHAEL ROBERTS MARIA RILEY NATASHA LATRENTA TERNA KEVIN SIMMONDS RICKY LAM MICHEL PEREIRA MELISSA SCHMIDT RICHARD MATHEWSON JOHN LAMBLE ERIK IVERSEN RODRIGO PINO GAJARDO ANNA-MARIA HALLE JOSE TORRES AURELIA FERRAND LAURIE ASMUS OLGA SZLACHCIC DANIELA KLITZKE RIS HUGO LLEBRES VARA LOUIS CHABERT MATHIEU DE FAYET ANNE-MARIE GARDELLE CHRISTINA STAPLES SHARON HUERTAS ADRIAN HENRY SUSAN PFISTER VICTOR SILVA LAUREN CANTNER MARY DONINGTON SUNNY YEUNG ELAINE BRISBANE HASHA PATEL CHELLE AGATEP SUSILO YUNIASMORO JOHN NOBLE DASHA YARMOLENKO SOPHIE FLETCHER KRISTIANN KRAMER MARYANN PREZIOTTI CAROLA MATALINARES YAOTZIN VELAZQUEZ AUDREY HOCHARD CLAUDIA ANSIETA JEREMY WESTON MONICA NEEDELMAN EFA DICKEBOHM SOMMER RUSTEM JOE GLIOTTONE ROBBIN MATTES HYOUNGJUN PARK KATHERINE SEYMOUR AGATA STANCZYK-DABROWSKA ASMA AFAILAL MARCIN BELZA CAROLINE THIELLEMENT TRI SUMOADJI VALLERIE BETTINI NICOLE BRISTOL RICHARD NES VIGUER BAHIMA ROBIN TZANNES FLORENCE DEPRET CATHERINE MINARDI ROSA SANCHEZ TERI SANDERSON LUKASZ MISIURKIEWICZ RITA MATEUS MANLI CHEUNG EVAN YORK MONIKA BANDZUCHOVA GREG COFFIN ALAN CHEN DOMINIC STEAD JEAN-YVES CONCETTA NAPOLITANO YVES JAMBU-MERLIN JUSTIN PITCHER TRACEY R. PARSONS ANNE DIEU DAVE GROFF ANNE SPEEDIE SARA CASO THOMAS CURTIN JUAN MIGUEL HERRERA LUCIANA SETUBAL VAN DEURSEN Mª JOSE GOMEZ SERNA IDA MO BILL FASANO EKKER LEON ENGELS ZDENEK MALY FELIPE GAGLIARDI PAGNI KAREN CIGALA JARMO HOLOPAINEN CELINE TEA RAUL SANCHEZ RODRIGUEZ MARIA GARCIA CABALLERO MARLENA PRZYBYSZEWSKA MAY WU JOHN GRANDY CHRISTINE SCHNEIDER MICHAEL VIDAL N MCHALE DANIEL PONGE CARLOS PELAYO PALOMARES CAROLINE LISOWICZ SASKIA EHRNREICH BRISSA RODRIGUEZ CHRISTOF FRANK CYNTHIA FARDEN ADRIANA DA COSTA GUIMARAES ANNE-FLORE BETBEDER KATE SAMUELS SELENA SONG VALERY ISUPOV O ROSADO STEVE BLANK BEN MARDLE JOHN PACKES TAKILA SHIH DARRYL CLARKE JENNY KOLINSKI CHRISTIAN DE LA TORRE MICHELLE MORGAN SEYOAN VELA MIGUEL DIAZ DIAZ RON BERGER TERRY BOYD EVE BEUST VALERIE BOUYSSOU PABLO VALLADARES ASTER SEBASTIAN GARAY MATHIEU DE FAYET ANNE GRIFFET DOMINIQUE JULIEN PIOTR BEAUPRE NIMIT SONGSRI MEIKE LIEBERT JASON SANDERS BYRON REID SABRINA GEMOETS BRIAN NAKASHIMA MARTA SZYMANSKA SCOTT HENDERSON GISELLE DOWNING…

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ITY ET CREATSÉIGVUÉLA AND RÉMI BABIN S JACQUE

“Shoot for the moon. Even if you miss, you’ll land among the stars. “

Bill Gates

THE TWO DEVILS

The quest for coherence

1) DVD On Demand People choose the “what” as their choice becomes broader, far beyond TV programs, in particular with home video, gaming, podcasting, and now VOD (Video On Demand). They choose the “how” since content can flow anywhere, be it a TV set, a computer, a cell phone, and very soon – who knows? – data transmitted direct to the brain. They choose the “when” of their media consumption with all the disruptive technologies that allow them to individualize consumption of programs, such as personal video recorders, but also podcasting, which is potentially a new way to consume radio. People nowadays spend more time on non-advertising based media, like home video, videogames, and the Internet. 2) TiVo What’s more, personal video recorders allow people to pull the ads they like, instead of seeing the ones that are pushed by advertisers, which people can now avoid thanks to TiVo – they can choose to watch an ad just like they can choose to watch a show. So our product is in danger.

02

Mercedes Erra

Vincent Bolloré

Rémi Babinet

Executive Management

t

hat said, everyone now talks about coherence. As messages are repeated ad nauseam, their impact diminishes. Consequently, the focus shifts to coherence, without which any campaign risks drowning in the cacophony of modern communications. The search for a cohesive voice calls for synergy among media planners, communications and marketing services. Grouped into a “Thinking Hub,” their intervention begins at the brief and continues throughout our campaigns until they end. This kind of fusion, coming from single-minded thinking, will herald a new breed of efficiency. Nevertheless, the remaking of our structures is doomed to irrelevance unless it is accompanied by a revolution in creation and media.

The creative revolution Creatives of the 20th century focused on a unique selling proposition: an idea was illustrated by a TV commercial, a print ad, a billboard…and summed up by a slogan. However, things stopped there, and there was rarely any cascade effect. Ideas now have to be n-dimensional, capable of creating a story as they journey from media to media – an idea that snowballs. Here is an example in practice: the Evian campaign. Four years ago, for “the water of eternal youth,” BETC Euro RSCG launched a 30-second TV commercial that featured an aquatic mini-ballet with baby swimmers performing in the style of Esther Williams. That was a superb film, although totally devoid of any potential for sequels. Creative teams therefore had to begin looking in new directions and came up with a new TV commercial that was simply magic,“We will rock you,” which

Ed Eskandarian

No other profession has undergone so many renaissances as advertising. It exists in a state of perpetual flux, jolted from pillar to post by our constantly changing society – a society always under construction, always in the throes of the next technological revolution, always tripping over yesterday’s conventions, always in pursuit of new frontiers – always. Profoundly shaken by the relentless march towards a digital world, advertising is once again rethinking its business model. How lucky we are the future belongs to us. Our mission is, and has always been, to build brands that endure over time (sustainable) and space (transnational); but space has now taken on new meaning. We are migrating from a TV/Print mono-media culture towards an n-dimensional culture of all media all the time, where sound married to image is a ubiquitous characteristic of every contact, and messages are designed to pursue out consumers at any moment of the day – out with saturation advertising during prime time, in with strategies that are more and more transversal (TV + radio + print + Web + cell phone, etc.) – carried forward by ever more amorphous creations (ads, promotions, direct marketing, PR, lobbying, the list goes on).

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depicted adults of all ages (the first film was of elderly people) singing with children’s voices. In two week’s time, the new recording of Queen’s rock classic became an instant hit among the bubblegum generation. Their parents were swept up by the trend, and Evian sales advanced 2 percentage points. Riding the wave, BETC Euro RSCG released a CD, which went gold. The Agency next followed up with a video clip, the first to come out of an ad, and music TV stations rushed to put it on air. Just as a f lood begins with a single drop of rain, this campaign perfectly shows the snowballing effect of today’s successful communications and media strategies. No pack shots, no slogans, no logos, just the Evian youthful spirit in each image. Twelve months later, the campaign won a Cannes Gold Lion and achieved the status of the 6th most awarded commercial in the world that year. We could have gone further, perhaps launching a comic book. Based on this work, we could have pitched Disney to make a movie, with Danone in the role of co-producer…a 30-second TV commercial ending up as a feature-length film. That is the epitome of a cascading idea, one that invents its own story, an idea that holds the future of advertising. In the same spirit, look at the Nokia game, which each year makes the multimedia rounds inviting several million aficionados to participate in electronic treasure hunts, or Volvo, which seduces us into becoming a 21st-century Sherlock Holmes in order to solve devilishly complicated mysteries. They both start as one-off TV commercials, which tell how on the same day in a small village in Sweden, thirty-three inhabitants all bought the brand’s latest model. And so the race is on (TV, Web, press, radio and cell phone creating a drama around the village inhabitants), a “reality TV series,” written, acted out and produced by consumers themselves – a success without borders.

The media revolution

02

This evolution is in fact the deregulation of advertising, or the breaking down of the frontiers that have traditionally protected advertising. Ads will merge into the content landscape to become a form of entertainment and information just like any other. So, our business is changing. Our role is no longer simply to insert messages in media. It is to create audience. SMALL, SHORT, FAST FORMAT We are the best in the world at getting across a message in a short amount of time. This is what we do, all day long. Short formats are the future, for two reasons: 1 because small screens (iPod, Palm, cell phone) need shorter content to satisfy increasingly mobile consumers, 2 because attention is scarce, and people will seek rapid ways to get what they want, be it information, promotion or entertainment. The 30-second ad isn’t dead. But the 30-second window for capturing audience attention is narrowing. This means that our expertise in short formats will allow us to go beyond classic advertising, to become skilled in short programs. Maybe it’s not advertising anymore, but maybe that’s exactly what makes this business so exciting.

Hervé Philippe

David Jones

Stéphane Fouks

Our past media plans were like pump shotguns: TV (bang!), billboard advertising (bang!), print+radio (bang! bang!). But there were never more than four cartridges in the gun. Nowadays, media plans are like cyclotrons – a creative idea becomes a particle undergoing acceleration, gaining in energy each time its passes through the magnetic field of a new branch in our profession. It is like a chain reaction where the kick from each new center of communications skill generates a surplus of efficiency. Example: PR launches a new idea, which is picked up in a TV commercial, accelerating the idea, which then

THE REAL FIGHT Confronted by this new consumer power, the first reaction of our profession has been to enlarge the spaces in which to express its messages: online banners, posters in videogames, VOD sponsorship, product placement; these are basically new ways of doing the same thing, that is, interrupting consumer programs with advertising. Pushing brands on new media is certainly a part of our future, but not all of it.

Rapport d’activité Havas — 2005

spins off onto the Web, enriching and redirecting it into a promotion in order to stimulate sales; and then it is used in an event, where it is updated and sent on for a direct- mail package, giving it a personal touch. Because the idea goes round and round, it transforms into a story, which enables it to contribute to cascading sales. We call this a “Creative Business Idea®.” That’s how we get from Planet Monomedia to the multimedia galaxy. That’s also why we are looking for ideas that are not simply concepts, but messages, adapted to the needs of a multi-profession approach. In the 21st century, the rub is not to just create a part, but to find the whole. Now is the time for vigorous action, to put media at the heart of communications agencies. How else are we to discover synergies of resources that make a difference? It is this kind of joined-up thinking that drives forward our strategy,“media inside.”

The production revolution The diminishing effectiveness of television advertising is a worldwide phenomenon: in France, hardly 50 percent of viewers still watch TV commercials, but only 15 percent of American audiences can be said to do the same. It is urgent to build new bridges, for consumers, to what has become the biggest dream factory in the world: television. Entertainment is set to become the most universal of human values. Either we will find a way to be part of it, or we will perish. At the same time as brands are tending increasingly towards relational marketing, they must also buck the trend and dare to produce or co-produce games, fictional literature, TV series, even movies. This is the advent of a third revolution in our business: advertainment, the blending of advertising and entertainment. It is now up to advertising gurus to play a leading role in the emerging leisure society of tomorrow. Nothing could be more natural; advertising already pays for much of television today, why shouldn’t it be a full-fledged co-producer tomorrow? Did you know what program has been enjoying the largest television audiences in the US these last few months? A miniseries with episodes lasting just 4 minutes, broadcast nightly during prime time. Written, produced and acted out by the same people who did “24” (the successful television series), it stars the new 4wd from Ford. Record numbers of American viewers tuned in to watch the adventures of the new Ford, but when classic commercials came on the air, they zapped. Go figure. Good-bye. Jacques Séguéla

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Fernando Rodés Vilà

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REVIEW CREATIVE

es Cann

Lions

2005 has been our most creative year ever! OMNICOM PUBLICIS HAVAS WPP INTERPUBLIC DENTSU

WORLDWIDE REVENUES 2004*, BILLION USD

TOTAL LIONS 2005

LIONS PER BILLION USD

9.7 4.8 1.9 9.4 6.2 2.8

124 59 18 50 28 6

12.7 12.3 8.9 5.3 4.5 2.1

Havas is the 3rd leading group, ranked by “Lions to revenue.”

* Source: AdAge / May 2, 2005

ALL LIONS

We tripled our Lions in 3 years, thanks to Arnold in 2003, and Euro RSCG in 2004 and 2005.

ARNOLD EURO RSCG HAVAS

DDB Euro RSCG Crispin Porter Bogusky Goodby Silverstein BBDO Saatchi & Saatchi R/GA Ogilvy Dentsu Nordpol (Germany)

2002

2003

2004

2005

3 3 6

9 7 16

4 13 17

3 15 18

CYBER LIONS 2004

CYBER LIONS 2005

5 3 3 3 1 6 5 6 1

10 GP incl. 10 5 GP incl. 4 3 3 3 3 3 3

But our proudest moment came with 10 Cyber Lions for Euro RSCG, which tied DDB in number, and makes it world runner-up for first place in results.

04

2005 Havas activity report

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GUN

N Re

port

THE MOST AWARDED COMMERCIALS WORLDWIDE IN 2005 01 –– HONDA DIESEL “Grrr” 02 –– ADIDAS “Laila” 03 –– CANADIAN SHORT FILM FESTIVAL campaign –– PEUGEOT 407 “Toys” 04 –– LYNX 24-7 “Getting Dressed” 06 –– VOLKSWAGEN GOLF DSG ‘Kids on Steps” 07 –– NSPCC “Ventriloquist” 08 –– ORANGE “Verne Troyer” / “Patrick Swayze” / “Sean Astin” 09 –– STELLA ARTOIS “Pilot” 10 –– CITROËN C4 “Carbot”

Wieden & Kennedy (London) 180 Amsterdam (180/TBWA) Taxi (Toronto) BETC EURO RSCG (Paris) Bartle Bogle Hegarty (London) DDB Germany Saatchi & Saatchi (London) Mother (London) Lowe (London) EURO RSCG (London)

35 19 15 14 14 13 13 13 13 12

Euro RSCG is the only ad agency network to have 2 films in the Top 10 Worldwide.

TOP 10 AGENCIES IN THE US 1999-2005 “WINNERS” BY POINTS 01 –– WIEDEN & KENNEDY (Portland, NY) 190 02 –– CRISPIN PORTER & BOGUSKY (Miami) 149 03 –– ARNOLD WW (Boston) 136 04 –– FALLON (Minneapolis and NY) 127 05 –– TBWA/CHIAT/DAY (USA) 123 06 –– CLIFF FREEMAN & PARTNERS (NY) 104

07 –– DDB (USA) 08 ––GOODBY SILVERSTEIN & PTNRS (San Francisco) 09 –– BBDO (NY) 10 –– LEO BURNETT (Chicago)

91 91 70 51

Arnold, for its part, ranks as the 3rd best agency in the United States

We have, for the first time, 4 agencies in the Top 50: Euro RSCG Flagship (13th), BETC Euro RSCG (15th), Euro RSCG London (40th), Arnold Boston (40th)

Arnold Boston is one of only 9 agencies constantly cited by the Gunn Report since its inception, a salute to its creative continuity. TOP 50 WORLDWIDE – ALL SEVEN YEARS IN A ROW AlmapBBDO (Sao Paulo) AMB.BBDO (London) ARNOLD WORLDWIDE (Boston) BARTLE BOGLE HEGARTY (London) DDB (Madrid and Barcelona)

DDB (London) DENTSU (Tokyo and Osaka) FALLON (Minneapolis and NY) LOWE (London)

Finally, according to weighted rankings, the Havas Group is 3rd, ahead of Interpublic, WPP and Dentsu. AGENCY ORGANIZATIONS 2005

01 ––PUBLICIS 02 ––OMNICOM 03 ––HAVAS 04 ––INTERPUBLIC 05 ––WPP 06 ––DENTSU

2004 WORLDWIDE REVENUES IN USD BILLIONS

POINTS PER USD BILLION

RANK PER USD BILLION

4.78 9.75 1.87 6.20 9.37 2.85

54.1 47.2 36.9 20.6 18.2 11.2

1 2 3 4 5 6

2005 Havas activity report

05

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CREATIVE REVIEW

Housewife FOR 11 NEWS 1 CHANNEL ––––– 13th MOST AWARDED CAMPAIGN IN 2005 (SOURCE: GUNN REPORT) ––––– A.W.A.R.D FESTIVAL: GOLD + SILVER ––––– ADFEST: 2 SILVER + 3 BRONZE ––––– ADMAN: 2 GOLD + 2 SILVER + 4 BRONZE ––––– ASIAN AD AWARDS: 2 BEST OF BEST + 2 GOLD + 5 SILVER

––––– CAMPAIGN MAGAZINE: BEST INTERNATIONAL PRESS AD OF THE YEAR ––––– CANNES LIONS: 1 SILVER ––––– CRESTA: 2 X WINNER ––––– EURO RSCG FLAGSHIP, THAILAND

Hide & Seek (The garden) FOR PETIT BATEAU ––––– CANNES LIONS: GOLD (PRESS / CLOTHING) ––––– LE CLUB DES DA: 2nd PRIZE (PRESS) ––––– BETC EURO RSCG, FRANCE

Carbot FOR CITROËN C4

Disguise FOR RECKITT BENCKISER / RODASOL ––––– CANNES LIONS: BRONZE CYBER LION (INTERACTIVE CAMPAIGNS) ––––– PRÊMIO COLUNISTAS: GOLD (INTERACTIVE ADVERTISING) ––––– ABOUT AWARDS: SILVER (INTERACTIVE ADVERTISING / CONSUMER PRODUCTS) ––––– EURO RSCG 4D SAO PAULO, BRAZIL

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––––– 10th MOST AWARDED COMMERCIAL IN 2005 (SOURCE: GUNN REPORT) ––––– ANDYS: BRONZE (TV / SPECIAL EFFECTS) ––––– BRITISH TV AWARDS: BRONZE ––––– BTAA CRAFT AWARDS: WINNER ––––– CANNES LIONS: BRONZE (FILM / AUTOMOTIVE) ––––– CLIO: 2 GOLD ––––– CREATIVE CIRCLE: GOLD + SILVER ––––– CRESTA: WINNER

––––– D&AD: SILVER (YELLOW PENCIL) ––––– EUROBEST: SILVER (TV / AUTOMOTIVE) ––––– LOERIES: GOLD ––––– NEW YORK ADC: SILVER ––––– EURO RSCG LONDON, UK

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Parking FOR PEUGEOT 206 ––––– CAMPAÑA DE ORO PRESS AD: GOLD ––––– VICEVERSA EURO RSCG, URUGUAY

Headman Villager Lee FOR KRUNGTHAI BANK

Life on Board

––––– CANNES LIONS: SILVER ––––– EURO RSCG FLAGSHIP, THAILAND

FOR VOLVO CARS ––––– CANNES LIONS: TITANIUM LION (50 MILLION USD AND ABOVE) ––––– CANNES LIONS: GOLD CYBER LION (INTERACTIVE CAMPAIGNS) + SILVER CYBER LION (AUTOMOTIVE) ––––– EUROBEST: BRONZE (INTERACTIVE ADVERTISING / CONSUMER PRODUCTS) ––––– NEW YORK FESTIVALS: GOLD WORLD MEDAL (INTERACTIVE MEDIA) ––––– FUEL EUROPE / EURO RSCG 4D AMSTERDAM, NETHERLANDS

Wi-Fi for Dummies FOR INTEL CENTRINO ––––– CAMPAIGN MEDIA AWARDS: GOLD / MEDIA CAMPAIGN OF THE YEAR ––––– CAMPAIGN MEDIA AWARDS: SILVER (IT AND CONSUMER DURABLES) ––––– MEDIA WEEK AWARDS: BRONZE (SMALL BUDGETS) ––––– MEDIA PLANNING NETWORK, PART OF MPG, UK 2005 Havas activity report

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CREATIVE REVIEW

Fingers

Carnival

FOR BELDA JEWELRY

FOR MAHOU / SAN MIGUEL BEER

––––– GOLDEN HAMMER: SILVER (PRESS) ––––– EURO RSCG PRAGUE, CZECH REPUBLIC

––––– CANNES LIONS: SILVER (FILM / ALCOHOLIC DRINKS) ––––– EL OJO DE IBEROAMERICA: GOLD ––––– EL SOL: GOLD ––––– ARNOLD SPAIN, SPAIN

Diesel Dream FOR DIESEL ––––– CAMPAIGN DIGITAL AWARDS: WINNER (INTERACTIVE ADVERTISING) ––––– EHS BRANN, UK

Columns FOR PEUGEOT 607 ––––– EPICA: BRONZE (PRINT / AUTOMOTIVE) ––––– BETC EURO RSCG, FRANCE

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Major (Ski jump) FOR AIR FRANCE ––––– APPM: 1st PRIZE ––––– EPICA: SILVER ––––– BETC EURO RSCG, FRANCE

Salt & Pepper FOR LU (TUC) ––––– EPICA: WINNER (PRINT / CONFECTIONERY & SNACKS) ––––– EURO RSCG AMSTERDAM, NETHERLANDS

Fair Enough (Fat Boys)

FOR THE AMERICAN LEGACY FOUNDATION ––––– CANNES LIONS: BRONZE (FILM / PUBLIC AWARENESS MESSAGES) ––––– ARNOLD BOSTON, USA

Sens 1 (Yellow tarp) FOR SNCF TRANSILIEN ––––– GRAND PRIX DE L’AFFICHAGE: GRAND PRIX + WINNER (OUTDOOR) ––––– MERIBEL ADVERTISING FESTIVAL: CRISTAL (OUTDOOR) ––––– EPICA: BRONZE FINALIST (CONSUMER SERVICES / TRANSPORT & TOURISM) ––––– DEVARRIEUXVILLARET, FRANCE

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CREATIVE REVIEW

Star Wars FOR LU / MIKADO ––––– NEW YORK ADC: SILVER (TV / FOOD & DRINKS) ––––– EUROBEST: SILVER (TV / CONFECTIONERY) ––––– GOLDEN AWARD OF MONTREUX: GOLD MEDAL ––––– BETC EURO RSCG, FRANCE

Toys FOR PEUGEOT 407 ––––– 4th MOST AWARDED COMMERCIAL IN 2005 (SOURCE: GUNN REPORT) ––––– CANNES LIONS: GOLD ––––– LONDON INTERNATIONAL ADVERTISING AWARDS (LIAA): 1st PRIZE ––––– EUROBEST, BRONZE ––––– GOLDEN DRUM AWARDS: 1st PRIZE ––––– ANDYS AWARDS: SILVER + BRONZE ––––– ANDYS AWARDS: BRONZE (TV / DIRECTING) ––––– CRESTA: 1st PRIZE ––––– EURO EFFIE: 2 SILVER ––––– GOLDEN AWARD OF MONTREUX: GOLD MEDAL ––––– GOLDEN AWARD OF MONTREUX: GOLD WATCH (BEST ADVERTISING CAMPAIGN) ––––– NEW YORK FESTIVALS: GOLD + SILVER WORLD MEDALS (TV, CINEMA & RADIO) ––––– NEW YORK ADC: MERIT AWARD ––––– CLIO: 2 SILVER ––––– LE CLUB DES DA: 1 OF 2 1st PRIZE WINNERS ––––– MOBIUS AWARD: 1st PRIZE ––––– LOERIES: 2 SILVER ––––– BETC EURO RSCG, FRANCE

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TBC FOR SOUTHERN COMFORT ––––– MEDIAWEEK MAGAZINE: MEDIA PLAN OF THE YEAR (BEST USE OF THE WEB) ––––– MEDIA CONTACTS, PART OF MPG, USA

Cruise Planner Experience FOR ROYAL CARIBBEAN ––––– WEB AWARDS: WINNER (OUTSTANDING WEBSITE) ––––– HORIZON INTERACTIVE AWARDS: BEST CAMPAIGN (BANNERS & E-MAIL) ––––– ARNOLD BOSTON, USA

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Truth (Eyes) FOR THE AMERICAN LEGACY FOUNDATION ––––– THE ONE SHOW: BRONZE (INTEGRATED CAMPAIGNS) ––––– ARNOLD BOSTON, USA

“On the side of the investor” FOR CHARLES SCHWAB ––––– WEBAWARDS: WINNER (STANDARD OF EXCELLENCE) ––––– EURO RSCG 4D, USA

Connect Truth (PRO BONO) FOR THE AMERICAN LEGACY FOUNDATION ––––– NEW YORK ADC: SILVER (HYBRID / MULTICHANNEL CAMPAIGNS) ––––– ARNOLD BOSTON, USA

Diversity FOR EDF ––––– AD-AWARDS: PUBLIC’S CHOICE (TV COMMERCIAL) ––––– EPICA: BRONZE FINALIST (TV) (CONSUMER SERVICES / PUBLIC INTEREST / TV) ––––– MERIBEL ADVERTISING FESTIVAL: CRISTAL (TV / PUBLIC INTEREST) ––––– PRIX DE LA CAMPAGNE CITOYENNE: WINNER (PUBLIC OR PRIVATE SECTOR CAMPAIGNS) ––––– EURO RSCG C&O, FRANCE

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CREATIVE REVIEW

Library FOR EMBA ––––– LONG XI AWARDS: 2 BRONZE (BEST PRESS CAMPAIGNS) ––––– EURO RSCG BEIJING, CHINA

Julie + Charlie FOR THE AD COUNCIL, AMERICAN RED CROSS / AMERICA’S BLOOD CENTERS

L’Oréal Men Expert FOR L’ORÉAL ––––– GRAND PRIX STRATÉGIES DE LA PUBLICITÉ: WINNER (INTEGRATED INTERACTIVE CAMPAIGNS) ––––– EURO RSCG 4D PARIS, FRANCE

Nightology reinvents the night J&B FOR DIAGEO ––––– FESTIVAL EL SOL: GOLD (MEDIA EVENTS) ––––– MEDIA PLANNING NETWORK, PART OF MPG, SPAIN

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––––– AICP: WINNER (TV) ––––– AICP: WINNER (PUBLIC INTEREST ADVERTISING) ––––– EURO RSCG NEW YORK, USA

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La Marche de l’Empereur FOR CANAL + ––––– MERIBEL ADVERTISING FESTIVAL: GRAND CRISTAL (TV / CREATIVITY IN ADVERTISING), CRISTAL (TV / MEDIA) ––––– BETC EURO RSCG, FRANCE

Dani, daníssimo… FOR DANONE BRAND: DANÍSSIMO ––––– FESTIVAL EL SOL: GOLD (BEST USE OF CINEMA) ––––– MEDIA PLANNING NETWORK, PART OF MPG, SPAIN

Deconstruct (Couch) FOR LEVI’S ––––– A.W.A.R.D: 2 BRONZE (PRINT) + 1 BRONZE (POSTER) ––––– ARNOLD AUSTRALIA

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LLORÉ O B T N E ITH VOIFNDC S) W W IRECTOR E I V D R R A E O B INT AIRMAN OF THE CH (HAVAS

“Havas harbors real potential that the markets still have to discover, but that its clients clearly appreciate.” March 22, 2006 – In a few days, Vincent Bolloré turns 54. Looking back, it was in 1981 that he took over his family’s paper mill, founded in 1822. When he took in charge, the company was turning over 30 million euro in annual sales. Over the next 25 years, he transformed the business into a diversified, worldwide group, worth 6 billion euro in revenues. Proud to be the heir of an industrial and financial dynasty that has lasted six generations, Bolloré bears little resemblance to a rich man perpetuating a family name. Quick to smile, with a piercing gaze, he has the reputation of a loner. Charismatic, mercurial, ready to act, even brutal on occasion. Little given to parlor games and empty hype, and loyal to those he has conquered. For a long time, his group focused on paper and maritime shipping. Now it is in banking (Mediobanca), industry (Vallourec), and increasingly, media and communications (Havas, Aegis, Gaumont, Euro Média-SFP, and the French channel, Direct 8). In the summer of 2005, Bolloré became the main shareholder and chairman of Havas. Today, he speaks about his vision of the Group and its sector. Excerpts:

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Christine Ockrent, journalist and author

our move as hostile really wasn’t a problem for us. That said, was I surprised by what I discovered here? Frankly, no; I expected a world-class company, and that’s what I have found. I knew that there would be a lot of talent, and that’s what there is. Many of these people are hard-headed, the way I like them, and at the same time creative, emotional, but also the chief of their tribe, and good managers to boot, when leading their respective agencies. Havas harbors real potential that the markets still have to discover, but that its clients clearly appreciate. C. O. __________________ Personally, and in relation to businesses that you are more familiar with, doesn’t it take a lot more energy to manage advertising executives who sometimes have inflated egos and are often rivals with each other?

“ Christine Ockrent : __________________ Over the course of your career, you have been called a Catholic Breton businessman, and then a Breton buccaneer, even the Little Prince of cash flow, a raider and now, an advertising mogul… Which epithet do you prefer?

v

incent Bolloré : Breton is surely my favorite – I love Brittany. It was there that this remarkable industrial adventure began in 1822. There are other French enterprises that are over 184 years old, but there are not many that are still in the hands of the same family. I also think of myself as an industrialist, because we have a large number of factories and we’re building more in France at a time when that’s not really the done thing. In advertising, I’m called things that are a lot worse than mogul (but you have to speak French to understand!). As for the rest, it doesn’t bother me. A group that is in business for the long haul has to be a little bit of a buccaneer or a raider, when necessary. C. O. __________________ When you pounced on advertising, what surprised you the most? V. B. Well, we didn’t actually pounce…we announced some five years ago that media and communications were going to become a major axis of diversification for our group. We chose Havas, because it was the company with the most talent and the least visibility. We could have put a half billion euro into Publicis or some foreign group. However, we preferred a major French corporation with a strong position abroad, although out of favor in the capital markets, because, in my opinion, its strategy was misdirected. The fact that some saw

We chose Havas, because it was the company with the most talent and the least visibility. Following my tumultuous arrival on the board, no key operational manager has resigned to date. People are really attached to the company. We have all realized that the advertising world is in the throes of change: creativity, media buying, marketing service, and the emergence of numerous new media channels. With so much going on, our size gives us a nimbleness that should enable the group to rise to the top of the heap.



V. B. Although my friends at Havas may not want to hear this (because we all like to think that we are unique in this world), I don’t think that egos are any more inflated in advertising than in the other companies with which I have worked. On the contrary, I consider that at Havas there is a strong loyalty to the group, a fundamental shared understanding. You should note, by the way, that following my tumultuous arrival on the board, no key operational manager has resigned to date. People are really attached to the company. C. O. __________________ The fiscal year 2005 was rocky and disappointing, with the Havas share price flat. What’s more, the Paris Bourse has been dubious about your involvement and seems uncertain of the group’s perspectives over the mid-term future. Your comments? V. B. For five years, the group’s shares have been slipping on the Bourse. That kind of trend doesn’t reverse overnight. I have never claimed to have a magic wand, and it has always taken me several years to turn a situation around. In my opinion, we have several overwhelming advantages. Havas now has a heavyweight shareholder, with a reputation for long-term action. That translates into a publiclytraded company, but under family control, so there is less pressure to produce short-term results. Furthermore, teams that could have left have remained. This confirms their acceptance of my presence. Add to that the fact we have all realized that the advertising world is in the throes of change. Creativity is now only a part of the equation. We’re seeing the rising importance of media buying, marketing services, and the emergence of numerous new media channels: free newspapers, digital terrestrial television (DTTV), the Internet, and television-on-cell phone. With so much going on, our size gives us a nimbleness that should enable the group to rise to the top of the heap. That’s why I’m certain we are on the verge of a recovery. 2005 Havas activity report

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INTERVIEW WITH VINCENT BOLLORÉ (HAVAS CHAIRMAN OF THE BOARD OF DIRECTORS) In 2006 and 2007, even if our growth continues to lag behind that of our competitors, I believe that, together, our endurance and our human and financial resources will empower us to take decisive advantage of the revolution in our sector.

C. O. _________________ Within the scope of capabilities at Havas, you seem particularly focused on media consulting services. You have acquired 26 percent of Aegis…is this simply a financial operation or is it strategic?

C. O. __________________ What is your strategy to boost the share price on the Paris Bourse?

V. B. This is clearly a strategic investment with longterm implications, and it makes a very good fit with Havas. My sincere desire is that these two companies communicate with each other and find ways mutually to benefit from as many synergies as possible. I believe that the business of advertising has become one of global communications. The world’s major advertisers invest first and foremost in media buying, and the offer has grown by leaps and bounds. Who could have foreseen the success of free newspapers, the explosion in DTTV or TV on cell phones? The gap between advertising and the media is no longer a reality. We are witnessing a convergence. The winners will be the ones who can bring together in a single company the entire range of communications skills. Our challenge is to ensure that our clients benefit from the greatest efficiency at least cost. Thanks to its size, commitment and stability, Havas is today’s hottest shop.

V. B. My analysis of the dip in the Havas share price is simple enough – in spite of the talent and commitment of its teams, the drop is due to poorly managed, unprofitable acquisitions, which have had an adverse effect on the management of current business. As soon as these acquisitions cease and management improves, the subsequent recovery will be almost mechanical. The shortfall in growth, vis-à-vis Publicis, can be overcome in five years. It is precisely during periods of change, like the one we are in now, that a determined player, benefiting from its staying power, emerges as the better performer. C. O. _________________ You talk a lot about longterm endurance. But isn’t advertising by nature essentially responsive to day-to-day trends, and so indifferent to the long term? V. B. Obviously, you have to be nimble. However, the ability to work for long-term goals, to not be subject to the necessity of instant profitability, is clearly an advantage. One can prudently build up an international network; nurture one’s position in media buying and in the provision of marketing services. When you are not tied to a 16-percent margin policy, like our competitors, you can safely tell clients that we provide them with a better service – dayto-day and in the long term, because clients know that the role of their agency is not just to produce a campaign, but to help them create an enduring brand image. C. O. _________________ Convincing your clients is not always easy. Look at Orange, which has only entrusted you with a small portion of its new advertising spending… V. B. It has been tough on the teams who have worked long and hard for the success of this brand, and who gave their best effort to win this latest competition. I have had to come to terms with this defeat and am as disappointed as anyone. But the client is always right, and at the same time, we are increasing our worldwide work together in the B-to-B arena, winning sports and music budgets. In the same month, we won communications accounts with two new major clients: Veolia worldwide, and EuroDisney for Europe.

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The shortfall in growth, vis-à-vis Publicis, can be overcome in five years time. My sincere desire is that Aegis and Havas communicate with each other and find ways mutually to benefit from as many synergies as possible. Fernando Rodés Vilà is a charming fellow; he is well-grounded in the company’s culture and has been a shareholder and manager for years.



C. O. __________________ You’re also developing the media businesses of the Bolloré group; following up on the French broadcasting channel, Direct 8 over DTTV, there will soon be Direct Soir, a free newspaper… Aren’t you afraid to appear to certain clients of Havas as their competitor? V. B. A major communications group has to be involved in different media to remain competent. One has to have knowledge and understanding of the media and its evolution in order to meet the needs of our clients. We are not getting into the business of food, pharmaceuticals or banking…. C. O. ___________________ You have named a new CEO, Fernando Rodés Vilà, who was previously at the head of MPG, the media consulting affiliate. A Spaniard overseeing Havas and a specialist in his field…is that a double signal? V. B. This appointment was the result of a consensus. Compared to the one man show that you see at our two main competitors, Publicis and WPP, Havas is lucky to have a rich pool of talents, all of whom have a say in making a choice of this magnitude. Fernando Rodés is a delightful man; he is wellgrounded in the company’s culture, has been a shareholder and manager for years, and he is Spanish…. This is, after all, an international group, with France representing 20 percent of Havas.

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Fernando comes from the media business, a crucial sector for the advertising industry, and he can be proud to have managed one of the group’s businesses that has always achieved its objectives.

C. O. _________________ Are you willing to become Havas in the same way that Maurice Lévy is Publicis? V. B. I’m willing to give all of my time to Havas, but certainly not to become it. I believe that for certain of our competitors, succession issues will cause real problems. It won’t be that way with us. We are a team and our game plan rests on team spirit. It is the Havas difference. This value is at the heart of Havas and we are glad of it. In our case, there is more than one face of Havas.

C. O. __________________ Havas, you say, is an international group, but the race for globalization may come at a high cost in this sector! V. B. The Bolloré Group is also very international: 70 percent of our activities are located abroad. We are familiar with Asia, the Americas and other nonFrench cultures. Havas, by nature, is very international. Just having a stable shareholding base, focused on the long term, enables us to establish our presence in the countries of the future, like China, Russia, India, and tomorrow, certain regions of Africa. Moreover, this means we are better prepared to weather difficult times. Today’s advertisers want to be everywhere at once, and to benefit from the same quality of service everywhere, as well. Our competitors have strongholds, but lack the supporting infrastructure. Our strategy is to reassure our clients that, wherever they are present, they will receive this kind of equal treatment. For instance, we are in the top five in China, where we have excellent ad agencies along with the largest network of marketing services companies (38 subsidiaries). We want to be present throughout the world and build up our business. C. O. __________________ In your opinion, does Havas, an international group with French roots, have any specific advantages over its American or British competitors? V. B. We are one of the rare alternatives to the overwhelming Anglo-Saxon presence in the advertising marketplace. Nonetheless, worldwide campaigns are less and less common, being replaced by global marketing, based on local creatives and strategies. In this expanding arena, we have a commanding lead, thanks to the quality of our local agencies.

C. O. __________________ Up until now, your golden rule has always been never to invest more than 10 percent of your capital worth in the same sector. Are you breaking with that tradition in the case of communications?



The decline of Havas is over. We are going to rock you. We are a team and our game plan rests on team spirit. It is the Havas difference. This value is at the heart of Havas and we are glad of it. In our house, identity is thought of in the plural.

V. B. The rule has been not to invest more than that in the same company, and that is still the case. However, we are now looking to make media and communications an essential component of the Bolloré group. Over the last 20 years, we have achieved the status of one of the 400 leading groups worldwide, and we have done that without having to go public. Today, the communications business is in a stage of rapid growth (5% to 6% per year), which offers us a great opportunity. I believe we have the know-how and the financial clout to become one of the major players in the sector – one of the sexiest and most attractive companies in the years to come.



C. O. _________________ How do you see yourself in this business, particularly in client relationships? Are you ready to use your networks, your abilities to persuade, convince and influence? V. B. I am devoted body and soul to Havas. It is a company to which I have made a personal commitment. I love the company and I am willing to go the distance with it. I am ready for the agony of setbacks and the joys of success. It is not just a financial investment, as some people want to imagine, it is an investment I have made personally and that my group has made. The decline of Havas is over. We are going to rock you. 2005 Havas activity report

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RODÉS VILÀ O D N A N R E F W WITH R) INTERVIEEC UTIVE OFFICE F EX (HAVAS CHIE

“ The industry is once again facing a revolution. We believe that Havas will be a leader of this revolution.” In the notoriously dog-eat-dog world of advertising it is difficult to find anyone with a bad word to say about Fernando Rodés. The urbane 45 yearold Catalan’s reward for his success in building Havas’s Media Planning Group into a meaningful and flourishing network over the past six years is to be handed the top job of CEO at the parent company itself. However, as the outside world was quick to point out when Havas chairman Vincent Bolloré announced Rodés’s appointment as successor to Philippe Wahl in March 2006, the two jobs are very different. What’s more, at the holding company level, there is a move away from advertising executives taking the holding company CEO role. Why was Rodés the man for the role? What makes him feel he can take Havas to the next level now that the turmoil of boardroom upheaval is behind it?

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_________________ Typically, this former banker is self-deprecating in his response:

m



y background in finance did not hurt,” he says. “But I was probably there at the right time. Bolloré had begun with a transition period. Philippe Wahl, brought in from outside the Group, had done a good job. Then the team had to decide who would be the new CEO. We decided it would be an internal appointment. “Why was I chosen? I think the desire for a much more cohesive Group between the creative and media components was an important element in my nomination. The MPG track record clearly worked in my favour – whilst this was not only thanks to my own merit but to that of the whole MPG team – plus the fact that the team has been a part of Havas for more than six years.”

_________________ Rodés’s father, veteran Leopoldo Rodés, founded the first Spanish media agency to break away from the full-service parent company 30 years ago. It was a minirevolution. His son sees a parallel with today. “The industry is once again facing a revolution. We believe that Havas will be a leader of this revolution. Why? We have the right people and talent and we work for some of the best companies and brands in the world. We understand our clients’ businesses and provide innovative, creative and accountable solutions to their communications problems. We lead in key areas and markets and thanks to our size we are able to act with more speed, flexibility and agility than others.”

_________________ Rodés inherits a company which appears to have taken a strategic decision to discontinue its long struggle to match the size of the so-called “big four” advertising groups: Omnicom, WPP, IPG and Publicis Groupe. He says that now it is time to concentrate on value generation and opportunities. He speaks as if Havas has already solved all of its problems and only had to concentrate on the opportunities available, but is this really the case? “To a large extent this is true,” Rodés responds. “Havas went through a very delicate period a couple of years ago, with the loss of some important clients, the simultaneous lack of executive direction and a tense financial situation. These problems are now a thing of the past.”

must be a consequence not a course in its own “Growth right,” he continues. “Our objectives are performance and value generation for clients, shareholders and teams. Growth is something that happens if you are a good company. You need a social anthropologist and sometimes a psychologist to understand this obsession with being the biggest in advertising; perhaps it is a fear of lacking other internal strengths. The only real problem at Havas over the past few years was its acquisitions policy, badly investing shareholders’ money, and a non-existent digestion policy. However the essence of the company remains intact; it is a superb company, and with a little fine-tuning it is now ready for growth and leadership.



_________________ But what does Rodés say to those who might see Havas as having replaced one dominant individual executive, a pyramidal management structure and no shareholder of reference with a new chairman, Vincent Bolloré, whose Bolloré Group has a 25 per cent stake in the company? Does Rodés’s job come with any real power to lead Havas? “There is a team in charge,” is Rodés’s emphatic response. “Bolloré enhances this teamwork and team spirit. He himself, Alfonso my brother, and the rest of the MPG team helped me accept the job. Having Bolloré on board is the beginning of a new period of management and financial stability for Havas. In the year we have worked together, he has been consistent, and there is no doubt that he is committed. But the Bolloré Group is not Havas. We have a close and useful reporting line to Vincent Bolloré because he is our Chairman but we interact with the Bolloré Group as we would with any major shareholder.” 2005 Havas activity report

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INTERVIEW WITH FERNANDO RODÉS VILÀ (HAVAS CHIEF EXECUTIVE OFFICER) _________________ Assessing management priorities, Rodés says that Havas will continue to make some small modifications to the organisation aimed at making the Group more cohesive and more flexible. “This shouldn’t be too difficult because there is a lot of mutual respect amongst professionals,” Rodés says. “We are also reviewing our remuneration policy, to recognise and reward our teams’ results. And we are focusing our efforts on creating new-business synergies that can help to achieve higher organic growth.” _________________ However, Rodés sees many opportunities for Havas beyond the traditional agency new-business activity. The majority of these emerge from what he sees as the radical changes in the relationship between consumers and brands, and the subsequent revolution in the media. Changes, he believes, that are causing some conventional marketing approaches to become obsolete. “New points of view and business models are needed, which without completely breaking with the past, can help us understand the present, face the future and design new marketing approaches,” he says, warming to this theme. “It is these changes which can unearth new opportunities and we therefore need to be extremely f lexible in order to keep up with the changing rhythm of the times.” _________________ Asked to give some examples of this new rhythm, he cites the “important and obvious” one: interactive and digital marketing. Here, he claims Havas already outperforms the industry through Euro RSCG 4D and Media Contacts. Margins, Rodés points out, are also higher in this sector.

fundamental opportunity for Havas is the “Another relationship between the media channel and creativity,” Rodés continues. “The consumer no longer sits in front of media; rather he/she wanders through a forest of touch-points. Thousands of touch-points. Today, differentiation in terms of the message and creativity is more relevant than ever. There are some people who believe that creativity is losing importance relative to media. I don’t believe this is true. I think that brands and consumers are demanding more creativity than ever. Media and creativity are now interdependent. They need to work hand-in-hand, and processes at Havas work off this basis.



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“The digital revolution has only just started,” Rodés argues.“Today however, traditional media still offer many more of those touch-points. These media are also living through their own revolutions. Many traditional media are becoming new media: just look at digital TV for example and the opportunities this presents for marketers and brands.” _________________ Asked about geographic opportunities, Rodés cites Brazil, Russia, India, China and Turkey as obvious priority growth markets. “However, although it is important to indicate priorities, and include here economies with high growth potentials, all markets are important. Havas is a leader in a variety of disciplines in France, Spain, the UK, US and Latin America, amongst other markets. Of course we will prioritize consolidation of our leadership in all these markets. They remain very interesting markets for us.” _________________ Rodés believes it is not necessary to have the largest volume in order to secure the best prices. He argues that MPG has demonstrated this through its organic growth rate over the last five years. This he sees continuing in a variety of different markets ranging from India, Italy, Chile or Poland, to name but a few examples of where MPG has started from scratch in the last few years. Nevertheless, to the outside world, the Bolloré Group’s amassing of a 25 per cent stake in the rival Aegis group is a mouth-watering prospect. What does Rodés make of any prospective Aegis relationship? “Aegis is an opportunity for us,” Rodés responds cautiously.“It has been put in place on our horizon by our Chairman with his own money – although, of course, the future of Aegis does not depend entirely on Vincent Bolloré himself. These opportunities are sometimes difficult to achieve, so we have a clear strategy in place for our Group by itself. Joining forces with Aegis would be a leap. It is a company that we admire and with a high degree of compatibility, geographically and strategically. But it is not our only opportunity.” _________________ Some of those other opportunities come from the US market where Rodés is adamant that, in future, energies and resources will be focused on excellence, not volume growth for its own sake. Again, he sees an attitudinal shift as key to future success. He argues that “intelligence and quality come before size.” “Arnold in the US is a well-known example of excellence, but we have many more examples in this market without even going further than our New York agencies, and specialist ones in Chicago which are simply fantastic.”

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“In terms of geography, we have to make sure that the assets we have where we are not top three by volume are great and therefore capable of generating growth,” reflects Rodés. “Thankfully, our agencies in China and other growth markets are indeed first-rate and gaining momentum.” _________________ It is difficult to argue with much of what Rodés says, but many of its rivals are also attempting some or all of the same initiatives. Despite the change in strategic direction, the new management line-up, the injection of investment and internal cost reduction, why should a client choose Havas? What makes it special? Rodés clearly believes that this is a group weighed down by a misguided acquisition policy that has hidden its light under a bushel for too long. He answers unequivocally.

Stefano Hatfield is editorial director, head of special projects at News International; a former editor of Campaign, he has been a commentator on advertising for 15 years. He currently writes a weekly column for The Independent newspaper in London.

are several elements in Havas that make me “There believe that we are especially well prepared to succeed in the future: The talent of our teams and the determination to meet and exceed our clients’ expectations within our agencies is indisputable. Havas has gained the trust of all its many clients with a combination of creative intelligence and accountability, a mix of knowledge, curiosity and innovation that go together with a devoted orientation to results. These values are part of the Havas DNA and will be a key advantage to embrace our challenges. There is a strong team spirit in Havas, an enthusiasm to work together with our clients and with others to achieve our clients’ goals. I believe that a great source of this talent is the fact that Havas is a multicultural group. I think that this provides us with the ability to understand local issues and to work together helping global brands. I am convinced that this energy will drive the group to a bright future. We also enjoy the commitment of our shareholder of reference, a privileged alliance that no other large group has. And our size allows us to be extremely flexible and align our service offering to generate the maximum value to our clients’ brands, either using size and weight, or acting with the diligence of artisans. Combine all this with our hunger for success. We have total consensus and the ambition to transform Havas into the most dynamic, insightful and integrated communications company, a preferred partner for our clients and an enriching place in which to work.



2005 Havas activity report

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S IGURE F Y E K

Despite a decline in 2005 revenues, Havas improved net income by over 7%. French GAAP

2001

2002

2003

2004

2,241 234 10.4%

1,987 228 11.5%

1,645 136 8.3%

1,494 197 13.2%

11 (58)

95 23

(179) (396)

92 34

(in euro millions) REVENUE OPERATING INCOME OPERATING MARGIN NET INCOME BEFORE GOODWILL AMORTIZATION AND IMPAIRMENT, GROUP SHARE CONSOLIDATED NET INCOME, GROUP SHARE

IFRS

2004

2005

1,491 157 10.5% 172 11.6% 55

1,461 152 10.4% 128 8.8% 59

(in euro millions) REVENUES RESULT FROM OPERATIONS PROFIT BEFORE TAX AND EXCEPTIONAL ITEMS CONSOLIDATED NET INCOME, GROUP SHARE

EQUITY AND NET AVERAGE DEBT (at December 31, 2005, and in euro millions)

EQUITY NET AVERAGE DEBT

22

2005 Havas activity report

2004 IFRS

2005 IFRS

812 538

925 542

In 2005, equity increased nearly 14 percent, while net average debt remained stable.

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MP G

20 %

2005 REVENUE BY DIVISION

Havas is a multicultural group present in 75 countries.

W

64

2005 REVENUE BY CLIENT SECTOR

1,583

1.4%

1,394 5,409

% 2.8

TR US IND

9.6%

FIN ANCE

1,283

5,057 TOTAL 14,898

12%

CARE ALTH HE

15%

OTHER

TOTAL 16,344

VE TI

3.2 %

13 ORTATION AUT .6% .3%) TRANSP OM 13TMT(1 O

1,296

5,140

TOTAL 14,298

P

G SC OR EUR

%

16%

OR LD WID E

E ID DW ARNOLD WORL

AR TN ER S

SE INDU RVICE STR S IES

1,273

1,129

AVERAGE HEA D

COUNT

Y

8,056

RETAIL

7,174

6,746

2004

2005

29%

(1) Telecom, Media and Technologies

2005 REVENUE BY ACTIVITY

2003

39%

EUROPE

TIONAL ADVERT ADI ISI TR NG

LATIN AMERICA NORTH AMERICA

I ET RK MA

17%

M ED IA EXP ERTISE

ASIA-PACIFIC

N

HEADCOUNT YEAR END 2005

4

4% G SERV ICES

9% UK

9%

ASIA-PA CIF IC

20%

UROPE RE HE OT

2005 REVENUE BY GEOGRAPHIC REGION

CE

A

LAT IN AMERICA

8%

AN FR

%

A

36%

2 0%NCE

FR

C RI ME HA NORT

4% 4%

- LATIN ASIAC AMER ICA CIFI PA

A IC ER AM NORTH

40%

12%

18

UK

R HAVAS 05 GB

E OP OTHER EUR

20%

2005 Havas activity report

23

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ONS DIVISI Bering B ering Sea Bering rin Sea

Aleutian Islands ands

PA CIF IC PA CI F I C

AT LANTIC Acores o (Port.))

O C E A N

O C E A N O C E A N Haw awaiian aiian iii Islands slands (US) (U

Mariannes Ma ann Islands (US)

Guam m (US) (US Marshall shall ll Isla Islands s

Cape V Verde erde de

Havas is a multicultural, global, communications group, structured into three operating divisions. > Euro RSCG Worldwide A global, integrated communications network, with head offices in New York, and present in 75(1) countries through its 233 agencies located in Europe, North and Latin America, and in the Asia-Pacific region.

> Arnold Worldwide Partners A family of highly creative agencies, with head offices in Boston, and a strong local presence in the US, Canada, France, Italy and China.

> MPG A global media and communications network headquartered in Barcelona, and mainly present(2) in Europe, Latin America and the United States.

David Jones Global Chief Executive Officer Euro RSCG Worldwide Mercedes Erra Executive Co-Chairman Euro RSCG Worldwide Stéphane Fouks Executive Co-Chairman Euro RSCG Worldwide Rémi Babinet Chief Creative Officer Euro RSCG Worldwide

Ed Eskandarian Chairman and Chief Executive Officer Arnold Worldwide Partners

Fernando Rodés Vilà Chief Executive Officer MPG

350 Hudson Street New York, NY 10014 USA www.eurorscg.com Tel.: +1 (212) 886 2000 Fax: +1 (212) 886 2016

101 Huntington Avenue Boston, MA 02 199 USA www.arnoldworldwidepartners.com Tel.: +1 (617) 587 8000 Fax: +1 (617) 587 8070

Doctor Fleming N. 17 08017 Barcelona Spain www.mpg.com Tel.: +34 (93) 306 8900 Fax: +34 (93) 414 7213

24

(1) Present in 75 countries through its subsidiaries, affiliates and partnerships. (2) Present in 91 countries through its subsidiaries, affiliates and partnerships.

2005 Havas activity report

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MPG

20%

2005 revenues by division

Arnold Worldwide Partners 16%

Euro RSCG Worldwide

64%

Rapport d’activité Havas — 2005

03

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IDE W D L WOR G C S R

“Brilliant ideas that drive growth. That is the offering that sets Euro RSCG Worldwide apart, and in 2005 it won us the business of a host of new clients, including Charles Schwab, Ford’s Jaguar, Bayer’s Levitra, Verizon Business, Heineken’s Dos Equis, Novartis’ Vagistat and LG. Our newbusiness performance and development of major international clients more than negated our loss of Intel—proving once more the value of being a major global network that’s genuinely multicultural, genuinely multidisciplinary, and fueled by the sort of entrepreneurial and creative drive that marks the best of the smaller shops. Euro RSCG is succeeding because we produce better work. 02

Rapport d’activité Havas — 2005

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And we do so because we have better people. It’s that simple. The new management group—made up of Mercedes Erra, Stéphane Fouks, Rémi Babinet, and David Jones— have unreserved faith in our hugely talented teams around the world. It’s an exciting time to be at Euro RSCG, and we look forward to all the good things 2006 holds in store.”

Mercedes Erra

Rémi Babinet

Executive Co-Chairman

Chief Creative Officer

David Jones

Executive Co-Chairman

Global Chief Executive Officer

Stéphane Fouks

2005 Havas activity report

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EURO RSCG WORLDWIDE

EURO’s business model

f

ounded in 1991, the Euro RSCG Worldwide division of Havas provides advertising and marketing services in addition to interactive and corporate communications services to global, regional and local clients. Organized according to a model we call Power of One, Euro RSCG Worldwide is present in 75 countries, with 233 offices and 10,000 employees. It is structured into six business units: North America, Europe, Asia-Pacific, India/Middle East, Latin America and Euro RSCG Life. Euro RSCG Worldwide operates in each of these regions and is positioned among the marketplace’s leading global communications networks.

Three-pronged strategy Today, the world of ad agencies falls into two categories: on the one hand, big networks that focus on running global businesses rather than specializing in fabulous creative work (and certainly not integrated work), and on the other hand smaller shops that deliver powerful creative ideas, but do not have international networks. Euro RSCG Worldwide is unique because we combine the brilliant ideas of a hot shop with the scale and reach of one of the world’s largest agencies. For this, Euro RSCG Worldwide has defined a three-pronged strategy: • offer clients Creative Business Ideas® in order to produce brilliant campaigns that grow businesses and brands, • develop these ideas by studying Prosumers®, today’s most influential, proactive consumers, • execute these ideas in a genuinely integrated, forward-thinking manner with our Power of One model.

Euro RSCG Worldwide

is the only agency network in the world, including the independent creative hot shops, to have two TV commercials (Peugeot 407 “Toys” and Citroën C4 “Carbot”) among the world’s top 10 most awarded ads, according to the 2005 Gunn Report. 28

2005 Havas activity report

In 2005, Creative Business Ideas®, Prosumers® and Power of One continued to be the guiding principles that distinguished Euro RSCG Worldwide from other agencies. They gave us the capacity to anticipate market trends and provide a structured approach to brand building that emphasized creativity, global execution and integrated marketing in all sectors. We thus fully met the needs of our clients, who now demand tangible proof of the return on their marketing investments and more integrated communications solutions. This is an approach that is helping to grow some of the world’s most important companies, including Airbus, Air France, BNP Paribas, Capgemini, Charles Schwab, Danone Groupe, Diageo, IBM, Jaguar, L’Oréal, LVMH Louis Vuitton, PSA Peugeot Citroën, Reckitt Benckiser, Sanofi-Aventis, Schering- Plough, Verizon Business and Volvo. Euro RSCG Worldwide has no interest in being the biggest. What we want is to be the best. And that means hiring and training the best people to create and execute brilliant ideas in an integrated fashion as growth drivers, across the globe.

It happened in 2005 During 2005, we continued to build on and reap the benefits of our unique insights into the attitudes and behaviors of today’s most proactive, demanding consumers: Prosumers®. We expanded our benchmark studies geographically and deepened our understanding of the future development of key marketing sectors, ranging from automotive to food to pharmaceuticals to luxury. This approach was pursued in the US, UK and France, as well as launched in Germany, Russia, India, China, Japan, Mexico, Brazil and Australia. In 2005, the success of Euro RSCG Worldwide’s strategy was confirmed with a stunning string of new business wins from offices around the world. In the US, the win of the global Jaguar account and Verizon Business, on the back of major new business wins from Charles Schwab, GlaxoSmithKline, Novartis, Schering-Plough, Dos Equis/ Heineken, Vichy/L’Oréal and Howard Stern/ Sirius, turned the agency into one of New York’s hottest shops. In 2005, we won 15 Cannes Lions, our best showing ever. Ten of those Lions were won for multinational clients. We were also the number 1 awarded agency at Cannes for Cyber Lions and had the distinction of receiving one of the firstever Titanium Lions for Best Integrated Campaign.

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Two TV commercials in the Top 10 Euro RSCG Worldwide is the only agency network in the world, including independent creative agencies, to have two TV commercials among the world’s top 10 most awarded ads, as reported in the 2005 Gunn Report. In addition, Euro RSCG 4D Brazil was named runner-up for Interactive Agency of the Year at Cannes, and Euro RSCG Life, our global healthcare specialist network, was named Agency of the Year by the publication “Medical Marketing & Media.” It is thanks to these creative achievements that Euro RSCG Worldwide won such major accounts as Jaguar globally, Disneyland Resort Paris in Europe and Danone’s global CRM business.

Creative Business Ideas® Prosumers® Power of One

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MPG

“ Insight and intelligence” MPG offers insightful and intelligent consumer centric communications solutions to promote better business results for its clients. MPG does this by establishing effective and engaging relationships between consumers and brands. MPG is a young and dynamic group of specialised networks organised to foster local market entrepreneurism and leverage MPG’s extensive investment in consumer insight and strategic support. MPG believes it is essential to understand the constantly changing relationship between the consumer and the brand. Subsequently it offers unique inhouse resources specialising in offering superior market intelligence through the use of its rigorous consumer centric methodology – Concert™.

|1|

|2|

Alfonso Rodés Vilà | 1 | Jordi Ustrell | 2 | María Luisa Francolí | 3 | Richard Pace | 4 | Joaquín Bohorquez | 5 | Don Epperson | 6 | Juan Bascones | 7 | Hernán Sánchez | 8 | Fernando Rodés Vilà | 9 | Ampelio Plaza Major | 10 | Arnoulf Keil | 11 | Bertrand de Lestapis | 12 | Charlie Rutman | 13 | Eric Mergenthaler | 14 | Suzie Warner | 15 | Guy Champniss | 16 | Luca Boer | 17 | Marc Mendoza | 18 | Marc Craze | 19 | Ramiro Castillo | 20 | Yves Del Frate | 21 | Nicola Charles | 22 |

30

2005 Havas activity report

w

ith its focus on understanding the relationship between consumers and brands, MPG has continued to expand its insight and market intelligence capabilities by combining econometric modelling capabilities and proprietary decision support systems technology. In line with this investment the company has reorganised itself to reinforce and rebrand this function to operate as ‘MPG Intelligence’. The reinforcement of MPG Intelligence as an internal resource is fundamental to MPG’s point of difference in the market. It is a core resource that is available to all MPG networks and clients and is therefore also marketed both internally and externally. MPG Intelligence continues to strengthen its association with premier research companies and academics in order to constantly upgrade its thinking on Integrated Communications Planning and further optimise clients’ investments across 360º media strategies. It is also developing best practices that address how to manage communications investments to maximise brand value. To ensure that this knowledge is effectively integrated within the company, this investment has been dovetailed with a strengthening of the Human Resources function. A boosted Human Resources team has rolled out a new company wide programme ‘Dare to Know’. This is a comprehensive management training initiative that works in conjunction with MPG Intelligence and a list of academic partners to ensure that our principal consumer centric tools and methodologies are applied throughout. This programme has also focused on channeling our organisation into a totally client focused structure to ref lect and underpin our economic modeling tool Concert™. Concert™ is our unique consumer centric methodology that is applied throughout all our

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networks. It is communicated to existing and new markets by the MPG Catalyst teams. In order to deliver this methodology, MPG has invested in a new role within our central resource– the Chief Client Officer (COO). CCOs are organised according to clients’ cultural and circumstantial needs and carry the ultimate responsibility for delivering MPG’s optimum products and services. The CCO’s new role will work closely alongside a boosted centralised Gobal Marketing Department. In conjunction with an increased focus on developing consistent and clear communications strategy for MPG, Global Marketing will also prioritise the communication of MPG’s portfolio of products and services. Within this capacity the Marketing team and CCOs will tailor the communication strategies used to ensure MPG’s employees and clients leverage the range of heavy weight research and intelligence programmes made available within the company.

also now servicing clients out of Japan and Korea, alongside its partnership with Motivator in North, South and East Asia. |3|

|4|

At the start of the year MPG created the 2MV Joint Venture with WPP’s GroupM in seven European markets in order to serve the client PSA in those countries included in the joint venture (France, Spain, UK, Germany, Italy, Switzerland, Denmark, Russia) where the account was to be granted, and appointed Yves Del Frate to lead the operation. MPG also reinforced its operations in Germany when it launched a new agency model under the name of “MPG Werbekraft” in November, and strengthened its position in the UK, US and India through top-management hires and reorganisation. MPG plans to spend the next year consolidating and reinforcing its existing operations and those that are newly established.

|5|

Central Buying functions, that include specialists in both Media Buying and Print Media, are now working with each of our networks to ensure that our clients are able to leverage the synergies available within each market. MPG is also developing its capabilities in the area of Branded Content through both central investment (following the hire of a global head of Branded Entertainment) and via its networks and countries.

|6|

Global expansion MPG continues its organic growth which has seen it rise from an 8 country network in 1999 (Spain, Portugal, Mexico, Colombia, Argentina, France, UK, and the Netherlands), into a truly global network. Today MPG is present in over 91 countries. It is the leading agency in 7 markets (Argentina, France, Mexico, Portugal, Spain, Slovakia, Ukraine) and is amongst the top 5 agencies in many of the markets in which it operates. In 2005, MPG completed its international presence with a number of undertakings in new markets. In Australia and New Zealand, MPG signed a joint venture with Mitchell & Partners, Australia’s largest Media Independent Agency. In the Middle East, the company signed a JV with Euro RSCG Promopub. The regional operation is headquartered in Dubai, and will cover 14 countries, including the GCC, Lebanon and Egypt. MPG is

|7|

|9|

| 11 |

|8|

| 10 |

| 12 |

2005 Havas activity report

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MPG

| 13 |

| 14 |

| 15 |

| 16 |

| 17 |

Strong commercial teams boost performance New Business: MPG continues to drive new business growth by fostering strong commercial teams that work closely with local account management teams and MPG Intelligence in order to foster cross-selling opportunities across countries, regions and networks. A particular focus for this year will be the active recruitment and retention of multi national and multi market clients. These operations are handled by the MPG International network. Major wins: –––– Danone: Portugal, Spain, France, Poland –––– Autozone: US –––– Hersheys: US –––– PSA: Chile, Mexico, Germany –––– Turespaña: Spain, Argentina –––– Bimbo: Mexico –––– ING: France –––– P&O Feries: UK, Netherlands, France, Belgium –––– Creative Labs: Poland, Austria, Spain, Italy, Netherlands, Portugal, UK –––– Hasbro: Spain, Brazil –––– Mitsubishi: Spain –––– Puig: UK, France, Italy, Germany –––– Barclays: Spain, UK, Netherlands –––– Mulliez: Germany, Poland, Italy, Spain, France –––– Interparfums: Italy, France –––– TUI: UK, Spain –––– Lacoste: France, Belgium, Portugal, Spain –––– Air France- KLM: France, Italy, Netherlands, Poland, Canada, Mexico, Belgium, Austria Reinforce network: MPG’s global networks continue to expand in response to client and market demands. The realignment and reorganisation of Media Planning Network remains a priority, as

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2005 Havas activity report

does support of the growth and geographical expansion of Media Contacts. MPG will invest to reinforce the central resources behind its brand in support of all its networks in their growth and success. In light of this, the company recently realigned its brand to ref lect the significant development of MPG and its networks. MPG now operates as a parent brand. In doing so the MPG brand offers all its members access to the core resources that are essential in setting the high standards and benchmarks that define the company (MPG Intelligence, Buying, HR, Marketing, etc) Outside the central ‘hub’ the MPG brand also supports a selection of networks. These networks are organised according to their functional specialties. They act as signposts directing clients towards a particular discipline within the MPG group. All networks have an ‘endorsed’ relationship with the MPG brand and are positioned with their own icon alongside MPG branding.

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MAJOR AWARDS AND RECOGNITIONS

| 18 |

ARGENTINA

1 MPG Argentina awarded Media Agency of the Year 2005 2 The RECMA Vitality Report July 2005, graded MPG Argentina with an A+

PORTUGAL

1 Arena won EFI Advertising Effectiveness awards for Sagres (Silver) and Tele2 (Gold & Grand Prix) 2 Media Contacts won Gold in the “Best New Media Action” category for Nestlé, Prisma Awards. 3 MPG won Media Agency of the Year 4 National Award for Nike in the Media-Outdoor category at Cannes Lions Festival

MEXICO

1 EHS Brann: Direct Marketing Mexican Association CRM for Pernod Ricard (Gold), UNICEF, (Gold), Direct Response Advertising for EBC (Silver)

SPAIN

1 Best Media Agency 2005 & Best Media Director (Premios Control) 2 3 Gold awards at the Festival el Sol in Spain: Best use of Cinema (Danone), Best use of Press (Repsol), Best use of Special Events (J&B’s Nightology) 3 Media Contacts voted Best Online Media Agency of the Year by the Spanish Interactive advertising magazine Interactiva 4 Gold award for Guia Campsa-Repsol, Silver award for Vodafone in the “Best online media Action” category, and Silver award for Vodafone Live! in the “Best Wireless Project” category 5 Media Contacts won first place at the XV CUORE for the technology project: Artemis - Migrating the Online Advertising Data Warehouse to an Open Platform

SWEDEN

1 Media Agency of the Year award from Stockholm Media Week magazine

UK

1 2 3 4

USA

1 Media Post Creative Media Awards (Bronze) MIXX [for marketing and interactive excellence]: 2 Media Post Creative Media Awards (Bronze) Tyson Foods / Brand Awareness & Positioning “Online Media Campaign” 3 Media Contacts: Media Week’s 2005 - Media Plan of the Year 4 Media Contacts: Media Week Best Use of Internet for Southern Comfort campaign

| 19 |

Campaign Media Awards (Gold): Media Campaign of the Year award - Intel Campaign Media Award (Silver): Public Sector & Charities Award - Conservative Party Campaign Media Award (Silver): IT and consumer durables Award - Intel Revolution Awards: Best Customer Service for work with Tribal DDB and Camelot

| 20 |

| 21 |

| 22 |

2005 Havas activity report

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IDE PARTNERS W D L R O W D L O N AR

“In the world of infinite possibilities, we’re creating new and exciting solutions for our clients.” Ed Eskandarian (Chairman and Chief Executive Officer of Arnold Worldwide Partners) “The US, which accounts for almost 75% of AWP, had significant growth and strong profitability in the face of a very competitive and changing environment. Everyone agrees that change is the only constant in North American marketing and advertising. It’s a fundamental truth. So, what’s new? What’s new is the rate of that change. We see it exploding. Agencies are servicing the needs of both traditional marketers who need to reach an ever changing consumer in new and more effective ways; and, new marketers, creating new competitors out of former allies; with new customers; and, new ways of reaching them.

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2005 Havas activ

At Arnold Worldwide we saw this rising storm of change on the horizon and shifted our model to “One Arnold.” An agency with one bottom line regardless of geography or services performed. One bottom line, for one agency, delivering all the required services the exploding environment needs under one roof. Today Arnold Worldwide Partners delivers a range of consulting services from Business Strategy to Cognitive Research; and from Brand Planning to Channel Planning to better understand the environment our client’s compete in every day. We’ve created a structure that helps develop and nurture creative excellence in each facet of the communications continuum from Advertising to Design to Interactive and Direct Response. And, we grew areas of specialty expertise from Brand Promotions and Branded Entertainment to Corporate Communications and Public Relations. And we did it all as “One Arnold.” Not as silos. The shift to this approach fundamentally changed the way we do business, making us stronger, faster and more agile in this explosively changing marketplace. As clients seek to make order of the chaos by pursuing the Holy Grail of measurement, we are at the forefront in developing proprietary systems to measure a client’s Return on Marketing Investment (ROMI). Arnold is partnering with our forward thinking clients to launch

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innovative marketing programs that leverage the explosive change taking place and capture the consumer’s attention wherever it may be. Some of that innovation includes DVR* friendly and addressable content; embracing the power of “third screen” marketing; leveraging the inf luence of blogs on “word of mouth”; and, continuously expanding the interactive potential of the internet. Through a combination of integrated thinking, creative excellence and disciplined metrics we’re succeeding to deliver the radical insight that creates true value. In the world of infinite possibilities we’re creating new and exciting solutions for our clients.”

a

Arnold’s business model rnold Worldwide Partners is a grouping of communications and advertising agencies that offer their clients highly creative services. It brings together majority- and wholly-owned subsidiaries in the US, Canada, Europe and China. Arnold Worldwide Partners is proud to work for major international clients, such as Hershey’s, Lee Jeans, McDonald’s, GlaxoSmithKline, Audi and Fidelity.

Strategy and development Arnold Worldwide Partners’ strategy for business growth continues to focus on its creative product and its creative reputation. Within a very responsive, dynamic framework, it offers its clients remarkable communications solutions that blend locally-integrated services with extraordinary creativity.

the remaining 25 percent still owned by Havas, we expect to end 2006 with only North American and French operations, as well as an agency in Italy and China.

It happened in 2005 The agency’s performance in the US was excellent. Arnold Worldwide Partners and McKinney both delivered significant revenue growth. Although international markets saw major declines in margins, especially in Spain, Canada, Italy and Australia, Arnold Worldwide Partners’ overall 2005 growth still exceeded targets. –––––– Arnold Worldwide Partners opened a new Business Consulting agency, specialized in corporate strategic activities.

–––––– Arnold launched a Brand Entertainment business in Los Angeles. –––––– In France, Devarrieuxvillaret won a Grand Prix de l’Affichage (for billboard advertising) and a Grand Prix Stratégies. –––––– The American agency, McKinney, won a prestigious award for Best Interactive Campaign of the Year, working for Audi.

In 2005, the major business change was Arnold’s successful completion of moving to one bottom line for its US operation, not only for all its integrated offerings (design, direct, interactive, promotion, etc.), but also for its four full-service offices in the United States. This has resulted in all offices and all integrated services working extremely effectively together, aligning the interests of the entire organization. Locally, Arnold Boston, after losing the Volkswagen account in 2005, won Radioshack, expanding the list of its cross-discipline clients by providing advertising, interactive and brand promotions. With over 600 awards and prizes won this year, Arnold Worldwide Partners has more than doubled its already strong 2004 performance. Most notably in 2005, Arnold US has remained one of the most awarded agencies in the world. In fact, Arnold US is one of only 9 agencies in the world who have been included in the Gunn Report (which provides an exhaustive ranking of the most awarded agencies in the world) every year since its inception (7 years ago). In 2005, Arnold agencies won in all the major award shows where their work was entered. In particular, Arnold US won the following: New York Festivals (Gold), The One Show (Gold), Effies (Gold), Cannes Lions (Silver) and many more major industry awards.

Our focus in 2006 and in the future will concentrate on North America. Expectations are that North America will represent over 90 percent of Arnold Worldwide Partners’ business going forward. Arnold Worldwide Partners’ focus on North American operations resulted in merging its Spanish and Australian operations into Euro RSCG Worldwide. Since WCRS, Arnold Worldwide Partners’ UK operation bought back * DVR: Digital Video Recorder.

2005 Havas activity report

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HAVAS SHAREHOLDER STRUCTURE

HAVAS SHARE PERFORMANCE

(AT 12/31/2005)

(FROM 12/31/2002 TO 02/28/2006)

13%

11% U K

US A

4.0 6,000,000 3.0 4,000,000 2.0

2,000,000 1.0

(IN V IN CL IA . 23 .8% BO ORÉ MED LL

0 01/31/06 02/28/06

12/30/05

11/30/05

10/31/05

09/30/05

08/31/05

07/29/05

06/30/05

05/31/05

04/29/05

03/31/05

02/28/05

01/31/05

12/31/04

11/30/04

10/29/04

09/30/04

08/31/04

07/30/04

06/30/04

05/31/04

04/30/04

03/31/04

02/27/04

01/30/04

12/31/03

11/28/03

10/31/03

09/30/03

08/29/03

07/31/03

06/30/03

05/30/03

04/30/03

03/31/03

02/28/03

0

12/31/02

70%

01/31/03

C AN FR E

ES TIS SE MEN TS)

TREASURY STOC K

1%

5%

ORLD OF W ST RE

AVERAGE DAILY TRADING VOLUME

5.0 8,000,000

SHARE PRICE (IN EURO)

ELATIONS R R E D L O H E SHAR

Financial communications In 2005, Havas was particularly present with institutional investors, in France and in the UK. Eighty one-on-one meetings were organized at the group’s head offices. Eleven days of road shows took place in France, the UK and Italy. Havas participated in six investor conferences in the US, as well as in London and Paris. In addition, the Havas group published over 24 press releases for the benefit of the financial community.

Hervé Philippe, Chief Financial Officer

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2005 Havas activity report

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THREE-YEAR FINANCIAL SUMMARY (PER SHARE) IN EURO HIGH LOW SHARE PRICE AT 12/31 NUMBER OF SHARES OUTSTANDING AT 12/31 (IN THOUSANDS) MARKET CAPITALIZATION AT 12/31 (IN EURO BILLIONS)

2005

2004

2003

5.12 3.62 3.65 429,181 1,567

5.03 3.34 4.20 428,832 1,801

4.64 1.93 4.26 306,197 1,304

IFRS PRINCIPLES 2005

IFRS PRINCIPLES 2004

FRENCH GAAP 2004

FRENCH GAAP 2003

0.18

0.18

0.27

(0.56)

NET INCOME/LOSS, GROUP SHARE P/E RATIO AT 12/31

0.14 26.1X

0.16 26.3X

0.10 42.0X

(1.24) N/A

NET DIVIDEND TAX CREDIT GROSS DIVIDEND NET YIELD AT 12/31 (IN %)

0.03(1) N/A 0.03 0.8%

0.07 N/A 0.07 1.7%

0.07 N/A 0.07 1.7%

0.047 0.023 0.07 1.1%

NET INCOME/LOSS, GROUP SHARE BEFORE AMORTIZATION AND DEPRECIATION OF GOODWILL

(1) Proposed at the Annual General Meeting of June 12, 2006.

Following the capital increase of October 19, 2004, with preferential subscription rights, 2003 per-share data has been adjusted by a multiplicative coefficient of 0.93254.

Shareholders Club

–––––––––––– Codes for listed securities

–––––––––––– 2005 highlights • Letter No.1: 2004 revenues and creation of the Club for investors owning 1,000 shares or more • Letter No.2: 2004 results and creation of the Club for all investors owning at least 1 share • Organization of a shareholders tour of our main communications agency in Paris, BETC Euro RSCG (April) • Letter No.3: reporting on the AGM, for all investors owning at least 1 share To date, the Club has 9,000 members.

Euronext ISIN Share code: New shares code: (ex-rights to the next dividend) OCEANE 2002/2009:

–––––––––––– If you wish to enroll in the Havas Shareholders Club and get your membership card, simply send your postal or e-mail address to: Fairouz Garlan 2, allée de Longchamp 92281 Suresnes Cedex [email protected]

>>>>>>>>> Ranked 15th by Synerfil among the best French shareholders clubs of the year.

FR0000121881 FR0010276204 FR0000188476

Nasdaq ADS (American Deposit Share) Ticker: HAVS (one ADS corresponds to one HAVAS share) –––––––––––– For details, contact Investor/analyst relations Hervé Philippe Tel. : +33 (0) 1 58 47 90 10 / 90 11 [email protected] Shareholders Club Hervé Philippe Tel. : +33 (0) 1 58 47 90 10 / 90 11 [email protected] Fairouz Garlan Tel. : +33 (0) 1 58 47 91 23 / 91 35 [email protected] Share registry service Jean-François Fondeur Tel. : +33 (0) 1 58 47 90 79 [email protected] 2005 Havas activity report

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RATE O P R CO

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E ANC N R GOVE

Board of Directors Vincent Bolloré | 1 | Havas Chairman of the Board of Directors Director since June 2005, his term expires in 2008

Cédric de Bailliencourt | 2 | Permanent representative of Bolloré Investissement Director since June 2005, his term expires in 2008

Marc Bebon | 3 | Permanent representative of Bolloré Médias Investissements

Patrick Soulard | 15 | Deputy Chairman Banque de Financement et d’investissement Société Générale Director since December 1999, his term expires in 2007

Clément Vaturi | 16 | Permanent representative of Société Centrale Immobilière et Foncière (SOCIF) Director since 1988, his term expires in 2007

Members of the Audit Committee

Director since June 2005, his term expires in 2008

Pierre Bouchut Chairman

Pierre Bouchut | 4 | Chief Financial Officer of Schneider Groupe

Laurence Parisot

Director since June 9, 2005, his term expires in 2008

Michel Boutinard Rouelle | 5 | Vice-President of Gallimard Groupe

Michel Boutinard Rouelle

Director since March 1997, his term expires in 2008

General Management

Richard Colker | 6 | Managing Partner Colker, Gélardin & Co

Fernando Rodés Vilà Havas Chief Executive Officer

Director since June 1995, his term expires in 2006

Ed Eskandarian | 7 | Havas Executive Vice-President Chairman and CEO Arnold Worldwide Partners

Executive Committee

Director since September 2000, his term expires in 2007

Rémi Babinet Chief Creative Officer Euro RSCG Worldwide

Pierre Lescure | 8 | Chairman and CEO Anna Rose Production

Vincent Bolloré Havas Chairman of the Board

Director since June 1994, his term expires in 2007

Thierry Marraud | 9 | Chief Financial Officer of Bolloré Groupe

Mercedes Erra Executive Co-Chairman Euro RSCG Worldwide

Director since June 2005, his term expires in 2008

Laurence Parisot | 10 | President of Medef President of IFOP Director since June 2005, her term expires in 2008

Alain de Pouzilhac | 11 |* Chairman of the Board of CFII Director since June 1989, his term expires in 2006

Leopoldo Rodés Castañe | 12 | Chairman of the Board of MPG Director since May 2001, his term expires in 2007

Fernando Rodés Vilà | 13 | Havas Chief Executive Officer Director since January 2001, his term expires in 2006

Jacques Séguéla | 14 | Havas Executive Vice-President Chief Creative Officer Chief Communications Officer Director since June 1992, his term expires in 2008

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2005 Havas activity report

Creative Committee

Ed Eskandarian Havas Executive Vice-President Chairman and CEO Arnold Worldwide Partners Stéphane Fouks Executive Co-Chairman Euro RSCG Worldwide

The Creative Committee is chaired by the Chief Creative Officer, Jacques Séguéla, and seats the Chief Executive Officers of the divisions, and the group's principal creative managers from all communications disciplines. The choice to have a creative committee is an added sign of the importance, given by the Havas group, to its creative functions. The Creative Committee gives creative teams a voice to express their needs at the highest level of the company. It focuses on finding fresh talent, analyzing the successes as well as the failures of creative teams, judges, ranks and disseminates internally the best work, and selects the campaigns that will be entered into competition at awards festivals, while debating relative financial and strategic constraints concerning the company.

David Jones Global Chief Executive Officer Euro RSCG Worldwide Hervé Philippe Havas Chief Financial Officer Fernando Rodés Vilà Havas Chief Executive Officer Jacques Séguéla Havas Executive Vice-President * Alain de Pouzilhac has announced that he will not seek a new term on the Board at the coming Annual General Meeting, June 12, 2006.

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|1| |3|

|2|

|6|

|4| |5|

Board of Directors

|7|

|9| |8|

| 10 | | 11 |

| 13 |

| 12 |

| 14 | | 16 |

| 15 |

Rapport d’activité Havas — 2005

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EVELOPMENT D E L B A IN A T SUS

Responsible and committed Over the past few years, Havas has been developing a resolutely responsible approach to its business, including in its strategy and dayto-day practices. Sustainable development, corporate social responsibility, tangible contributions to the community and protection for the environment – these are priorities for every one of the group’s agencies. Havas, as one of the world’s leading advertising groups, aims to exceed expectations in these areas as in others. Year after year, Havas sustains its efforts continually to improve on its team initiatives throughout the world.

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2005 Havas activity report

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ne i f e d e nt w e m p How o l e v de e l b a n i a t sus ns

ea m t n e m p velo e d e l b grow a n o i t s e v i Susta r t ny s a p ay, m w o c e l e b i h t s t n tha respo , s u o i n o ing in a harm account the follow o taking int e yardsticks: nc performa y, c n e i c i f f e ers d l onomic o c h E e k a t — s, all s r r e i o l f p t p c u e s p , s — Re e company: clients s and in th oyee l p m e , s r e sharehold , ent m e s v r o r e p m d im n consu a e s u , n o e protecti ment for present h T — iron of the env generations. and future

2005 Havas activity report

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SUSTAINABLE DEVELOPMENT

Human Resources Foster career advancement and encourage diversity Evaluate, develop and optimize professional skills

t

oday, clients are more and more demanding in their advertising and communications requirements – we welcome this trend. To meet this new challenge, our agencies have taken steps to improve competencies and develop talent, while remaining increasingly focused on achieving objectives.

MPG has designed a global tool in order to enable employees to achieve professional success, plus help the company achieve its objectives. Called the Performance & Development System (PDS), it allows MPG to set specific, measurable objectives, to review individual performance, to talk about training needs and professional aspirations, and to identify the competencies necessary to meet stated objectives. What’s more, MPG has a Talent Management department that has introduced a Management Review Process. Based on regularly scheduled Performance/ Objectives reviews, this allows individual performance to be assessed in light of the company’s results. It also empowers managers to identify in-house talent, accelerate skills development and offer candidates career opportunities adapted to their ambitions. In 2005, MPG strengthened its training programs and implemented its own global brand, called Dare to Know, for knowledge management programs. The first Dare to Know learning initiative was named Leveraging Marketing Communications (LMC), and was set up jointly by MPG Intelligence and Global HR teams. This action developed core competencies, such as implementing best practices in accountability and global account management, understanding how communications work, and total communications planning (TCP). In addition, compensation policies evolved for international Top Management. MPG now has a bonus system that links individual compensation with individual performance in achieving MPG’s stated global objectives.

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2005 Havas activity report

Group gender structure NETWORK

MEN

WOMEN

Arnold WW Euro RSCG WW MPG

41% 39% 38%

59% 61% 62%

Havas Group

39%

61%

Women represent two thirds of the workforce; this trend, which was already apparent in 2004, was confirmed in 2005 in the three operating networks.

39% MEN

Data collection Havas once again conducted a worldwide survey of social data in the countries where its agencies operate. In 2005, the scope of data collection was expanded to cover more agencies and countries than were included for the 2004 annual report. Thanks to the enthusiastic response of the different agencies, Havas now has a clearer picture of the situation group-wide.

WOMEN

61%

Havas Group

Work contracts by type PERMANENT TERM Arnold WW Euro RSCG WW MPG

98% 94% 95%

2% 6% 5%

Havas Group

95%

5%

These numbers show that very few people are hired on fixed term contracts (5% for the Group overall).

5%

TERM

PER MANENT

95 %

Havas Group

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At Euro RSCG Worldwide, initiatives launched in 2004 to develop and retain its co-workers were carried over in 2005: –––––– The Euro RSCG international program, 5i Talent Evaluation, has been designed continuously to evaluate and identify employees with strong potential, on the basis of five performance indicators: creative, business, coaching, learning and emotion. The aim is to create a select group of the division’s top performers: the 5i Stars. By strengthening the 5i program, Euro RSCG Worldwide confirmed its commitment to attract the best and brightest people in order to serve its clients and lead the division. –––––– In 2005, Euro RSCG Worldwide also continued to develop Creative Business Ideas® (CBIs) and implemented a New Business Training program with the goal of training several hundred people in many of its agencies around the globe. The objective: teach CBI techniques to allow teams to leverage them in winning new business.

Group age structure AVERAGE AGE BY DIVISION Arnold WW Euro RSCG WW MPG

35 38 34

Havas Group

37

This “pear-shaped” age structure reveals the large number of employees who are under 35 (about 50% of staffing). The average age of men and women at Havas is 37. Communications is a sector that continues to attract mostly young people.

Havas Group

Euro RSCG Worldwide

60 and over

60 and over

55-59

55-59

50-54

50-54

45-49

45-49

40-44

40-44

35-39

35-39

30-34

30-34

25-29

25-29

age < 25

age < 25

20% 15% 10% 5%

0%

5%

20% 15% 10% 5%

10% 15% 20%

Arnold Worldwide Partners

0%

5%

10% 15% 20%

0%

5%

10% 15% 20%

MPG

60 and over

60 and over

55-59

55-59

50-54

50-54

45-49

45-49

40-44

40-44

35-39

35-39

30-34

30-34

25-29

25-29

age < 25

age < 25 MEN

20% 15% 10% 5%

0%

5%

10% 15% 20%

WOMEN

20% 15% 10% 5%

2005 Havas activity report

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SUSTAINABLE DEVELOPMENT –––––– Euro RSCG Worldwide in New York coordinated Global Brands Job Swap, a program that enables certain employees to exchange jobs with co-workers abroad for a limited period of time. This allows local and international teams to understand their respective roles better. At Arnold Worldwide Partners, a Talent Development Program has existed for several years in order to raise awareness among employees of Arnold’s corporate values. This helps them reach their full potential, strengthens team spirit and leadership, and offers training and resources to achieve personal success. All year long, the Arnold University offered workshops and seminars, led by renowned speakers, such as professors from the prestigious Harvard Business School, or famous creative people. Finally, Arnold offered personalized training in all of its local agencies, which for the most part have annual performance review processes that include career advancement and planning.

Gender structure of employees receiving training NETWORK

MEN

WOMEN

Arnold WW Euro RSCG WW MPG

37.5% 40.0% 37.0%

62.5% 60.0% 63.0%

Havas Group

39.0%

61.0%

Figures reveal a balance by gender, in terms of employees receiving training, compared with the overall gender structure of the group. In 2005, 42 percent of employees received some training, mainly technical in nature.

39%

MEN

WOMEN

61%

Havas fosters diversity and cultural difference

At Euro RSCG Worldwide, a human resources professional has been appointed to help the organization attract, promote and retain minority employees (this person also serves as a member of the AAAA Advisory Council on Diversity).

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2005 Havas activity report

Training by subject matter

36%

18%

17 %

% 14

Havas has a vigorous policy of group human resources development. In 2004 and again in 2005, this translated into a number of initiatives: –––––– Havas signed on to Operation Success, a program sponsored by the American Association of Advertising Agencies (AAAA), designed to encourage all advertising and communications companies actively to improve diversity among employees and suppliers (www.aaaa.org/diversity). –––––– Arnold Boston opened a department that specializes in brands adapted to specific consumer communities: urban, African-American and others. –––––– Euro RSCG set up Euro RSCG Latino, an integrated communications agency for the Hispanic community in New York. These were followed by further initiatives in 2005. At the beginning of the year, for example, Havas joined the National Minority Supplier Development Council (NMSDC) in the US, which promotes business opportunities for minorities.

Havas Group

15 %

COMMUNICATION SKILLS (COMMUNICATING, PERSONAL DEVELOPMENT, ETC.) MANAGEMENT IT AND NETWORKING (DESKTOP PUBLISHING, INTERACTIVE TOOLS, ETC.) LANGUAGE SKILLS VOCATIONAL SKILLS (DESIGN, FINANCE, SALES, MARKETING, MEDIA, HR, ETC.)

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Flexibility in the workplace

Page 45

Absenteeism 1% 3 SL O % TH E

YS DA SICK

56%

Havas Group 1%

AVE LE

RS

Regarding part-time work, the trend observed in 2004 was confirmed in 2005: group-wide on average, more than 4 percent of coworkers choose to work part-time (1% for men and 6% for women).

MATER 40% NI TY

R HAVAS 05 GB

6%

4%

Havas Group

99%

94%

96%

MEN

WOMEN

TOTAL

The total number of workdays lost due to absence within the group is very low. It amounts to less than 2 percent of the total workforce for a one-year period.

Euro RSCG WW 1%

6%

99%

94% 94 %

MEN

WOMEN

5%

99%

95%

MEN

WOMEN

MPG 1%

6%

PART-TIME FULL TIME

99%

94%

MEN

WOMEN

MPG promotes the integration of disabled people into the workplace, and is a member of the United Nations Global Compact, which encourages companies to fight against discrimination in hiring practices. In Spain, MPG has taken many initiatives in this area. It has an agreement with the Fundosa Foundation to integrate minority employees. It belongs to the Alternative Measures Plan of the Spanish Ministry of Social Affairs, whereby MPG commits to integrate minorities within its organization and to acquire products and services from companies whose staff is in the majority disabled employees. It also participates in the Star Project of the Down Syndrome Association of Madrid, by hiring people afflicted with this disability.

Social policy

Arnold WW 1%

Euro RSCG Worldwide has also appointed a member of its finance team to help identify minority-owned suppliers with a view to increasing business with them. Various offices of Euro RSCG Worldwide in the US participate in job fairs designed to recruit qualified students from diverse backgrounds. Euro RSCG in New York is an active participant in the New York MAIP program, which assists in identifying and recruiting talented multicultural students.

Indoctrinating new hires into the group remains a priority for our agencies, which hand out welcome kits, organize meetings and offer company visits. The number of initiatives in favor of health and prevention is increasing companywide. On top of this, performance reviews are becoming more widespread, which helps promote career development for employees.

2005 Havas activity report

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SUSTAINABLE DEVELOPMENT

Society Involvement in community life

Creativity in the service of society

Support for cultural activities and local initiatives

dvertising and communications capture, ref lect and convey consumer trends. But they are also one of the principal ways that companies can get involved in community life and contribute to improving the quality of people’s lives. The participation of Havas, mainly through pro bono work on public service messages, illustrates this kind of commitment. The group thus donates its know-how in order to promote charities or collect donations for causes it believes in.

With its focus on creativity, Havas supports a number of cultural and artistic activities. It fosters the patronage of young artists, makes donations to museums, and exhibits artworks in its agencies, among other actions. Everywhere in the world, its agencies contribute to protecting the environment and to improving the quality of daily life wherever they operate.

a

Man/Woman

(The anti violence movement) ––––– ENOUGH IS ENOUGH ––––– THE FURNACE, AUSTRALIA

MPG demonstrates its interest in cultural activities by contributing to numerous museums and foundations, such as the Whitney Museum of America, the Guggenheim Museum, the Fundación del Museo del Prado, Fundació Gran Teatre del Liceu, Fundación Gran Teatro Lírico Real, Fundació Palau de la Música, Fundación del Museo de Arte Contemporáneo de Barcelona, Fundación Museo Guggenheim Bilbao, and the Fundación Príncipe de Asturias. In favor of the environment, MPG contributes to the Fundación Natura (for the preservation of forests in Brazil, Nicaragua and Spain), while it also encourages its teams to be environmentally conscious on a daily basis, such as recycling paper and ink-rollers/cartridges, and saving energy. Euro RSCG in Japan contributes to a nonprofit organization (JEN), which provides emergency assistance, helps rebuild infrastructure, offers psycho-social assistance, encourages self-reliance, and supports social services in regions struck by armed conf licts or disasters. In Singapore and Thailand, donations were also made to tsunami victims through a local foundation. In Europe, Euro RSCG Life is a member of the Healthcare Advertising Agency Association in France, Spain and the UK. Euro RSCG Life has also involved itself in the creation of the European Healthcare Advertising Agency Association (EACA Health Communications Group).

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2005 Havas activity report

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Legs ––––– INTERNATIONAL CAMPAIGN TO BAN LANDMINES (ICBL) ––––– THE FURNACE, AUSTRALIA

Fading Arnold Worldwide Partners has undertaken a number of projects: –––––– It participated in the United Way fundraising drive, encouraging its employees to give, while providing matching funds. –––––– It subscribed to Toys for Tots, with employees contributing presents for underprivileged children at Christmastime. –––––– It also supported the School Works program, which allows employee volunteers to take time off from work to teach in a classroom once a week at an inner-city elementary school. –––––– In addition this year, Arnold sponsored a Hurricane Katrina relief effort.

––––– MÉDECINS DU MONDE ––––– EURO RSCG C&O, FRANCE

Hands ––––– THE UNITED WAY OF GREATER TORONTO ––––– ARNOLD CANADA 2005 Havas activity report

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JANINE EDLER LENI O ALMENDRAS CHRISTINE YOKOYAMA MARIA JOSE VICENTE PIERRE-OLIVIER CALANDE TONY D’ANTONIO DEE COLLSON JEAN-PHILIPPE WITWICKI PATRICIA MELO GONZALEZ DALE POWERS ALICIA SORIA GUTIERREZ ADRIAN DURA LOUISE VON ARGENTO JOERG PICKARTZ GUSTAVO MURILLO GREGOIRE HIEAUX AMY KOO VANESSA DIFEBO FLORIAN JACOB SUSANA CRUZ LOPEZ MARIA ROUGVIE BRENDA CAI ANGELA MILLARD SHANNON CROOM ROBIN PAS ARSENIO CANADA JOE BRICKER CLARENCE HALL J CORTES VANTOIR LORENCETTI KARINA FERNANDEZ HANSNI BHAGANI JENNIFER MASTIN CHRISTIANE IORI ORTIGOZA HUW DAVIS CLAUDIO AVALOS GARCIA MURIEL CHAPUIS PADDY GERAGHTY EMILY GOLIN CANDICE MARTIN-GALVEZ HELEN FAZAKERLEY STEPH KIRZ JANE HOLDEN JERRY DAY JAVIER GONZALEZ GARCIA LAURIANE LE PICARD SEBASTIEN DREYER ARIANE LAFON LAURA RAGNO CLEMENT CHOVIN AGNIESZKA NIEDZIOLKA HELENE SAUVION PETER DE VRIES BENOIT PRUNIER FEDERICO ORTELLI ALLAN NAP HARRI HUUHTANEN ALICE DEMARCY KELLY STORCH THOMAS PAGNOUX CHERYL WRAY PERCY STILWEL MATTHIEU VERMEULEN SHANNON CLARKE MARTA TOBIAS CASTILLO ALICE CANETTE DONNA QUINN NATACHA ARSAC MANIKANT AGGARWAL DAVID MARTINE SARAH AZENCOT CARLA DE TOLEDO SAGUIE JUDI JACHMAN CARRIE WONG JANE FORWOOD AMY HANCOCK JULIA BENNEMANN RENATA QUEIROGA SANDRA DE LA CRUZ ANNABEL TUCK CLAUDIE POUGET ILDEFONSO DEL CASTILLO KOGI JOJOLA NILESH PATIL B FABIANA MALAVAZI OLIVIA DA COSTA MERCEDES BOURA BEN WATSON BEATRIZ GOMEZ GARCIA VANESSA ANORGA STEPHANE COUSIN STEPHANE TAUPIN DESIREE ROSE PETER LEVINS DAN COJOCARU VANESSA BARROS CARME FERNANDEZ BASILIO CRUZ MIKE HA EDUARDO RODRIGUEZ PETER VAN APELDOORN YANN GABALDE SARA RODRIGUEZ VALERIE DIETRICH TAMARA KOCHANOVA ROBERTO TAPIA MUNOZ VANESSA READ MARIA MATEOS QUESADA KATHRIN KOHLNDORFER ARTUR SIKORSKI CARLA SILVERMAN DALE D ALICE ELIA GIOVANNA ALBERTONI KATHY NELSON KAVITA BHATIA NICOLE MA PAUL GROVES AMAURY TERCAROLLI RICHARD PELLET CRISTINA REGO ANNE-LAURENCE RICIGNUOLO MAUD POULARD JIANGUO LIU JORDI USTRELL GLORIA ANDREU MUNOZ PAOLO MANUELA LEGOC CRISTINA AMAYA DENISE TURNER TIM 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