BuyEr'S GuidE / iNTErACTiVE Online / LiGhTiNG reference Source .....
MEGAMAN Lighting Australia. ○. ○. ○. ○ .... and we've got an uphill battle
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VOL 32 ISSUE TWO April/May 2012
Caneland Central Shopping Centre - Mackay Lighting Design: Lend Lease Manufactured: 3S Lighting
www.rala.com.au
2 Wella Way, Somersby NSW 2250 Australia
S p ecial E di ti o n
Tel: +61 2 4340 4300 Fax: +61 2 4340 4343
[email protected]
BuyEr’S GuidE / iNTErACTiVE Online / LiGhTiNG reference Source n Light+Building
2012
n SPArC
design 2012
www.3Slighting.com
Caneland Central Shopping Centre - Mackay Lighting Design: Lend Lease Sydney, Mike Sparrow Manufactured: 3S Lighting
2 Wella Way, Somersby NSW 2250 Australia Tel: +61 2 4340 4300 Fax: +61 2 4340 4343
[email protected]
www.3Slighting.com
this was complemented by the very best LED technology. He pointed out that the present Australian Standard for LEDS is minimalist so he used the guidelines set up by Lend Lease which have evolved from evidence based on past projects and those used in other countries.
Abundance of creative lighting Caneland Central Caneland Central is a state of the art $230 million shopping center, which opened in Mackay, Queensland late last year. Lend Lease, the world wide construction company, developed the center and the very important lighting design was conceptulised by their Senior Design Engineer (lighting) guru, Mike Sparrow. At the outset, Mike immediately contacted Peter Spirko at 3S Lighting whom he had partnered with on many projects, and invited 3S Lighting to join him on the creative journey to ensure inspired lighting history for the Caneland’s project. Mike’s focus was to use custom-built fittings on which he could rely not only for design integrity but also for quality outcomes. Previous experience with 3S Lighting provided Mike with the confidence for this partnership and so it became the heartbeat of their lighting design journey. Canelands was set up as a significant lighting project, which would
eventually and abundantly fill, and exceed, all expectations. Peter Spirko was also delighted that 3S Lighting would partner with Mike Sparrow. Having successfully collaborated in the past, he also knew that 3S Lighting could deliver the quality outcome required, because of their design team and facility, which uses the latest state of the art - CAD systems coupled to computer, controlled prototyping and production machinery. He could offer Mike R&D test facilities as well as being able to offer fast turn around production time because of their capability to quickly source and adapt
The Wow Factor: Mike relates the intensive planning and co-operation with Peter Spirko and 3S led by Mike, delivered the successful outcome. Mike reinforced his design
fittings for the whole project. He was completely delighted with the outcome. The Food Court within Canelands, according to Mike, “is a stand-out”. Mike’s design concept for the Food Court involved 3S Lighting, designing and creating of 44 special LED pendant luminaires. When they were strategically positioned it provided the Wow factor for the entire Food Court. A great ambience for the diners has been created and, as Mike of the art lighting design. It amply illustrates that great lighting design is the vital force
says, “lighting has a critical influence on the way we feel and the way we perceive things.” Clearly it takes a specialized person with vision, flare and technical know-how to fully understand a client’s needs and then translate that need into a great design.
that produces a spectacular lighting outcome. And it is great lighting design which enables people to experience the dynamic, positive emotion of mood elevation: And in having heightened mood levels in a retail complex at this point in time i.e. a tough retailing environment, the great lighting design gives a priceless “value add” component for the shopping experience at Canelands.
combined with that of Peter Spirko’s expertise within 3S Lighting, achieving the extremely successful outcome.
The Lighting Team – pooled creativity For the Caneland’s project, the combined expertise of the whole team, and has won many lighting awards by illustrating his expertise in this most powerful of mediums. This expertise was
components. And as the integral core of their mission – 3S Lighting thrive on offering lighting solutions. Beginning the Creative Journey: Having created the concept, Mike prepared the sketches and drawings and then met with Peter Spirko to discuss the types of materials, diameters and access to cables within the complex. The partnership team at this stage were intensively involved in all the fine details, required for the quality outcome. With their continuing close collaboration they marched on the lighting design journey together, interacting with the architects, to deliver what was to become an outstanding showcase of spectacular lighting design. As the project developed there were several prototypes manufactured and designed for the final product. Peter Spirko housed the plans within 3S and as a team they added embellishments to some elements so that the physical site could perfectly accommodate the design of the fittings i.e. relate to the actual site structure. But this is the usual activity in working and collaborating on a big design project like Canelands. Energy Efficiency: Mike Sparrow was delighted with the energy efficiency factor. The louvers underneath the skylights in the ceilings optimized the daylighting factor and
concept by choosing to partner with 3S Lighting because he knew he could rely on quality outcomes. 3S Lighting has forged a profile in the lighting industry by owning the expertise to quickly understand the lighting designer’s concept: then being able to translate that concept into further custom made design and creative lighting solutions. This entire collaborative journey provides the main client; in this instance Lend Lease, with a shopping centre that proudly demonstrates state Lighting to develop the majority of the light
2 Wella Way, Somersby NSW 2250 Australia Tel: +61 2 4340 4300 Fax: +61 2 4340 4343
[email protected]
Mike Sparrow is a highly respected Senior Concept Engineer (Lighting)
www.3Slighting.com
PO Box 7077 Yarralumla ACT 2600 P: +61 2 6247 2354 F: +61 2 6162 3457 E:
[email protected] W: www.iesanz.org
EDITOR Dr Warren Julian AM, Emeritus Professor, Faculty of Architecture, Design & Planning, University of Sydney, NSW 2006, AUSTRALIA, E:
[email protected]
CHAPTERS
USA CORRESPONDENT Reg R. Wilson
New South Wales Chapter Suite 5, 38 East Esplanade Manly NSW 2095 Tel: 61 2 8922 9615 Fax: 61 2 8580 5716 E:
[email protected] www.iesanz.org Victoria Chapter PO Box 1171 Collingwood VIC 3066 P: 0409 235 974 E:
[email protected] South Australia Chapter GPO Box 1461 Adelaide SA 5001 E:
[email protected]
SPECIAL FEATURES CONTRIBUTOR Suzi Heaton
[email protected] PUBLISHER & MANAGING EDITOR Barbara Cail,
[email protected]
Suzi Heaton
[email protected] ADVERTISING – CHINA REPRESENTATIVE Ms Angela Jiang Tel: +86 15 801 748 090
[email protected]
Queensland Chapter PO Box 3275 South Brisbane QLD 4210 P: +61 7 3844 4910 F: +61 7 3846 5087 E:
[email protected]
ACCOUNTS Cheryl Welsh
[email protected]
Canberra Branch c/- John Griggs 10-12 Colbee Court Philip ACT 2606 E:
[email protected]
LIGHTING CORRESPONDENTS Victoria Chapter Michael O’Neil Shaw P: +61 3 9889 3104 F: +61 3 9889 2476 E:
[email protected] South Australia Chapter Graham Bilsborrow Email:
[email protected] Mob: 0419 861 042 Western Australia Chapter Kim Bianchini c/- 23 Truganina Rd Malaga WA 6062 Queensland Chapter Trevor Caswell P: +61 7 3275 2406 F: +61 7 3275 2406 New Zealand Chapter Richard Ponting PO Box 34-674 Birkenhead Auckland 10 New Zealand E:
[email protected]
MEMBERSHIP IES: The Lighting Society invites membership from individuals interested in the art and science of lighting. Membership includes subscription to Lighting magazine. Companies can become corporate members. For information please contact your local Chapter or the Secretariat.
Front Cover: 3S Lighting | www.3Slighting.com
ADVERTISING/MARKETING/INTEGRATED SOLUTIONS Adam Cail
[email protected]
Western Australia Chapter PO Box 1020 West Perth WA 6872 P: 61 8 9478 1399 E:
[email protected]
New Zealand Chapter PO Box 8134 Symonds Street Auckland New Zealand E:
[email protected]
Who’s Who of Lighting 2012
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21 DESIGN IS DEFINED BY LIGHT AND SHADE … THE RIGHT LIGHTING IS ENORMOUSLY IMPORTANT
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Buyer’s Guide 2012
CONTENTS
SECRETARIAT
Lighting the official publication of the IES – The Lighting Society is published by RALA Information Services bimonthly.
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PRODUCTS AND SERVICES FOR LIGHTING PROFESSIONALS
70
Who’s Who of Lighting | APRIL/MAY 2012
Illuminating Engineering Society of Australia and New Zealand Ltd
the features 10 Lighting Reference Guide 14 Executive Insight
20 E3: Light shines on energy efficiency and design 21 IES NSW Lighting Design Awards 2011 39 IES Victorian Lighting Design Awards 2011 54 LED Thermal Management Simulation 60 Mark Elliott and a Decade of Lighting 70 Bangkok Light and Water Design Workshop 85 2012 Buyer’s Guide 88 Lighting Products Showcase
the regulars 6
EDITORIAL
8
PRESIDENT’S MESSAGE
20 EVENTS CALENDAR 58 SUBSCRIPTION WINNER 75 SOCIETIES AND NEWS 78 IES CORPORATE MEMBERS
EDITORIAL
SHOULD IT BE “SHALL” OR SHALL IT BE “SHOULD”
I
would like to welcome you to the 2012 Lighting Annual and Who’s Who of lighting in Australia and New
A number of other decisions were made regarding the consistency of an outdoor workplace standard with
Zealand. And I extend this welcome to readers of Lighting
those for indoor workplaces (AS/NZS 1680.1 and the
at Light + Building, the biennial world lighting exhibition
AS/NZS 1680.2 series) and those for outdoor lighting for
in Frankfurt; it is more like an Easter festival with not only
movement and orientation (AS/NZS 1158.3 series).
the main event (the trade show) but also the many fringe events associated with it. By the time you read this Standards Australia’s and
AS/NZS 1680.5 is a departure from the previous practice for workplace lighting standards and if it proves to be successful, it should form the basis for future
Standards New Zealand’s Interior and Workplace Lighting
reviews of AS/NZS 1680.1 and the AS/NZS 1680.2 series.
committee should have completed AS/NZS 1680.5
I hope to have a technical feature on AS/NZS 1680.5 in
Outdoor Workplace Lighting. The committee reviewed
the next issue of Lighting.
the standards of other countries, including that of
I shall now move onto the contents of this issue: it
the ISO/CIE/CEN as part of the preliminary work. It
features two of the 2011 regional lighting awards; those
would probably have been easier to adopt (or largely
for Victoria and NSW. There is also a technical feature on
adopt) the ISO Standard, since that is consistent with
the emergence of software for the design of heat sinks
government (WTO) policy. The major problem with
for LED luminaires.
adopting or adapting the ISO/CIE/CEN standard is that
Finally, I would like to remind readers from outside
it uses the word “shall” with regard to its light technical
Sydney, that the Guardian regards Vivid Sydney as one of
parameters. “Shall” means “must”; that it is mandatory,
the world’s best festivals. The lighting industry is a major
that no judgement by the designer is allowed. None of
participant in this mid-winter festival of light and the arts.
Australia and New Zealand’s workplace lighting standards
SPARC, supported by the IES and the Lighting Council
are mandatory (except for AS1860.0, that really applies
will be holding an exhibition of lighting design in the
to meeting minimum requirements for the BCA), since
Museum of Contemporary Art. Why not join Sydneysiders
they make recommendations, which means that, say,
at Vivid Sydney during 25th May to 11th June?
Lighting Urban Spaces
Light for every performance. The precision control of WE-EF projectors, fitted with metal halide lamps, adds drama to the iconic Sydney Opera House. Architecture by Utzon Architects in collaboration with Johnson Pilton Walker. Lighting design by Steensen Varming.
recommended illuminances could be interpreted as “these illuminances should be used.” So, AS/NZS 1680.5 has recommended (“should”) values. However, the standard does have some “shalls” in that, unlike the existing workplace lighting standards, compliance will be by design, so the calculation methods are mandatory and shall be complied with. Measurement will not be required to prove compliance; implicit is that the lighting system that is installed is the one that was
Warren Julian
designed.
Editor FLC141 projector fitted with a 150 W metal halide lamp. IOS® Innovative Optical System featuring symmetric very narrow beam distribution.
6
LIGHTING MAGAZINE | April/May 2012
WE-EF LIGHTING Tel +61 3 8587 0444 Fax +61 3 8587 0499
[email protected] www.we-ef.com
PRESIDENT’S MESSAGE
NO COMPROMISE. CREE LED LIGHTING DELIVERS BEAUTIFUL LIGHT AND ENERGY EFFICIENCY. You no longer have to sacrifice color quality for energy efficiency. Cree TrueWhite® Technology is a revolutionary new way to generate white light with LEDs. It delivers high efficiency with beautiful, warm color characteristics by mixing the light from unsaturated yellow and red LEDs. The result? Incredible efficiency and consistently beautiful light over the life of the luminaire.
REFLECTING ON LIGHTING PRINCIPLES AND PERFORMANCE
W
elcome to all readers of Lighting at Light +
finding themselves in a quandary when determining what
Building in Frankfurt and SPARC Design in Sydney.
values they should be using for conventional lighting
This journal will give you an insight into dominant
design parameters, such as nominating maintenance
matters relating to lighting in the Australasian region.
cycles which then impact on lamp, luminaire and room
Lighting is the reference publication for the IES: The
surface depreciations. For example if stating a lamp
Lighting Society which represents lighting professionals
replacement cycle commensurate with the L70 life of a
in Australia and New Zealand and is strongly supported
lamp at a particular operating temperature, then the
by internationals, particularly in Hong Kong.
lamp depreciation used for the lighting calculation must
The IES: The Lighting Society is strongly focussed on
by definition be 0.7 (70%). Then there needs to be a
providing professional development, public acclaim,
nominated cleaning cycle which justifies the luminaire and
political advocacy and generic member services for its
room surface depreciations used.
members in order to facilitate greater professional and commercial benefit for its members.
The cold hard facts are; just like all other lamps and luminaires in any environments, these long life lamps in
LUMINAIRES POWERED BY CREE TRUEWHITE® TECHNOLOGY
CREE CR SERIES TROFFERS Performance: 90 CRI at 90 LPW standard, 100-110 LPW options. Versatile: • CR24 & CR14: 2200lm, 4000lm, 5000lm
any environment (internal or external), have similar losses
• CR22: 2000lm, 3200lm
aware, last May saw the establishment of SPARC
and the values of these losses must be based on the
• Available in 3000K & 4000K
International which was held in conjunction with Vivid
assigned maintenance cycles. It is only then that initial
Sydney, a festival of light, music and ideas that attracted
lighting levels can by correctly calculated to achieve the
Dimmable: 1-10V dimming and DALI
over 400,000 people in 2011. The great success of SPARC
required lighting levels at the end of the maintenance
International spawned the opportunity and desire to
cycle. Hearing anecdotes of LED installations designed
establish another event which doesn’t compete with
with no room surface or luminaire depreciation losses (i.e.
Light + Building but showcases lighting design through
everlasting 100% performance), none or minimal lamp
world class projects. So, 2012 heralds the inaugural SPARC
lumen depreciation (i.e. 100% or 90% at best), because of
Design from 31st May to 2nd June at the Museum of
an underlying and unstated premise that the installation
Contemporary Art, Circular Quay in Sydney. SPARC Design
owner is going to refurbish or replace within 5 years,
will also be held in conjunction with Vivid Sydney.
totally ignores the cost benefit of long life lamps and will
It is expected that SPARC Design and SPARC
create non-compliant lighting environments even before
For those international readers who may not be
International Lighting Event will become biennial events in South East Asia’s lighting calendar. Both SPARC Design
Lifetime: Designed to last at least 50,00075,000 hours with consistent colour and backed by a 5-7 year warranty.
CR24™
CR14™
CR22™
1195mm x 595mm
1195mm x 295mm
595mm x 595mm
the anticipated refurbishment in 5 years. IES: The Lighting Society expects its members to
and SPARC International are proudly presented by IES:
demonstrate leadership, integrity and professional
The Lighting Society and Lighting Council Australia
competency by adhering to accepted lighting
(www.sparcevent.org).
design principles and to also provide clarity on such
LRP-38-230V
CR100-230V
LR150 and LR200
matters when communicating to their clients. It is a
The first LED lamp to deliver on the promise of LED lighting for retail and architectural accent lighting
100mm architectural downlight with smooth low-brightness aperture appearance
150mm and 200mm architectural high power downlights
• 90 CRI at 3000K or 4000K
• 90 CRI at 3000K or 4000K • 2000 delivered lumens at 31W or 27W
The focus on lighting design is rather timely, I believe, as our industry needs to reflect on lighting design
demonstration of these qualities that should define and
principles and lighting installation performance since
identify a Member of the IES to the broader community.
the advancement of extremely long life light sources,
• 94 CRI at 2700K
such as induction and LED lamps. The life of these lamps
• 20˚ beam angle and CBCP of 4800
• Deep Recess (630 delivered lumens), Shallow Recess (680 delivered lumens)
is too long to test by conventional methods, therefore
• 600 delivered lumens at 12W
• 11.0W
other methods such as predicting how long before they
• Dimmable with DALI or 1-10V controls
depreciate to percentage of their initial light output (eg L70 ) are being adopted. With these claimed “lives” being so long (I have seen claims of greater than 150 000 hours) designers are
8
LIGHTING MAGAZINE | April/May 2012
Visit Cree at L+B Hall 5.0 Stand C52 to see how we’re revolutionizing LED lighting. Steve Coyne President, IES: The Lighting Society
CREE AUSTRALIA Ph: 0401 496 363 | Ph: 1300 408 884 |
[email protected]
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Clipsal Australia
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LED Lighting
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Lighting Australia
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Lighting City | Radiant Lighting
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Lighting Options Australia
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Lightmoves
12-13, 82, 97
Lighting Science Group Asia Pacific
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LumiSun
82, 99, IBC
MEGAMAN Lighting Australia
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Nelson
37, 82
OMS Australia
59, 82
Orion Solar
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OSRAM Australia Pty Ltd
27, 83, 97
Pierlite
57, 83, 99
Selux Australia
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Sill Lighting Australasia
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Sonic Lighting
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Sylvania Lighting Australasia
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TEC-Led Lighting
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Tenrod Australia
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Thorn Lighting
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Unilamp Australia
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WE-EF Lighting
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LIGHTING REFERENCE GUIDE
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April/May 2012 | LIGHTING MAGAZINE
11
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EXECUTIVE INSIGHT
“Lighting is not about energy saving, you don’t save energy by producing poor quality lighting.”
Steve Furzey
Technical Manager Sylvania Lighting
Volume and low margins are a recipe for disaster, it means
While Sylvania Lighting has adopted the trend of creating a modern ‘fleet’ of quality lighting fixtures with LEDs as their source, Steve Furzey said it is paramount that suppliers, consumers and designers don’t fall into the trap of using LEDs to achieve energy efficiency at the expense of functionality and standards. In conversation with Lighting Magazine, he explains why he went on a crusade against false advertising and misleading claims in the LED market and why he has now reached a more philosophical place.
you have a lot of people employed and it’s risky. We decided to set up our own manufacturing facility for LED products. We found all the modelling software was expensive and was all designed around heat sinks for power supplies. We started to do work in testing and developing our own software which took us about two years of hard slog and R&D commitment. It means now we have control over the quality of products and the LEDs we want to use, it means that we don’t have a third party supplier of integral LED and fixture.
LM: How are your products and R&D of new technologies
so many advertisements where people claim to take out 400
reflecting current and future demands and trends?
W floodlights and put in 30 W LEDs. I still see advertisements
LM: What do you consider gives your company and/or
Olympics. Where two years before every lighting manufacture was recording
SF: Most of our R&D investment has been in LEDs but there are
claiming 140 lumens per Watt but that’s only under laboratory
products the competitive edge over rival players?
record profits, after the Olympics there was nothing for a year, and that has
alternative light sources. We’ve been looking at such a source,
conditions, it’s marketing spin and it’s not doing them any good
SF: The edge is in credibility, in the end it’s credibility that
happened a couple of times with the economic down turn.
a plasma lamp, it has 140 lumens per Watt, it is virtually a point
at all. If people are silly enough to believe that, then you get what
has driven this, we say how a product performs and we have
We’re mostly influenced by what happens in Australia, given we are only
source the size of a TicTac. You could put a 400 Watt (W) plasma
you pay for in the end.
the data to back it up that is truthful. A lot of products don’t
allowed to trade in Australia and New Zealand. However, if Greece defaults and
get through the doors of consultants because they simply
affects the UK, of course it will affect Australia and certainly that will affect us.
lamp into the same size reflector as a 70 W metal halide lamp without losing performance. In the last two years light emitting diodes (LEDs) have got to the point of being interesting, where we’re saving energy
Even before the buzz in LEDs started they had a bad reputation and we’ve got an uphill battle because the good LED companies are making a reasonable product. An example is in street lighting. In the UK we’ve seen them
don’t trust the information. As an example, we’ve just developed an LED street
LM: With mandatory reporting of energy use in commercial buildings and
light, the only one so far that complies with the Australian
the costs of electricity rising for all users, do you think this will result in
and giving as good a light as before. We have instances where
replacing street lights only to find within a short space of time
Standard. All the others have a heat sink sitting on top
greater demand for energy efficient lighting products and technologies?
we have saved 30 per cent in energy useage for the same light
that outputs dropped 50 per cent from what they were originally.
of them, which might be alright in Europe, but not here.
SF: When I came to Australia in the early 80s, I was amazed how cheap electricity
output using LEDs.
We’re looking for a minimum life of 50,000 hours and that takes a
European products are invariably tested to 25 degrees
was and how it was used because of that, compared at the time to the UK where
lot of R&D so we have developed our own specification.
Celsius, we’re developing products with the Australian
it was double the price, you go to Europe and they turn off office lights at night.
But what people don’t realise in all this is that lighting is not about energy saving, you don’t save energy by producing poor
What many people wouldn’t know is that what’s been driving
quality lighting, if you can’t see then what’s the point in the first
all this LED stuff is the entertainment industry…it’s way ahead of
integral within the lamp head with no external fins so there
place?
what’s happening on the commercial side.
is no heat transfer loss through dirt build up and time. To
The other thing that is peculiar about LEDs is they were
market in mind, we’ve designed the LED heat sink to be
I’ve always said the best way to save electricity in Australia is to double the electricity bill and I still think energy costs are lower than they should be (sorry). It’s also about the way you use lighting, it’s very easy to “splodge” lighting all
comply with the Australian Standard a unique LED lens
over the place, that’s the easy way out. I’m all for lighting efficiency so long as it’s
system was developed.
all to do with quality of lighting, that’s what energy audits tend to forget.
not made by lighting companies originally, but by electronics
LM: You have moved into the LED lighting market with a
companies or the electronics side of lighting businesses. The
variety of offerings. How have you assessed the market
industry is being led by people who don’t really know about
demand for these products and future growth? What
LM: How has global economic uncertainty impacted on
mandate to save energy and if they can show energy saving they’ll probably get
lighting, they just know how to make LEDs and we’ve seen that
influenced your decision to manufacture here in Australia?
your product, planning and marketing strategies? If so,
a bonus on that, so the people who have to drive energy saving schemes are
with a number of large companies.
SF: Because we are a manufacturing and specification based
to what extent and how are you reacting?
often not interested in installing efficient lighting designs, simply reducing power
company and we are not really in the wholesale end of the
SF: Uncertainty is always in the background, it’s always there.
levels with what they have.
to the point of embarrassment, talking about how LEDs are
market…we’re not the highbay kings we used to be 15 years ago.
As far as Sylvania is concerned, we’re not directed by instant
People start talking about taking lights out in corridors or public areas, I think
going to take over the world. You’re seeing it in advertising
If you ask around the country, Sylvania is considered a technical
market trends, we have a lot of contract work so we’re
that’s a bit of a worry. I think it really must come back to ‘does it comply with the
where people tell outright lies about their products. There are
company rather than a wholesale company.
somewhat sheltered. We’ve always in downturns planned
Australian Standard? ’ L
I’ve been in meetings where engineers have come in, naïve
14
ahead so when it happens it’s no big deal, the classic case being the Sydney
LIGHTING MAGAZINE | April/May 2012
The only problem is that people don’t want to listen, they’ve been given the
April/May 2012 | LIGHTING MAGAZINE
15
EXECUTIVE INSIGHT
“The global economic crisis has made us more determined to be innovative and develop products that are energy efficient and what our customers want.”
Damien Cummins
Executive General Manager, Clipsal by Schneider Electric With a solid foundation amongst electrical contractors and the home build and renovation market, Clipsal’s lighting and lighting control products are well known. With greater drivers for energy efficient technologies in commercial buildings, Clipsal is seeing increasing demand for its lighting control systems. In conversation with Lighting Magazine, Damien Cummins explains why the Australian market is a good place to be right
programmable lighting and integration technology. Then
now for proactive and energy conscious technology providers.
there is monitoring – installing metering systems that let the facility manager know what the building is doing at any one time. The trend is for energy costs to continue to increase due
LM: What do you consider gives your company and/or
and what our customers want. Whilst we have seen a cooling
to a number of factors including the carbon tax and we are
products the competitive edge over rival players when it
of new home builds there has been an increase in home
ready to help customers make the most of their energy. Using
comes to lighting, accessories and control systems?
renovations. We think this is an ideal time to create awareness
technology that exists today we can deliver energy savings to a
DC: Our lighting is innovative. It’s reliable. It looks good. And, we go
of our energy efficient solutions, provide energy and safety
commercial building in the order of 30 per cent.
to great lengths to ensure that it lasts and is installer-friendly. We
assessments and position ourselves in this market space. We
have a great understanding of the electrical contractor.
also believe that the market wants more options which is why
LM: How is commercial activity in Australia and NZ and South East
LM: How can lighting suppliers respond to the trend in
we are heavily promoting premium architectural switch plates
Asia holding up in relation to other world markets?
“greening” commercial buildings other than just through
such as our Modena and Strato ranges.
DC: The Australian Government is investing heavily into hospitals and
LED-based products? Do you think there needs to be
commercial projects and we are glad to be supplying our products and
a service based approach where customers to access
Compatibility is another issue that we pride ourselves on. Because we are strong in both lighting and electrical accessories we ensure that the two work hand in hand. We know our dimmers will dim our lights effectively because we have done the testing.
LM: How are your products and R&D of new
lighting control solutions for the new Royal Childrens Hospital in Melbourne
consultancy, design/installation and product support
We have tested our transformers and drivers and we know they
technologies reflecting current and future demands
as well as the new Royal Adelaide Hospital. The success of industry programs
when it comes to lighting and building control systems?
work. When it comes to our C-Bus and DALI Control lighting
and trends?
such as Green Buildings and NABERS has resulted in, smart technology and
DC: We have been involved in a number of Green Star projects.
systems it is the same. We know our technology is all compatible.
DC: We are focused on delivering electrical solutions offering
energy efficient products being more common place in commercial buildings,
The key to the success is to have a team where the client,
We are an established name and market leader in the home
lifestyle benefits as well as energy savings to the consumer.
so while the overall construction numbers may be down, the investment
the architect, the specifier, the lighting designer, the systems
automation and lighting control markets. We back it up with
The market is telling us that lifestyle, smart homes and energy
in such solutions remains strong, and compared to the rest of the world,
integrator and electrical contractor have a clear understanding
national distribution through 900 electrical wholesalers and the
efficiency are front of mind of consumers that are building new
Australia is a good place to be.
of the energy efficiency brief.
largest sales representation- more than 200 reps Australia wide.
homes. Consumer sentiment along with recent changes to the
We train contractors too. Many of them are C-Bus accredited
Building Code of Australia demanding more energy efficient
LM: With mandatory reporting of energy use in commercial buildings
right recommendations, control solutions and integration. Our
installers. We also have great partnership networks with our C-Bus
homes and the rising cost of energy are factoring heavily on
and the costs of electricity rising for all users, do you think this will
best outcomes occur when we are part of that team and get
PointOne and Platinum programs. This gives the homeowner and
our own research and development programs.
result in greater demand for energy efficient lighting products and
involved at the design stage and follow through with regular
technologies? Which product groupings do you think will be the
site visits and discussion. It gives us and the client peace of
we are developing products that deliver lifestyle and energy
winners under a carbon price?
mind that our solutions work and deliver on the green goals.
savings benefits. LED lighting that promises to reduce lighting
DC: Mandatory reporting is the first step in the process of achieving energy
LM: How has global economic uncertainty impacted on your
energy consumption by 75 per cent, standby controllers that
savings in commercial buildings. It allows the tenants or owners to benchmark
but at this time has not replaced the linear fluorescent lamp
product, planning and marketing strategies? If so, to what
helps to eliminate standby power and saving between five
their energy consumption against similar buildings. But the major step is
in the main areas, due to cost and performance. But we see
extent and how are you reacting?
and 10 per cent of the total energy used in the home, smart
in energy auditing to identify those areas where you can fix the basics by
this trend changing in the future when next generation LED
DC: The global economic crisis has made us more determined
thermostats to better regulated air-conditioning, as well as
installing energy efficient lighting and some basic controls. However, it is
lamps and new design luminaires result in light output that is
to be innovative and develop products that are energy efficient
energy solutions for pools, spas and hot water systems.
with control systems where you can achieve even greater savings by setting
functional and meet AS1680 lighting standards.
the specifier great peace of mind that the installer has achieved a high level of competence.
16
As the supplier we can work with the team to provide the
LIGHTING MAGAZINE | April/May 2012
There are several key areas in the residential space where
LED lighting has been widely adopted in green buildings,
L
April/May 2012 | LIGHTING MAGAZINE
17
awards feature
NEWS
Light shines on energy efficiency and design
E
nergy efficiency in lighting is a crucial component of the
compact fluorescent lamps (65 million). Lamps will not be phased-
response to climate change by all levels of Government in
out unless more efficient and viable alternatives are available.
Australia. Through a joint initiative of Australian, State and Territory
Lighting design complements energy efficiency as design is critical
Governments coordinated by the Equipment Energy Efficiency
in achieving good quality lit environments with low energy use. It is
Committee (E3), Australia was one of the first country’s to phase-out
with this in mind that the Australian Government worked with the
inefficient incandescent lamps in favour of more energy efficient
Illuminating Engineering Society of Australia/New Zealand in 2011
lamp technologies, where acceptable alternatives were available.
to create the inaugural Australian Lighting Energy Efficiency Design
General Lighting Service (GLS) lamps were the first lamps to be
Award (ALEEDA) that was announced at SPARC last June. ALEEDA
phased-out through a policy mechanism called Minimum Energy
demonstrates the importance the Government places on efficient
Performance Standards (MEPS) in November 2009, with the energy
lighting design. We look forward to more engagement with lighting
efficiency program having further phase-out stages through till
designers to hear how they believe design can be incorporated in the
2015. MEPS protect the Australian market by ensuring only high
next stages of the Phase-out of Inefficient Incandescent Light Bulbs,
quality lamp products are available for Australian consumers.
more information can be found at: http://www.climatechange.gov.au/
The success of the initial stage of the phase-out is best
en/what-you-need-to-know/lighting.aspx
demonstrated through Australia’s lamp import data showing
As a new and recurring article in Lighting magazine, information
that, from 2007 to 2010, some 90 million GLS lamp sales were
will be provided on the many energy efficient lighting programs
substituted with lower wattage halogen lamps (25 million) and
which E3 delivers locally and contributes to around the world.
L
EVENTS CALENDAR EVENT
INFORMATION CONTACTS
LOCATION
28-30 Mar
LEDTEC Asia 2012 — Singapore International LED/OLED Technology Show
www.ledtecasia.com
Singapore
15-25 Apr
Technical and Cultural Visit to China
Stephanie Rogers-Julian at
[email protected]
Shanghai, China
15-20 Apr
Light+Building
light-building.messefrankfurt.com/frankfurt/en/ besucher/willkommen.html.html
Frankfurt am Main, Germany
25-27 Apr
Green Lighting Shanghai Expo and Forum
www.reedexpo.com/en/Events/2406/GreenLighting-Shanghai-Expo-Forum
Shanghai, China
7-11 May
Lightfair International
www.lightfair.com
Las Vegas, USA
17-19 May
2012 China (Ningbo) International Sourcing Fair on Lamps, Lanterns and Asseccories & LED Illumination Exhibition
www.yishengexpo.com
Ningbo, China
22-24 May
Strategies in Light, China
www.sil-ledchina.com/index.html
Shenzhen, Cina
31 May-2 Jun
Vivid Sydney – SPARC Design
[email protected]
Sydney, Australia
9-12 Jun
Guangzhou International Lighting Exhibition
www.light.messefrankfurt.com.cn
Guangzhou, China
19-21 Jun
LED Lighting Taiwan – the 8th International LED Lighting Exposition
www.optotaiwan.com
Taipei, Taiwan
26-29 Jun
LED Expo & OLED Expo
www.ledexpo.com and www.oledexpo.com
Kintex, Korea
19-20 Jul
Total Facilities Live – Exhibition & Conference
www.TotalFacilities.com.au
Sydney, Australia
30 Jul-1 Aug
The LED Show
www.theledshow.com
Las Vegas, USA
18-20 Sep
Strategies in Light Europe
www.sileurope.com/index.html
Munich, Germany
19-21 Sep
CIE 2012 “Lighting Quality & Energy Efficiency”
hangzhou2012.cie.co.at
Hangzhou, China
26-28 Sep
LED Japan Conference & Expo/Strategies in Light
www.sil-ledjapan.com/index.html
Yokohama, Japan
Oct
Light India International
www.isleind.org/
New Delhi, India
12-13 Nov
Experiencing Light 2012
www.experiencinglight.nl
Eindhoven, Holland
Nov
9th China International Exhibition & Forum on Solid State Lighting
www.sslchina.org www.china-led.net
Guangzhou, China
12-19 Apr
CIE Celebrating its 100th Birthday/CIE Midterm Meeting
www.cie.co.at
Paris, France
23-25 Apr
LIGHTFAIR International (LFI)
www.lightfair.com
Philadelphia, USA
DATE
2012
IES NSW Lighting Design Awards 2011
2013
David Orwin* * Chapter Chairperson and LDA Convenor.
20
LIGHTING MAGAZINE | April/May 2012
T
he NSW Chapter of the IESANZ had a successful awards program in 2011 with 22 entries. The entries were judge by a broadly based panel comprising Andrew Nagy (Pierlite), Markam Ralph (Morrision Design), Bruce Real (Sunnyfield), Guy Blunden (WMK), Michael Fernley (Steensen Varming), Ryan Shamier (Vision Design) and Siobhan McNabb (Euroluce). There were eleven successful entrants three of which received Awards of Excellence. The winning entries are on the following pages.
April/May 2012 | LIGHTING MAGAZINE
21
AWARDS
IES NSW Lighting Design Awards 2011
Allan Lam (JHA Consulting Engineers) and Scott Willsallen (Auditoria) received an Award of Commendation for Southern Cross Catholic Vocational College Theatrical Multipurpose Hall
George Theodoropoulos, Miwook Kang, Tim Shotbolt, Nick Drummond (AECOM) and Cristian Castillo (BVN) received an Award of Commendation for Level 21 AECOM fit out 420 George Street, Sydney
J
udges’ Comments: The Reception, Function rooms, Kitchen and office areas of this project have undergone a remarkable fit out
making the most of the significant levels of daylight penetrating into this space but the outstanding feature of the area is a giant LED lit finger print. There are black polished glass lined corridors
Southern Cross Catholic Vocational College’s Theatrical Multipurpose Hall.
that have been lit so as not to reflect light and other areas that seam to float with the use of well design lighting.
J
udges’ Comments: This is a project that would not normally
Suppliers: Clipsal, Eagle Lighting,
be associated with a lighting design award. This is a teaching
Global Design Solutions, Jands,
Suppliers: Austube, Zumtobel, Targetti, Erco, IGuzzini, Xenian,
facility specially set up for theatrical lighting training. It has the
LSC Lighting Systems, Pierlite
JSB Lighting and Philips Dynalite
ability for the stage to be set up in many different areas with
and Thorn Lighting
seven movable lighting bars, lighting consoles and full control of dimming and rotation of luminaires. An excellence training facility for those wanting to start a career in stage lighting. The main wall of the AECOM reception area (right) and desk (above).
22
LIGHTING MAGAZINE | April/May 2012
April/May 2012 | LIGHTING MAGAZINE
23
AWARDS
IES NSW Lighting Design Awards 2011
Michel Goupy (Point of View) received an Award of Commendation for 1 Martin Place, Sydney, Façade Lighting
‘ICON MINI’-113 LED LOW GLARE DARKLIGHTER
Sydney’s ex-GPO façade and clock tower at 1 Martin Place.
J
udges’ Comments: This well known heritage building façade has been relit using various
types of LEDs to subtly emphases the clock tower, arches, balconies and exterior stonework without light penetrating into the rooms. The various selection of LEDs from different suppliers have been chosen to give a constant uniform warm colour.
Suppliers: Inlite, JSB and Light Project
24
LIGHTING MAGAZINE | April/May 2012
Digilin has extended its ICON portfolio to include its best LED low wattage downlight to date ICON MINI minimises glare along the ceiling plane. High CRI, high luminosity, low wattage “future proof“ LED modules are utilised like never before.
The Digilin ICON MINI raises the bar for low glare, high lumen per watt LED downlights. Qld digilin.com.au Nth Qld creativelightingconcepts.com.au NSW digilin.com.au ACT litetech.com.au VIC lightmoves.com.au VIC lightech.com.au SA hilighting.com.au WA hilighting.com.au Digilin invites expressions of interest for International Distribution partners
MADE IN AUSTRALIA
AWARDS
IES NSW Lighting Design Awards 2011
Don’t be fooled by laughable claims.
Richard Johnson (Johnson Pilton Walker) and Simm Steel (Art Gallery of NSW) received an Award of Commendation for The First Emperor: China’s entombed Warriors Exhibition, The Art Gallery of NSW
Brand Name Pierlite Supplier/Product ID 014/106a
LED Performance Solid State Lighting Luminaire Luminous Flux Luminous Efficacy
700 lm 44 lm/W
INPUT POWER
16 W
TEST VOLTAGE 240V AC
The exhibition lighting for The First Emperor: China’s entombed Warriors Exhibition, The Art Gallery of NSW.
J
udges’ Comments: This is an exhibition that
was only in use for a short time. Black reflective
Starburst 700Lm, with SSL approval.
LIGHT COLOUR
3000 (WARM WHITE)
Correlated Colour Temperature (CCT)
WARM WHITE
3000 K 85
COOL WHITE
3200K
DAYLIGHT
4500K
6500K
VISIT
appearance of a larger display. Lighting was
www.lightingcouncil.com.au for the Label Reference Guide
selected to give a journey thru the exhibition and
The specifications above are contained in certified or accredited reports provided to Lighting Council Australia Ltd by the manufacturer/supplier of this product. Lighting Council Australia makes no representation as to the product’s specification or suitability.
to highlight the exhibits. For product online reference data, simply install and activate a QR code scanner application on your smartphone. For more information visit www.pierlite.com
Suppliers: Selecon, Erco and Concord LIGHTING MAGAZINE | April/May 2012
Correlated Colour Temperature (CCT) Colour Rendering Index (CRI, Ra)
2600K
film walls with well selected lighting gave the
26
Colour
Pierlite is a member of the Gerard Lighting Group.
AWARDS
IES NSW Lighting Design Awards 2011
Electrolight received an Award of Commendation for Westfield Sydney Retail Levels 1-5
Two views of Westfield Sydney Retail.
J
udges’ Comments: This retail centre shops extending over 5 levels and has
been lit so that each level complements the shops on that level. Each floor is subtly different in lighting and design from one level to the next level.
Suppliers: Concord, Sylvania, Flos, KKDC, Digilin, ACDC, Endo and Delta
28
LIGHTING MAGAZINE | April/May 2012
AWARDS
IES NSW Lighting Design Awards 2011
WMK Watermark in conjunction with Simpson Kotzman received an Award of Commendation for ASX 20 Bridge St Foyer/Lobby
The ASX foyer/lobby in Bridge Street, Sydney.
J
udges’ Comments: The foyer/lobby of Australian Stock Exchange has a multipurpose function, to communicate an image for the
organisation, as well as an area to make announcements to staff and for TV media releases. The lighting has been secessfully designed to for fill these requirements. Suppliers: Erco, Illuma, Fagerhult, Darkon, Artemide and Morph Lighting
30
LIGHTING MAGAZINE | April/May 2012
AWARDS
IES NSW Lighting Design Awards 2011
PEC - Performance, Efficiency, Comfort Is the dynamic, results-orientated programme that underpins Thorn’s approach to lighting product and scheme design. By acting as an analytical design tool the PEC programme drives designs for efficient and sustainable solutions without sacrificing the quality of lighting. PEC enables designers to evolve flexible and cost effective layouts that address all issues related to performance, productivity, health and safety.
Haron Robson/ Lightmatters received an Award of Commendation for the Five Dock RSL Club, Façade
Performance -The achievement of visual effectiveness, meeting requirements and targets for the applications. Efficiency - Conserving energy and effort, reducing CO² emissions and waste, producing a system that is practical and efficient to install. Comfort - A subconscious factor relating to the ability to give people satisfaction and stimulation. Because no two products or locations are the same, each requires a different balance between the three components.
www.thornlighting.com.au
The façade of the Five Dock RSL Club.
J
udges’ Comments: The façade of this club has been revamped to give a strong visual presence at night using metal cladding and
coloured acrylic vertical blades lit to give an array of colour so that it can not be missed when approaching.
Suppliers: The Lighting Group, Sill, Endo and Osram
32
LIGHTING MAGAZINE | April/May 2012
AWARDS
IES NSW Lighting Design Awards 2011
Simm Steel (Art Gallery NSW) and Michael Harrold & Emrah Baki Ulas (Steensen Varming) received an Award of Excellence for the John Kaldor Family Gallery, Art Gallery of NSW
The John Kaldor Family Gallery, Art Gallery of NSW, Sydney.
J
udges’ Comments: This section of the NSW Art Gallery was previously a storage area with a high ceiling but now is a gallery
with a difference. The lighting design not only complements the art work but is visually not intrusive.
Suppliers: The Lighting Group and Erco
34
LIGHTING MAGAZINE | April/May 2012
AWARDS
IES NSW Lighting Design Awards 2011
Steensen Varming and Johnson Pilton Walker received an Award of Excellence for the Hall of Valour, Australian War Memorial, Canberra
J
udges’ Comments:: This area of reverence is only small but
important and is in the shape of a Victoria Cross. It is directly under the tomb of the unknown soldier. Lighting has been design to illuminate with great effect, medals, photos and memorabilia of VC winners. It was a project that had to be and was done to a very high standard.
The Hall of Valour, Australian War Memorial, Canberra, commemorates Australian VC awards.
Suppliers: Aldabra, ACDC, Tridonic, Xal, Erco and Clevertronics
36
LIGHTING MAGAZINE | April/May 2012
www.omsaustralia.com.au
awards feature
AWARDS
IES NSW Lighting Design Awards 2011
Robert Foster (Fink Design) and Frost Design received an Award of Excellence for ACTEWAGL, Foyer-Ground Floor, Canberra
IES VICTORIAN Lighting Design Awards 2011
The foyer of ACTWEAGL, Canberra
J
udges’ Comments: When driving down
the street at night this entry really
stands out. It was done to celebrate it’s 10th anniversaryof ACTEWAGL. It needs
Dave Anderson* *Victorian Awards Convenor
W
ith an exemplary collection of projects to judge,
reported on the awards dinner: “Zinc at Federation
2011 was a great year. There was a modest
Square was the venue to celebrate 80 years of the IES –
number of entries; 18 lighting and four luminaires
Victorian Chapter and the lighting awards. On the 21st
to be seen to be appreciated. Colour
but the quality was world class. Judges were required
of October 2011, people from all facets of the lighting
changing Ossolites are programmed to
to visit each and every installation, volunteering a
industry with their partners and friends embraced the
create dramatic and interactive sequences
significant amount of their time to ensure all entrants
1930s dress code with some exceptional entries that
of light, colour and movements. Not your
received their chance to shine.
were voted as the Best Dressed. Entertainment was
normal lighting design.
L
Suppliers: Coolon Lighting
Our brilliant judges were Antony Dimase, Dean
for dressing up and his brilliant way of keeping the
Landon Banister and Duncan Cowburn, to whom the
crowd at bay. Swing Patrol taught us all how to dance
IES is indebted for their effort.
the Lindy Hop and the Photo Booth proved to be an
Jacqueline Unwin, Awards Dinner coordinator,
38
LIGHTING MAGAZINE | April/May 2012
by the Nymphs, enlightened by Tony Wilson’s passion
Phillips, Bernie Tan-Hayes, Allan Locke, Jess Perry,
absolute hit.” April/May 2012 | LIGHTING MAGAZINE
39
AWARDS
IES Victorian Lighting Design Awards 2011 Electrolight received an Award of Commendation for Lonsdale Street Dandenong and encourage pedestrians to take ownership of the precinct. Pedestrians were regarded as most important, followed by bicycles, public transport and lastly private vehicles in the encouragement of a democratic and dynamic space. The outline and shape of the human form was vital in creating a lighting scheme that is alive with warmth and vibrancy. An intimate scale of luminaire in pedestrian areas distinguishes these from the road lighting and helps to preserve the human scale within a physically large scope. Electrolight designed the custom lighting to the central median with visual artist David Sequeira with the aim of creating an iconic feature that metaphorically bridges the range of cultures in one of Melbourne’s most culturally diverse regions. The work spans the length of the project, ensuring a visual unification of the activities of the street. The scheme meets the recommendations of AS/ NZS 1158 for Category P6 and V3 and allows for substantial and measurable reductions in greenhouse gas emissions and near zero waste upward emission of light.
JUDGES’ COMMENTS: Views of Dandenong Road relighting.
D
In the previous two centuries Lonsdale
Attention to detail, battles
Street functioned as an important
esigner’s Statement: Electrolight began work on the
with bureaucracy and a desire
carriageway between Melbourne and
Lonsdale Street project in early 2008 for VicUrban and
for beauty have delivered the
Eastern Victoria and marked the gateway
The City of Greater Dandenong as part of a project team
objective to ‘revitalise central
to the satellite town of Dandenong. The
comprising BKK Architects, Taylor Cullity Lethlean Landscape
Dandenong’. The designers have
light stick installation acknowledges this
Architects and ARUP.
created a legacy for the residents
‘gateway’ function and history of the
to take ownership in and helped
precinct with a colonnaded rainbow/
restore civic pride.
spectrum which is celebratory and
The aspiration was to recreate Lonsdale Street, between Foster and Clow Streets, as a major boulevard exemplifying design excellence and renewing a sense of civic pride for the
ceremonial. Each The light sticks are
community of Dandenong. The lighting design employs a visual
understanding of precinct. Pattern and the use of repetition, with
spaced at 6 m and each is 6 m high with
language of pattern and play that contributes to the unique
array explored in all planes, is a device used to elevate the perception
the top 2 m as glowing RGB LED encased
character of the precinct in a vocabulary that is consistent across
of prestige. Another point of difference is that every pole is finished
in a polycarbonate sleeve. Together the
to meticulously match the surroundings regardless of its function as a
light sticks form the spectrum of colours
single or shared use pole.
and can be programmed to complement
the site and easy to engage with. We aimed for a detailed,
40
multi-layered scheme that would be completely integrated
Suppliers: Schreder, Coolon, Bega,
with the landscape design and assist the public to a richer
Philips
LIGHTING MAGAZINE | April/May 2012
A hierarchy of use was employed to inform our design direction
events and occasions. April/May 2012 | LIGHTING MAGAZINE
41
AWARDS
IES Victorian Lighting Design Awards 2011 Electrolight received an Award of Commendation for Victorian Parliament Council Chamber
D
esigner’s Statement: The Victorian Legislative Council Chamber is
regarded as one of the finest examples of Victorian-Era Roman Corinthian architecture in the southern hemisphere. The Council Chamber colour scheme is dominated by red and gold reflecting the Victorian
JUDGES’ COMMENTS:
Parliament’s Westminster heritage and
A subtle brush was
the colours of the British House of Lords.
sensitively applied to
Original architectural details date back to
this grand old lady. The
1856 when the Legislative Council Chamber
designers navigated
was formally opened and subsequent
technical requirements
refurbishment has been painstakingly
and heritage constraints to
completed during the 20th century to
produce a timeless example
preserve the beauty and majesty of the
of architectural lighting
space.
design.
Significant architectural elements in the Council Chamber include the highly ornate Tudor rose vaulted ceiling, large Tasmanian freestone Corinthian columns, the alcoved galleries which run around all four walls and the President’s scalloped canopy. The Imperial Hanover eagles are centrally perched above the east and west arched entrances and the female figures of Industry and Virtue are sculpted above the columns on the north and south sides of the ceiling. The brief requested functional light for CCTV broadcast of the parliamentary proceedings of the Lower House whilst
Suppliers: Planet Lighting,
being sensitive to the enhancement of
Moonlighting, KKDC and
architectural detail, the delicate decoration
ACDC Lighting
and the comfort of users and visitors. Working with Architect FPPV, Planet Lighting (Pendant Fabrication) and Inspired
conditions. The pendants use 3000 K tubular
were originally lost against the comparative
luminaires, maintenance and replacement
Light+Motion (Winch Consultant) three
fluorescent lamps. Winches installed in
brightness of the ceiling surfaces and the
costs have been substantially mitigated with
cylindrical pendants were designed for
the ceiling cavity, allow easy access to the
new lighting design lifts them sculpturally
current maintenance cycles significantly
suspension from the large Tudor roses
pendants for maintenance and cleaning.
from their background with the addition of
extended. To compensate for lumen
concealed LED sources. The LED lamp life of
depreciation over time output, whilst
OPPOSITE PAGE: Two views of the chamber pendants and ceiling indirect lighting.
running east/west along the central spine of the ceiling. The diffuse light contributes
are a feature of guided tours through the
50,000 h will allow a maintenance regime
preserving the gains from reduced need for
ABOVE: A closer view of the gallery and the richly detailed Corinthian columns (right).
soft, even light to all surfaces, augments
LCC and the lighting design will allow
that is consistent with that predicted for the
access, the luminaires are dimmable, allowing
the level of vertical light and delivers
programmed scenes to draw attention
ceiling.
an initial dimmed level of 70% with adjusted
and enhanced results under broadcast
to specific features of the chamber. They
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LIGHTING MAGAZINE | April/May 2012
The female figures of Industry and Virtue
With new long life 75,000 h fluorescent
increases over the life of the lamp. April/May 2012 | LIGHTING MAGAZINE
43
AWARDS
IES Victorian Lighting Design Awards 2011 NDYLIGHT received an Award of Commendation for The Botanical Restaurant, South Yarra
D
esigner’s Statement: Located a short taxi or tram ride from the CBD, Botanical is a Melbourne institution on
the south-eastern side of the famous Royal Botanic Gardens. Botanical’s Dining Room continues to maintain its 150+ year reputation of contemporary fine dining with Executive Chef Cheong Liew’s highly individual ‘cuisine sans frontières’, a border-less approach to cooking that truly reflects cosmopolitan Melbourne. Botanical has the choice of three key spaces for private events, including the Archer Room, Chef’s Table and Main Bar all of which offer a premium setting for any occasion. Each of the private spaces can cater for events of all kinds. The Archer Room can accommodate up to 70 guests. Our Chef’s Table within the dining room can accommodate up to 18 guests and the Main Bar can be used for functions up to 250 guests.
JUDGES’ COMMENTS: The scheme was tastefully implemented and carefully considered. A warm inviting atmosphere has been created
The Botanical was refurbished in late 2010. The interior designer
and it stands testament to the
was Webb Plus and the lighting designers were NDYLIGHT. The
fact that there is still a place
renovation was undertaken on a very tight timeframe and with limited
for the humble incandescent
budget, which necessitated the reuse of certain existing elements
lamp.
(Artichoke pendants, C-Bus lighting control) and the addition of new lighting to a substantially altered floorplan. The centrepiece of the restaurant is the Chef’s Table dining room contains a custom pendant conceived by Webb Plus and NDYLIGHT and manufactured by Dean Phillips. Extensive use was made of 2700K LEDs in bartops, wine cases and joinery to bring out the rich detail IMAGES: The Botanical – table, bar, wine and seating.
and warmth. The lighting control is an extension of the original Clipsal C-Bus system used in the restaurant, expanded to incorporate LCD and intelligent panels to control lighting in defined zones. Fresh and vibrant again after the major refurbishment, the Botanical once again upholds the best of traditional pub culture in Melbourne: a convivial place to meet and greet; to host celebrations of life and business events; or to call in for a casual meal with friends and family.
Suppliers: Inlite, Clipsal, De De Ce, Dean Phillips and Light Project.
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LIGHTING MAGAZINE | April/May 2012
April/May 2012 | LIGHTING MAGAZINE
45
AWARDS
IES Victorian Lighting Design Awards 2011 Adam Meredith (MONA), Donn Salisbury and Katarina Verkic (Vision Design) received an Award of Excellence for MONA – Exhibition Fitout, Berriedale, Hobart
NERO 100% NERO 75% NERO 15% CYAN 100%
D
esigner’s Statement: Mathematician, professional gambler, philanthropist and art collector David Walsh has acquired an
amazing collection of art and antiquities over his life. So impressive and abundant is his collection, it has been described by experts in the art world as the largest and most significant private collection in the southern hemisphere. The first exhibition to be displayed at the Museum of Old and New Art is called “Monanisms”. Representing no more than 20% of David’s total collection, the exhibition includes both permanent, semipermanent and temporary works, many of which were commissioned specifically for the MONA opening. Vision Design were appointed to work with MONA’s exhibition designers, featured artists, commissioned artists and technicians to create an experience which encompassed the Client’s persona. From experience art pieces such as Brigita Ozolins ‘Kryptos’, Rafael LozanoHemmer’s ‘Pulse Room’, and the mummy and coffin of ‘Pausiris’, to major works such as Anselm Kiefer’s ‘Shevirath Ha Kelim’, Sidney
46
LIGHTING MAGAZINE | April/May 2012 Distributed by Lighting Australia
www.lightingaustralia.com.au
AWARDS
IES Victorian Lighting Design Awards 2011 Nolan’s ‘Snake’, and Wim Delvoye’s ‘Cloaca’, the
zz Lighting control system to control gallery
exhibition presented an extraordinary range of
lighting zones in all areas.
challenges and opportunities alike.
zz Operation and Maintenance
MONA’s lighting design technician, Adam
zz All longlife IRC tungsten halogen, LED,
Meredith, teamed up with Vision Design to
fluorescent and ceramic metal halide
create a collection of unique and magical art
lamps
displays. Utilising a wide range of lighting
zz Electronic ballasts for increased efficiency
techniques, many of which were original
and extended lamp life
in their concept and application, the works
zz Integrated services system which allows
are given a life of their own in the dark and
control of all building services from a
intriguing world that is the Museum of Old
master headend
and New Art.
LIGHTING DESIGN CRITERIA zz Lighting and power infrastructure that can
JUDGES’ COMMENTS: Innovation and bravery
elements which seamlessly integrate
in equal parts resulted in
within the built environment
a scheme bordering on sublime. Projects such as this are a once in a career
Light Culture, We-ef, Selecon, Dynalite, Zumtobel, Philips and Osram.
zz Excellent colour rendering lamps (IRC tungsten halogen, ceramic metal halide 90+ and LED 90+)
opportunity and the
zz Efficient lighting solution
designers have well and truly
zz Lighting controlled by a fully integrated
risen to the occasion.
Suppliers: Erco, Light Project, KKDC,
accommodate for change in displays zz Integration of lighting and infrastructure
control system zz Ease of maintenance zz High quality and longevity of lamps and luminaires zz Visual Comfort zz Minimal glare from exposed luminaires. Spotlight adjusted to provide minimal glare and where required luminaires have been fitted with honeycomb louvres and or glare snoots. zz Concealed or indirect use of raw LED luminaires. zz Use of luminance and illuminance contrast ratios that allow comfortable eye adaptation zz Energy Efficiency zz Ceramic metal halide lamps (Phillips Elite lamp) with efficacy 100lm/W zz Fluorescent lamps with efficacy greater
Brigit www.arkoslight.com
Nimba www.santacole.com
Hemi www.zlinebelguim.com
than 90lm/W zz Continuous LED strip/extrusion with efficacy 62.5lm/W zz High frequency electronic ballasts and
P: (+61) 03 5277 9977
E:
[email protected]
W: www.soniclighting.com.au
control gear
48
LIGHTING MAGAZINE | April/May 2012
April/May 2012 | LIGHTING MAGAZINE
49
AWARDS
IES Victorian Lighting Design Awards 2011 Point of View received an Award of Excellence for Shed One, Princes Wharf, Hobart
JUDGES’ COMMENTS: A flexible, functional yet beautiful scheme that is deceptive in it’s simplicity and respectful of it’s
ABOVE: Interior view of Shed one – seating.
heritage structure. The designers have created a community hub that many had long since
RIGHT: The forecourt canopy.
dismissed.
TOP RIGHT: A close-up of the roof of Shed One.
Suppliers: Xenian, Litesource, We-ef, JSB, Sill, Southern Lighting, Inlite
Shed One façade.
and Dynalite.
D
esigner’s Statement: Shed 1 was originally built for use
divisible into three sections each requiring their own scenes.
is lit by luminaires mounted to the awning structure, with
The cold cathode operation is divisible in the space, 3 times
by the Ports Authority. It is 140m long and 35m wide.
Accentuation makes strong play of the structure, whilst the
careful consideration of the influence these lights may have
lengthwise as well as left and right too. Walls internally mimic
The project was to transform this crude utilitarian building
control has three distinct levels of access:
on the drama of the building.
the treatment outside, with narrow metal halide down lights
into a multi purpose hall as a public facility.
zz Simple pre-programmed scenes are provided in a legible
The architectural intent was to preserve the ‘honesty’ and simple construction, whilst affording users/hirers with a versatile and highly flexible space. Predicted uses range from large scale gala dining events, food festivals (notably Taste of
available BoH for staff via a touch screen zz Integration with performing arts is provided through DMX
grazing the structure. For basic everyday use simple CFL down
comprises LED down lights for safe public passage, and
lights mounted to the underside of the custom designed cold
separately, a kinetic LED programmable canvas for use by
cathode trays provide functional light.
local media artists. Being a public building there was great emphasis on
Outside lighting is a combination of 35W metal halide, CFL and LED. All exterior lights operate on time clock, each having
Tasmania), exhibitions, training classes and performing arts
interface – PoV also provided the AV/theatre system design.
cost, energy and durability. Inside, high output cold cathode
different operational settings. The façade and forecourt can
experiences.
Exterior wise the building is lit by punctuating the
(separately dimmable 3000 K and 5000K) is used in custom
be over-ridden easily at the touch screen to suit the needs of hirers.
The internal lighting is designed to provide a dramatic
50
interface for use by people unfamiliar with the venue. zz Customisation and more complex dimming access is
The forecourt features a dynamic catenary system, which
structure with localised light. This comprises lanterns – soft
designed trays to provide the architectural accentuation of
backdrop and meet the diverse needs. At one level the
light for exterior functions, and narrow grazing shafts of light
the ceiling and trusses, and background illumination. This
building is just a vast open empty space, at other times it’s
to describe the rhythm of the building. A shared cycleway
provides a very wide range of moods and functional options.
LIGHTING MAGAZINE | April/May 2012
The whole building, interior and exterior is operated via Dynalite, with DMX interface for theatre use.
L
April/May 2012 | LIGHTING MAGAZINE
51
EVO50 LED Downlight
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ARCHI-Wide 15 is a European designed LED profile specifically manufactured for the “LED Lighting” industry, made from high quality anodized aluminium which has a unique slim line design.
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Our ARCHI-Wide 15 mounting profile is an excellent choice for most surface mounted interiors or joinery type applications where space is limited.
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The profile can be used with high power LED’s up to 1W each. Led profiles are IP20 can be use outside with IP67 LED ribbons only
For our full range of mounting profiles please visit our website.
Our Evo50 is supplied with a mains dimmable driver, which can dim through both trailing/leading edge Clipsal dimmers as well as C-BUS and Dynalite whom have conducted special in-house testing using our quality Evo50 fixture. We launched our Evo50 led downlight onto the market in January 2O11 and have literally sold thousands since, they have been extremely well received across all market sectors which has been a huge milestone for us, we are proud to see our vision become a reality as this single product was a huge initial investment right from the initial R&D phase through to prototype and mass manufacture and keeping large stock volumes has been exiting but yet very challenging.
European design & manufactured quality LED profiles
We have full specifications and documentation, such as “Australian photometric & IES Files” reports, both thermal and lumen depreciation reports for any professional that acquires this information. We are also very proud to publicise we are also in the process of receiving “IPART Certification” for these quality fixtures.
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The aluminum profile will provide mechanical and thermal protection for the LEDs.
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[email protected]
ST TE RC AH PNHI C EAD L FI N E A HT EU RR EE
LED THERMAL MANAGEMENT SIMULATION Warren Julian
T
hermal management is arguably the major problem facing
but professional designers have become very cautious; they have
luminaire manufacturers wishing to use LEDs. Unlike traditional
reputations to protect. LED producers have the same tendency; hence
light sources, LEDs produce only “light” in the radiation produced —
the reluctance to specify in other than decorative applications. This
there is no infrared or UV. This is good in the sense that the beam is
is changing with the introduction of purpose-designed luminaires,
cool; there is no heat except that produced by the absorption of light
particularly downlights. The LED retrofit market is awash with weird and
by the receiving surfaces. However, LEDs are not perfect converters
inappropriate products.
of electricity to light and the inefficiency (the wasted energy) has to
Table 1 shows the energy balance for various light sources and the
appear in some form. In the case of LEDs, the inefficiency appears in
LED’s advantage is that it produces 15-25% in the visible range but
the form of heat raising the temperature of the junction in the LED that
none in the UV or IR range. This advantage is its Achilles’ heal, since all
produces the light. The performance of LEDs requires the maintenance
of its losses (75-85%) result in the heating of the LED. This heat must be
of the junction temperature over a small range. This junction
removed by conduction. The other sources can radiate parts of their
temperature maintenance is called thermal management.
losses to the environment.
This paper discusses thermal management and describes the results obtained by modelling, using computational fluid dynamics software, compared with the measured performance of a prototype
TABLE 1: Energy balance for selected light sources Energy form
Incandescent (60W)
Fluorescent
Metal Halide
LED
Visible Light
8%
21%
27%
15-25%
IR
73%
37%
17%
~0%
UV
0%
0%
19%
0%
Total Radiant Energy
81%
58%
63%
0%
Heat (Conduction + Convection)
19%
42%
37%
75-85%
Total
100%
100%
100%
100%
LED downlight.
Thermal management All light sources have thermal management issues. Older readers will remember the problems created by the use of MR16 tungsten halogen lamps in miniature downlights (fires, melted wiring and lamps falling out of lampholders), linear tungsten halogen (slumping filaments melting the quartz tubes resulting in premature lamp failures or lamp expansion problems), and the introduction of T8 tubular fluorescent lamps (not starting, low light output). More recently, the introduction of the T5 tubular fluorescent lamp also came with “unforeseen”
The power ratings of “high power” LEDs seem trivial compared
performance problems relating to thermal management (maintaining
with other light sources – 1 watt or 3 watts versus 2,000 watts for a
the “cool spot” temperature).
metal halide lamp. The problem is not the wattage but the size of the
Most of the efficacy improvements in traditional lamp technology
36 W T8 tubular fluorescent lamp – the first is tiny and the second large.
results only if the thermal conditions provided are appropriately
You can hold the latter but if you touch the former you leave your
controlled over a relatively small temperature range. The “unforeseen”
skin behind. An MR16 has an enormous power density (W/m2) and
performance problems often arise from the premature launching of
luminance (basically, lm/m ) compared with the T8. If the junction
new technologies and the playing down or avoidance of the “bad news”
(the light emitting surface) of a 1 W LED is 1mm square, the surface
associated with the technology. Sometimes, manufacturers would
area is 1mm2 or 10-6 mm2, so the power density will be 1 MW/m2
assume that the new lamp was simply a retrofit for the old or that the
or 100 times that of noon sunlight. The resultant heat density
new lamp had the same tolerance to temperature conditions as the old.
(75-85 MW/m2) will increase the temperature of the junction unless
Unfortunately, the light source industry repeatedly introduces new
the heat is removed. Various LED parameters, including efficacy, colour
You can rely on Advanced Lighting Technologies for your lighting projects. If quality products, energy saving performance, and reliability are important to you and your clients, insist on our brands.
L I G H T I N G
2
products with muck hype about the advantages but with little on the
and life, are adversely affected by junction temperatures above
disadvantages, even for professional users; the compact fluorescent
100-125 °C. The heat must be removed by conduction or a combination
lamp has been plagued by this. Domestic users will buy anything
of conduction and convection. The semiconductor material from
LIGHTING MAGAZINE | April/May 2012
Providing lighting solutions in Asia Pacific for over 20 years
source. Compare for example the surface area of a 35 W MR16 and a
have been at the cost of ease of application; published performance
54
Richlands Station, Queensland. Illuminated with BetaLED.
Advanced Lighting Technologies Australia,Inc Advanced Lighting Technologies New Zealand Ltd Advanced Lighting Technologies Asia Pte Ltd
110 Lewis Road, Wiantirna South, Victoria 3152 8 Boeing Place, Mount Maunganui Block 4008, Ang Mo Kio Avenue 10, #04-06, Techplace 1
Australia New Zealand Singapore
61 03 9800 5600 64 07 579 0163 65 6844 2338
www.adlt.com.au www.adlt.co.nz www.adlt.co.sg
ST TE RC AH PNHI C EAD L FI N E A HT EU RR EE
which the LED is chip is manufactured is, as its name suggests, a poor conductor of heat compared with copper but its conductivity is similar to that of aluminium. Figure 1 shows a cutaway diagram of a power LED showing how the first stage of heat removal is achieved using a large metal slug (heat sink) upon which the LED chip is mounted. Later stages need to ensure good thermal transmission to and though any printed circuit board and onto the luminaire’s metal heat sink to transfer the heat to the environment Figure 2 shows two recent 800 lm LED retrofit lamps to replace the 60 W GLS lamp. These are shown to show the thermal management used. These include the LED drivers, so the thermal management is needed to not only maintain the chip junction temperature but to FIGURE 1. A cutaway diagram of a Philips Lumileds Luxeon V LED showing the metal heat sink that is huge compared with the size of the LED chip.
protect the driver electronics.
LED Luminaire Design Luminaires purpose designed for LEDs make use of LED modules rather than LED “lamps”. The luminaire has to be designed to provide
FIGURE 4. The liuminaire’s surface temperature distribution from the 6SigmaET simulation.
FIGURE 5. The thermal test configuration for the LED luminaire prototype.
thermal management so that the modules operate over a suitable temperature range. LED luminaires, like LED retrofit lamps, tend to use more metal than non-LED luminaires. That metal adds weight and can be expensive, so its optimum design is essential. It is very expensive making many prototypes and having them thermally tested, especially in detecting hot spots and in optimising heat sink design. It is preferable to use passive cooling, rather than adding cost, complexity and potential for failure by adding fans or bellows. Computational fluid dynamics (CFD) allows the prediction of heat flow through complex structures comprising a variety of materials in any shape; it is for thermal design what finite element analysis was in freeing structural design from simple mechanics. CFD allows the FIGURE 2. Heat sinks are prominent features of the Philips 12.5 W EnduraLED LED alternative to the 60 W incandescent A19 lamp (left) and Cree’s demonstration replacement (right). Both produce 800 lm.
modelling of the luminaire – its form, materials, heat sources and its environment – without the need for the trial-and-error of development from physical prototypes. To demonstrate the process, an LED downlight will be designed, modelled and tested. It is shown in Figure 3, with the following specification: three Philips LUXEON K2 cold white LEDs; 1000 mA forward current; 9.6 W total power dissipation; 60,000 hours required life time; 124 °C lifetime junction temperature limit at 20 °C ambient and 150 °C max junction temperature limit at 40 °C ambient. The thermal modelling was conducted by ATS Europe using Future Facilities’ 6SigmaET simulation software to model the thermal performance of the luminaire (see Figure 4) and was compared with analytical calculations and the eventual prototype measurements (Figures 5 and 6). Different configurations of printed circuit boards (PCB) were evaluated using the software). The configurations included FR4
FIGURE 3. The preliminary design of an LED downlight (left) and its CAD representation (right).
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LIGHTING MAGAZINE | April/May 2012
and metal core board configurations. The models predicted that the temperature drop across the PCB using the FR4 board
Selux Australia Pty Ltd Unit 23, 43 Lang Parade Milton Qld 4064 T: +61 7 3876 8880 | F: +61 7 3876 8882 E:
[email protected] | W: www.selux.com.au
April/May 2012 | LIGHTING MAGAZINE
57
ST TE RC AH PNHI C EAD L FI N E A HT EU RR EE
BRIGHT SOLUTIONS and cross-referencing with actual heat sinks and using power resistors to simulate the LEDs. We then designed the luminaire and had a hand built sample made and tested that against our mathematical model. We then painted it white then black so we have data not only design angles but for all colours, including clear. We were within 4% of the mathematical model when we committed to tooling and re-ran all the thermals on actual product.” Because of the importance of good thermal management for LED luminaires, good manufacturers spend a lot of time and money optimising the performance of heat sinks, not only thermally but economically, since heat sinks are heavy and can be costly. It will be interesting to see the development of simulation software as the LED industry grows from retrofit lamps to purpose designed
Outdoor lighting
luminaires.
Acknowledgements This paper uses case study material (Figures 4-6 and Table 2) provided by
FIGURE 6. The measured surface temperatures of the prototype.
Future Facilities (www.futurefacilities.com), suppliers the 6SigmaDC suite configurations would be severe and preclude the use of a natural
of electronics cooling and data centre software tools for 3D space, power
convection heat sink. After an optimised metal core board
and cooling design, optimisation and management. The heat sink design
configuration was simulated, the heat sink size was determined
was based on Philips LUXEON K2 LEDs that are now superseded.
L
by analytical methods and performance was confirmed with the software. A standard heat sink was found to be suitable. The heat sink design was optimised for a natural convection environment and coated with a highly efficient surface finish. The 6SigmaET modelling accurately predicted the heat transfer and resulting temperature distribution throughout the LED downlight assembly for a variety of design configurations. In the configuration shown in the figures above, the predicted temperatures were within
SUBSCRIPTION WINNER Congratulations to the Department of Parliamentary Services who is the winner of our Special Renewal Offer for April 2012. They will receive a complimentary one year subscription to the Lighting magazine.
4% of the experimental values (Table 2). TABLE 2: Analytical and CFD software temperatures (˚C) compared with those measured Component
Analytical
CFD
Measured
Ambient
20
20
20
Heat sink base
76
66
71
PC Board
81
74
78
LED junction
110
103
107
Mean difference
2.8%
-3.7%
Finally In a small survey of manufacturers in Australia none had used heat sink design software, although at least one had surveyed the market about a year ago and found most of the software cost between $15,000 and $45,000. One said, “We decided that we could developed our own mathematical format using what was in public domain as information
58
LIGHTING MAGAZINE | April/May 2012
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F E AT U R E
Mark Elliott and A Decade of Lighting
Mark Elliott and a Decade of Lighting
Amelia Castledine* * Point of View Design Pty Ltd, Melbourne,
[email protected]
I
nternational lighting designer Mark Elliott,
from boutique retail to major commercial
reflects on a decade of career highlights as an
infrastructure and hospitality projects. As design
architectural lighting design consultant. Mark
director of Point Of View, Mark leads his creative
has award-winning works dotted across the world
team to the forefront of the industry, designing
that demonstrate his appreciation of architecture
beautiful environment and spatial experiences.
and fine attention to detail. His experience
The following projects highlight Mark’s successful
collaborating with world leading architects and
career both independently and with Point Of View
designers has given him vast project experience
in Australia and around the world.
Hotel Puerta América, Madrid, Spain
H
otel Puerta América is a unique world class project. Completed in 2005, this project has been well publicised over the years, mainly
because of the list of world leading architects and designers that were involved. Each floor or space was designed by a different creative, such as, Zaha Hadid and John Pawson. Mark was the lighting design leader responsible for all spaces. The light design had to react to each individual style whilst tying the wholes space together. It was important the quality of light and the human experience of the spaces were consistent across the hotel whilst still being individual to each specific style. The design challenge, in effect was like designing 10 hotels all at once. Credits: Architects/Designers Arata Isozaki, Christian Liaigre, David Chipperfield, Jean Nouvel, John Pawson, Kathryn Findlay, Marc Newson, Mariscal & Salas, Norman Foster, Plasma Studio, Richard Gluckman, Ron Arad, Teresa Sapey, Victorio & Lucchinom, Zaha Hadid Architects, Harriet Bourne – Jonathan Bell.
David Chipperfield: Walkway (Photo Rafael Vargas)
A Zaha Hadid guest room (Photo Rafael Vargas)
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LIGHTING MAGAZINE | April/May 2012
Kathryn Findlay and Jason Bruges Floor 8 lobby (Photo Rafael Vargas)
April/May 2012 | LIGHTING MAGAZINE
61
F E AT U R E
Mark Elliott and A Decade of Lighting
Morimoto Restaurant, New York, USA LEFT: Morimoto Restaurant dining BELOW RIGHT: Morimoto Restaurant’s lounge bar and bottle wall BOTTOM: Morimoto Restaurant’s communal dining table
M
orimoto is the first and only restaurant that acclaimed architect Tadao Ando has created. The canopy of the space
is a resin coated curtain. The lighting was integrated between the folds and sculpted the material. Spread over two floors with the restaurant upstairs and the bar downstairs the lighting treatment had to reveal the differing uses of these two spaces. The bar is a more accented space fitting for a basement environment and the restaurant is a soft warm glowing atmosphere.
Australia 62
LIGHTING MAGAZINE | April/May 2012
F E AT U R E
Mark Elliott and A Decade of Lighting
City of Dreams, Macau, China LEFT: City of Dreams’ spa and treatment room BELOW LEFT: City of Dreams’ hotel dining room
RIGHT: Feature chandelier in the City of Dreams
B
ates Smart’s City of Dreams is not only the name of the casino but also the key words of the lighting brief.
The way in which the lighting has been applied to this high-end hospitality interior, hints at the iconic dream like futuristic style, where fixtures are invisible and soft light emanates from negative volumes contributing to form and depth of the interior. Of the many facets of the Casino, the underlying lighting treatment was to integrate light into the
note the lighting in the main Lobby provides reflected light from the
seductive spaces at the City of Dreams. Taking advantage of defined
architecture. This enabled rich finishes to be enhanced
aluminium screen feature that runs along the entire length of the
areas of change, whether that is material, colour or volume, the
whilst low glare spotlights provided accent to key elements
Lobby; the cool white wash of light expressing daylight effect in the
lighting directly responds. For example in images 1 the spa is bathed
of the space, in some cases creating drama and intimacy.
spa against the warm white tones that subdues the environment
in what appears to be soft daylight coming from the ceiling. The
Feature elements and crystal chandeliers provide sparkle
and evokes a sense of relaxation; a large feature chandelier drapes
surrounding relaxation spaces are lightly washed in very warm
and a sense of opulence to the Casino.
over the central table of the signature restaurant to create intimacy
almost amber glow at low level. All applications are indirect to aid in
and a focal point.
a glare free environment. Good use of lamp colour temperature had
A selection of these methods is employed throughout the different spaces to respond to form and function. Of
64
LIGHTING MAGAZINE | April/May 2012
Lighting and interior design have morphed together to achieve
been used in these scenarios to define spaces.
April/May 2012 | LIGHTING MAGAZINE
65
Mark Elliott and A Decade of Lighting
F E AT U R E
Qantas First Class Lounge
����
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������
������
I
n the Marc Newson designed Sydney Qantas First Class Lounge, the major element tying the spaces together is the green wall. It is the first of its kind
to be installed internally, relying on artificial light for the growth and health
ABOVE AND RIGHT: The green wall in the Qantas First Class Lounge.
of the plants. In the lobby space the expansive green wall is used as a lantern and the sole ‘light source’ of the space. The integrated lighting hidden within the ceiling detail washes the wall, whilst spill light is carefully controlled to
TOP RIGHT: Qantas First Class Lounge.
maintain focus on this dramatic feature. The reflected light from this wall is sufficient to light rest of the lounge, in the same way as lighting to the paintings in an art gallery does.
66
LIGHTING MAGAZINE | April/May 2012
April/May 2012 | LIGHTING MAGAZINE
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F E AT U R E
Mark Elliott and A Decade of Lighting
The Darling Hotel at the Star Casino, Sydney, Australia
The Darling Hotel’s day spa treatment room.
T
ABOVE: The Darling Hotel entry lobby
he brand spanking new hot spot for Sydney’s Star Casino
with saturated colours, the ‘bridge’ with integrated random light
complex is the Darling Hotel. A five star hotel designed
blades and the glowing colour changing desks at the business
in collaboration with interior designers DBI Design. The
centre. Other lighting elements are seamlessly integrated into
scope covered the dramatic hotel lobby, spa, guestrooms
the interior details. The spa lighting is more subtle with lower
and corridors as well as the VIP high roller extension of the
ambient light level, allowing a relaxing mood. Most lighting
Sovereign Room Lighting is inseparable to the lobby’s strong
is concealed and accent lighting is carefully positioned only
features, such as the reception’s ‘petals wall’ which is boldly lit
where it is needed.
L
PRESENTING OUR NEW LED COLLECTION - ANTARCTIC
RIGHT: A Darling Hotel guest room
Commercial Supply Lighting Design & Solutions LED Consultants BCA Compliance
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Design & Manufacturing Custom Fittings Tennis Court Lighting Lamp Replacement Service
Photos by Brent Winstone
68
LIGHTING MAGAZINE | April/May 2012
April/May 2012 | LIGHTING MAGAZINE
69
F E AT U R E
Light and Water
BANGKOK Light and Water DESIGN WORKSHOP
To mark the move from the lecture room to the site, on the third evening, everyone piled onto a ferry to enjoy the hour on the river when the lighting on the riverside wats, temples and palaces takes centre stage. Then a short walk provided a chance for relaxing indulgence in some local Thai cuisine at a landmark restaurant, called “The Deck”. This eatery sits opposite another historic landmark on the river, Wat Arun. The golden lighting on this majestic prang (a richlycarved finger shaped spire) perfectly echoes its historic and cultural links with the Grand Palace, on the opposite bank of the river, with which it stands in line. The workshop was conducted on a site on the Chao Phraya River – at Wat Prayurawongsawas on the Thonburi side of the river (Figure 3). The two days of practical work was cleverly “launched” on site by the very urbane head monk of the wat (monastery temple), Dr Phra Dharmakosajrn, who spoke about the meaning of light in the Buddhist philosophy. He entertained a captivated audience, interspersing his clear and measured insights with witty and informative observations. His lecture provided the group with an understanding of his vision for
Jo Elliott* and Stephanie Rogers-Julian**
the lighting upgrades of the temple complex and he indicated that
* Theatre lighting designer and lighting graduate.
he was particularly keen for the lighting of the chedi (a pagoda, in
** Australian-end organiser.
the shape of a bell) to have the flexibility to change, enabling him to visually mark the four main Buddhist festivals. For the workshop sessions the students were divided into four
I
t is an understatement to say that Bangkok is an amazing place
groups. Each group consisted of people with a variety of cultural
but let’s say it anyway. It’s the Thai people that make this town
experiences and perceptions. Two groups were to light the chedi,
so appealing because they have a calm and gentle nature that
one group was to light the Uposatha (ordination hall) and one
always finds a way of surfacing when you need it most. They are
group to light the Vihara (building for worship that houses a giant
happy to extend an unstinting welcome to any tourist, naïve, blasé
Buddha statue). These buildings were not what most of us were
or curious. And Bangkok is a pretty city – not pretty like Sydney with
architecturally attuned to. The Vihara and Uposatha had beautiful
its stunning harbour or like some of the picture – perfect locations
detail in their ceilings, floors, door and gables. The chedi on the other
around the globe. It is pretty in a completely honest and heartfelt sense. The locals happily own this town and are at ease with sharing it with others. So, when Warren Julian and Gillian Isoardi sent out
hand was a purely white building that was formed with bell-like shapes. So, armed with a range of equipment donated by some
FIGURE 1. The group on the first day of lectures at iResidence in Bangkok.
sponsors, students were given license to manipulate the luminaires
the invitation for a seminar and workshop for 14 (Australian) lighting lighting and the workshop results might yet be incorporated into a
lighting experience combined with travel to such an appealing city.
proposed river route that will make up a “Bangkok Night Map”. The
constraints of the activity. During the initial concept development phase on the first day
seminar and workshop provided an intensive course for exterior
of the workshop, the groups engaged in discussions with the local
Architecture and Design at King Mongkutt University Thomburi in
lighting design divided into two parts: three days of lectures (Figure
Thai students to gain further insights into Buddhism and Thai culture.
Bangkok, from the College of Architecture and Planning at Tongji
1) followed by a 2-day co-operative effort in a practical workshop.
They also discussed the aesthetics and functional aspects of the site,
University in Shanghai, from the QUT Science and Engineering
The 3-day seminar included a lecture on the cultural landscape of
human activity and influences such as traffic, light pollution, the
Faculty and from the Illumination Design Program in the Faculty of
water-based cities given by Dr Weeraphan Shinawatra, talks on urban
need for security and viewing points. They then documented designs
Architecture Design and Planning at the University of Sydney. In fact
landscapes and sustainability given by Dr Acharawan Chutarat and Dr
using concept sketches and mind maps. That evening they put their
the nations represented were China, Japan, Finland, New Zealand,
Chanyaporn Chuntamara, a paper delivered by Professor Hao Luoxi
ideas into practice with some preliminary lighting mock ups. This
Thailand, the Philippines, Indonesia, Spain, USA and Australia. For
on river based lighting landscapes and a day of observation and
was the springboard for identifying and enhancing their ideas and
everyone this event delivered a range of cultural lectures and lighting
discussion on light sources and luminaires at the We-ef factory led
design, as well as opportunities to soak up the city and get to know
by Alex Guenther (marketing Manager) and Warren Julian (Figure 2).
each other a little better.
Seminar time was complemented by a night-time tour of an historic
One of the major themes of the workshop was sustainable, urban
70
in unconventional ways in order to express their vision within the
students, 14 students quickly took up the option for some practical The full complement of 28 students hailed from the School of
FIGURE 3. Wat Prayurawongsawas is dominated by the huge chedi, shown here at dusk with the existing floodlighting.
LIGHTING MAGAZINE | April/May 2012
part of the city.
FIGURE 2. We-ef showed students their manufacturing facilities and two excellent Light Boxes for demonstrating lighting equipment and design. This is in the huge Light Box 2 that demonstrates the effects of spacing to height decisions on uniformity and, as shown here, the colour rendering of different sources.
looking for solutions to problems. Both of the sweaty days of practical work turned into 12-13 hour marathons of feverish toil with students, staff and several local practitioners, who turned out to simply lend a hand, working April/May 2012 | LIGHTING MAGAZINE
71
F E AT U R E
Light and Water
FIGURE 4. One of the groups in discussion with Dr Acharawan Chutarat as they develop their design ideas.
FIGURE 5. Presenting ideas to the whole class is a combination of fun and stress.
FIGURE 7. The relit lower half of the chedi and the warmer coloured “minichedis” seen against the black sky and full moon.
FIGURE 9. The subtle but revealing lighting of the Uposatha (ordination hall) was achieved, despite the tightness of the site.
FIGURE 10. Students experimenting with luminaires in preparation for lighting the Vihara. In the background is the chedi, with all but the top lighting off in preparation for the lighting shown in Figures 6 and 7.
intensively together (Figure 4). To reinforce the importance of the
so that we could proceed. The proximity of the long-tailed boats
temple’s waterside location and the vital nature of the river and
and the confined quarters of the lock walls provided an unmissable
klongs (canals) of Bangkok, a boat trip on the original trajectory of
opportunity for ten minutes of animated chat with other tourists and
the Chao Praya River was staged on the second afternoon of the
a leisurely smoke, no words required, with the boat drivers. Then back
practical sessions. It gave some respite to heat exhausted workers as
to work!
well as some real insights into some of what Weeraphan Shinawatra
FIGURE 6. The chedi is mounted on a colonnaded base with “mini-chedis” on the podium. This shows the temporary lighting of the colonnade, designed to better reveal its form. Warm sources were used to contrast it with the main chedi.
72
LIGHTING MAGAZINE | April/May 2012
FIGURE 8. One group experimented with making the paving surrounding the chedi appear like water for one of the Buddhist festivals. LED wash luminaires had bespoke blue filter housings added. Candles in plastic cups half-filled with water added sparkle and movement.
On the second afternoon, using Power Point, photographs from the
had explained on the first day: that Bangkok had grown from a
previous evening and sketches, each of the four groups presented their
heavily silted, orchard-based delta and seat of royalty and it had
creative and well thought out ideas (Figure 5). In the final phase of the
successfully functioned on the back of klongs and rivers, the vital
workshop, as the sun set, it was fortuitous that one of the students was
highways of its very existence. There were still obvious signs of simple
someone skilled in the practicalities of theatre lighting. Jo Elliott took
waterside, wooden housing, countryside-like orchards and even an
charge of the four groups who had to install their lighting, and then
example of some of the cultural warp and weft of a bygone era in
explain and present their lighting concept to all the other participants.
a puppet cum dance event staged for a local community. That was
She gave some military precision to what could have been a chaotic
a lucky bit of happenstance at one of our klong pauses. Our exit
event and turned it into an rationally organised and smooth-flowing
from the backwaters back into the present day course of the Chao
set of scenarios that allowed each group adequate time for set up,
Praya was accomplished by entering a lock at close quarters with a
explanation and critique (Figures 6-12). It all finished, as scheduled, at
clutch of long-tailed boats and waiting for the level of water to rise
8.30pm on Sunday 5th February. April/May 2012 | LIGHTING MAGAZINE
73
F E AT U R E
SOCIETIES AND NEWS
Light and Water
NEW CIE PUBLICATION
discharges, some of which are irrelevant or which do not illustrate
Spectral Responsivity Measurement of Detectors, Radiometers and Photometers
of fact in the book (eg, calling the tristimulus curves cone sensitivity
on from a similar unique, heritage lighting design workshop that they staged in early 2008. That program included two days in Bangkok and
CIE 202:2011
eight pages and there is almost nothing on the application of light
then three days in Ayutthaya, the capital of Thailand before Bangkok
ISBN 978 3 902842 26 8
sources, except as lamps and in illustrations.
and a World heritage site. (A report on that workshop can be seen in
This Technical Report gives recommendations for spectral radiant
Lighting, Vol. 27 No. 2, April 2008 and at www.luxpacifica.org/news/
power, irradiance and radiance responsivity measurement of single
the reasons given above and partly because its audience isn’t clear
autthaya-heritage-workshop-2008).
element detectors in the 200 nm to 2,500 nm wavelength range.
from the treatment of the subject matter.
It covers measurement setups and methods, summarises the
– Warren Julian
These rewarding five days were initiated and organised by Dr Chanyaporn Chuntamara and her colleagues from KMUTT. It followed
So what did the students think of having to work at such a furious
curves). What little discussion there is of luminaires is disposed of in
Unfortunately, it is difficult to recommend this book, partly for
and concentrated pace? Here are two responses: “I am sorry that I
types and basic properties of typical detectors, radiometers and
didn’t have time to say goodbye … it was an amazing and inspiring
photometers and gives guidance on how to choose a reference
trip to Bangkok.” “My trip to Bangkok gave me a greater understanding
detector. Spectral considerations for source and radiometer
of a city, its culture, people and the Buddhist religion” … “for me, this
applications, detector amplifier application issues and measurement
IALD credentialing task force launches survey to test validity of a globally applicable certification in architectural lighting design
experience amplified how important people and their relationship with
uncertainties are described. Primary detector standards and
The International Association of Lighting Designers (IALD)
the space they inhabit is the ethereal director of the design.”
procedures for the realisation of units and responsivity functions
convened a credentialing task force to assess prospective domains
are the responsibility of national metrology institutes and are
of practice and qualifications for an international architectural
Acknowledgements
not discussed in this report. This Technical Report was written to
lighting design certification. This assessment will be conducted via
Many people assisted in making the workshop possible; some
update Technical Report CIE 64-1984 Determination of the Spectral
online survey, and is a key component of the task force’s efforts.
have been mentioned above. The abbot and monks of Wat
Responsivity of Optical Radiation Detectors with respect to device
Prayurawongsawas welcomed us and attended to our wishes
and measurement technology, and to include spectral irradiance
task force’s work. Outreach to date has included a broad group of
regarding power supplies and access. They also provided a room
and radiance responsivity measurements for radiometers and
stakeholders: IALD and Professional Lighting Designers’ Association
for the onsite design sessions. Philips, We-ef and LeKise generously
photometers from the ultraviolet wavelength range up to 2500 nm.
(PLDA) members, members of other lighting associations, and
This publication supersedes CIE 64-1984 Determination of the
related building/design industry professionals from around the
proved equipment and We-ef, as well as providing the venue
FIGURE 11. Lighting the Vihara was particularly difficult because the temple was in use for services and it had a very cluttered entry area.
any point not already made in the text. There are a number of errors
The survey launches 1 March 2012 and tests the validity of the
for the luminaire sessions, also provided lunch at a nearby hotel
Spectral Responsivity of Optical Radiation Detectors. It is written in
world. Building and design professionals who are familiar with the
and supplied two staff each night of the trial installations. The
English, with a short summary in French and German and consists
scope of work associated with architectural lighting design should
photographs were taken by a KMUTT photographer. We have
of 82 pages with 41 figures and is readily available from the CIE
weigh in by taking the 10-minute survey located online at http://
probably missed others and if so, my apologies. The generosity
Webshop for EUR135 (members of CIE National Committees get a
iald.me/AhlC8X (please note that this link is case sensitive).
meant that each student paid only $170 for the five days, including
66.7 % discount).
tuition, meals and transport.
“The task force studying the viability of a global credential has observed that if the architectural lighting design community
L
BOOK REVIEW
doesn’t define the areas in which we practice and measure
Light Sources Technologies and Applications
danger that others will force regulations on us or determine our
Spiros Kitsinelis, CRC Press (Taylor and
destiny without our control,” says David Becker, Assoc. IALD and
Francis), 2011
Credentialing Task Force Chair. “The alternative is that we make a
213 pages plus a colour insert, Price £82
proactive, unified effort as a global profession to define ourselves
This is an unusual book. It could be thought
by determining the domains of practice and core competencies in
of as a watered down version of Lamps
which highly sophisticated lighting designers must excel in order to
and Lighting, perhaps aimed at students or
be eligible for certification.”
designers but it probably doesn’t meet either
competency against a validated standard, there is the very real
The threat of outside regulation is not an unrealised fear. On
of those groups needs. The book uses very
several occasions the IALD has mobilised its members against
large type, making it easy to read and along
legislation limiting the practice of architectural lighting designers
with its large illustrations accounts for the large number of pages.
due to lack of awareness of by policy makers.
The overall impression is that the book was written very quickly
“Legislative and code-making bodies around the world
without the advantage of critical review or editing. It does contain
have made it clear they are looking for a statement of validity
some valuable information but it probably lingers too long on
for practitioners of architectural lighting design and a lighting
matters of particular interest to the author (or which are part of his
design credential will provide that statement of legitimacy,” says
real expertise). This is evident in many blurry photographs of lamp
IALD President Kevin Theobald. “Thus, it is imperative that we
Figure 12. The group after the presentation of certificates at the conclusion of the workshop.
74
LIGHTING MAGAZINE | April/May 2012
April/May 2012 | LIGHTING MAGAZINE
75
SOCIETIES AND NEWS
receive feedback from the entire spectrum of building and design
LUXEON H performance:
professionals via this survey in order to complete the due diligence
zz CCT: 2700K and 3000K with minimum 80 CRI
the international certification industry requires of new certifications.”
zz Superior Quality of Light – Freedom From Binning
For more information about the IALD Credentialing Task Force’s
Single 3-step MacAdam Ellipse color space
ongoing work to develop a certification in architectural lighting
No flux bins; no Vf bins
design, please refer to the IALD certification mini-site at http://
Color over angle specified at a low 0.02 du’v
EnlightEnmEnt: the Basics of Efficient lighting 2012 Seminar Programme
iald.me/xGhcSL (please note that this link is case sensitive). The
zz Hot tested and specified at Tj=85°C
site contains frequently asked questions about certification, an
zz Typical Efficacy: 90 lm/W at 40 mA, 100V, Tj = 85°C
organisational update detailing current actions of the task force,
zz 100V / 200V package rated for 4W – 8W
and a series of resources on credentialing.
zz Typical Flux: 320 – 660 lumens at 20 – 90 mA and 100V or 200V
Those interested in learning more should email credentialing@ iald.org or call the IALD headquarters office at +1 312 527 3677.
> Why Attend!
Compact and dimmable drivers are available and LUXEON H is being designed into bulbs as a single LED solution which offers significant advantages over the multi-source designs previously
LED NEWS
required. The ease of solderless assembly reduces luminaire
New Cree XLamp XT-E White LED designed to accelerate LED adoption and lower system cost
drivers, optics and clamps are available through Future Lighting
Cree claim that their XLamp XT-E
on availability, sampling, and specifications by sending an email
White LED delivers twice the lumens-
to Philips Lumileds,
[email protected], or by contacting Future
per-dollar of other LEDs and features
Lighting Solutions,
[email protected].
manufacturing costs. Complementary components including Solutions Companies interested in LUXEON H can receive updates
the highest performance and efficacy in the industry. Based on a new silicon carbide technology platform, the XT-E LED and the recently released
The Cree XLamp XP-E LED 3.45mm square module. (Source: Cree)
Temperature stable Oslon SSL LED with constant efficiency Oslon SSL LEDs, OSRAM
transformation in LED price-performance. Cree’s revolutionary
Opto Semiconductors
new platform addresses the largest obstacle to mass LED lighting
are a particularly
adoption, initial cost, and enables LED lighting systems to replace
temperature stable
their inefficient ancestors.
light source. The LED
The XT-E LED more than doubles the lumens per watt of the
provides a luminous The new Oslon SSL LEDs generate high light output with a long lifetime on a small surface – even at high temperatures. (Source: OSRAM)
flux of typically 98 lm
up to 148 lm/W at 85°C (or up to 162 lm/W at 25°C) and the Warm
in warm white (3,000
White (3000 K) up to 114 lm/W, both at 350mA. The XT-E LED is
K), with an operating
available in the popular 3.45mm x 3.45mm XP footprint and can be
current of 350 mA at an application temperature of 85°C in the
used for almost all lighting applications.
chip. With its typical luminous efficacy of 96 lm/W W (Tj = 85°C), it is among the most efficient 1 mm -Chip-LEDs on the market. 2
to XP-E High Efficiency LED, the application for ENERGY STAR
The combination of higher luminous flux and reduced forward
qualification requires only 3000 hours of XT–E LED LM-80 data,
voltage of 3.1 V equals an efficiency increase of approximately
instead of the normal 6000 hours.
25 percent, when compared with the previous generation. For
Philips Lumileds new LUXEON H for space constrained bulbs
easier: a smaller number of LEDs attains the same luminous flux,
Philips Lumileds has introduced
and package are the secret to the performance optimisation of
its next generation high-voltage
the Oslon SSL. The higher temperature stability of its luminous
The latest developments in chip technology, converters,
flux, even when operating under “hot” application conditions, LUXEON H viewed from above.
lamps and space constrained
(Source: Philips)
significantly simplifies thermal management. The new OSRAM Oslon SSL LEDs are available in “warm white”
applications while providing the light output, efficacy, and quality
(3,000 K, CRI 80 min) and “cold white” (5,000 K, CRI 70 typical), are
of light required to meet ENERGY STAR specifications.
3 mm x 3 mm and two different lenses (80° or 150°) are offer.
LIGHTING MAGAZINE | April/May 2012
in-house Courses (10 - 25 participants) are available on request at a cost of $990 pp inclusive of gSt. if you wish to run a course in-house, you must be able to provide a seminar room, whiteboard, screen and catering. Non member registrants receive a one year associate membership of IES: The Lighting Society included in their registration. See www.iesanz.org for membership benefits
More information is available at www.iesanz.org/education/education-seminar/the-basics-of-efficient-lighting or email or call Anne Stewart
[email protected] Tel: 61 2 8922 9615
as well as the same efficiency as before.
LED, LUXEON H which enables
76
the Sydney course was held in February. melbourne & Brisbane will be held in may with possible courses in Canberra & Perth subject to minimum enrolments, at a cost of: iESAnZ member: A$1,100 pp non member: A$1,210 pp groups: A$1,045 pp for 5 or more registrations.
> Contact:
lighting manufacturers, this makes luminaire development much
the broadest range of retrofit
Retail Lighting Staff Sales Representative Lighting Staff Electrical Contractors Facility Managers Factory Staff Manufacturing Staff Wholesale Staff
The energy efficient lighting course is delivered by a combination of three full day or evening face-to-face sessions, as well as home study, assessment and revision.
XLamp XP-E LED family – with the Cool White (6000 K) providing
Additionally, since the XT-E White LED is a successor product
> Who Should Attend
> Course Outline
The new generation of
XB-D LED represent a dramatic
The course provides fundamental lighting knowledge and basic lighting principles that all people touched by our industry should be familiar with. It is not intended as a precursor to other established lighting courses but more as an induction program to lighting for those who require no specialist lighting training.
L
thE FOllOWing COmPAniES hAVE AlREADY hElD OR AttEnDED EnlightEnmEnt COURSES Advanced Lighting Technologies AECOM Aurukun Austube BCA Consultants Beacon Lighting Best Consultants Brisbane City Council City Crompton Lighting Delta Agencies Dynamark Lighting Eagle Lighting Engineering Technology Consultants Euroluce Lighting Eye Lighting Australia Gardens at Night Gascoigne Consultants Gentec Lighting GHD Hella Australia HPM Legrand HS Reflections Inlite IPD Industrial Products JSB Lighting KLIK Systems LA Lounge Lanark Trading Limelight Integration LCL Manufacturing LSI Hamilton Lighting System Lucid Consulting Engineers Lumascape Marksloyd Lighting Australia MLIGHT Moonlight Lighting NECO Norman Disney & Young NSW Dept of Services, Technology & Administration Pierlite Rudds Consulting Engineers Spectra Lighting Sylvannia Lighting Thorn Lighting Pty Ltd TMK Consulting Engineers Total Energy Solutions Tower Heath Warragul Lighting Webb Australia
SOCIETIES AND NEWS
IES CORPORATE MEMBERS
New South Wales Vossloh-Schwabe Deutschland GmbH
Webb Australia Group
Opal Lighting Systems
Orion Solar Pty Ltd
Webb Australia Group
Alternative Lighting
Sylvania Lighting Australiasia Pty Ltd - NSW
The Lighting Group - QLD
Klik Systems Australia Pty Limited
Thorn Lighting Pty Ltd - QLD
York Precision Plastics
AECOM Australia Pty Ltd
Walter Wadey and Co Pty Ltd
Klik Systems QLD
International Lighting
3S Lighting Pty Ltd
Lighting Australia Pty Ltd
Hawko Lighting Group Australia Pty Ltd
JHA Consulting Engineers Pty Ltd
Megabay Lighting Enterprises
Stramac Pty Ltd
Intralux Australia Pty Ltd
The Lighting Group
South Australia
ECC Lighting + Living Ltd - NSW
Adelaide City Council
JSB Lighting Pty Ltd
Philips Lighting
Thorn Lighting Pty Ltd - NSW
AECOM Australia Pty Ltd
Philips Lighting
Osram
WSP Lincolne Scott (Sydney)
Sylvania Lighting Australasia Pty Ltd - SA
AECOM Australia Pty Ltd
John Mclnnes Agencies Pty
3S Lighting Pty Ltd
Thorn Lighting - SA
GHD - NSW
Klik Systems’s agent - CIDA
Lighting Design Partnership Pty Ltd
Irwin Consult Pty Ltd
Optic Fibre & LED Lighting Solutions Pty Ltd
Victoria & Tasmania
Domus Lighting Pty Ltd
ANL Lighting Australia Pty Ltd
Jadecross Pty Ltd
Osram Pty Ltd - VIC
Tridonic Atco Australia Pty Ltd - NSW
Irwin Consult Pty Ltd
Total Electrical Connection Pty Ltd
TridonicAtco Australia Pty Ltd - VIC
OSRAM Australia Pty Ltd - NSW
Lightmoves Pty Ltd
Harcroft Lighting - NSW
Ampcontrol Burn Brite Pty Ltd
New Zealand
Custom Lighting - designers of light Pty Ltd
Osram
Klik Systems’s Agent - LED Lighting & Electrical
Concept Lighting
Eagle Lighting Australia
Klik Systems’s agent - Modus Lighting
Webb Australia Group
AECOM Australia Pty Ltd
Lights Lights Lights
eCubed Building Workshop
Philips Lighting - VIC
Eagle Lighting Australia - NZ
The Lighting Group - VIC
Philips Lighting - NZ
AECOM Australia Pty Ltd
Inlite
ECC Lighting & Living - VIC
Thorn Lighting Ltd - NZ
Sylvania Lighting Australasia Pty Ltd - VIC
Queensland
Thorn Lighting
Orca Solar Lighting Pty Ltd
Western Australia
Belltronic Lighting Solutions
Thorn Lighting Pty Ltd - WA
Osram Australia Pty Ltd - QLD
Osram
Brisbane City Council
Mondoluce
GM Poles
Visual Lighting International Pty Ltd
Philips Lighting
Klik Systems’s agent - H.I. Lighting
Sylvania Lighting Australisia Pty Ltd - QLD
Philips Lighting
Digilin Pty Ltd
Sylvania Lighting Australasia Pty Ltd - WA
Frend Lighting Industries Pty Ltd
AECOM Australia Pty Ltd
Financial corporate sponsors as of 21 March 2012
78
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Tel: +61 2 4340 4300 Email:
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Since 1920, Clipsal have been industry leading electrical experts and have earned a reputation for producing the best electrical accessories in the world. Whether it’s an upgrade or retrofit, Clipsal has all the answers, with a combined product offering that can deliver on any residential, commercial or industrial project. From energy efficient lighting to intelligent control, to complete building automation…Clipsal are leaders in supplying innovative electrical solutions.
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CREE Australia Tel: + 61 401 496363 Email:
[email protected] Online: www.creeledlighting.com CREE is a Global-Leading innovator of LED lighting, giving you access to the unparalleled innovation and proven technology that delivers the industry’s most energy efficient LED lighting. It’s Award-Winning Cree TrueWhite™ Technology is a revolutionary way to generate white light with LEDs. It delivers high efficiency with beautiful light characteristics, high CRI > 90, colour accuracy, while maintaining colour consistency over the life of the product.
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At Hawko Lighting Group we believe in three factors that are the key to outstanding service and deliver. You can maintain complete confidence in our ability to provide you with exceptional quality products, competitive pricing and fast lead times every time you purchase a Hawko product. QUALITY, PRICE, LEAD TIME.
LED Lighting
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Tel: +61 2 9534 4404 Email:
[email protected] Online: www.ledlighting.com.au
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LED Lighting is a Manufacturer, Wholesale Supplier of Quality fibre Optic & LED Lighting products. We are at the forefront of both lighting technologies and now have 12 years experience working closely with professionals such as, lighting designers, electrical engineers, architects & Interior designers. We pride ourselves on providing the right advice and supplying quality products perfectly suited to specific applications/projects to satisfy all expectations.
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DIGILIN Australia Tel: +61 2 9688 7918 Email:
[email protected] Online: www.digilin.com.au
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Efficient Lighting Systems Tel: +61 3 9222 5522 Email:
[email protected] Online: www.elslighting.com.au
With agencies from Italy, Germany and Spain we represent the finest lighting ranges for both the commercial and residential sectors. Being the exclusive national agent for our ranges, we have now expanded to include representation of our products in Melbourne, Sydney and Brisbane. We continue to strive for excellence by working closely with our clients in order to understand their lighting needs and produce design solutions that inspire and delight.
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Lighting Options Australia
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For almost 20 years Efficient Lighting Systems has specialised in the design, manufacture and distribution of quality energy efficient lighting products throughout Australia and New Zealand. The E.L.S range of interior fittings is complimented by the extensive range of Ligman die-cast aluminium product and the Spittler range of office & administration, retail and general lighting products. SHARE
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Tel: 1300 438 609 Email:
[email protected] Online: www.lcrl.com.au
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“Digilin Australia describes itself as a “quiet achiever” that has cultivated a loyal group of lighting designer clients who value local expertise, innovation, and quality,” explains Digilin’s MD, Jon Davis. Digilin’s current focus is on innovation and quality, designing LED lighting solutions where form follows function. Whilst the commodity market is purely cost driven with very short product life cycles, Digilin is looking at longer term, sustainable models.
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Lighting City/Radiant Lighting
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Tel: +61 8 6142 4977 Email:
[email protected] Online: www.lightingoptionsaustralia.com.au Lighting Options Australia is a young, passionate, solutions focused lighting importer and distributor based in Perth, Western Australia. Our aim is to provide lighting options and solutions that are specific to our clients projects and requirements. We specialise in the commercial specification lighting market, interior and exterior lighting, office fit outs, hospitality, retail, and luxury residential projects working closely with engineers, architects, lighting & interior designers, government & Local council departments and end users.
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Lighting Science Group Tel: +61 2 9899 8777 Email:
[email protected] Online: www.lsgc.com
CONTENT
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The Lighting Science family of energy efficient commercial indoor and outdoor LED lighting solutions offers architects, developers and building managers many of the most advanced LED products on the market today. Conceived, created and built by some of the best people in the lighting field, these products help save energy and reduce the carbon footprint without sacrificing light quality.
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Megaman Lighting Tel: +61 2 9557 9800 Email:
[email protected] Online: www.megamanlighting.com.au MEGAMAN is a global brand in energy-saving lighting. Now, MEGAMAN® is leading the way with its state-ofthe-art LED lamps. MEGAMAN® LED reflectors maximise lighting performance with the uniquely designed aluminium reflector and the use of patented Thermal Conductive Highway™ (TCH) technology, which offers superb heat dissipation. Most of our lamps are designed to resemble the look of Halogens. ®
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Through our knowledge in the field of development and production of lighting technology, we influence the use of artificial lighting in almost 122 countries worldwide for over 16 years. Our production program covers the development and fabrication of light fixtures designated for offices, hotels, restaurants, residential and storage areas, hospitals, banks, as well as roads, parking places, sport stadiums, billboards, and last but not least the external illumination of buildings and historical sights. The trust that we receive from our customers and employees helps us maintain the company’s values and achieve our visions.
Orion Solar Tel: +61 7 5559 1666 Email:
[email protected] Online: www.orionsolar.com.au Orion Solar is a leading supplier of solar LED lighting systems engineered for outdoor off-grid lighting applications. Trusted by municipal, government and commercial agencies worldwide, Our EverGEN solar LED lighting systems deliver specifier-grade performance and feature advanced occupancy sensing technology, making them ideal for street, parking lot, park and pathway applications.
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Tel: +61 3 9681 7646 Email:
[email protected] Online: www.omsaustralia.com.au
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Pierlite Australia
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Tel: +61 2 9749 9300 Email:
[email protected] Online: www.pierlite.com
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Pierlite Australia is a vertically integrated manufacturer of professional commercial and industrial lighting products and services. Pierlite has national manufacturing, design, sales and administration facilities located in Sydney NSW, which is supported by an extensive sales and distribution network in each capital city of Australia. Operating to ISO9001, Pierlite provide the lighting industry professional lighting solutions for Commercial, Industrial, Residential, Floodlighting, Adverse, Emergency, Downlight, Lamps and Roadway applications.
Selux Australia
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Tel: +61 7 3876 8880 Email:
[email protected] Online: www.selux.com.au
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The SELUX Group is a leading provider of professional lighting solutions. Our activities focus on integral solutions for sophisticated architecture with our INTERIOR and EXTERIOR business segments. For us, openness and focus are complementary core values which also gave rise to our “Light. Ideas. Systems.“ philosophy. Use of premium quality components and the need to be ergonomic leads to high quality products with a timeless design and maximum efficiency – SELUX products. Optimal provision of light is our passion and we are driven forward in this by our love of details and the goal of continuous improvement.
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Sonic Lighting
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Tel: +61 3 5277 9977 Email:
[email protected] Online: www.soniclighting.com.au
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We are exclusive Australian importers and distributors for Oscaluz ArkosLight, Santa & Cole and Z-Line. Sonic Lighting is an innovative company providing high quality lighting products and lighting supply management. Our product ranges incorporate LED, fluorescent, metal halide, track systems, pendants and downlights for all exterior and interior applications. Visit our Project Gallery to view our latest projects and media publications.
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Sylvania Lighting Australasia Tel: +61 2 4328 0600 Email:
[email protected] Online: www.sla.net.au
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Sylvania Lighting Australasia is an Australian owned and operated company. SLA offers a wide range of high quality, innovative products utilising the latest technologies. Our quality brands cover all facets of high end Architectural lighting, Roadway lighting, Sports lighting, Exterior Architectural, Industrial and Commercial applications. At SLA we are committed to achieving our goal of providing the best quality, innovation and customer service.
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Tec-LED Lighting Tel: +61 2 9317 4177 Email:
[email protected] Online: www.tec-ledlighting.com.au
CONTENT
Tec-LED Lighting is made up of a small experienced team focusing heavily on customer service. They bring to their clients a vast array of skills ensuring a solution is found to all lighting requirements. The majority of Tec-LEDs work is with lighting specifiers for their larger commercial jobs. Tec-LED also custom fit homes with the latest design and most energy efficient LED fittings. Our main products include LED Strip lights, LED Downlights, LED cabinet light, LED Wall Washers, LED Replacement Bulbs and array of other LED products.
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3S Lighting........................................85, 86, 87 A.A.G. STUCCHI Group...............................89 Advanced Lighting Technologies Australia....89
Tenrod
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Tel: +61 2 9748 0655 Email:
[email protected] Online: www.tenrod.com.au
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Tenrod utilizes its 25 years of technical expertise in LEDs to service its customers with high quality LED products; from LEDs to LED lighting assemblies, lamps and luminaires. Currently Tenrod supplies a range of LED Tubes, Aluminium lightbars, flexible strip lighting, high bay lamps and LED lamps for various applications.
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Aglo Systems.................................................89 Austube...........................................................89 Clipsal Australia..............................................91 Colonial Lighting Australia..........................93 Crompton........................................................93 Dasco Lighting...............................................93 Hawko Lighting Group.................................95 Legrand...........................................................93
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Thorn Lighting Tel: 1300 139 965 Email:
[email protected] Online: www.thornlighting.com.au Thorn Lighting is a highly recognised global brand that provides lighting solutions for indoor, outdoor, commercial and industrial lighting applications. Thorn’s DNA is based around the PEC (Performance, Efficiency and Comfort) programme which is a dynamic, results-orientated programme that underpins Thorn’s approach to lighting product and scheme design. By acting as an analytical design tool, the PEC programme drives design for efficient and sustainable solutions without sacrificing the quality of lighting.
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Lighting City / Radiant Lighting.................99
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Lighting Options Australia..........................95
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Lighting Science Group Asia Pacific.........97
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Lightmoves.....................................................95 LumiSun..........................................................97 Megaman Lighting Australia......................99 Nelson Industries.........................................101 Osram..............................................................97 Pierlite..............................................................97
Wadco Tel: +61 2 9791 9999 Email:
[email protected] Online: www.wadco.com.au
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Selux Australia...............................................99
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SILL Lighting...................................................99
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WADCO Lighting is an all-Australian company specialising in energy saving HID commercial and industrial luminaires. A range of high quality luminaires is produced in either aluminaium or 316 grade stainless steel for adverse locations, food processing, and hazardous areas. Manufactured in Australia to International Standards. LED versions now available.
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Sylvania Lighting Australiasia...................101
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Thorn Lighting............................................. 103 Vossloh-Schwabe........................................ 103 Wadco Lighting............................................ 103
Caneland Central Shopping Centre - Mackay Lighting Design: Lend Lease Sydney, Mike Sparrow Manufactured: 3S Lighting
Caneland Central Shopping Centre
www.3Slighting.com
NERO 75% NERO 15%
LIGHTING PRODUCTS SHOWCASE
B U Y E R ’ S GCYAN U I100% DE 2012
Lockit System for Spot Light LED Light Engines with separated ECG (Zhaga compliant) The first step of the “Lockit System” has been the “Locking Ring” which is a solution developed by A.A.G. STUCCHI to allow a screwless alternative fixing to the heat sink for SPOT LED Light Engines with separated ECG (Zhaga book 3). The locking ring is made of two components: an holder and a ring. The holder get screwed into the heat sink and thanks to the “spring+rivet” system guarantees the proper pressure of the Spot LED module on the TIM (Thermal interface material), good air flow for a more effective heat dissipation and the interchangeability of Spot LED modules; the ring blocks the Spot LED module. Starting from the Locking Ring, A.A.G. STUCCHI has developed a complete system for downlight luminaire quick and easy assembling: the “Lockit System”. The “Lockit System” is a ready to use solution that in its full configuration includes: a Spot LED module, an holder, a reflector and an heat sink. The reflector (developed by Almeco which is an Italian leader in the engineering and production of aluminium reflectors) is clamped directly onto the holder,
Proven solutions delivering efficiency, performance, longevity, and style to your outdoor lighting applications.
in direct contact with the LED module ensuring the stability of the system way and the best optics solution. This solution guarantees the maximum flexibility, the easy and safe mounting and the interchangeability of the Spot LED
Make informed decisions on the best area lighting products for you next project.
module. Furthermore it is already possible to adopt a solution to avoid even the holder screw fixing which can be clamped into a pre-configured heat sink by a proper tool.
www.aagstucchi.com | www.lightingaustralia.com.au
CLICK HERE TO VIEW ONLINE
Advanced Lighting Technologies are the Asia Pacific distributors for BetaLED, a Cree company. The BetaLED total systems approach is a comprehensive engineering philosophy that combines the most advanced LED sources, driver technologies, optics and form into each product. The result is highly reliable luminaire solutions which reduce energy consumption and maximise target illumination performance, while meeting optimal operating life and service objectives.
for more information visit www.adlt.com.au
WE-EF ETT100 Linear Inground Uplight WE-EF’s high quality range of inground uplights; the ETT100 offers greater flexibility for designers in urban and high passenger traffic areas, adding atmospheric and long-life luminance. Don’t be fooled by its name, this uplight is highly versatile; it has provision for suspension which means it can be used as a downlight, as well as wall mounting ability. Based on the dimensions of T5 lamps, this new solid state based uplight, comes in a variety of sizes ranging from 500mm up to 1,600mm. Made with extruded aluminium and offering excellent corrosion resistance, the ETT100 is anodised after machining to offer complete surface protection. Toughened glass means it is also vandal resistant and can withstand the wear and tear of the busiest city streets and
n Commercial Supply
CLICK HERE TO VIEW ONLINE
retail thoroughfares. There is no colour distortion of the RGB LEDs,
n LED Consultants
which come in 3,000K, 4,200K and 6,500K, with the use of 10mm ‘white’ glass and the fitting is powered by a Tridonic Talexx
n BCA Compliance
engine.
n Design & Manufacturing
Offering arrays of 9W to 78W LEDs, the ETT100 range of luminaires has a significantly lower power rating than fluorescent
n Custom Fittings
alternatives and can offer distributions of 30°, 60° and 90° while providing users with the ability to change distributions
n Tennis Court Lighting
on-site.
n Lamp Replacement Service
www.we-ef.com.au
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n Lighting Design & Solutions
www.lightingproductshowcase.com.au
9 Jarrah Drive, Braeside VIC 3195 P: 03 9580 2611 F: 03 9580 3144
E:
[email protected] www.aglosystems.com.au
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Pierlite Starburst Pro The new Starburst Pro is the flagship of LED downlight performance. The Pierlite Starburst Pro LED downlight is designed with an impressive 1000 lumen optical package, which of course is SSL approved and is complete with a dimmable electronic driver and flex and plug for easy installation. With integral thermal management control, the Starburst Pro ensures the LED lamp performance is kept at its optimum peak and with a choice of white or satin chrome fixed or gimble downlights; the Starburst Pro is the perfect choice for your next interior lighting design.
CLICK HERE TO VIEW ONLINE
www.pierlite.com
NEW Antarctic LED series – Ice The recessed spotlight Ice is especially designed for retail applications. This item is available up to 3000 Lumen and can have a CRI of >90. All items will be delivered plug & play and can be connected directly to 240V. We provide a 5 year warranty and the items have an average life of 50000 hours with 70% lumen maintenance.
www.aglosystems.com.au
CLICK HERE TO VIEW ONLINE
LED Tube Tube available in AC and DC versions is easy to install and has up to double the life span of a traditional T8 fluorescent tube with the added benefit of containing no harmful content. Applications: Office lighting, shop lighting, corridor lighting, light box and backlight
CLICK HERE TO VIEW ONLINE Features:
Benefits:
1. High efficacy
1. Up to 40% cost saving in energy consumption*
2. Long life span
2. Up to 2 times longer lifetime and reduce maintenance costs*
3. Standard T8 size
3. No need to change existing fixture upon replacement
4. Ballast not required (AC version)
4. Installation is simple and without a ballast (AC version) is more energy efficient
5. Start with no flicker
5. Reduce discomfort to the eyes
6. Sophisticated diffuser
6. Minimal glare and without any noticeable hot spot
www.optiled.com
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*Compare with T8 fluorescent tube
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24248 Cross Promo Lighting Ad.indd 1
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StreetLED – the intelligent solution for Roadway lighting The SYLVANIA StreetLED 25W LED luminaire is the latest development in environmentally friendly street lighting. Developed for Australia’s Pedestrian Area and Minor Road (Category P) lighting applications, this class leading luminaire is currently the most
LED lighting Commercial Architectural Industrial Roadway and Street Lighting Flood and Area Lighting Bollards Wide range of Spheres
energy efficient luminaire on the market, which complies with the requirements of AS1158 series, where appropriate. Equipped with highly efficient LEDs, the state-of-the-art SYLVANIA StreetLED provides superior energy efficiency. This is achieved through the precise distribution of the light to the working
CLICK HERE TO VIEW ONLINE
plane with high precision refractive prisms which optimize light distribution and significantly reduce waste and spill light. Constructed from a pressure die-cast aluminium body, the StreetLED features a Self Cleaning Acrylic visor, highly efficient and long life LED module along with an IP66 rated optical chamber.
AuStrALiAN FAmiLy OWNed COmPANy
14 Leighton Place, Hornsby NSW 2077
Ph: (02) 9477 7716 • Fax (02) 9477 7732
To allow for future upgrading or easy replacement in the unlikely event of failure, the StreetLED has been specifically designed for quick
E:
[email protected] • www.coloniallighting.com.au
access to both the electronic control gear and LED modules. Quick release latches provide immediate access to the “Plug and Play” electronic control gear and LED module. These features culminate in producing a low maintenance fixture providing unprecedented cost savings.
www.sla.net.au
DASCO LIGHTING AuSTrALIA
VICTORIA PO Box 391, Bentleigh VIC 3204 | Contact: John Daykin T: +61 3 9553 2330 | F: +61 3 9553 2335 M: 0408 542 805 | E:
[email protected]
Clipsal LED Downlights Take what you already know about LED lighting, then add the quality
SYDNEY 8/42 Leighton Place, Hornsby NSW 2077 | Contact: Ned Kacavenda T: +61 2 9476 6966 | F: +61 2 9477 1339 E:
[email protected]
and reliability of Clipsal and, instantly, you’ve got LED downlights unlike any other available on the market. With 12 watt LED power (equivalent to 50 watt dichroic), Clipsal LED downlights offer 50,000 hours lamp life
www.dascolighting.com.au
and are compatible with Clipsal dimmers (including C-Bus).
Agent for: Architectural Lighting Products
In addition, they have a low recess depth of 76.5mm, contain integrated thermal management ensuring the lifespan of the downlight and are supplied complete with 92mm Gimble Kit in White or Brushed Chrome. Available in cool or warm white and 60 or 35 degree options, Clipsal LED downlights provide a perfect solution for any residential or commercial application.
www.clipsal.com.au
CLICK HERE TO VIEW ONLINE
Crompton Lighting - a force in lighting up Australia since 1887 Core lighting range of more than 2500 products DOWNLIGHTS SPOTLIGHTS TRACKLIGHTS DECORATIVE LIGHTING FLUORESCENT LIGHTING EXTERIOR LIGHTING LANDSCAPE LIGHTING LAMPS
Tubetec Square Range The Tubetec Square range has been designed to complement the latest in architectural design by using clean, sharp lines. The profiles in this range combine the highest levels of energy efficiency with the latest architectural shapes. This range is our most comprehensive range of profiles with shapes starting at 60mm square up to large 235mm rectangles. The Tubetec Square range is our most popular range of profiles because they are suitable for all locations.
www.hawko.com.au
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CLICK HERE TO VIEW ONLINE
www.lightingproductshowcase.com.au
Sales: 1300 799 300 www.crompton.com.au
A Member of the Gerard Lighting Group
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AHEAD OF THE REST
Cree CR Series LED troffers: Redefining commercial & industrial lighting Cree redefines commercial and industrial lighting with its CR Series architectural and industrial troffers. The CR Series industrial light engine
Miro4 Hi-Spec Reflector in all Tubetec fittings
and all architectural troffer configurations deliver up to 75,000 hours of beautiful, consistent color at 3000K, 3500K or 4000K, achieving 90-110
Use less of our Tubetec fittings than all other competitors
LPW. Powered by Cree TrueWhite® Technology, the CR Series provides lighting that pays for itself quickly–and pays you every year after. Whatever your project, whatever your budget visit Cree Lighting Australia to learn more about how we can accomplish your goal together.
FREE
zz Performance: 3000K, 3500 & 4000 CCT available @ 90 CRI; 2000-5000
iPhone App for all installation videos
lumens; 90-110 LPW options zz Versatile form factor: 2’x4’, 1’x4’ and 2’x2’ Architectural; 1’x2’ and 1’x4’ Industrial
CLICK HERE TO VIEW ONLINE
Average lead time for 2012 22 days
New website in 2012
zz Dimmable: Two-wire step dimming to 50% standard, 0-10V dimming to 5% optional zz Long life: 50,000 hour minimum lifetime PROJECTORS \ IN-GROUNDS \ BOLLARDS \ LIGHT COLUMNS \ POST TOPS
ICON MINI-113 The ICON MINI-113 features a state-of-the-art ‘multi chip’ single Citizen LED. ICON MINI is designed to minimise glare along the ceiling plane, an inherent problem with most
LOFOOT
LED downlights. ICON MINI boasts state-of-the-art technical specification and reflector design, and is MADE IN AUSTRALIA. The MINI provides an aesthetically pleasing,
Available from:
unusually slim appearance and is available with a variety of dimming options. Quick Specs: zz Power consumption – 13 watts LED, 16watts c/w driver zz LED Lumen’s* 960; (see online photometric data for completed figures) Lighting Options Australia 50 Kent Street, CANNINGTON WA 6107
zz Colour Temperature – 3000, 4000 and 5000 degrees Kelvin zz Beam Spreads – 42 and 60 degrees
CLICK HERE TO VIEW ONLINE
www.digilin.com.au
P: 08 6142 4977 M: 0410 575 180 E:
[email protected] W: www.lightingoptionsaustralia.com.au
A PHILOSOPHY IN LIGHT
Mini ADL LED Downlights Efficient Lighting Systems has released their new Generation 2 ADL Mini LED downlight range. The Mini ADL LED Downlights are Australian made and designed using the best possible components available to achieve a quality range of LED luminaires suitable for both commercial and domestic applications. The new Generation 2 Mini ADL LED downlights provide up to 40% more light, use less power and are far more economical than Generation 1. The ADL Mini LED Downlight range offers a series of options from 500 lumen packages to 1100 lumen packages in both fixed and adjustable downlights and are available with various dimming options. All fittings use specifically designed reflector systems or baffles to provide shielding angles that reduce unwanted glare. The entire range has had NATA certified photometric data obtained and are all EMC compliant. For more information on the Mini ADL LED Downlights or any other ELS products please visit:
CLICK HERE TO VIEW ONLINE
www.elslighting.com.au
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www.lightingproductshowcase.com.au
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ITʼS TIME TO FLIP THE SWITCH
LIGHTING PRODUCTS SHOWCASE
outperform and under cost everything you’ve ever seen before.
them to
BUYER’S GUIDE 2012
Bright View Technologies High Performance Diffusers Lighting Australia with ALP Europe introduces the latest innovation Visit our website for more information.
in high performance diffusers for LEDs and fluorescent luminaires, offering industry leading performance for efficiency, source hiding, angle control and aesthetics. Using advanced microstructures, Bright View Technologies diffusers can solve even the most difficult LED hiding problems while maintaining excellent efficiency.
3/9 Hoyle Ave Castle Hill, NSW 2154 Australia
A full range of diffusion strengths are available for light
Phone:+61 (0)2 9899 8777
management and glare control, including symmetric, elliptical, asymmetric and bilateral light distributions. Numerous patterned
Fax: +61 (0)2 9899 8177
diffusers offering the same outstanding light performance are available, providing a wide range of options for luminaire designers. Custom unique patterns are also available on request. For more information visit our website or get in touch with our Customer Service Team.
CLICK HERE TO VIEW ONLINE
www.lightingaustralia.com.au
BP Stations Flat LowBay Salt Lake City, UT Louis K. Meisel Gallery Prolific Roadway Definity Lamps BP Stations Flat LowBay
BP Stations Flat LowBay
The multiluxx aluminium profile system offers several possible
www.lsgc.com
Louis K. Meisel Gallery Definity Lamps
LED Lighting For Every Space: Lamps, Roadway, Garage, Industrial, Louis K. Meisel Gallery Pathway, Area Definity Lamps
Multi Luxx Extrusion
[email protected]
Salt Lake City, UT Prolific Roadway
Salt Lake City, UT Prolific Roadway
configurations with different LED strips and various covers. What makes the Tec –Led Luxx extrusion so unique and desirable is that it allows for LED strip lighting with a spotless finish. It ensures no
Lighting for now and the future
more unsightly spots when looking straight at the light or when the light is washed on to walls, cabinets, stairs etc.
OSRAM Australia Pty Ltd
The profile can be cut to each required length (Max 2400mm). The
TIME TO FLIP ITʼSITʼS TIME THESWITCH SWITCH ITʼS TIMETO TOFLIP FLIP THE THE SWITCH
surface mount version is delivered with mounting clips. End caps have a linear and a 90° wire exit. Two PMMA covers with clear and frosted
them to them to
outperform and under cost everything you’ve ever seen before. outperform and under cost everything you’ve ever seen before.
surface are available as optional accessories.
www.tec-ledlighting.com.au
Level 11, 423 Pennant Hills Rd Pennant Hills, NSW 2120 Sydney Australia
Sales and Service Ph: 1300 4 OSRAM (67726) Fax: 1300 138 618
[email protected]
them to
outperform and under cost everything you’ve ever seen before.
CLICK HERE TO VIEW ONLINE
Visit ourFLIP website for more information. ITʼS TIME TO SWITCH Visit our website forTHE more information.
ITʼS TIME TO FLIP THE SWITCH Visit FLIP our website for moreSWITCH information. ITʼS TIME TO THE them to
EcoLED Tubes
outperform and under cost everything you’ve ever seen before.
The Solid State ecoLED Tubes are the environmentally friendly
outperform and under cost everything you’ve ever seen before. 3/9 Hoyle Ave Castle Hill, NSW 2154 Australia 3/9 Hoyle Ave Castle Hill, NSW 2154 Australia
replacement for T8 fluorescent tubes which are capable of being used
Fax: +61 (0)2 9899 8177 Fax: +61 (0)2 9899 8177
Being mercury free, these LED tubes do not contain any toxic
Visit our website for more information. LED LED Lighting Lighting For Every Space: For Every Space:
The LED tubes offer much lower energy consumption and
www.lsgc.com www.lsgc.com
Phone:+61 (0)2 9899 8777
Fax:Visit +61our (0)2 9899 for 8177
[email protected] website more information.
require very little maintenance, making them more economical than
www.lsgc.com
Lamps, Lamps, Roadway, Roadway, Garage, VisitIndustrial, our website for more information. Garage, Industrial, 3/9 Hoyle Ave Castle Hill, NSW 2154 Australia Phone:+61 (0)2 9899 8777 Pathway, Pathway, Area Area
fluorescent lamps. Made from aluminium and polycarbonate materials, the LED tubes
CLICK HERE TO VIEW ONLINE
www.tenrod.com.au
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[email protected] [email protected]
3/9 Hoyle Ave Castle Hill, NSW 2154 Australia
contents that fluorescent tubes normally contain.
traditional LED products.
Phone:+61 (0)2 9899 8777 them to Phone:+61 (0)2 9899 8777
outperform and under cost everything you’ve ever seen before.
for both new and retrofit installations.
cab be handled much more safely and are far more durable than
them to
www.lightingproductshowcase.com.au
LED Lighting For EveryFax:Space: +61 (0)2 9899 8177
[email protected]
3/9 Hoyle Ave Castle Hill, NSW 2154 Australia
Lamps, Roadway, Garage, Industrial, Fax: (0)2 9899 8177 For+61 Every Space: Pathway, Area
3/9 Hoyle Castle Hill, NSW 2154 Australia LEDAve Lighting Fax: +61 (0)2 9899 8177 Lamps, Roadway, Garage, Industrial, LED Lighting Pathway, Area For Every Space:
LED Lighting For Every Space:
www.lsgc.com
Phone:+61 (0)2 9899 8777 Phone:+61 (0)2 9899 8777
[email protected] [email protected]
www.lsgc.com www.lsgc.com
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D-CO LED Range by Thorn Lighting D-CO LED is Thorn’s new range of LED luminaires which has the flexibility to master a range of decorative indoor or outdoor lighting solutions. There are four families of interior fittings, including fixed and multidirectional recessed downlights. Designed with 1.2W LEDs in two colour temperatures (4000K or 3000K), the units are available in a 35o beam angle and are a suitable replacement for 20-35W MR16 halogen fittings or where accent lighting is required. The indoor range also includes a 116 mm square recessed wall light combining a 1.6W LED in two colour temperatures (3000K or 6500K) with an asymmetric reflector, resulting in a wash of light which is ideal for corridors and stairways. The D-CO LED outdoor range consists of three different sized in-ground recessed luminaires using 3000K 1.2W LEDs. All are cool-tothe-touch, stainless steel trim and IP67; frosted glass for the two smaller versions ideal for guidance lighting and clear glass for the large version suitable for accent lighting.
CLICK HERE TO VIEW ONLINE
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As well as a small flood utilising six 1.2W LEDs in 3000K, this surface mounted floodlight can be used in a wide range of façade lighting applications. All luminaires are installer friendly which minimises installation time and cost.
www.thornlighting.com.au
Legrand Energy-saving Lighting Sensors Ideal for offices and other commercial applications, these standalone and networked sensors offer a variety of lighting management strategies to ensure there is just the right amount of light when and where it is needed. They offer a much simpler and cost effective alternative to complex lighting control systems. The choice of solutions includes: zz Occupancy-based control – lights are automatically turned on and off according to occupancy
Commercial, Architectural, Sports, Security, public pedestrian and roadway lighting and industrial floodlighting specialists.
zz Vacancy-based control – lights are manually turned on and automatically turned off zz Daylighting control – lighting is held off when natural light rises above a preset level Where the standalone switch sensors are suitable for managing single or multiple areas, the networked SCS sensors and room controllers are ideal for easier management of larger areas such as an entire floor of an office building. Compatible with most lighting technologies, the setting and monitoring of
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the sensors is done via a remote control that allows 2-way communication. To maximise energy savings in a wide range of applications, a selection of models using different sensing technologies are available: zz Passive Infrared (PIR) zz Ultrasonic (US) zz Dual Technology (DT)
www.legrand.com.au
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Selux Australia Pty Ltd Unit 23, 43 Lang Parade Milton Qld 4064 T: +61 7 3876 8880 F: +61 7 3876 8882 E:
[email protected] W: www.selux.com.au
Unit 18 380 Eastern Valley Way, Chatswood NSW 2067 Ph: 02 9882 6000 Fax: 02 9882 6444
[email protected]
SILL LIGHTING AUSTRALASIA AUST/NZ AGENT FOR
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LIGHTING PRODUCTS SHOWCASE
BUYER’S GUIDE 2012
Vega Vega uses LED light sources to create indirect reflection resulting in comfortable interior lighting environments. Available as a ceiling recess or suspension fitting.
Q U A L I T Y
www.omsaustralia.com.au
InnovATIon CLICK HERE TO VIEW ONLINE
LATesT TechnoLogY
L AArchITecTUrAL m p s InTerIor
INDILED
IndUsTrIAL & commercIAL
A robust industrial bulkhead constructed with the mining sector in mind yet versatile for any industrial application. The body, fixings and mounting brackets are constructed from 316
hAzArdoUs
Stainless Steel materials. The optic’s front cover is made of toughened glass. The light source comprises of an array of LEDs from CREE mounted on
& A r d U o U s
specialised Wadco strips and powered by a Philips LED driver. There are 2 photometric distributions available with the Indiled:
InspIrATIon!
1. 8W LED system that comes with an internal tilt of 12.5° for an asymmetric distribution. This is ideal for narrow spaces like a walkway along conveyors where the light fittings are mounted on poles on the side. With the tilt, illumination levels over the target area is maximised whilst maintaining a 0° tilt on the light fitting. 2. 40W LED system that is mounted on a flat plate with a symmetric distribution. It is ideal for general lighting in tunnels or small spaces. All INDILEDs have full cut-off distribution and are dimmable and
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DALI controllable. Optional auxiliary lighting versions are available for evacuation lighting. Mounting options also include the pole mount adaptor.
www.wadco.com.au
Midi 95 Midi 95 is part of the new innovative 3S Lighting LED Downlight series, promoting superior optical performance and efficiency. Midi 95 uses technologically advanced LED modules, currently producing up to 3000 lumens from the standard 1 x 41W LED module. Available in lumen and colour temperature package options from 2700K to 4000K, and various beamspreads. Midi 95 is available in the new 2013 3S Lighting colour range, suitable for Interior, Exterior, Domestic and Commercial lighting applications. Providing superior quality of light is a result of application-specific lighting design and quality components.
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3S Lighting’s new LED range; making a statement with colour – express yourself!
www.3slighting.com
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LIGHTING PRODUCTS SHOWCASE
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Clan Evo50
In search of urban lighting that adds harmony to the city? Then look no further than Clan, the very latest in design flair and lighting technology.
Our EVO50 LED downlight is true revolution in its own Wright – It’s a high quality LED downlight fixture which is adaptable with our New Australian Architectural Designed trims and can also be retrofitted
Clan’s comprehensive array of columns, brackets and lanterns provides you with maximum flexibility and visual appeal. On the other hand it has an impressive ecological profile with a new generation optical systems, light sources including LEDs. All of which allows you to light many different spaces whilst maintaining the feel and appearance of a single, coherently designed
into existing halogen downlight trims, making this the first LED DOWNLIGHT OF ITS KIND IN AUSTRALIA. Our Evo50 is a true 1:1 MR16 50W halogen replacement comprising of 7 high powered CREE XPE LED\\\’s, with quality versatile 30 & 60 degree optic lens options, in both 3000K & 4000K color temperatures. Our Evo50 is supplied with a mains dimmable driver, which can dim through both trailing/leading edge Clipsal dimmers as well as C-BUS & Dynalite whom have conducted special in-house testing using our
www.thornlighting.com.au
quality Evo50 fixture. We launched our Evo50 led downlight onto the market in January 2O11 and have literally sold thousands since, they have been extremely well received across all market sectors which has been a
CLICK HERE TO VIEW ONLINE
huge milestone for us, we are proud to see our vision become a reality as this single product was a huge
Buyer's guide- Clan.indd 1
initial investment right from the initial R&D phase through to prototype & mass manufacture and keeping
Innovator of Lighting Technology
large stock volumes has been exiting but yet very challenging.
Whenever an electric light goes on around the world, Vossloh-Schwabe is likely to have made a key contribution to ensuring that everything works at the flick of a switch.
We have full specifications and documentation, such as “Australian photometric & IES Files” reports, both
Headquartered in Germany, Vossloh-Schwabe has been a member of the global Panasonic group since 2002 and counts as a technology leader within the lighting sector.
thermal & lumen depreciation reports for any professional that acquires this information. We are also very
Top-quality, high-performance products form the basis of the company’s success.
proud to publicize we are also in the process of receiving “IPART Certification” for these quality fixtures.
Where cost-effective standard components or tailor-made product developments are needed, Vossloh-Schwabe can satisfy even the most diverse market and customer requirements. Vossloh-Schwabe’s extensive product portfolio covers all lighting components: electronic and magnetic ballasts, capacitors, ignitors, lampholders, state of the art control systems (DALI LiCS) as well as a comprehensive range of LED products and matching control gear units.
www.ledlighting.com.au
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...capturing
your audience
delivering your message Call Adam on +61 2 9555 1944 or
[email protected] for yor best option CLICK HERE TO VIEW ONLINE
EG320 Solar LED Lighting System
WHO’S WHO OF LIGHTING LIGHTING iNTERACTiVE EXCLUSIVE EMAIL BROADCASTS LIGHTING PRODUCT SHOWCASE
The first roadway lighting system in the EG-series, the EG320 delivers uncompromised lumen output ideal for small roadways, parks and
P LIGHTING WEBSITE & eNEWSWIRE PROJECT CASE STUDIES EXECUTIVE PROFILES LIGHTING MEDIA KIT
Vossloh-Schwabe Deutschland GmbH • Branch Office Sydney Phone 02 8843 0700 • www.vossloh-schwabe.com
parking lot lighting applications. Available with split night operating
A member of the Panasonic group
profiles and advanced occupancy sensing technology. The EG-Series are designed for virtually any application including lighting for pathways, bicycle tracks, roadways, car parks, street lighting and other outdoor areas. These off-grid solar powered LED lighting systems are reliable, versatile and built to withstand the world’s harshest environmental conditions. Here in Australia EG-Series lights supplied to councils in Western Australia continue to function after experiencing strong cyclonic conditions. EG320 summary zz Up to 5,820 lumens zz Adaptive lighting (operating profiles)
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zz Up to two fixtures per unit zz Standard IES distributions: Types II, III, IV, V zz 5,700K and 4,000K colour temperatures zz 3 year limited warranty
www.orionsolar.com.au
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A celebration of lighting design
Museum of Contemporary Art Circular Quay, Sydney 31 May—2 June 2012
Learn about the beauty, art and science of lighting design during magnificent Vivid Sydney! A superb 3-day presentation of interactive displays and high quality images held in conjunction with Vivid Sydney. • Day 1 & 2 - Presentations by selected designers to industry stakeholders. • Day 3 - a Saturday - open to the public with the theme ‘A day of fun and education’.
10W 10WMR16 MR16 Dimmable DimmableLED LED
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For more information: www.sparcevent.org
ER510-50H36D ER510-50H36D
Available Available in in in both in both 24 24 & 36 & 36 degree degree beam beam angles, angles, warm warm white white 2800K 2800K & cool & cool white white 4000K 4000K
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® ® MEGAMAN MEGAMAN LIGHTING LIGHTING AUSTRALIA AUSTRALIA PTYPTY LTDLTD 64/60-82 64/60-82 Princes Princes Highway Highway St Peters St Peters NSW NSW 2044 2044 Sydney, Sydney, Australia Australia Tel:Tel: (61) (61) 2 9557 2 9557 9800 9800 Fax: Fax: (61) (61) 2 9557 2 9557 9899 9899 E-mail: E-mail:
[email protected] [email protected] www.megamanlighting.com.au www.megamanlighting.com.au