Works Cited

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A Talent to Deceive: An Appreciation of Agatha Christie. New York: Dodd ... Society and Beyond: Critical Issues for Social Theory. ... 4:50 from Paddington. 1957.
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Works Cited Adam, Barbara and Joost van Loon. “Introduction: Repositioning Risk; the Challenge for Social Theory.” Ed. Ulrich Beck et al. The Risk Society and Beyond: Critical Issues for Social Theory. London: Sage Publications, 2000. Adornov, Theodor W. “Cultural Industry Reconsidered” in Reading Popular Narrative: A Source Book. Ed. Bob Ashley. London: Leicester UP, 1989. Bargainnier, Earl F. The Gentle Art of Murder: The Detective Fiction of Agatha Christie. Bowling Green, Ohio, Bowing Green State University Popular Press, 1980. Barth, John. “The Literature of Exhaustion.” Ed. Mark Currie. Metafiction. London: Longman, 1995. Barnard, Robert. A Talent to Deceive: An Appreciation of Agatha Christie. New York: Dodd, Mead and Company, 1980. Bayard, Pierre. Who Killed Roger Ackroyd? The Mystery Behind the Agatha Christie Mystery. New York: The New Press, 2000. Beck, Ulrich. Reflexive Modernization: Politics, Tradition and Aesthetics in the Modern Social Order, Stanford, Calif.: Stanford University Press, 1994. --- . “Risk Society Revisited: Theory, Politics and Research Programmes.” The Risk Society and Beyond: Critical Issues for Social Theory. London: Sage Publications, 2000. Benjamin, Walter. Charles Baudelaire: A Lyric Poet in the Era of High Capitalism. Trans by Harry Zohn. London: Verso, 1992. --- .

“Theses on the Philosophy of History.” Illuminations. Trans by Hannha Arendt. New York: Schocken Books, 1986.

--- . Walter Benjamin: Selected Writings Volume I 1913-1926. Ed. Marcus Bullock and Michael W. Jenning. Harvard UP, 1996. Best, Steven and Douglas Kellner. “Foucault and the Critique of Modernity.”

176 Postmodern Theory: Critical Interrogations. Guilford Press: New York. 1991. Burkitt, Ian.” The Time and Space of Everyday Life.” Cultural Studies. 18.2/3, 2004. 211-227. Cawelti, John G. “Artisitc Failure and Successes: Christie and Sayers.” Adventure, Mystery, and Romance. Chicago: U of Chicago P, 1976. Christie, Agatha. 4:50 from Paddington. 1957. New York: Berkley Books, 2000. --- .

A Murder Is Announced. 1950. New York: St. Martin Press, 2000.

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And Then There Were None. 1939, New York: St. Martin P, 2001.

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A Pocket Full of Rye. 1953. New York: Berkley Books

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Cards on the Table. 1936. New York: Berkley Books, 2000.

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Cat Among the Pigeons. 1959, New York: Berkley Book, 2000.

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Curtain: Poirot’s Last Case. 1976, New York: Berkley Books, 2000.

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Elephant Can Remember. 1972. New York: Berkley Books, 2000.

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Endless Night. 1967, New York: Berkley Books, 2000.

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Five Little Pigs. 1942, New York: Berkley Books, 1984.

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Hallowe’en Party. 1969. New York: Berkley Books, 2000.

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Hercules Poirot’s Christmas. 1938. New York: Berkley Books, 2000.

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One, Two, Buckle My Shoe. 1940. New York: Berkley Books, 1984.

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Ordeal by Innocence. 1958, New York: St. Martin’s Press, 2002.

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Pale Horse. 1961. New York: St. Martin Press, 2002.

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Passenger to Frankfort. 1970. New York: St. Martin’s Press, 2002.

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Sleeping Murder. 1976, New York: Signet, 2000.

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Sparkling Cyanide. 1945, New York: St. Martin’s Press, 2001.

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The A.B.C. Murders. 1936, New York: Berkley Book, 1991.

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The Body in the Library. 1942. New York: Berkley Books, 2000.

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The Clocks. 1963, New York: Berkley Book, 2000.

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The Mirror Crack’d. 1962. New York: Signet Book, 2000.

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The Murder of Roger Ackroyd. 1926, New York: Berkley Books, 1984.

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They Came to Baghdad. 1951. New York: St. Martin’s Press, 2002.

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They Do It with Mirror. 1952, New York: Signet, 2000.

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Third Girl. 1966, New York: Berkley Book, 2000.

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Toward Zero. 1944, New York: St. Martin’s Press, 2001.

Clark, Gordon. and Michael Dear. “The State in Capitalism and the Capitalist State” Ed. Michael Dear and Allen J. Scott. Urbanization & Urban Planning in Capitalist Society. Methuen: London and New York. 1981. 45-61. De Certeau, Michele. Heterologies: Discourse on the Other, Minneapolis: University of Minnesota Press, 1986. --- .

The Practice of Everyday Life. Tran. Steven Rendall. Berkeley: U of

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178 Ithaca, N.Y.: Cornell University Press, 1977. ---.

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Colin Gordon et al. New York: Pantheon Books, 1980. Frank, Joseph. The Widening Gyre: Crisis and Mastery in Modern Literature. New Brunswick: Rutgers UP, 1963. Giddens, Anthony. “Anthony Giddens and Will Hutton in Conversation.” Ed. Will Hutton and Anthony Giddens. Global Capitalism. New York: The New Press, 2000. 1-51. --- . “Living in a Post-Traditional Society.” Ulrich Beck et al. Reflexive Modernization: Politics, Tradition and Aesthetics in Modern Social Order. Standford, CA: Standford UP, 1994. 57-107. --- . Modernity and Self-Identity: Self and Society in the Late Modern Age, Cambridge, UK: Polity Press, 1991. Gilligan, George. Crime, Truth and Justice: Official Inquiry, Discourse, Knowledge. Ed. George Gilligan and John Pratt. Cullompton, UK: Willan Publishing, 2004. Habermas, Jürgen. “Modernity—An Incomplete Project.” Ed. Hal Foster. The Anti-Aesthetic: Essay on Postmodern Culture. Bay Press, 1983. Hamilton, Peter. Espionage, Terrorism and Subversion: An Examination and A Philosophy of Defence for Management. Surrey, England: Peter A. Heims Ltd., 1979. Harvey, David. “Time-Space Compression and the Rise of Modernism as a Cultural Force.” The Condition of Postmodernity: An Inquiry into the Origins of Cultural Changes. Cambridge, MA: Blackwell, 1990. --- .

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Heise, Thomas. “Going Blood-Simple Like the Narratives: Contagious Urban Spaces and Modern Power in Dashiell Hammett’s Red Harvest.” Modern Fiction

179 Studies 49.4 (2003): 485-511. Heynen, Hilde. Architecture and Modernity: A Critic. MIT P, 1999. Horsley, Lee. “Classical Detection in the Inter-War Years.” Twentieth-Century Crime Fiction. Oxford UP, 2005. Hudson, Barbara. Justice in the Risk Society: Challenging and Re-Affirming Justice in Late Modernity. London: Sage Publications, 2003. Hühn, Peter. “The Detective as Reader: Narrativity and Reading Concept in Detective Fiction.” Modern Fiction Studies: 33.3, 1987. 451-466. Hutcheon, Linda. A Poetic of Postmodern: History, Theory, Fiction. New York: Routledge, 1988. --- . Narcissistic Narrative: The Metafictional Paradox. New York: Methuen, 1984. --- . “The Politics of Postmodernism: Parody and History.” Cultural Critique 5 (Winter), 1986-7. 179-207. Innes, Martin. Investigating Murder: Detective Work and the Police Response to Criminal Homicide. Oxford UP, 2003. Jackson, Christine A. Myth and Ritual in Women’s Detective Fiction. Jefferson, North Carolina: McFarland & Company P, 2002. Jameson, F. R. “On Raymond Chandler” Eds. Glenn W. Most and William W. Stowe. The Poetics of Murder: Detective Fiction and Literary Theory. San Diego: Hardcourt Brace Jovanovich P, 1983. Knepper, Marty S. “The Curtain Falls: Agatha Christie's Last Novels.” Clues: A Journal of Detection 23.4 (Summer), 2005. 69-84. Knight, Stephen Thomas. Crime Fiction, 1800-2000: Detection, Death, Diversity. New York: Palgrave MacMillan, 2004. Lash, Scott. “Reflexivity and Its Doubles: Structures, Aesthetics, Community.” Ulrich Beck et al. Reflexive Modernization: Politics, Tradition and Aesthetics in the Modern Social Order. Stanford, CA: Stanford UP, 1994. Lefebvre, Henri. Everyday Life in the Modern World. Tran. Sacha Rabinovitch.

180 London: The Athlone Press, 2000. --- . The Production of Space, Oxford, UK: Blackwell, 1991. --- . Writings on Cities. Tran. and Ed. Eleonore Kofman and Elizabeth Lebas. Oxford: Blackwell P, 1996. Light, Alison. “Agatha Christie and Consevative Modernity.” Forever England: Femininity, Literature, and Conservatism between the Wars. London: Routledge, 1991. Lyotard, Jean-François. The Postmodern Condition. Minneapolis: U of Minneapolis P, 1984. Maida, Patricia D. and Nicholas B. Spornick. Murder She Wrote: A Study of Agatha Christie’s Detective Fiction. Bowling Green, Ohio, Bowing Green State University Popular Press, 1982. Mandel, Earnest. Delightful Murder: A Social History of the Crime Story. U of Minnesota P, 1984. Marx, Karl. Capital: Volume 1: A Critique of Political Economy. London: Penguin Books. 1990. McCracken, Scott. Pulp: Reading Popular Fiction. Manchester UP, 1998. McHale, Brian. Postmodernist Fiction. New York: Methuen, 1987. Merivale, Partricia and Susan Elizabeth Sweeney. Detecting Texts: The Metaphysical Story from Poe to Postmodernism. U of Pennsylvania P, 1999. Miller, Kristine A. “Case Closed: Scapegoating in British Women’s Wartime Detective Fiction.” The Devil Himself: Villainy in Detective Fiction and Film. Eds. Stacy Gillis and Philippa Gate. Greenwod P, 2002. Moran, Joe. “Benjamin and Boredom.” Critical Quarterly. 45.1-2, 2003. 168-181. --- . “Housing, Memory and Everyday Life in Contemporary Britain.” Cultural Studies. 18.4, 2004. pp. 607-627. Murray, Chris. “Rethinking Neighbourhoods: From Urban Villages to Cultural Hubs.”

181 Ed. David Bell & Mark Jayne. City of Quarters: Urban Villages in the Contemporary City. Aldershot, England: Ashgate P, 2004. Mythen, Gabe. Ulrich Beck: A Critical Introduction to the Risk Society. London: Pluto Press, 2004. Norton, Philip. Law and Order and British Politics. Brookfield, VT. USA: Gower, 1984. Ommundsen, Wenche. Metafictions? Reflexivity in Contemporary Texts. Melbourne UP, 1993. Osborne, Charles. The Life and Crimes of Agatha Christie: An Biographical Companion to the Works of Agatha Christie. New York: St. Martin Press, 2001. Priestman, Martin. The Cambridge Companion to Crime Fiction. Cambridge UP, 2003. Porter, Dennis. “Backward Construction and the Art of Suspense.” Eds. Glenn W. Most and William W. Stowe, The Poetics of Murder. San Diego: Harcourt, 1983. 327-40. Pyrhönen, Heta. Mayhem and Murder: Narrative and Moral Problems in the Detective Story. U of Toronto P, 1999. Rowland, Susan. From Agatha Christie to Ruth Rendell: British Women Writers in Detective and Crime Fiction. Chippenham, Wiltshire: Palgrave Publisher, 2001. Savage, Michael. Urban Sociology, Capitalism and Modernity. New York: Continuum, 1993. Seed, David. “Spy Fiction.” Ed. Martin Priestman. The Cambridge Companion to Crime Fiction. Cambridge UP, 2003. 115-134. Sinfield, Alan. Literature, Politics, and Culture in Postwar Britain. Berkeley: U of California P, 1989.

182 Söderlind, Jerker. “Culture and Sustainability.” Ed. L. Nyström and C. Fudge. City and Culure: Cultural Processes and Urban Sustainability. Stockholm: The Swedish Urban Environmental Council, 1999. 257-280. Tani, Stefani. The Doomed Detective: The Contribution of the Detective Novel to Postmodern American and Italian Fiction. South Illinois UP, 1984. Thomas, Ronald R. Detective Fiction and the Rise of Forensic Science. Cambridge UP, 1999. Thompson, Paul. The Edwardians: The Remaking of British Society. London: Routledge, 1992. Thorns, David C. The Transformation of Cities: Urban Theory and Urban Life. New York: Palgrave Macmillan, 2002. Twyning, John. London Dispossessed: Literature and Social Space in the Early Modern City. New York: St. Martin's Press, 1998. Vagstad, Kristi. “Yankees on the Orient Express.” Armchair Detective 28.1 (1995): 276-283. Waugh, Patricia. Metafiction: The Theory and Practice of Self-Conscious Fiction. London: Routledge, 1984. Williams, Raymond. “Long Revolution.” Reading Popular Narrative: A Source Book. Ed. Bob Ashley. London: Leicester UP, 1989. --- .

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